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Author : Ralf Vogel,Ruben Vijver Publisher : Walter de Gruyter GmbH & Co KG Page : 318 pages File Size : 53,7 Mb Release : 2015-03-10 Category : Language Arts & Disciplines ISBN : 9783110394245
Rhythm in Cognition and Grammar by Ralf Vogel,Ruben Vijver Pdf
The book contains a collection of papers dealing with the question of how rhythm shapes language. Until now, therewas no comprehensive theory that addressed these findings adequately. By bringing together researchers from many different fields, this book will make a first attempt to fill this gap.
The Evolution of Rhythm Cognition: Timing in Music and Speech by Andrea Ravignani,Henkjan Honing,Sonja A. Kotz Pdf
Human speech and music share a number of similarities and differences. One of the closest similarities is their temporal nature as both (i) develop over time, (ii) form sequences of temporal intervals, possibly differing in duration and acoustical marking by different spectral properties, which are perceived as a rhythm, and (iii) generate metrical expectations. Human brains are particularly efficient in perceiving, producing, and processing fine rhythmic information in music and speech. However a number of critical questions remain to be answered: Where does this human sensitivity for rhythm arise? How did rhythm cognition develop in human evolution? How did environmental rhythms affect the evolution of brain rhythms? Which rhythm-specific neural circuits are shared between speech and music, or even with other domains? Evolutionary processes’ long time scales often prevent direct observation: understanding the psychology of rhythm and its evolution requires a close-fitting integration of different perspectives. First, empirical observations of music and speech in the field are contrasted and generate testable hypotheses. Experiments exploring linguistic and musical rhythm are performed across sensory modalities, ages, and animal species to address questions about domain-specificity, development, and an evolutionary path of rhythm. Finally, experimental insights are integrated via synthetic modeling, generating testable predictions about brain oscillations underlying rhythm cognition and its evolution. Our understanding of the cognitive, neurobiological, and evolutionary bases of rhythm is rapidly increasing. However, researchers in different fields often work on parallel, potentially converging strands with little mutual awareness. This research topic builds a bridge across several disciplines, focusing on the cognitive neuroscience of rhythm as an evolutionary process. It includes contributions encompassing, although not limited to: (1) developmental and comparative studies of rhythm (e.g. critical acquisition periods, innateness); (2) evidence of rhythmic behavior in other species, both spontaneous and in controlled experiments; (3) comparisons of rhythm processing in music and speech (e.g. behavioral experiments, systems neuroscience perspectives on music-speech networks); (4) evidence on rhythm processing across modalities and domains; (5) studies on rhythm in interaction and context (social, affective, etc.); (6) mathematical and computational (e.g. connectionist, symbolic) models of “rhythmicity” as an evolved behavior.
Author : Julia Schlüter Publisher : Walter de Gruyter Page : 409 pages File Size : 51,8 Mb Release : 2009-07-29 Category : Language Arts & Disciplines ISBN : 9783110219265
This groundbreaking book highlights a phonological preference, the Principle of Rhythmic Alternation, as a factor in grammatical variation and change in English from the early modern period to the present. Though frequently overlooked in earlier research, the phonetically motivated avoidance of adjacent stresses is shown to exert an influence on a wide variety of phenomena in morphology and syntax. Based on in-depth analyses of extensive electronic databases, the book presents 20 exemplary studies from different structural categories. Among them are much-debated as well as novel issues, including the double comparative worser, 'predicative only' a- adjectives, variant past participles, the placement of the degree modifier quite, the order of conjuncts in binomials, the negation of attributive adjectives and sentence adverbs, variable adverbial marking, the use or omission of the infinitive marker, and the a- prefix before - ing forms. The studies provide qualitative and quantitative evidence of the importance of rhythmic alternation in synchronic variation as well as diachronic change, without neglecting interactions with a set of competing functional tendencies. Thus, the book contributes essential aspects to the description and explanation of the phenomena considered, calling for a fundamental revision of current thinking about the interface between phonology and morphosyntax. In addition, the empirical findings are brought to bear on theoretical discussions of more general interest, yielding a critical assessment of the merits and limitations of two nonmodular linguistic theories: Optimality Theory and spreading activation models. The latter type is developed into a comprehensive conception integrating functional factors such as the Principle of Rhythmic Alternation in an overarching framework for language variation and change. The wide range of subject areas covered makes the volume essential reading and a source of inspiration for linguists with interests as diverse as the phonology-morphosyntax interface, English grammar, the history of English, functional linguistics, Optimality Theory, as well as neuro- and psycholinguistics.
