Rhythm And Race In Modernist Poetry And Science

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Rhythm and Race in Modernist Poetry and Science

Michael Golston
Rhythm and Race in Modernist Poetry and Science Book PDF

Author : Michael Golston
Publisher : Columbia University Press
Page : 300 pages
File Size : 50,8 Mb
Release : 2007-12-21
Category : Literary Criticism
ISBN : 0231512333

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Rhythm and Race in Modernist Poetry and Science by Michael Golston Pdf

In the half-century between 1890 and 1950, a variety of fields and disciplines, from musicology and literary studies to biology, psychology, genetics, and eugenics, expressed a profound interest in the subject of rhythm. In this book, Michael Golston recovers much of the work done in this area and situates it in the society, politics, and culture of the Modernist period. He then filters selected Modernist poems through this archive to demonstrate that innovations in prosody, form, and subject matter are based on a largely forgotten ideology of rhythm and that beneath Modernist prosody is a science and an accompanying technology. In his analysis, Golston first examines psychological and physiological experiments that purportedly proved that races responded differently to rhythmic stimuli. He then demonstrates how poets like Ezra Pound, W. B. Yeats, Mina Loy, and William Carlos Williams either absorbed or echoed the information in these studies, using it to hone the innovative edge of Modernist practice and fundamentally alter the way poetry was written. Golston performs close readings of canonical texts such as Pound's Cantos, Yeats's "Lake Isle of Innisfree," and William Carlos Williams's Paterson, and examines the role the sciences of rhythm played in racist discourses and fascist political thinking in the years leading up to World War II. Recovering obscure texts written in France, Germany, England, and America, Golston argues that "Rhythmics" was instrumental in generating an international modern art and should become a major consideration in our reading of reactionary avant-garde poetry.

Science in Modern Poetry

John Holmes
Science in Modern Poetry Book PDF

Author : John Holmes
Publisher : Liverpool University Press
Page : 251 pages
File Size : 48,7 Mb
Release : 2012-01-01
Category : Literary Criticism
ISBN : 9781846318092

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Science in Modern Poetry by John Holmes Pdf

Over the last thirty years, more and more critics and scholars have come to recognize the significant influence of science on literature. This collection of essays focuses specifically on what poets in the twentieth and twenty-first centuries have made of modern scientific developments. In these twelve essays, leading experts on modern poetry, literature, and science explore how poets have used scientific language in their poems, how poetry can offer new perspectives on science, and how the two cultures can and have come together in the work of poets from Britain, Ireland, America, and Australia.

Critical Rhythm

Ben Glaser,Jonathan Culler
Critical Rhythm Book PDF

Author : Ben Glaser,Jonathan Culler
Publisher : Fordham Univ Press
Page : 288 pages
File Size : 41,8 Mb
Release : 2019-01-08
Category : Literary Criticism
ISBN : 9780823282050

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Critical Rhythm by Ben Glaser,Jonathan Culler Pdf

This book shows how rhythm constitutes an untapped resource for understanding poetry. Intervening in recent debates over formalism, historicism, and poetics, the authors show how rhythm is at once a defamiliarizing aesthetic force and an unstable concept. Distinct from the related terms to which it’s often assimilated—scansion, prosody, meter—rhythm makes legible a range of ways poetry affects us that cannot be parsed through the traditional resources of poetic theory. Rhythm has rich but also problematic roots in still-lingering nineteenth-century notions of primitive, oral, communal, and sometimes racialized poetics. But there are reasons to understand and even embrace its seductions, including its resistance to lyrical voice and even identity. Through exploration of rhythm’s genealogies and present critical debates, the essays consistently warn against taking rhythm to be a given form offering ready-made resources for interpretation. Pressing beyond poetry handbooks’ isolated descriptions of technique or inductive declarations of what rhythm “is,” the essays ask what it means to think rhythm. Rhythm, the contributors show, happens relative to the body, on the one hand, and to language, on the other—two categories that are distinct from the literary, the mode through which poetics has tended to be analyzed. Beyond articulating what rhythm does to poetry, the contributors undertake a genealogical and theoretical analysis of how rhythm as a human experience has come to be articulated through poetry and poetics. The resulting work helps us better understand poetry both on its own terms and in its continuities with other experiences and other arts. Contributors: Derek Attridge, Tom Cable, Jonathan Culler, Natalie Gerber, Ben Glaser, Virginia Jackson, Simon Jarvis, Ewan Jones, Erin Kappeler, Meredith Martin, David Nowell Smith, Yopie Prins, Haun Saussy

E. M Forster and Music

Tsung-Han Tsai
E M Forster and Music Book PDF

Author : Tsung-Han Tsai
Publisher : Cambridge University Press
Page : 209 pages
File Size : 43,6 Mb
Release : 2021-05-27
Category : Literary Criticism
ISBN : 9781108844314

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E. M Forster and Music by Tsung-Han Tsai Pdf

The first book focused on the political resonances of E. M. Forster's engagement with and representations of music.

