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Romantic writers such as Robert Southey and Samuel Taylor Coleridge aspired to rise above the so-called 'age of personality,' a new culture of politicized print gossip and personal attacks. Nevertheless, Southey, Coleridge, and other Romantic-era figures such as Leigh Hunt, William Hazlitt, Sydney Owenson, and the explorer John Ross became enmeshed in lively feuds with the major periodicals of the day, the Edinburgh Review and the Quarterly Review. Kim Wheatley focuses on feuds from the second and third decades of the nineteenth century, suggesting that by this time the vituperative rhetoric of the Edinburgh and the Quarterly had developed into what Coleridge called 'a habit of malignity.' Attending to the formal strategies of the reviewers' surprisingly creative prose, she traces how her chosen feuds take on lives of their own, branching off into other print media, including the weekly press and monthly magazines. Ultimately, Wheatley shows, these hostile exchanges incorporated literary genres and Romantic themes such as the idealized poetic self, the power of the supernatural, and the quest for the sublime. By turning episodes of print warfare into stories of transfiguration, the feuds thus unexpectedly contributed to the emergence of Romanticism.
Romantic writers such as Robert Southey and Samuel Taylor Coleridge aspired to rise above the so-called 'age of personality,' a new culture of politicized print gossip and personal attacks. Nevertheless, Southey, Coleridge, and other Romantic-era figures such as Leigh Hunt, William Hazlitt, Sydney Owenson, and the explorer John Ross became enmeshed in lively feuds with the major periodicals of the day, the Edinburgh Review and the Quarterly Review. Kim Wheatley focuses on feuds from the second and third decades of the nineteenth century, suggesting that by this time the vituperative rhetoric of the Edinburgh and the Quarterly had developed into what Coleridge called 'a habit of malignity.' Attending to the formal strategies of the reviewers' surprisingly creative prose, she traces how her chosen feuds take on lives of their own, branching off into other print media, including the weekly press and monthly magazines. Ultimately, Wheatley shows, these hostile exchanges incorporated literary genres and Romantic themes such as the idealized poetic self, the power of the supernatural, and the quest for the sublime. By turning episodes of print warfare into stories of transfiguration, the feuds thus unexpectedly contributed to the emergence of Romanticism.
Family Feud (Vampire Paranormal Romance Book 5) by Joanna Mazurkiewicz Pdf
Julia is finally marrying her long term boyfriend Nathaniel La Caz. Unfortunately when she arrives at her grandparents' mansion to ask for their blessing she discovers that her grandmother has been murdered and her grandfather has vanished. From then her whole life begins to crumble. Due to her father being the inspector at the police station he is not allowed to deal with his mother's murder case, however he insists in being part of the investigation. Julia knows that she needs to take the matters into her own hands and find out what’s happened to her grandmother and clear the Taylor family name. On top of that she has to deal with her psycho ex-boyfriend who still wants his revenge. While Julia is trying to juggle her own mystery-filled investigation, royal fairies and a threatening letter, her future husband starts to act like he has been possessed. The arguments and his outbursts of anger begins to take its toll on their idyllic relationship. Can Julia and Nathaniel find their way back to each other and finally get their happy ever after?
"The Color of a Great City" by Theodore Dreiser is a prime example of Dreiser's naturalist writing. Set in early 20th century New York City, the book offers readers a chance to live a few hours in the shoes of someone who called one of the most famous cities in the world home during its industrial heyday. While Dreiser typically enjoyed his character-based writing, New York City is arguably the greatest character of all, and this book makes her the star.
What did Wordsworth wear, and where did he walk? Who was Byron’s new mistress, and how did his marriage fare? Answers—sometimes accurate, sometimes not—were tantalizingly at the ready in the Romantic era, when confessional poetry, romans à clef, personal essays, and gossip columns offered readers exceptional access to well-known authors. But at what point did familiarity become overfamiliarity? Widely recognized as a social virtue, familiarity—a feeling of emotional closeness or comforting predictability—could also be dangerous, vulgar, or boring. In The Limits of Familiarity, Eckert persuasively argues that such concerns shaped literary production in the Romantic period. Bringing together reception studies, celebrity studies, and literary history to reveal how anxieties about familiarity shaped both Romanticism and conceptions of authorship, this book encourages us to reflect in our own fraught historical moment on the distinction between telling all and telling all too much.
Mary Beth Pudup,Dwight B. Billings,Altina Laura Waller
Author : Mary Beth Pudup,Dwight B. Billings,Altina Laura Waller Publisher : Univ of North Carolina Press Page : 412 pages File Size : 40,6 Mb Release : 1995 Category : History ISBN : 0807845345
Appalachia in the Making by Mary Beth Pudup,Dwight B. Billings,Altina Laura Waller Pdf
Appalachia first entered the American consciousness as a distinct region in the decades following the Civil War. The place and its people have long been seen as backwards and 'other' because of their perceived geographical, social, and economic isolation.
Dialectics of Improvement by McKeever Gerard Lee McKeever Pdf
Explores the nature of Scottish Romanticism through its relationship to improvementProvides new insight into the concept of 'improvement'Advances current thinking on Scottish RomanticismIdentifies how improvement was involved in key aesthetic innovations in the periodIncludes case studies across poetry, short fiction, drama and the novelThis book develops new insight into the idea of progress as improvement as the basis for an approach to literary Romanticism in the Scottish context. With chapter case studies covering poetry, short fiction, drama and the novel, it examines a range of key writers: Robert Burns, James Hogg, Walter Scott, Joanna Baillie and John Galt. Improvement, as the book explores, provided a dominant theme for literary texts in this period, just as it saturated the wider culture. It was also of real consequence to questions about what literature is and what it can do: a medium of secular belonging, a vehicle of indefinite exchange, an educational tool or a theoretical guide to history.
