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The Historical Novel in Nineteenth-Century Europe by Brian Hamnett Pdf
Brian Hamnett examines key historical novels by Scott, Balzac, Manzoni, Dickens, Eliot, Flaubert, Fontane, Galdós, and Tolstoy, revealing the contradictions inherent in this form of fiction and exploring the challenges writers encountered in attempting to represent a reality that linked past and present.
The Historical Novel in Europe, 1650-1950 by Richard Maxwell Pdf
This book examines how the French invention and the Scottish re-invention of historical fiction prepared the genre's popularity during the nineteenth and twentieth centuries.
Space and Narrative in the Nineteenth-Century British Historical Novel by Tom Bragg Pdf
Demonstrating that nineteenth-century historical novelists played their rational, trustworthy narrators against shifting and untrustworthy depictions of space and place, Tom Bragg argues that the result was a flexible form of fiction that could be modified to reflect both the different historical visions of the authors and the changing aesthetic tastes of the reader. Bragg focuses on Scott, William Harrison Ainsworth, and Edward Bulwer Lytton, identifying links between spatial representation and the historical novel's multi-generic rendering of history and narrative. Even though their understanding of history and historical process could not be more different, all writers employed space and place to mirror narrative, stimulate discussion, interrogate historical inquiry, or otherwise comment beyond the rational, factual narrator's point of view. Bragg also traces how landscape depictions in all three authors' works inculcated heroic masculine values to show how a dominating theme of the genre endures even through widely differing versions of the form. In taking historical novels beyond the localized questions of political and regional context, Bragg reveals the genre's relevance to general discussions about the novel and its development. Nineteenth-century readers of the novel understood historical fiction to be epic and serious, moral and healthful, patriotic but also universal. Space and Narrative in the Nineteenth-Century British Historical Novel takes this readership at its word and acknowledges the complexity and diversity of the form by examining one of its few continuous features: a flexibly metaphorical valuation of space and place.
In 'A Hero of the Pen', E. Werner takes us back to a town on the Mississippi River in 1871, where we meet the protagonist, Jane Forest. The young woman is sitting in her family's luxurious mansion, listening to William Alison, a charming and adventurous young man, discuss his plans to travel to Europe. To Jane's surprise, Alison confesses his love to her and asks for her hand in marriage. While Alison's emotions run high, Jane remains composed and self-assured in her response. This gripping romance novel explores the complex dynamics of love, ambition, and self-discovery in a rapidly changing world.
The German Historical Novel since the Eighteenth Century by Daniela Richter Pdf
The historical novel is a genre which has enjoyed widespread popularity in Germany from its beginnings in the eighteenth century. At that time, increased literacy among the middle and lower classes had resulted in a greater demand for reading material aimed at a general audience. Because of its educational and entertaining characteristics, the historical novel quickly became a dominant genre among other forms of popular literature. To this day, it constitutes a major sector on the German book market and is, together with popular TV series, documentaries, and museum exhibits, an important part of German Geschichtskultur. This collection of essays looks at aesthetic and thematic continuities, as well as changes in the development of the genre in Germany from the late eighteenth century to the present, and gives insights into the novels’ political and socio-cultural implications. The articles investigate historical novels from writers such as Benedikte Naubert, the ‘mother’ of German historical fiction, nineteenth-century popular writers Georg Ebers and Hermann Sudermann, modern writers such as Alfred Döblin, Hermann Hesse, and Hermann Broch, post-Wende works such as those by Thomas Brussig, Christa Wolf, and Ingo Schulze, and contemporary historical fiction by Sabine Weigand, Eveline Hasler and Petra Durst-Benning.
