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"The Color of a Great City" by Theodore Dreiser is a prime example of Dreiser's naturalist writing. Set in early 20th century New York City, the book offers readers a chance to live a few hours in the shoes of someone who called one of the most famous cities in the world home during its industrial heyday. While Dreiser typically enjoyed his character-based writing, New York City is arguably the greatest character of all, and this book makes her the star.
Author : Robert A. Slayton Publisher : State University of New York Press Page : 218 pages File Size : 40,9 Mb Release : 2017-06-21 Category : Art ISBN : 9781438466439
Presents a major new interpretation of the Ashcan School of Art, arguing that these artists made the working-class city at the turn of the century a subject for beautiful art. At the beginning of the twentieth century the Ashcan School of Art blazed onto the art scene, introducing a revolutionary vision of New York City. In contrast to the elite artists who painted the upper class bedecked in finery, in front of magnificent structures, or the progressive reformers who photographed the city as a slum, hopeless and full of despair, the Ashcan School held the unique belief that the industrial working-class city was a fit subject for great art. In Beauty in the City, Robert A. Slayton illustrates how these artists portrayed the working classes with respect and gloried in the drama of the subways and excavation sites, the office towers, and immigrant housing. Their art captured the emerging metropolis in all its facets, with its potent machinery and its class, ethnic, and gender issues. By exposing the realities of this new, modern America through their artexpressed in what they chose to draw, not in how they drew itthey created one of the great American art forms. A delight for the eyes, a treat for city lovers, and a fine example of how historians can use art, Beauty in the City will enrich such fields as urban history, art history, the history of New York City, and America in the twentieth century. Robert Slayton has identified a group of artists who saw in the gritty details of city life real beauty and social meaning. Hasia R. Diner, author of Roads Taken: The Great Jewish Migrations to the New World and the Peddlers Who Forged the Way A century ago, the Ashcan painters created an art that was of, by, and for urban Americansin all their exhilarating pluralism. Robert Slayton analyzes and celebrates their accomplishment in a work that combines brilliant scholarship and a profound passion for his subject. To his great credit, he reveals the beauty already there. Michael Kazin, author of War Against War: The American Fight for Peace, 19141918 With great narrative skill and finely drawn characters, Robert Slayton paints a vivid picture of New York and the art world in the early twentieth century. He reminds us that these artists and the city they inhabited continue to influence our perspectiveabout class, about gender, about racea century later. This book is a wonderful, vibrant look at a forgotten part of our history. Terry Golway, author of Machine Made: Tammany Hall and the Creation of Modern American Politics
“A fascinating political, racial, economic, and cultural tapestry” (Detroit Free Press), a tour de force from David Maraniss about the quintessential American city at the top of its game: Detroit in 1963. Detroit in 1963 is on top of the world. The city’s leaders are among the most visionary in America: Grandson of the first Ford; Henry Ford II; Motown’s founder Berry Gordy; the Reverend C.L. Franklin and his daughter, the incredible Aretha; Governor George Romney, Mormon and Civil Rights advocate; car salesman Lee Iacocca; Police Commissioner George Edwards; Martin Luther King. The time was full of promise. The auto industry was selling more cars than ever before. Yet the shadows of collapse were evident even then. “Elegiac and richly detailed” (The New York Times), in Once in a Great City David Maraniss shows that before the devastating riot, before the decades of civic corruption and neglect, and white flight; before people trotted out the grab bag of rust belt infirmities and competition from abroad to explain Detroit’s collapse, one could see the signs of a city’s ruin. Detroit at its peak was threatened by its own design. It was being abandoned by the new world economy and by the transfer of American prosperity to the information and service industries. In 1963, as Maraniss captures it with power and affection, Detroit summed up America’s path to prosperity and jazz that was already past history. “Maraniss has written a book about the fall of Detroit, and done it, ingeniously, by writing about Detroit at its height….An encyclopedic account of Detroit in the early sixties, a kind of hymn to what really was a great city” (The New Yorker).
