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Richard Strauss' fifteen operas make up the largest German operatic legacy since Wagner's operas of the nineteenth century. In the first book to discuss all of Strauss' operas, Bryan Gilliam explores the composer's response to Wagner in his discussion of Strauss's stage works and their historical contexts.
Giacomo Puccini and His World by Arman Schwartz,Emanuele Senici Pdf
Giacomo Puccini (1858–1924) is the world's most frequently performed operatic composer, yet he is only beginning to receive serious scholarly attention. In Giacomo Puccini and His World, an international roster of music specialists, several writing on Puccini for the first time, offers a variety of new critical perspectives on the composer and his works. Containing discussions of all of Puccini’s operas from Manon Lescaut (1893) to Turandot (1926), this volume aims to move beyond clichés of the composer as a Romantic epigone and to resituate him at the heart of early twentieth-century musical modernity. This collection’s essays explore Puccini’s engagement with spoken theater and operetta, and with new technologies like photography and cinema. Other essays consider the philosophical problems raised by "realist" opera, discuss the composer’s place in a variety of cosmopolitan formations, and reevaluate Puccini’s orientalism and his complex interactions with the Italian fascist state. A rich array of primary source material, including previously unpublished letters and documents, provides vital information on Puccini’s interactions with singers, conductors, and stage directors, and on the early reception of the verismo movement. Excerpts from Fausto Torrefranca’s notorious Giacomo Puccini and International Opera, perhaps the most vicious diatribe ever directed against the composer, appear here in English for the first time. The contributors are Micaela Baranello, Leon Botstein, Alessandra Campana, Delia Casadei, Ben Earle, Elaine Fitz Gibbon, Walter Frisch, Michele Girardi, Arthur Groos, Steven Huebner, Ellen Lockhart, Christopher Morris, Arman Schwartz, Emanuele Senici, and Alexandra Wilson.
The Oxford Handbook of Opera by Helen M. Greenwald Pdf
Fifty of the world's most respected scholars cast opera as a fluid entity that continuously reinvents itself in a reflection of its patrons, audience, and creators.
Modernism and Opera by Richard Begam,Matthew Wilson Smith Pdf
Many of the greatest works in the operatic repertoire bear the hallmarks of modernism. At first glance, modernism and opera may seem like strange bedfellows—the former hostile to sentiment, the latter wearing its heart on its sleeve. And yet these apparent opposites attract: many operas are aesthetically avant-garde, politically subversive, and socially transgressive. From the proto-modernist strains of Richard Wagner’s Parsifal through the twenty-first-century modernism of Kaija Saariaho’s L’amour de loin, the duet between modernism and opera, at turns harmonious and dissonant, has been one of the central artistic events of modernity. Despite this centrality, scholars of modernist literature only rarely venture into opera, and music scholars generally return the favor by leaving literature to one side. But opera, that grand cauldron of the arts, demands that scholars, too, share the stage with one another. In Modernism and Opera, Richard Begam and Matthew Wilson Smith bring together musicologists, literary critics, and theater scholars for the first time in a mutual endeavor to trace certain key moments in the history of modernism and opera. This innovative volume includes essays from some of the most notable scholars in their fields and covers works as diverse as Debussy’s Pelléas et Mélisande, Bartók’s Bluebeard’s Castle, Berg’s Wozzeck, Janácek’s Makropulos Case, Thomson’s Four Saints in Three Acts, Strauss’s Arabella, Schoenberg’s Moses und Aron, Stravinsky’s The Rake’s Progress, Britten’s Gloriana, and Messiaen’s Saint François d’Assise. A collaborative study of the ultimate collaborative art form, Modernism and Opera reveals how modernism and opera illuminate each other and, more generally, the culture of the twentieth century. It also addresses a number of issues crucial for understanding the relation between modernism and opera, focusing in particular on intermediality (how modernism integrates music, literature, and drama into opera) and anti-theatricality (how opera responds to modernism’s apparent antipathy to theatricality). This captivating book—the first of its kind—will appeal to scholars of literature, music, theater, and modernity as well as to sophisticated opera lovers everywhere.