Rethinking Empathy through Literature

Meghan Marie Hammond,Sue J. Kim
Rethinking Empathy through Literature Book PDF

Author : Meghan Marie Hammond,Sue J. Kim
Publisher : Routledge
Page : 285 pages
File Size : 55,9 Mb
Release : 2014-07-11
Category : Literary Criticism
ISBN : 9781317817369

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Rethinking Empathy through Literature by Meghan Marie Hammond,Sue J. Kim Pdf

In recent years, a growing field of empathy studies has started to emerge from several academic disciplines, including neuroscience, social psychology, and philosophy. Because literature plays a central role in discussions of empathy across disciplines, reconsidering how literature relates to "feeling with" others is key to rethinking empathy conceptually. This collection challenges common understandings of empathy, asking readers to question what it is, how it works, and who is capable of performing it. The authors reveal the exciting research on empathy that is currently emerging from literary studies while also making productive connections to other areas of study such as psychology and neurobiology. While literature has been central to discussions of empathy in divergent disciplines, the ways in which literature is often thought to relate to empathy can be simplistic and/or problematic. The basic yet popular postulation that reading literature necessarily produces empathy and pro-social moral behavior greatly underestimates the complexity of reading, literature, empathy, morality, and society. Even if empathy were a simple neurological process, we would still have to differentiate the many possible kinds of empathy in relation to different forms of art. All the complexities of literary and cultural studies have still to be brought to bear to truly understand the dynamics of literature and empathy.

Nineteenth-Century Poetry and the Physical Sciences

Gregory Tate
Nineteenth Century Poetry and the Physical Sciences Book PDF

Author : Gregory Tate
Publisher : Springer Nature
Page : 278 pages
File Size : 49,8 Mb
Release : 2020-06-17
Category : Literary Criticism
ISBN : 9783030314415

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Nineteenth-Century Poetry and the Physical Sciences by Gregory Tate Pdf

Poetical Matter examines the two-way exchange of language and methods between nineteenth-century poetry and the physical sciences. The book argues that poets such as William Wordsworth, Mathilde Blind, and Thomas Hardy identified poetry as an experimental investigation of nature’s materiality. It also explores how science writers such as Humphry Davy, Mary Somerville, and John Tyndall used poetry to formulate their theories, to bestow cultural legitimacy on the emerging disciplines of chemistry and physics, and to communicate technical knowledge to non-specialist audiences. The book’s chapters show how poets and science writers relied on a set of shared terms (“form,” “experiment,” “rhythm,” “sound,” “measure”) and how the meaning of those terms was debated and reimagined in a range of different texts. “A stimulating analysis of nineteenth-century poetry and physics. In this groundbreaking study, Tate turns to sound to tease out fascinating continuities across scientific inquiry and verse. Reflecting that ‘the processes of the universe’ were themselves ‘rhythmic,’ he shows that a wide range of poets and scientists were thinking through undulatory motion as a space where the material and the immaterial met. ‘The motion of waves,’ Tate demonstrates, was ‘the exemplary form in the physical sciences.’ Sound waves, light, energy, and poetic meter were each characterized by a ‘process of undulation,’ that could be understood as both a physical and a formal property. Drawing on work in new materialism and new formalism, Tate illuminates a nineteenth-century preoccupation with dynamic patterning that characterizes the undulatory as (in John Herschel’s words) not ‘things, but forms.’” —Anna Henchman, Associate Professor of English at Boston University, USA “This impressive study consolidates and considerably advances the field of physics and poetry studies. Moving easily and authoritatively between canonical and scientist poets, Nineteenth-Century Poetry and the Physical Sciences draws scientific thought and poetic form into telling relation, disclosing how they were understood variously across the nineteenth century as both comparable and competing ways of knowing the physical world. Clearly written and beautifully structured, Nineteenth-Century Poetry and the Physical Sciences is both scholarly and accessible, a fascinating and indispensable contribution to its field.” —Daniel Brown, Professor of English at the University of Southampton, UK “Essential reading for Victorianists. Tate’s study of nineteenth-century poetry and science reconfi gures debate by insisting on the equivalence of accounts of empirical fact and speculative theory rather than their antagonism. The undulatory rhythms of the universe and of poetry, the language of science and of verse, come into new relations. Tate brilliantly re-reads Coleridge, Tennyson, Mathilde Blind and Hardy through their explorations of matter and ontological reality. He also addresses contemporary theory from Latour to Jane Bennett.” — Isobel Armstrong, Emeritus Professor of English at Birkbeck, University of London, UK