A story of a village boy first visit to the city and in his journey he found some deep hidden secrets the Family has been holding on him. This inflict pain in his heart. The journey is good and funny but secret it holds bring pain and sorrow. The story shares a touching part of life secrets
IT was silent, the city of my dreams, marble and serene, due perhaps to the fact that in reality Iknew nothing of crowds, poverty, the winds and storms of the inadequate that blow like dust alongthe paths of life. It was an amazing city, so far-flung, so beautiful, so dead. There were tracks of ironstalking through the air, and streets that were as cañons, and stairways that mounted in vast flights tonoble plazas, and steps that led down into deep places where were, strangely enough, underworldsilences. And there were parks and flowers and rivers. And then, after twenty years, here it stood, asamazing almost as my dream, save that in the waking the flush of life was over it. It possessed thetang of contests and dreams and enthusiasms and delights and terrors and despairs. Through itsways and cañons and open spaces and underground passages were running, seething, sparkling, darkling, a mass of beings such as my dream-city never knew.The thing that interested me then as now about New York-as indeed about any great city, butmore definitely New York because it was and is so preponderantly large-was the sharp, and at thesame time immense, contrast it showed between the dull and the shrewd, the strong and the weak, the rich and the poor, the wise and the ignorant. This, perhaps, was more by reason of numbers andopportunity than anything else, for of course humanity is much the same everywhere. But thenumber from which to choose was so great here that the strong, or those who ultimately dominated, were so very strong, and the weak so very, very weak-and so very, very many.
The City is the best, funniest, saddest, and most thought-provoking compilation ever assembled on the urban scene. James A. Clapp has arranged more than three thousand quotations—epigrams, epithets, verses, proverbs, scriptural references, witticisms, lyrics, literary references, and historical observations—on urban life from antiquity until the present. These quotes are drawn from the written and spoken words of more than one thousand writers throughout history. This volume, with contributions from speakers, poets, song writers, politicians philosophers, scientists, religious leaders, historians, social scientists, humorists, architects, journalists, and travelers from and to many lands is designed to be used by writers, speechmakers, students, and scholars on cities and urban life. Clapp's text is striking for its sharp contrasts of urban and rural life and the urbanization process in different historical times and geographical areas. This second edition includes four hundred new entries, updated birth dates and occupations of quoted authors, and an expanded and updated introduction and preface. Clapp also added new introduction pages for each section containing pictures and unique quotations. The indexes have also been expanded to include more subjects and cities. The scope of this book is international, including entries on most major and many minor cities of the world. It is noteworthy for its pleasures as well as its insights.
Journey back in time and take a walk through the historic streets of the world's greatest cities. Great City Maps is the companion title to DK's Great Maps and takes a focused look at over 70 gorgeously illustrated historical maps and plans of cities around the globe. Dive into the details of each beautiful map and learn about interesting features with visual tours of the maps' highlights - such as the Old London Bridge of London in 1572 and the orchards of Brooklyn in 1767 New York. Cities are centers of civilization and the way their maps portray them reflects their politics, religion, and culture. See how certain cities, and cartographic techniques, changed over time. More than just a bird's-eye view, this irresistible book tells the tales behind the cities from the hubs of ancient peoples to modern mega-cities, and profiles the iconic cartographers and artists who created each map. Perfect for history, geography, and cartography enthusiasts and a stunning gift for armchair explorers of all ages, Great City Maps is your window into the world's most fascinating cities.
Author : L. U. Reavis Publisher : University of Michigan Library Page : 224 pages File Size : 40,5 Mb Release : 1871 Category : History ISBN : PRNC:32101072333576
Author : David C. Hammack Publisher : Russell Sage Foundation Page : 443 pages File Size : 53,9 Mb Release : 1982-10-02 Category : Political Science ISBN : 9781610442657
Power and Society in Greater NY by David C. Hammack Pdf
Who has ruled New York? Has power become more concentrated—or more widely and democratically dispersed—in American cities over the past one hundred years? How did New York come to have its modern physical and institutional shape? Focusing on the period when New York City was transformed from a nineteenth-century mercantile center to a modern metropolis, David C. Hammack offers an entirely new view of the history of power and public policy in the nation's largest urban community. Opening with a fresh and original interpretation of the metropolitan region's economic and social history between 1890 and 1910, Hammack goes on to show how various population groups used their economic, social, cultural, and political resources to shape the decisions that created the modern city. As New York grew in size and complexity, its economic and social interests were forced to compete and form alliances. No single group—not even the wealthy—was able to exercise continuing control of urban policy. Building on his account of this interplay among numerous elites, Hammack concludes with a new interpretation of the history of power in New York and other American cities between 1890 and 1950. This book makes a major contribution to the study of community power, of urban and regional history, and of public policy. And by taking the meaning and distribution of power as his theme, Hammack is able to reintegrate economic, social, and political history in a rich and comprehensive work. "Lucid, instructive, and discerning....The most commanding analysis of its subject that I know." —John M. Blum, professor of history, Yale University "A powerful and persuasive treatment of a marvelous subject." —Nelson W. Polsby, professor of political science, University of California, Berkeley
Great City Parks is a celebration of some of the finest achievements of landscape architecture in the public realm. It is a comparative study of thirty significant public parks in major cities across Western Europe and North America. Collectively, they give a clear picture of why parks have been created, how they have been designed, how they are managed, and what plans are being made for them at the beginning of the twenty-first century. Based on unique research including extensive site visits and interviews with the managing organisations, this book is illustrated throughout with clear plans and photographs– with this new edition featuring full colour throughout. Tate updates his seminal 2001 work with 10 additional parks, including: The High Line in NYC, Golden Gate Park in San Francisco and Westergasfabriek, Amsterdam. All the previous city parks have also been updated and revised to reflect current usage and management. This book reflects a belief that well planned, well designed and well managed parks and park systems will continue to make major contributions to the quality of life in an increasingly urbanized world.