From USA Today bestselling author K Webster comes an angsty and emotional enemies-to-lovers gay romance standalone! The hatred began when my father proposed to another man in a shocking moment that rocked my family to its core…. Now I’m on a quest for revenge against my father. That means hitting him where it hurts—the new fiancé and the son he thinks so much of. Alister Sommers. Alis is a bleached blond perfectionist thorn in my side who’s used to everything going his way. Grades, money, track—he dominates it all despite his short, insignificant frame. Was one dad not good enough that Alis had to take mine too? Soon, we’ll be stepbrothers. Until then, I vow to make his life a living hell. Maybe Dad will regret his terrible mistakes. Maybe he won’t. I know I won’t regret wrecking their lives like they did mine. I’ll give up everything, even my girlfriend and football, if it means I get a chance for retribution. It’s reckless and risky, but I don’t have much to lose. The havoc I wreak might ease some of the pain Dad caused my mother. I’m willing to give it a shot. What starts as a family feud will become a war…one I plan on winning no matter the cost. There’s only one small problem. I may have underestimated my opponent.
British Jacobin Politics, Desires, and Aftermaths by James Epstein,David Karr Pdf
This book explores the hopes, desires, and imagined futures that characterized British radicalism in the 1790s, and the resurfacing of this sense of possibility in the following decades. The articulation of “Jacobin” sentiments reflected the emotional investments of men and women inspired by the French Revolution and committed to political transformation. The authors emphasize the performative aspects of political culture, and the spaces in which mobilization and expression occurred – including the club room, tavern, coffeehouse, street, outdoor meeting, theater, chapel, courtroom, prison, and convict ship. America, imagined as a site of republican citizenship, and New South Wales, experienced as a space of political exile, widened the scope of radical dreaming. Part 1 focuses on the political culture forged under the shifting influence of the French Revolution. Part 2 explores the afterlives of British Jacobinism in the year 1817, in early Chartist memorialization of the Scottish “martyrs” of 1794, and in the writings of E. P. Thompson. The relationship between popular radicals and the Romantics is a theme pursued in several chapters; a dialogue is sustained across the disciplinary boundaries of British history and literary studies. The volume captures the revolutionary decade’s effervescent yearning, and its unruly persistence in later years.
This book revolves around an area called The Dukeries, which is an area of the county of Nottinghamshire, England, United Kingdom, so called because it contains four ducal seats. It is south of Worksop, which is called its "gateway". The area is included within the ancient Sherwood Forest. The Dukeries sees four ducal families living close together among the less than twenty current (extant) English dukedoms and their parks or farmed lands largely neighboring to the point of being at most points touching (contiguous).
Nonfictional Romantic Prose by Steven P. Sondrup,Virgil Nemoianu,Gerald Gillespie Pdf
Nonfictional Romantic Prose: Expanding Borders surveys a broad range of expository, polemical, and analytical literary forms that came into prominence during the last two decades of the eighteenth century and the first half of the nineteenth. They stand in contrast to better-known romantic fiction in that they endeavor to address the world of daily, empirical experience rather than that of more explicitly self-referential, fanciful creation. Among them are genres that have since the nineteenth century come to characterize many aspects of modern life like the periodical or the psychological case study; others flourished and enjoyed wide-spread popularity during the nineteenth century but are much less well-known today like the almanac and the diary. Travel narratives, pamphlets, religious and theological texts, familiar essays, autobiographies, literary-critical and philosophical studies, and discussions of the visual arts and music all had deep historical roots when appropriated by romantic writers but prospered in their hands and assumed distinctive contours indicative of the breadth of romantic thought. SPECIAL OFFER: 30% discount for a complete set order (5 vols.).The Romanticism series in the Comparative History of Literatures in European Languages is the result of a remarkable international collaboration. The editorial team coordinated the efforts of over 100 experts from more than two dozen countries to produce five independently conceived, yet interrelated volumes that show not only how Romanticism developed and spread in its principal European homelands and throughout the New World, but also the ways in which the affected literatures in reaction to Romanticism have redefined themselves on into Modernism. A glance at the index of each volume quickly reveals the extraordinary richness of the series' total contents. Romantic Irony sets the broader experimental parameters of comparison by concentrating on the myriad expressions of irony as one of the major impulses in the Romantic philosophical and artistic revolution, and by combining cross-cultural and interdisciplinary studies with special attention also to literatures in less widely diffused language streams. Romantic Drama traces creative innovations that deeply altered the understanding of genre at large, fed popular imagination through vehicles like the opera, and laid the foundations for a modernist theater of the absurd. Romantic Poetry demonstrates deep patterns and a sharing of crucial themes of the revolutionary age which underlie the lyrical expression that flourished in so many languages and environments. Nonfictional Romantic Prose assists us in coping with the vast array of writings from the personal and intimate sphere to modes of public discourse, including Romanticism's own self-commentary in theoretical statements on the arts, society, life, the sciences, and more. Nor are the discursive dimensions of imaginative literature neglected in the closing volume, Romantic Prose Fiction, where the basic Romantic themes and story types (the romance, novel, novella, short story, and other narrative forms) are considered throughout Europe and the New World. This enormous realm is seen not just in terms of Romantic theorizing, but in the light of the impact of Romantic ideas and narration on later generations. As an aid to readers, the introduction to Romantic Prose Fiction explains the relationships among the volumes in the series and carries a listing of their tables of contents in an appendix. No other series exists comparable to these volumes which treat the entirety of Romanticism as a cultural happening across the whole breadth of the Old and New Worlds and thus render a complex picture of European spiritual strivings in the late eighteenth and the nineteenth centuries, a heritage still very close to our age.