Nineteenth-Century Europe offers a much-needed concise and fresh look at European culture between the Great Revolution in France and the First World War. It encompasses all major themes of the period, from the rising nationalism of the early nineteenth century to the pessimistic views of fin de siècle. It is a lucid, fluent presentation that appeals to both students of history and culture and the general audience interested in European cultural history. The book attempts to see the culture of the nineteenth century in broad terms, integrating everyday ways of life into the story as mental, material and social practices. It also highlights ways of thinking, mentalities and emotions in order to construct a picture of this period of another kind, that goes beyond a story of “isms” or intellectual and artistic movements. Although the nineteenth century has often been described as a century of rising factory pipes and grey industrial cities, as a cradle of modern culture, the era has many faces. This book pays special attention to the experiences of contemporaries, from the fear for steaming engines to the longing for the pre-industrial past, from the idle calmness of bourgeois life to the awakening consumerism of the department stores, from curious exoticism to increasing xenophobia, from optimistic visions of future to the expectations of an approaching end. The century that is only a few generations away from us is strange and familiar at the same time – a bygone world that has in many ways influenced our present day world.
Struggling to make sense of the Revolution of 1789, the French in the nineteenth century increasingly turned to visual forms of historical representation in a variety of media. Maurice Samuels shows how new kinds of popular entertainment introduced during and after the Revolution transformed the past into a spectacle. The wax display (in which visitors circulated amid life-size statues of historical figures), the phantasmagoria show (in which images of historical personages were projected onto smoke or invisible screens), and the panorama (in which spectators viewed giant circular canvases depicting historical scenes) employed new optical technologies to entice crowds of spectators. Such entertainments, Samuels asserts, provided bourgeois audiences with an illusion of mastery over the past, allowing them to picture their new role as historical agents.Samuels demonstrates how the spectacular mode of historical representation pervaded historiography, drama, and the novel during the Romantic period. He then argues that the early Realist fiction of Balzac and Stendhal emerged as a critique of the spectacular historical imagination. By investigating how postrevolutionary France envisioned the past, Samuels illuminates a vital moment in the cultural history of modernity.
Europe in the Nineteenth Century by Harry Pratt Judson Pdf
Excerpt from Europe in the Nineteenth Century About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
History, Fiction, and Germany by Brent Orlyn Peterson Pdf
A study of the content, development, and transmission of German identity during the nineteenth century as Germany's national narrative took shape in historical fiction and in both popular and academic history. The German-speaking inhabitants of central Europe did not automatically think of themselves as "Germans"--not before 1871 and not always after unification. In fact, they spoke mutually incomprehensible dialects, owed allegiance to different leaders, worshiped in different churches, and would not have recognized each other's customs. If asked about their identity, these prospective Germans might have answered Austrian, Bavarian, or Prussian, and they could as easily have used more local labels or resorted to occupational markers. For this disparate population to think of itself as "German," that word had to acquire content--people had to learn a whole set of stories they could tell themselves and to others in answer to the question of identity. History, Fiction, and Germany chronicles how German nationalism developed simultaneously with the historical novel and the field of history, both at universities and in middlebrow reading material. The book examines Germany's emerging national narrative as nineteenth-century writers adapted it to their own visions and to changing circumstances. These writers found and popularized the nation's heroes and heroines, demonized its villains and enemies, and projected the nation's hopes and dreams for the future. Author Brent O. Peterson argues that it was the production and consumption of national history--the writing and reading of the nation--that filled Germany with Germans. Although the task of national narration was never complete and never produced a single, universally accepted version of German national identity, tales from Germans' gradually shared history did more to create Germany than any statesman, general, or philosopher. History, Fiction, and Germany provides a valuable resource for scholars and students of German studies, as well as anyone interested in history and the articulation of national identity.
Alessandro Manzoni was a giant of nineteenth-century European literature whose I promessi sposi (The Betrothed, 1928) is ranked with War and Peace as marking the summit of the historical novel. Manzoni wrote “Del romanzo storico” (“On the Historical Novel”) during the twenty years he spent revising I promessi sposi. This first English translation of On the Historical Novel reflects the insights of a great craftsman and the misgivings of a profound thinker. It brings up to the nineteenth century the long war between poetry and history, tracing the idea of the historical novel from its origins in classical antiquity. It declares the historical novel—and presumably I promessi sposi itself—dead as a genre. Or perhaps it justifies I promessi sposi as the climax of a genre and the end of a stage of human consciousness. Its importance lies both in its prospective and in its retrospective contributions to literary debate.
