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She married the king. She wanted the man. Guinevere's marriage to Arthur was a political partnership, never a romance. Merlin knows that the king's court, newly restored at a medieval theme park, will only be complete if Arthur has his lady. Little did anyone suspect that once Guinevere gets a taste of twenty-first-century freedoms that this ancient queen would lose interest in belonging to any man—even a royal one. It takes a dragon, and some passionate nights spent in each other's arms, to lure her back to her husband's side. Arthur is willing to accept Gwen's help in protecting the new Camelot from a fae menace, but the bigger challenge will be wooing back Guinevere for a second chance at love…
Author : Mary D. Sheriff Publisher : University of Chicago Press Page : 306 pages File Size : 53,9 Mb Release : 2018-08-16 Category : Literary Criticism ISBN : 9780226483245
In Enchanted Islands, renowned art historian Mary D. Sheriff explores the legendary, fictional, and real islands that filled the French imagination during the ancien regime as they appeared in royal ballets and festivals, epic literature, paintings, engravings, book illustrations, and other objects. Some of the islands were mythical and found in the most popular literary texts of the day—islands featured prominently, for instance, in Ariosto’s Orlando furioso,Tasso’s Gerusalemme liberata, and Fénelon’s, Telemachus. Other islands—real ones, such as Tahiti and St. Domingue—the French learned about from the writings of travelers and colonists. All of them were imagined to be the home of enchantresses who used magic to conquer heroes by promising sensual and sexual pleasure. As Sheriff shows, the theme of the enchanted island was put to many uses. Kings deployed enchanted-island mythology to strengthen monarchical authority, as Louis XIV did in his famous Versailles festival Les Plaisirs de l’île enchantée. Writers such as Fénelon used it to tell morality tales that taught virtue, duty, and the need for male strength to triumph over female weakness and seduction. Yet at the same time, artists like Boucher painted enchanted islands to portray art’s purpose as the giving of pleasure. In all these ways and more, Sheriff demonstrates for the first time the centrality of enchanted islands to ancient regime culture in a book that will enchant all readers interested in the art, literature, and history of the time.
Life as a princess isn’t as glamorous as it seems. For Tia Ashley, it’s a well-hidden secret. One she’s willing to take to her grave. Her step-father, King Balsatra, isn’t a caring ruler or father. He killed her mother and turned Tia into a servant. Her stepbrothers couldn’t help her out of fear of their father’s wrath. The day Tia turned eighteen, she fled the palace and far away from the Kregon Kingdom to a small village where no one knows her. Her new life is short lived when her three stepbrothers and their two guards arrive asking questions about the missing princess. There was no way she was going back to the palace to endure any more of the King’s abuse. Conell, Ayen, Elion, Kieran, and Jonah had other plans. The kind that involved taking the throne and ending the Kings rein of terror.
The Vampire Prince risks it all in the war with the Fae. Callie discovers untold powers, connects with her past, and transforms in a way she never expected. The rescue of her sister teeters in the balance. A centuries-old sorceress, vampire magic, and a horrifying blood exchange thrust her into a new state and unexpected consequences. Logan taps into his supernatural abilities to save Callie and her sister. Yet he meets with forces more powerful than anticipated. A life-changing event releases his strength as never before. The prince must save the woman he loves, and the very world he lives in.
In this acclaimed study of British statehood, identity and culture, Tom Nairn deftly dispels the conviction that the Royal Family is nothing more than an amusing relic of feudalism or a mere tourist attraction. Instead, he argues that the monarchy is both apex and essence of the British state, the symbol of a national backwardness. In this fully updated edition, Nairn’s powerful and bitterly comic prose lays bare Britain’s peculiar, pseudo-modern, national identity—which remains stubbornly fixated on the Crown and its constitutional framework, the “parliamentary sovereignty” of Westminster.
This book concerns the experience of enchantment in art. Considering the essential characteristics, dynamics and conditions of the experience of enchantment in relation to art, including liminality, it offers studies of different kinds of artistic experience and activity, including painting, music, fiction and poetry, before exploring the possibility of a life oriented to enchantment as the activity of art itself. With attention to the complex relationship between wonder in art and the programmatic disenchantment to which it is often subject, the author draws on the thought of a diverse range of philosophers, sociological theorists and artists, to offer an understanding of art through the idea of enchantment, and enchantment through art. An accessible study, richly illustrated with experience – both that of the author and others – Art and Enchantment will appeal to scholars and students of sociology, anthropology, philosophy, and anyone with interests in the nature of aesthetic experience.
She married the king. She wanted the man. Guinevere's marriage to Arthur was a political partnership, never a romance. Merlin knows that the king's court, newly restored at a medieval theme park, will only be complete if Arthur has his lady. Little did anyone suspect that once Guinevere gets a taste of twenty–first–century freedoms that this ancient queen would lose interest in belonging to any man–even a royal one. It takes a dragon, and some passionate nights spent in each other's arms, to lure her back to her husband's side. Arthur is willing to accept Gwen's help in protecting the new Camelot from a fae menace, but the bigger challenge will be wooing back Guinevere for a second chance at love...
