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An inside look at the making of Casablanca offers fresh insights into and revelations about the people, the period, and the countless details that all had a hand in shaping the quintessential movie-lover's movie.
Fans of Jason Reynolds and Sharon M. Draper will love this oh-so-honest middle grade novel from writer and educator Maurice Broaddus. Thelonius Mitchell is tired of being labeled. He’s in special ed, separated from the “normal” kids at school who don’t have any “issues.” That’s enough to make all the teachers and students look at him and his friends with a constant side-eye. (Although his disruptive antics and pranks have given him a rep too.) When a gun is found at a neighborhood hangout, Thelonius and his pals become instant suspects. Thelonius may be guilty of pulling crazy stunts at school, but a criminal? T isn’t about to let that label stick.
TV shows that retain their popularity over the years do so for obvious reasons: good production values, good acting, and compelling storylines. But detective stories in particular also endure because they appeal to the gumshoe in all of us. America is obsessed with crime solving. Nancy Grace on CNN Headline News, Greta Van Susteren on Fox, and the seemingly annual recurrence of the courtroom sensation all testify to this fact. And these people and cases are able to reach their phenomenal status not simply because of the media-the media only demonstrates the enormous national appetite for this material. Rather, Cold Case, CSI, and Law & Order have achieved their current popularity because they all respond to the same national craving for crime, and do so with great skill and creativity. Round Up the Usual Suspects provides a comparison of the crime fighting models and justice proceedings of each of these TV series. Each series has its own special crime-fighting niche, and each approaches its job with a different set of values and different paradigms of discovery and proof. Their separate approaches are each firmly grounded in different components of human nature — analytical reasoning, for instance, in CSI, memory in Cold Case, and teamwork in Law & Order. After examining each of the individual series in depth, Ruble goes on to investigate some of the historical antecedents in classical TV detective series such as The FBI and Dragnet. It is interesting to note that these crime fighting methodologies are extensions of the way we all process information about the world. Ray Ruble here aims to increase our appreciation for the ingenious manner in which fictional cases are broken and convictions convincingly secured, and also illuminates the deeper human elements that lie under a more implicit spotlight in these runaway hits.
New York Times bestselling author Donna Andrews first introduced us to Meg Langslow as a crime-solving bridesmaid. In her 31st mystery, Round Up the Usual Peacocks, Meg returns to her roots, juggling cold cases and wedding guests. Kevin, Meg's cyber-savvy nephew who lives in the basement, comes to her with a problem. He's become involved as the techie for a true-crime podcast, one that focuses on Virginia cold cases and unsolved crimes. And he thinks their podcast has hit a nerve with someone . . . one of the podcast team has had a brush with death that Kevin thinks was an attempted murder, not an accident. Kevin rather sheepishly asks for Meg's help in checking out the people involved in a couple of the cases. "Given your ability to find out stuff online, why do you need MY help?" she asks. "Um . . . because I've already done everything I can online. This'll take going around and TALKING to people," he exclaims, with visible horror. "In person!" Not his thing. And no, it can't wait until after the wedding, because he's afraid whoever's after them might take advantage of the chaos of the wedding at Trinity or the reception at Meg and Michael's house to strike again. So on top of everything she's doing to round up vendors and supplies and take care of demanding out-of-town guests, Meg must hunt down the surviving suspects from three relatively local cold cases so she can figure out if they have it in for the podcasters. Could there be a connection to a musician on the brink of stardom who disappeared two decades ago and hasn't been seen since?
We'll Always Have Casablanca: The Legend and Afterlife of Hollywood's Most Beloved Film by Noah Isenberg Pdf
A Los Angeles Times bestseller A New York Times Book Review “Editor’s Choice” Selection “Even the die-hardest Casablanca fan will find in this delightful book new ways to love the movie they were certain they could never love more.” —Sam Wasson, best-selling author of Fifth Avenue, 5 A.M. Casablanca is “not one movie,” Umberto Eco once quipped; “it is ‘movies.’” Film historian Noah Isenberg’s We’ll Always Have Casablanca offers a rich account of the film’s origins, the myths and realities behind its production, and the reasons it remains so revered today, over seventy-five years after its premiere.