Representing the Past in the Art of the Long Nineteenth Century by Matthew C. Potter Pdf
This edited collection explores the intersection of historical studies and the artistic representation of the past in the long nineteenth century. The case studies provide not just an account of the pursuit of history in art within Western Europe but also examples from beyond that sphere. These cover canonical and conventional examples of history painting as well as more inclusive, ‘popular’ and vernacular visual cultural phenomena. General themes explored include the problematics internal to the theory and practice of academic history painting and historical genre painting, including compositional devices and the authenticity of artefacts depicted; relationships of power and purpose in historical art; the use of historical art for alternative Liberal and authoritarian ideals; the international cross-fertilisation of ideas about historical art; and exploration of the diverse influences of socioeconomic and geopolitical factors. This book will be of particular interest to scholars of the histories of nineteenth-century art and culture.
He turned and looked at her with a benevolent smile. "Come hither, my child," said he. "You would speak with the emperor. I am he."The girl uttered a stifled cry, and falling on her knees, she hid her death-like face in her hands. For she had recognized her unknown protector. Yes, this noble man, who had proffered help and promised protection, this was the emperor, and to his face she had called him miser and tyrant!-from "Chapter XXXV: The Disguise Removed"In the constrained culture of 19th-century Europe, Luise M hlbach was thwarted in her desire to become a historian, so instead she wrote historical novels in her native German-more than 100 of them, most of which were bestsellers in Europe and many of which were translated into English, with great success.This 1865 novel, set among the intrigue of the court of Austrian emperor Joseph II, is a wonderful example of German literary realism, a movement to which M hlbach was an important contributor, though one frequently overlooked today. And it is a shining model of the fierce feminism M hlbach evinced in her life as well as her fiction-Empress Maria Theresa is a potent presence here, a beautifully realized womanly force.With deftly realized characters-male and female-and page-turning plots, M hlbach's stirring historical novels are ready to find a new readership today.Luise M hlbach was the pseudonym of German author LUISE MUHLBACH (1814-1873). Among her many works of historical fiction are A Conspiracy of the Carbonari, The Daughter of an Empress, Henry VIII and His Court, Marie Antoinette and Her Son, and Napoleon and Blucher.
The Oxford History of the Novel in English by John Kucich,Patrick Parrinder,Jenny Bourne Taylor Pdf
This series presents a comprehensive, global and up-to-date history of English-language prose fiction and written ... by a international team of scholars ... -- dust jacket.
The Origins and Destiny of Imperial Britain by J. A. Cramb Pdf
DigiCat Publishing presents to you this special edition of "The Origins and Destiny of Imperial Britain" (Nineteenth Century Europe) by J. A. Cramb. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Nineteenth Century Collections Online: European Literature, 1790-1840: The Corvey Collection includes the full-text of more than 9,500 English, French and German titles. The collection is sourced from the remarkable library of Victor Amadeus, whose Castle Corvey collection was one of the most spectacular discoveries of the late 1970s. The Corvey Collection comprises one of the most important collections of Romantic era writing in existence anywhere -- including fiction, short prose, dramatic works, poetry, and more -- with a focus on especially difficult-to-find works by lesser-known, historically neglected writers. The Corvey library was built during the last half of the 19th century by Victor and his wife Elise, both bibliophiles with varied interests. The collection thus contains everything from novels and short stories to belles lettres and more populist works, and includes many exceedingly rare works not available in any other collection from the period. These invaluable, sometimes previously unknown works are of particular interest to scholars and researchers. European Literature, 1790-1840: The Corvey Collection includes: * Novels and Gothic Novels * Short Stories * Belles-Lettres * Short Prose Forms * Dramatic Works * Poetry * Anthologies * And more Selected with the guidance of an international team of expert advisors, these primary sources are invaluable for a wide range of academic disciplines and areas of study, providing never before possible research opportunities for one of the most studied historical periods. Additional Metadata Primary Id: B0073903 PSM Id: NCCOF0063-C00000-B0073903 DVI Collection Id: NCCOC0062 Bibliographic Id: NCCO001588 Reel: 93 MCODE: 4UVC Original Publisher: Printed for William Lane, at the Minerva-Press Original Publication Year: 1797 Subjects English fiction -- 18th century.