Author : Mark A. Schneider Publisher : University of Chicago Press Page : 248 pages File Size : 45,9 Mb Release : 1993-12-15 Category : Philosophy ISBN : 0226739279
Max Weber viewed modern life as disenchanted, an arena from which scientific inquiry had banished magic. In contrast, Mark Schneider argues intriguingly that enchantment—the sense that we are confronted by inexplicable phenomena—persists in the world today, although it has shifted from the natural to the cultural arena. Culture and Enchantment shows that students of culture today operate in social and intellectual circumstances similar to those of seventeenth-century natural philosophers. Just as Newton was drawn to alchemy, scholars today are fascinated by ghostly and mercurial agents thought to account for the meanings of cultural entities. For interpretive disciplines, Schneider suggests, meaning often behaves behaves as mysteriously as the apparitions pursued by centuries ago by natural philosophers. He demonstrates this using two case studies from anthropology: Clifford Geertz's description of Balinese cockfights and Yoruba statuary, and Claude Levi-Strauss's analyses of myths. These provide a basis for actively engaging disputes over the meaning and interpretation of culture. Culture and Enchantment will appeal to an interdisciplinary audience in anthropology, sociology, history, history and sociology of science, culture studies, and literary theory. Schneider's provocative arguments will make this book a fulcrum in the continuing debate over the nature and prospects of cultural inquiry.
Featuring striking photographs and lively, insightful commentary and histories, The Best of Barbie is a full-color visual feast that novice and experienced collectors alike will treasure. Scattered throughout the book are trivia facts that test the reader's knowledge of America's favorite doll. Plus, accompanying each photo is a handy identification and value info bar - facts readers need at a glance. With complete descriptions, 300 magnificent color photos and more than 1,200 price listings, collectors, appraisers, buyers and fans will have the tools to identify the most influential Barbie Dolls including Barbie #1 Ponytail Style, Bubblecut Barbie, Barbie Fashion Queen, American Girl and many more.
India's association with magicians goes back thousands of years. Conjurors and illusionists dazzled the courts of Hindu maharajas and Mughal emperors. As British dominion spread over the subcontinent, such wonder-workers became synonymous with India. Western magicians appropriated Indian attire, tricks and stage names; switching their turbans for top hats, Indian jugglers fought back and earned their grudging respect. This book tells the extraordinary story of how Indian magic descended from the realm of the gods to become part of daily ritual and popular entertainment across the globe. Recounting tales of levitating Brahmins, resurrections, prophesying monkeys and "the most famous trick never performed," Empire of Enchantment vividly charts Indian magic's epic journey from street to the stage. This heavily illustrated book tells the extraordinary, untold story of how Indian magic descended from the realm of the gods to become part of daily ritual and popular entertainment across the globe. Drawing on ancient religious texts, early travelers' accounts, colonial records, modern visual sources, and magicians' own testimony, Empire of Enchantment is a vibrant narrative of India's magical traditions, from Vedic times to the present day.
The second book in the trilogy which began with the Booker prize-winning The Famished Road. 'A love story and an account of the conflict between the parties of the Rich and Poor... Okri's voice is all his own' Independent Having outwitted death, Azaro, the spirit child, remains in the land of the Living. Oppression and violence continue to plague the city, and while political factions battle, bar owner Madame Koto backs the 'Party of the Rich' with magical, bewitching force. But for Azaro, his adventure is tied up with his parents, and so his story takes on yet another heroic adventure to save them both from the forces of the world. 'Ben Okri writes beautifully...a triumph of inspiration over the everyday' The Times
Enchantment and Dis-enchantment in Shakespeare and Early Modern Drama by Nandini Das,Nick Davis Pdf
This volume addresses dealings with the wondrous, magical, holy, sacred, sainted, numinous, uncanny, auratic, and sacral in the plays of Shakespeare and contemporaries, produced in an era often associated with the irresistible rise of a thinned-out secular rationalism. By starting from the literary text and looking outwards to social, cultural, and historical aspects, it comes to grips with the instabilities of ‘enchanted’ and ‘disenchanted’ practices of thinking and knowledge-making in the early modern period. If what marvelously stands apart from conceptions of the world’s ordinary functioning might be said to be ‘enchanted’, is the enchantedness weakened, empowered, or modally altered by its translation to theatre? We have a received historical narrative of disenchantment as a large-scale early modern cultural process, inexorable in character, consisting of the substitution of a rationally understood and controllable world for one containing substantial areas of mystery. Early modern cultural change, however, involves transpositions, recreations, or fresh inventions of the enchanted, and not only its replacement in diminished or denatured form. This collection is centrally concerned with what happens in theatre, as a medium which can give power to experiences of wonder as well as circumscribe and curtail them, addressing plays written for the popular stage that contribute to and reflect significant contemporary reorientations of vision, awareness, and cognitive practice. The volume uses the idea of dis-enchantment/re-enchantment as a central hub to bring multiple perspectives to bear on early modern conceptualizations and theatricalizations of wonder, the sacred, and the supernatural from different vantage points, marking a significant contribution to studies of magic, witchcraft, enchantment, and natural philosophy in Shakespeare and early modern drama.
Who says the holiday season is just for humans? For all the holly-jolly times, family gatherings are complex no matter who—or what—you are. When you’re hunting for the latest “it” toy to stuff a stocking, it doesn’t matter if you’re alive or Undead, fanged or furry—you’re just as desperate to be the cool dad. And then there are the family grumps who never send cards, the ones who eat all the good candy, and those who drool and dig up the neighbor’s yard. No, the Yuletide Season isn’t for the faint of heart—and sometimes it’s downright demonic—but holiday miracles make it all worthwhile. Chance encounters and unexpected forgiveness remind us that joy doesn’t come in a gift-wrapped box. A novella from the world of the Dark Forgotten paranormal romance series