From the New York Times bestselling author of Rules of Civility. 'A comic masterpiece.' The Times 'Winning . . . gorgeous . . . satisfying . . . Towles is a craftsman.' New York Times Book Review 'A work of great charm, intelligence and insight.' Sunday Times 'Everything a novel should be: charming, witty, poetic and generous. An absolute delight.' Mail on Sunday 'If we do a better book than this one on the book club this year we will be very very lucky.' Matt Williams, Radio 2 Book Club 'Abundant in humour, history and humanity' Sunday Telegraph 'Wistful, whimsical and wry.' Sunday Express On 21 June 1922 Count Alexander Rostov - recipient of the Order of Saint Andrew, member of the Jockey Club, Master of the Hunt - is escorted out of the Kremlin, across Red Square and through the elegant revolving doors of the Hotel Metropol. But instead of being taken to his usual suite, he is led to an attic room with a window the size of a chessboard. Deemed an unrepentant aristocrat by a Bolshevik tribunal, the Count has been sentenced to house arrest indefinitely. While Russia undergoes decades of tumultuous upheaval, the Count, stripped of the trappings that defined his life, is forced to question what makes us who we are. And with the assistance of a glamorous actress, a cantankerous chef and a very serious child, Rostov unexpectedly discovers a new understanding of both pleasure and purpose.
In late 1941, a play called Everybody Comes to Rick's went from being a standard World War II romantic suspense film to an exceptional movie, earning Oscars for Best Picture, Best Director, and Best Screenplay. Harmetz has written the inside story of the making of Casablanca.
Round Up the Usual Subjects by Robert Brault,Joan Brault Pdf
Every seven minutes, every day, someone in the Twitter world tweets a Robert Brault quote. The author, a contributor to magazines and newspapers in the USA for over forty years, has appeared in publications and venues ranging from Reader's Digest to the CBS TV series Criminal Minds to the Ivory soap wrapper. In this, the first published collection of his writings, he draws from the archives of his popular internet blog A Robert Brault Reader to offer original thoughts on a basketful of familiar subjects. So kick up your feet, pour yourself a cup, and discover the author who says of himself, "I make no claim to fame, since I figure it would end up in small claims court, anyway."
Interviews, behind-the-scenes details, photographs, correspondences, and notes provide an overview of the production of the motion picture "Casablanca." Includes cast list, credits, and reviews.
When controversial German theologian's blood-stained body is found on the altar of a church during Vespers on Saint Cecelia's Day, lawyer and bluesman Monty Collins is called in to investigate.
Howdunit: A Masterclass in Crime Writing by Members of the Detection Club by Martin Edwards Pdf
Winner of the H.R.F. Keating Award for best biographical/critical book related to crime fiction, and nominated for the Edgar Allen Poe and Macavity Awards for Best Critical/Biographical book.
From the New York Times bestselling author of Fifth Avenue, Five A.M. and Fosse comes the revelatory account of the making of a modern American masterpiece Chinatown is the Holy Grail of 1970s cinema. Its twist ending is the most notorious in American film and its closing line of dialogue the most haunting. Here for the first time is the incredible true story of its making. In Sam Wasson's telling, it becomes the defining story of the most colorful characters in the most colorful period of Hollywood history. Here is Jack Nicholson at the height of his powers, as compelling a movie star as there has ever been, embarking on his great, doomed love affair with Anjelica Huston. Here is director Roman Polanski, both predator and prey, haunted by the savage death of his wife, returning to Los Angeles, the scene of the crime, where the seeds of his own self-destruction are quickly planted. Here is the fevered dealmaking of "The Kid" Robert Evans, the most consummate of producers. Here too is Robert Towne's fabled script, widely considered the greatest original screenplay ever written. Wasson for the first time peels off layers of myth to provide the true account of its creation. Looming over the story of this classic movie is the imminent eclipse of the '70s filmmaker-friendly studios as they gave way to the corporate Hollywood we know today. In telling that larger story, The Big Goodbye will take its place alongside classics like Easy Riders, Raging Bulls and The Devil's Candy as one of the great movie-world books ever written. Praise for Sam Wasson: "Wasson is a canny chronicler of old Hollywood and its outsize personalities...More than that, he understands that style matters, and, like his subjects, he has a flair for it." - The New Yorker "Sam Wasson is a fabulous social historian because he finds meaning in situations and stories that would otherwise be forgotten if he didn't sleuth them out, lovingly." - Hilton Als