One of Planetizen's Top Planning Books for 2017 - San Francisco Chronicle's 2016 Holiday Books Gift Guide Pick What makes a great city? City planner and architect Alexander Garvin set out to answer this question by observing cities, largely in North America and Europe, with special attention to Paris, London, New York, and Vienna. For Garvin, greatness is about what people who shape cities can do to make a city great. A great city is a dynamic, constantly changing place that residents and their leaders can reshape to satisfy their demands. Most importantly, it is about the interplay between people and public realm, and how they have interacted throughout history to create great cities. What Makes a Great City will help readers understand that any city can be changed for the better and inspire entrepreneurs, public officials, and city residents to do it themselves.
In an effort to create a secure urban environment in which residents can work, live, and prosper with minimal disruption, New York and London established a network of laws, policing, and municipal government in the nineteenth century aimed at building the confidence of the citizenry and creating stability for economic growth. At the same time, these two cities attempted to maintain an expansive level of free speech and assembly. Yet as democracy expanded in tandem with the size of the cities themselves, the two goals clashed, resulting in tensions over their compatibility. Treating nineteenth-century London and New York as case studies, Lisa Keller examines the development of sanctioned free speech, controlled public assembly, new urban regulations, and the quelling of riots, all in the name of a proper regard for order. Drawing on rich archival sources, Keller paints an intimate portrait of daily life in these cities and the intricacies of their emerging bureaucracies. She finds that New York eventually settled on a policy of preempting disruption before it occurred, while London chose a path of greater tolerance toward street activities. Keller concludes with an assessment of freedom in New York and London today and asks whether the scales have been tipped too strongly in favor of order and control.
The Discovery of Poverty in the United States by Robert Hamlett Bremner Pdf
In contrast to cultures that have accepted poverty as inevitable, Americans have tended to regard it as an abnormal condition, one that may be alleviated by a combination of social reform, hard work, and spiritual discipline. In a dispassionate way, Bremner was the first to critically examine the origins and transformations of American attitudes toward poverty and reform.
The Great Cities in History by John Julius Norwich Pdf
A portrait of world civilization told through the stories of the world's greatest cities from ancient times to the present. Today, for the first time in history, the majority of people in the world live in cities. The implications and challenges associated with this fact are enormous. But how did we get here? From the origins of urbanization in Mesopotamia to the global metropolises of today, great cities have marked the development of human civilization. The Great Cities in History tells their stories, starting with the earliest, from Uruk and Memphis to Jerusalem and Alexandria. Next come the fabulous cities of the first millennium: Damascus and Baghdad, Teotihuacan and Tikal, and Chang’an, capital of Tang Dynasty China. The medieval world saw the rise of powerful cities such as Palermo and Paris in Europe, Benin in Africa, and Angkor in southeast Asia. The last two sections bring us from the early modern world, with Isfahan, Agra, and Amsterdam, to the contemporary city: London and New York, Tokyo and Barcelona, Los Angeles and Sao Paulo. The distinguished contributors, including Jan Morris, Michael D. Coe, Simon Schama, Orlando Figes, Felipe Fernandez-Armesto, Misha Glenny, Susan Toby Evans, and A. N. Wilson, evoke the character of each place—people, art and architecture, government—and explain the reasons for its success.