Modernist Writings and Religio-scientific Discourse

L. Vetter
Modernist Writings and Religio scientific Discourse Book PDF

Author : L. Vetter
Publisher : Springer
Page : 230 pages
File Size : 43,5 Mb
Release : 2010-04-26
Category : Literary Criticism
ISBN : 9780230106451

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Modernist Writings and Religio-scientific Discourse by L. Vetter Pdf

Addresses the early twentieth-century intersection of scientific and religious discourse exploring literary modernism through the lens of cultural history, focusing on the works of H.D., Mina Loy, and Jean Toomer. It covers a range of topics such as electromagnetism and sexuality, dance, and theories of spiritual evolution.

Rhythmical Subjects

Marcus
Rhythmical Subjects Book PDF

Author : Marcus
Publisher : Oxford University Press
Page : 417 pages
File Size : 43,6 Mb
Release : 2024-02-23
Category : Literary Criticism
ISBN : 9780192883889

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Rhythmical Subjects by Marcus Pdf

Tracing a developing fascination with rhythm's significance, its patterns, and its measures, across philosophy, psychology, science, and the whole range of arts, Rhythmical Subjects shows how and why attention to rhythm came to serve as connective tissue between fields of inquiry at a time when modern disciplines were still in the process of formation or consolidation. The concentration on 'rhythm' and its cognates largely arose, Laura Marcus demonstrates, from the desire to reclaim or retain human and natural measures in the face of the coming of the machine and the speed of technological innovation. Rhythmical Subjects uncovers the disparate routes by which rhythm acquired its newfound ability to link ancient and modern forms of intellectual inquiry, and to fathom and re-invigorate temporal articulations of modern subjective life. Among the numerous intellectual and artistic developments set in a new light by this brilliantly wide-ranging book are: the long line of philosophical and theoretical writing on rhythm, from Nietzsche to Bergson and their twentieth-century interlocutors; psychological explorations of rhythm as the fundamental law of life, from Herbert Spencer and Ralph Waldo Emerson to Elsie Fogarty; more experimental engagements with psychology's rhythms, from Wilhelm Wundt, Théodule Ribot, and Karl Groos to the aesthetic writings of Vernon Lee; the history of prosody; pioneering applications of rhythm studies to social and sexual reform, by Havelock Ellis, Marie Stopes, D. H. Lawrence, and Mary Austin (among others); Lebensreform movements and the contribution of Rudolf Steiner and Emile Jaques-Dalcroze; and numerous endeavours in artistic and critical innovation, from the small modernist magazines of Bloomsbury and Paris to art salons and dance studios across Britain, Continental Europe, and America.

The Living Line

Robin Veder
The Living Line Book PDF

Author : Robin Veder
Publisher : Dartmouth College Press
Page : 447 pages
File Size : 50,7 Mb
Release : 2015-04-07
Category : Performing Arts
ISBN : 9781611687255

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The Living Line by Robin Veder Pdf

