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Author : Ian Haywood
Publisher : Unknown
Page : 221 pages
File Size : 46,8 Mb
Release : 2013
Category : Caricature in literature
ISBN : 1139893718
Lively, richly illustrated study of iconic caricatures, showing the interrelationship between art, satire and politics in the Romantic period.
Author : Ian Haywood
Publisher : Cambridge University Press
Page : 241 pages
File Size : 55,6 Mb
Release : 2013-10-24
Category : Art
ISBN : 9781107044210
A lively, richly illustrated study of iconic caricatures, showing the interrelationship between art, satire and politics in the Romantic period.
Author : Olivia Ferguson
Publisher : Cambridge University Press
Page : 279 pages
File Size : 50,5 Mb
Release : 2023-11-02
Category : Literary Criticism
ISBN : 9781009274265
A counter-intuitive history of literary caricature, exploring how caricature helped make the realist novel in the Romantic period.
Author : Olivia Ferguson
Publisher : Unknown
Page : 280 pages
File Size : 41,5 Mb
Release : 2023-10-25
Category : Literary Criticism
ISBN : 9781009274210
What was caricature to novelists in the Romantic period? Why does Jane Austen call Mr Dashwood's wife 'a strong caricature of himself'? Why does Mary Shelley describe the body of Frankenstein's creature as 'in proportion', but then 'distorted in its proportions' - and does caricature have anything to do with it? This book answers those questions, shifting our understanding of 'caricature' as a literary-critical term in the decades when 'the English novel' was first defined and canonised as a distinct literary entity. Novels incorporated caricature talk and anti-caricature rhetoric to tell readers what different realisms purported to show them. Recovering the period's concept of caricature, Caricature and Realism in the Romantic Novel sheds light on formal realism's self-reflexivity about the 'caricature' of artifice, exaggeration and imagination. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
Author : Ian Haywood
Publisher : Springer Nature
Page : 305 pages
File Size : 51,8 Mb
Release : 2020-03-17
Category : Literary Criticism
ISBN : 9783030346591
This book serves as a retrieval and reevaluation of a rich haul of comic caricatures from the turbulent years between the Reform Bill crisis of the early 1830s and the rise and fall of Chartism in the 1840s. With a telling selection of illustrations, this book deploys the techniques of close reading and political contextualization to demonstrate the aesthetic and ideological clout of a neglected tranche of satirical prints and periodicals dismissed as ineffectual by historians or distasteful by contemporaries. The prime exhibits are the work of Robert Seymour and C.J. Grant giving acerbic comic edge to the case for reform against class and state oppression and the excesses of the monarchical regime under the young Queen Victoria.
Author : Ian Newman
Publisher : Cambridge University Press
Page : 301 pages
File Size : 55,9 Mb
Release : 2019-03-28
Category : History
ISBN : 9781108470377
An examination of taverns in the Romantic period, with a particular focus on architecture and the culture of conviviality.
Author : Diane Piccitto,Terry F. Robinson
Publisher : University of Michigan Press
Page : 397 pages
File Size : 52,6 Mb
Release : 2023-05-24
Category : Literary Criticism
ISBN : 9780472132881
Provides fresh perspectives on the Romantic era through a focus on the visual nature and impact of the stage
Author : Philip Connell,Nigel Leask
Publisher : Cambridge University Press
Page : 319 pages
File Size : 50,9 Mb
Release : 2009-04-09
Category : Literary Criticism
ISBN : 9780521880121
An edited collection examining the construction of popular culture in the late eighteenth and early nineteenth centuries.
Author : Ian Haywood,Susan Matthews,Mary L. Shannon
Publisher : Cambridge University Press
Page : 343 pages
File Size : 42,6 Mb
Release : 2019-05-16
Category : Art
ISBN : 9781108425711
Explores a vital aspect of British Romanticism, the role of illustration in Romantic-era literary texts and visual culture.
Author : Damian Walford Davies
Publisher : Routledge
Page : 254 pages
File Size : 47,8 Mb
Release : 2009-01-21
Category : History
ISBN : 9781135899660
The "(re)turn to history" in Romantic Studies in the 1980s marked the beginning of a critical orthodoxy that continues to condition, if not define, our sense of the Romantic period twenty-five years on. Romantic New Historicism’s revisionary engagements have played a central role in the realignment of the field and in the expansion of the Romantic canon. In this major new collection of eleven essays, critics reflect on New Historicism’s inheritance, its achievements and its limitations. Integrating a self-reflexive engagement with New Historicism’s "history" and detailed attention to a range of Romantic lives and literary texts, the collection offers a close-up view of Romanticism’s hybrid present, and a dynamic vision of its future.