The Routledge Companion to Music Cognition by Richard Ashley,Renee Timmers Pdf
This Companion addresses fundamental questions about the nature of music from a psychological perspective. Music cognition is presented as the field that investigates the psychological, physiological, and physical processes that allow music to take place, seeking to explain how and why music has such powerful and mysterious effects on us. This volume provides a comprehensive overview of research in music cognition, balancing accessibility with depth and sophistication. A diverse range of global scholars-music theorists, musicologists, pedagogues, neuroscientists, and psychologists-address the implications of music in everyday life while broadening the range of topics in music cognition research, deliberately seeking connections with the kinds of music and musical experiences that are meaningful to the population at large but are often overlooked in the study of music cognition. Consisting of over forty essays, the volume is organized by five primary themes. The first section, "Music from the Air to the Brain," provides a neuroscientific and theoretical basis for the book. The next three sections are based on musical actions: "Hearing and Listening to Music," "Making and Using Music," and "Developing Musicality." The closing section, "Musical Meanings," returns to fundamental questions related to music's meaning and significance, seen from historical and contemporary perspectives.
Empirical Approaches to the Phonological Structure of Words by Christiane Ulbrich,Alexander Werth,Richard Wiese Pdf
One of the basic grammatical categories in linguistics is the phonological word. But how are words made up in terms of their sounds? And how is the information on the sound structure of words used in the processing of words? The multidimensionality of the phonological word relates it to semantics, morphology, phonology and syntax. It is nevertheless a category that has only been an object of serious study since the prosodic turn in phonology and thus cannot be considered an established category of grammatical description. This volume brings together scholars interested in the complex relations of the phonological word, applying different empirical approaches.
Author : Tan Yesheng Publisher : Taylor & Francis Page : 257 pages File Size : 50,6 Mb Release : 2024-06-28 Category : Language Arts & Disciplines ISBN : 9781040087862
Drawing on the cognitive translatological paradigm, this book introduces a situation-embedded cognitive construction model of translation and explores the thinking portfolios of British and American sinologists-cum-translators to re-examine their multiple voices and cognition in translating Chinese fiction. By placing sinologists-cum-translators in the same discourse space, the study transcends the limitations of previous case studies and offers a comprehensive cognitive panorama of how Chinese novels are rendered. The author explores the challenges and difficulties of translating Chinese fiction from the insider perspectives of British and American sinologists, and cross-validates their multiple voices by aligning them with cross-cultural communication scenarios. Based on the cognitive construction model of translation, the book provides a systematic review of the translation thoughts and ideas of the community of sinologists in terms of linguistic conventions, narrative styles, contextual and cultural frames, readership categories and metaphorical models of translation. It envisions a new research path to enhance empirical research on translators' cognition in a dynamic translation ecosystem. The title will be an essential read for students and scholars of translation studies and Chinese studies. It will also appeal to translators and researchers interested in cognitive stylistics, literary studies and intercultural communication studies.
Cognitive Grammar in Literature by Chloe Harrison,Louise Nuttall,Peter Stockwell,Wenjuan Yuan Pdf
This is the first book to present an account of literary meaning and effects drawing on our best understanding of mind and language in the form of a Cognitive Grammar. The contributors provide exemplary analyses of a range of literature from science fiction, dystopia, absurdism and graphic novels to the poetry of Wordsworth, Hopkins, Sassoon, Balassi, and Dylan Thomas, as well as Shakespeare, Chaucer, Barrett Browning, Whitman, Owen and others. The application of Cognitive Grammar allows the discussion of meaning, translation, ambience, action, reflection, multimodality, empathy, experience and literariness itself to be conducted in newly valid ways. With a Foreword by the creator of Cognitive Grammar, Ronald Langacker, and an Afterword by the cognitive scientist Todd Oakley, the book represents the latest advance in literary linguistics, cognitive poetics and literary critical practice.
Language Change and Cognitive Linguistics by Tore Nesset Pdf
The purpose of this Cambridge Element is to bring together three subfields of the language sciences: cognitive, historical (diachronic), and Russian linguistics. Although diachrony has inspired a number of important works in recent years, historical linguistics is still underrepresented in cognitive linguistics, and the most influential publications mainly concern the history of English. This is an unfortunate bias, especially since its lack of morphological complexity makes English a typologically unusual language. In this Cambridge Element, the author demonstrates that Russian has a lot to offer the historically oriented cognitive linguist, given its well-documented history and complex phonology and morpho-syntax. Through seven case studies the author illustrates the relevance of four basic tenets of Cognitive Grammar: the cognitive, semiotic, network, and usage-based commitments.