Robin Veder's The Living Line is a radical reconceptualization of the development of late-nineteenth- and early-twentieth-century American modernism. The author illuminates connections among the histories of modern art, body cultures, and physiological aesthetics in early-twentieth-century American culture, fundamentally altering our perceptions about art and the physical, and the degree of cross-pollination in the arts. The Living Line shows that American producers and consumers of modernist visual art repeatedly characterized their aesthetic experience in terms of kinesthesia, the sense of bodily movement. They explored abstraction with kinesthetic sensibilities and used abstraction to achieve kinesthetic goals. In fact, the formalist approach to art was galvanized by theories of bodily response derived from experimental physiological psychology and facilitated by contemporary body cultures such as modern dance, rhythmic gymnastics, physical education, and physical therapy. Situating these complementary ideas and exercises in relation to enduring fears of neurasthenia, Veder contends that aesthetic modernism shared industrial modernity's objective of efficiently managing neuromuscular energy. In a series of finely grained and interconnected case studies, Veder demonstrates that diverse modernists associated with the Armory Show, the SociŽtŽ Anonyme, the Stieglitz circle (especially O'Keeffe), and the Barnes Foundation participated in these discourses and practices and that "kin-aesthetic modernism" greatly influenced the formation of modern art in America and beyond. This daring and completely original work will appeal to a broad audience of art historians, historians of the body, and American culture in general.

Improvisation and the Making of American Literary Modernism

Rob Wallace
Improvisation and the Making of American Literary Modernism Book PDF

Author : Rob Wallace
Publisher : Bloomsbury Publishing USA
Page : 216 pages
File Size : 53,9 Mb
Release : 2010-10-14
Category : Literary Criticism
ISBN : 9781441122896

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Improvisation and the Making of American Literary Modernism by Rob Wallace Pdf

Improvisation, despite its almost ubiquitous presence in many art forms, is notoriously misunderstood and mysterious. Although earlier strands of American philosophy and art emphasized what might be called improvisational practices, it was during the modernist period that improvisational practice and theory began to make a significant impact on art and culture, specifically via the African American musical forms of jazz and blues. This musical development held important consequences for the larger artistic, cultural, and political life of America as a whole-and, eventually, the world. The historical convergence of jazz and philosophical currents like pragmatism in American culture provides the framework for Wallace's discussion of improvisation in literary modernism. Focusing on poets ranging from Gertrude Stein to Langston Hughes, Wallace's work provides a fresh perspective on the complex circuits of modernist culture. Improvisation and The Making of American Literary Modernism will be of interest to scholars of poetry, music, American and modernist studies, and race and ethnic studies.

Reading Modernist Poetry

Michael H. Whitworth
Reading Modernist Poetry Book PDF

Author : Michael H. Whitworth
Publisher : John Wiley & Sons
Page : 256 pages
File Size : 44,9 Mb
Release : 2010-02-12
Category : Literary Criticism
ISBN : 1444320769

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Reading Modernist Poetry by Michael H. Whitworth Pdf

This essential guide to modernist poetry enables readers to make sense of a literary movement often regarded as difficult and intimidating. Provides close examinations of key poems by T. S. Eliot, Ezra Pound, W. B. Yeats, and others Considers key techniques employed to orient and disorient the reader, such as diction, rhythm, and allusion Explores the ideological implications of subject matter and the literary forms and structures of modernist poetry Places modernist poetry in relation to its Victorian and Romantic predecessors Encourages readers to engage with the texts and make their own interpretations, moving away from the question of what the poem says in favour of considering the effect of the poem on its reader

Rhythmic Modernism

Helen Rydstrand
Rhythmic Modernism Book PDF

Author : Helen Rydstrand
Publisher : Bloomsbury Publishing USA
Page : 259 pages
File Size : 53,7 Mb
Release : 2019-01-24
Category : Literary Criticism
ISBN : 9781501343421

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Rhythmic Modernism by Helen Rydstrand Pdf

Contrary to the common view that cultural modernism is a broadly anti-mimetic movement, one which turned away from traditional artistic goals of representing the world, Rhythmic Modernism argues that rhythm and mimesis are central to modernist aesthetics. Through detailed close readings of non-fiction and short stories, Helen Rydstrand shows that textual rhythms comprised the substance of modernist mimesis. Rhythmic Modernism demonstrates how many modernist writers, such as D. H. Lawrence, Katherine Mansfield and Virginia Woolf, were profoundly invested in mimicking a substratum of existence that was conceived as rhythmic, each displaying a fascination with rhythm, both as a formal device and as a vital, protean concept that helped to make sense of the complex modern world.