Collects nine essays that discusses the creativity of influential artists, as well as the legacy of their work following their deaths, and covers Wolfgang Amadeus Mozart, Piet Mondrian, Frank Gehry, and others.
A stirring account of how music bears witness to history and carries forward the memory of the wartime past In 1785, when the great German poet Friedrich Schiller penned his immortal “Ode to Joy,” he crystallized the deepest hopes and dreams of the European Enlightenment for a new era of peace and freedom, a time when millions would be embraced as equals. Beethoven’s Ninth Symphony then gave wing to Schiller’s words, but barely a century later these same words were claimed by Nazi propagandists and twisted by a barbarism so complete that it ruptured, as one philosopher put it, “the deep layer of solidarity among all who wear a human face.” When it comes to how societies remember these increasingly distant dreams and catastrophes, we often think of history books, archives, documentaries, or memorials carved from stone. But in Time’s Echo, the award-winning critic and cultural historian Jeremy Eichler makes a passionate and revelatory case for the power of music as culture’s memory, an art form uniquely capable of carrying forward meaning from the past. With a critic’s ear, a scholar’s erudition, and a novelist’s eye for detail, Eichler shows how four towering composers—Richard Strauss, Arnold Schoenberg, Dmitri Shostakovich, and Benjamin Britten—lived through the era of the Second World War and the Holocaust and later transformed their experiences into deeply moving, transcendent works of music, scores that echo lost time. Summoning the supporting testimony of writers, poets, philosophers, musicians, and everyday citizens, Eichler reveals how the essence of an entire epoch has been inscribed in these sounds and stories. Along the way, he visits key locations central to the music’s creation, from the ruins of Coventry Cathedral to the site of the Babi Yar ravine in Kyiv. As the living memory of the Second World War fades, Time’s Echo proposes new ways of listening to history, and learning to hear between its notes the resonances of what another era has written, heard, dreamed, hoped, and mourned. A lyrical narrative full of insight and compassion, this book deepens how we think about the legacies of war, the presence of the past, and the renewed promise of art for our lives today.
Nonnus of Panopolis in Context III, edited by Filip Doroszewski and Katarzyna Jażdżewska, explores both old and new questions about the poet and his works ‒ the grand mythological epic Dionysiaca and the hexameter Paraphrase of St. John’s Gospel.
Thomas Mann’s The Magic Mountain by Rodney Symington Pdf
Thomas Mann’s novel The Magic Mountain presents a panorama of European society in the first two decades of the 20th century and depicts the philosophical and metaphysical dilemmas facing people in the modern age. In the years leading up to the First World War, the fundamental elements of human nature were thrown into sharp relief by the political tensions that resulted in the ultimate metaphor for the innate destructiveness of humankind: the War itself. If such a war is the true expression of human tendencies, what hope is there for the future? Through the figure of the main character of the novel, Thomas Mann explores the alternative philosophies of life available to human beings in the modern age, and invites the reader to undertake a personal odyssey of discovery, with a view to adopting a positive approach in an era that seems to offer no clear-cut answers. This book is a comprehensive commentary on Thomas Mann’s seminal novel, one of the key literary artefacts of the 20th century. The author has taken upon himself the task of explaining all the references and allusions contained in the novel, and of providing readers who know little or no German with enough explanatory comment to enable them to understand the novel and extract the maximum reading pleasure from it.
For over a century the Wagners have presided over the Bayreuth Festival, playing host to many of the greatest and ghastliest figures in the arts and politics amidst family in-fighting and political controversy. Drawing on extensive interviews with members of the family and on both archive and recent material, Jonathan Carr presents a balanced but gripping portrait of the Wagners and their circle; a story which presents a mirror of Germany's rise, fall and resurrection.
Academy; a Weekly Review of Literature, Learning, Science and Art by Anonim Pdf
The Poetical gazette; the official organ of the Poetry society and a review of poetical affairs, nos. 4-7 issued as supplements to the Academy, v. 79, Oct. 15, Nov. 5, Dec. 3 and 31, 1910
Geology and Palaeontology of the Guardo Coalfield (NE Leon - NW Palencia), Cantabrian Mts by Robert Herman Wagner,L. G. Fernández García,R. M. C. Eagar Pdf