Author : Anonim
Publisher : Unknown
Page : 628 pages
File Size : 41,9 Mb
Release : 1895
Category : Electronic
ISBN : BSB:BSB11643176
Author : Modern Language Association of America
Publisher : Unknown
Page : 644 pages
File Size : 45,5 Mb
Release : 1895
Category : Languages, Modern
ISBN : HARVARD:HNQBSR
Vols. for 1921-1969 include annual bibliography, called 1921-1955, American bibliography; 1956-1963, Annual bibliography; 1964-1968, MLA international bibliography.
Author : Joe Bray
Publisher : Routledge
Page : 215 pages
File Size : 45,6 Mb
Release : 2016-05-26
Category : Literary Criticism
ISBN : 9781317019770
Beginning with the premise that the portrait was undergoing a shift in both form and function during the Romantic age, Joe Bray examines how these changes are reflected in the fiction of writers such as Maria Edgeworth, Jane Austen, Sir Walter Scott, Elizabeth Hamilton and Amelia Opie. Bray considers portraiture in a broad sense as encompassing caricature and the miniature, as well as the classic portraits of Sir Joshua Reynolds and others. He argues that the portrait in fiction often functions not as a transparent index to character or as a means of producing a straightforward likeness, but rather as a cue for misreading and a sign of the slipperiness and subjectivity of interpretation. The book is concerned with more than simply the appearance of portraits in Romantic fiction, however. More broadly, The Portrait in Fiction of the Romantic Period investigates how the language of portraiture pervades the novel in this period and how the two art forms exert mutual stylistic influence on each other.
Author : David Downie
Publisher : St. Martin's Press
Page : 320 pages
File Size : 48,6 Mb
Release : 2015-04-28
Category : Travel
ISBN : 9781466841253
"A top-notch walking tour of Paris. . . . The author's encyclopedic knowledge of the city and its artists grants him a mystical gift of access: doors left ajar and carriage gates left open foster his search for the city's magical story. Anyone who loves Paris will adore this joyful book. Readers visiting the city are advised to take it with them to discover countless new experiences." —Kirkus Reviews (starred) A unique combination of memoir, history, and travelogue, this is author David Downie's irreverent quest to uncover why Paris is the world's most romantic city—and has been for over 150 years. Abounding in secluded, atmospheric parks, artists' studios, cafes, restaurants and streets little changed since the 1800s, Paris exudes romance. The art and architecture, the cityscape, riverbanks, and the unparalleled quality of daily life are part of the equation. But the city's allure derives equally from hidden sources: querulous inhabitants, a bizarre culture of heroic negativity, and a rich historical past supplying enigmas, pleasures and challenges. Rarely do visitors suspect the glamor and chic and the carefree atmosphere of the City of Light grew from and still feed off the dark fountainheads of riot, rebellion, mayhem and melancholy—and the subversive literature, art and music of the Romantic Age. Weaving together his own with the lives and loves of Victor Hugo, Georges Sand, Charles Baudelaire, Balzac, Nadar and other great Romantics Downie delights in the city's secular romantic pilgrimage sites asking , Why Paris, not Venice or Rome—the tap root of "romance"—or Berlin, Vienna and London—where the earliest Romantics built castles-in-the-air and sang odes to nightingales? Read A Passion for Paris: Romanticism and Romance in the City of Light and find out.
Author : Mark Coeckelbergh
Publisher : MIT Press
Page : 336 pages
File Size : 52,5 Mb
Release : 2017-02-24
Category : Science
ISBN : 9780262343091
An account of the complex relationship between technology and romanticism that links nineteenth-century monsters, automata, and mesmerism with twenty-first-century technology's magic devices and romantic cyborgs. Romanticism and technology are widely assumed to be opposed to each other. Romanticism—understood as a reaction against rationalism and objectivity—is perhaps the last thing users and developers of information and communication technology (ICT) think about when they engage with computer programs and electronic devices. And yet, as Mark Coeckelbergh argues in this book, this way of thinking about technology is itself shaped by romanticism and obscures a better and deeper understanding of our relationship to technology. Coeckelbergh describes the complex relationship between technology and romanticism that links nineteenth-century monsters, automata, and mesmerism with twenty-first-century technology's magic devices and romantic cyborgs. Coeckelbergh argues that current uses of ICT can be interpreted as attempting a marriage of Enlightenment rationalism and romanticism. He describes the “romantic dialectic,” when this new kind of material romanticism, particularly in the form of the cyborg as romantic figure, seems to turn into its opposite. He shows that both material romanticism and the objections to it are still part of modern thinking, and part of the romantic dialectic. Reflecting on what he calls “the end of the machine,” Coeckelbergh argues that to achieve a more profound critique of contemporary technologies and culture, we need to explore not only different ways of thinking but also different technologies—and that to accomplish the former we require the latter.