Psychomotor Aesthetics

Ana Hedberg Olenina
Psychomotor Aesthetics Book PDF

Author : Ana Hedberg Olenina
Publisher : Oxford University Press
Page : 288 pages
File Size : 48,7 Mb
Release : 2020-04-01
Category : Performing Arts
ISBN : 9780190051280

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Psychomotor Aesthetics by Ana Hedberg Olenina Pdf

In the late 19th century, modern psychology emerged as a discipline, shaking off metaphysical notions of the soul in favor of a more scientific, neurophysiological concept of the mind. Laboratories began to introduce instruments and procedures which examined bodily markers of psychological experiences, like muscle contractions and changes in vital signs. Along with these changes in the scientific realm came a newfound interest in physiological psychology within the arts - particularly with the new perception of artwork as stimuli, able to induce specific affective experiences. In Psychomotor Aesthetics, author Ana Hedberg Olenina explores the effects of physiological psychology on art at the turn of the 20th century. The book explores its influence on not only art scholars and theorists, wishing to understand the relationship between artistic experience and the internal processes of the mind, but also cultural producers more widely. Actors incorporated psychology into their film acting techniques, the Russian and American film industries started to evaluate audience members' physical reactions, and literary scholars began investigations into poets' and performers' articulation. Yet also looming over this newly emergent field were commercial advertisers and politicians, eager to use psychology to further their own mass appeal and assert control over audiences. Drawing from archival documents and a variety of cross-disciplinary sources, Psychomotor Aesthetics calls attention to the cultural resonance of theories behind emotional and cognitive experience - theories with implications for today's neuroaesthetics and neuromarketing.

The Rise and Fall of Meter

Meredith Martin
The Rise and Fall of Meter Book PDF

Author : Meredith Martin
Publisher : Princeton University Press
Page : 288 pages
File Size : 50,6 Mb
Release : 2012-05-06
Category : Literary Criticism
ISBN : 9781400842193

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The Rise and Fall of Meter by Meredith Martin Pdf

Why do we often teach English poetic meter by the Greek terms iamb and trochee? How is our understanding of English meter influenced by the history of England's sense of itself in the nineteenth century? Not an old-fashioned approach to poetry, but a dynamic, contested, and inherently nontraditional field, "English meter" concerned issues of personal and national identity, class, education, patriotism, militarism, and the development of English literature as a discipline. The Rise and Fall of Meter tells the unknown story of English meter from the late eighteenth century until just after World War I. Uncovering a vast and unexplored archive in the history of poetics, Meredith Martin shows that the history of prosody is tied to the ways Victorian England argued about its national identity. Gerard Manley Hopkins, Coventry Patmore, and Robert Bridges used meter to negotiate their relationship to England and the English language; George Saintsbury, Matthew Arnold, and Henry Newbolt worried about the rise of one metrical model among multiple competitors. The pressure to conform to a stable model, however, produced reactionary misunderstandings of English meter and the culture it stood for. This unstable relationship to poetic form influenced the prose and poems of Robert Graves, Siegfried Sassoon, Wilfred Owen, W. B. Yeats, Ezra Pound, and Alice Meynell. A significant intervention in literary history, this book argues that our contemporary understanding of the rise of modernist poetic form was crucially bound to narratives of English national culture.

Modernism: Evolution of an Idea

Sean Latham,Gayle Rogers
Modernism Evolution of an Idea Book PDF

Author : Sean Latham,Gayle Rogers
Publisher : Bloomsbury Publishing
Page : 272 pages
File Size : 43,9 Mb
Release : 2015-10-22
Category : Literary Criticism
ISBN : 9781472529152

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Modernism: Evolution of an Idea by Sean Latham,Gayle Rogers Pdf

What exactly is “modernism”? And how and why has its definition changed over time? Modernism: Evolution of an Idea is the first book to trace the development of the term “modernism” from cultural debates in the early twentieth century to the dynamic contemporary field of modernist studies. Rather than assuming and recounting the contributions of modernism's chief literary and artistic figures, this book focuses on critical formulations and reception through topics such as: - The evolution of “modernism” from a pejorative term in intellectual arguments, through its condemnation by Pope Pius X in 1907, and on to its subsequent centrality to definitions of new art by T. S. Eliot, Laura Riding and Robert Graves, F. R. Leavis, Edmund Wilson, and Clement Greenberg - New Criticism and its legacies in the formation of the modernist canon in anthologies, classrooms, and literary histories - The shifting conceptions of modernism during the rise of gender and race studies, French theory, Marxist criticism, postmodernism, and more - The New Modernist Studies and its contemporary engagements with the politics, institutions, and many cultures of modernism internationally With a glossary of key terms and movements and a capacious critical bibliography, this is an essential survey for students and scholars working in modernist studies at all levels.