New Directions in Cognitive Grammar and Style by Marcello Giovanelli,Chloe Harrison,Louise Nuttall Pdf
In recent years, the Cognitive Grammar account of language and mind has become an influential framework for the study of textual meaning and interpretation. This book is the first to bring together applications of Cognitive Grammar for a range of stylistic purposes, including the analysis of both literary and non-literary discourse. Demonstrating the diverse range of uses for Cognitive Grammar, chapters apply this framework to diverse text-types including poetry, narrative fiction, comics, press reports, political discourse and music, as well as exploring its potential for the teaching of language and literature in a range of contexts. Combining cutting-edge research in cognitive, critical and pedagogical stylistics, New Directions in Cognitive Grammar and Style showcases the latest developments in this field and offers new insights into our experiences of literary and non-literary texts by drawing on current understandings of language and cognition.
Language demonstrates structure while also showing considerable variation at all levels: languages differ from one another while still being shaped by the same principles; utterances within a language differ from one another while exhibiting the same structural patterns; languages change over time, but in fairly regular ways. This book focuses on the dynamic processes that create languages and give them their structure and variance. It outlines a theory of language that addresses the nature of grammar, taking into account its variance and gradience, and seeks explanation in terms of the recurrent processes that operate in language use. The evidence is based on the study of large corpora of spoken and written language, what we know about how languages change, as well as the results of experiments with language users. The result is an integrated theory of language use and language change which has implications for cognitive processing and language evolution.
Proceedings of the Eighteenth Annual Conference of the Cognitive Science Society by Garrison W. Cottrell Pdf
This volume features the complete text of all regular papers, posters, and summaries of symposia presented at the 18th annual meeting of the Cognitive Science Society. Papers have been loosely grouped by topic, and an author index is provided in the back. In hopes of facilitating searches of this work, an electronic index on the Internet's World Wide Web is provided. Titles, authors, and summaries of all the papers published here have been placed in an online database which may be freely searched by anyone. You can reach the Web site at: http://www.cse.ucsd.edu/events/cogsci96/proceedings. You may view the table of contents for this volume on the LEA Web site at: http://www.erlbaum.com.
Author : Julia SchlÃ1⁄4ter,Julia Schluter Publisher : Walter de Gruyter Page : 393 pages File Size : 54,6 Mb Release : 2005 Category : English language ISBN : 3111732789
Rhythmic Grammar by Julia SchlÃ1⁄4ter,Julia Schluter Pdf
Focusing on the frequently neglected influence of rhythm on variation and change in English grammar, this book provides a groundbreaking study of interactions at the interface between phonology and morphosyntax. It refines available descriptions of grammatical phenomena by examining the explanatory force of the avoidance of adjacent stressed syllables. The main, empirical part presents twenty detailed analyses of a representative set of structures, most of them combining a synchronic and a diachronic perspective. The analysis is based on an extensive collection of electronic corpora covering the sixteenth to twentieth centuries. A theoretical discussion of implications for linguistic models such as Optimality Theory and spreading activation networks rounds off the volume.
Language and Music as Cognitive Systems by Patrick Rebuschat,Martin Rohrmeier,John A. Hawkins,Ian Cross Pdf
The past 15 years have witnessed an increasing interest in the comparative study of language and music as cognitive systems. Language and music are uniquely human traits, so it is not surprising that this interest spans practically all branches of cognitive science, including psychology, computer science, linguistics, cognitive neuroscience, and education. Underlying the study of language and music is the assumption that the comparison of these two domains can shed light on the structural and functional properties of each, while also serving as a test case for theories of how the mind and, ultimately, the brain work. This book presents an interdisciplinary study of language and music, bringing together a team of leading specialists across these fields. The volume is structured around four core areas in which the study of music and language has been particularly fruitful: (i) structural comparisons, (ii) evolution, (iii) learning and processing, and (iv) neuroscience. As such it provides a snapshot of the different research strands that have focused on language and music, identifying current trends and methodologies that have been (or could be) applied to the study of both domains, and outlining future research directions. This volume is valuable in promoting the investigation of language and music by fostering interdisciplinary discussion and collaboration. With an ever increasing interest in both music cognition and language, this book will be valuable for students and researchers of psychology, linguistics, neuroscience, and musicology.
