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This book constructs a theory of ruins that celebrates their vitality and unity in aesthetic experience. Its argument draws upon over 100 illustrations prepared in 40 countries. Ruins flourish as matter, form, function, incongruity, site, and symbol. Ruin underlies cultural values in cinema, literature and philosophy. Finally, ruin guides meditations upon our mortality and endangered world.
In Ruins of the Mind, Jason Statlander examines friendship, love, family, tragedy, and American culture throughout this collection of contemporary short fiction. His poignant words touch on—and make us question—what it means to be human, the ups and downs that connect and affect us all, and how family is the rock that will get us through. Highlighted stories include: Feathers in the Wind: Jake boards an airplane for a fateful flight while traveling home to make his daughter’s birthday. The Ter’roc: Fourteen-year-old Heidi seeks adventure and makes the discovery of a lifetime when she follows her curiosity through a storm drain. Surviving the Messengers: Ashley and her father Chris are dealing with the loss of her mother and need to find the strength to battle a fantastical foe. In the Shadows of a Moment: Five-year-old Frankie sets off for a birthday party on a rainy day with his father Howard, and the ensuing day leads to a shocking discovery. Downward Spiral: In this moving commentary on the American economy, Dominic loses his job and his family, sending his life into a tailspin. Springtime Roses: Rose goes to a routine doctor’s appointment and receives shocking news that changes her and her family’s life. Other stories in this collection: The Lantern, The Glass Pyramid, Chance—“Don’t Lose Your Head,” The Sheadroch, The Talasum, and The Journals.
NATIONAL BESTSELLER • Trapped in the Mexican jungle, a group of friends stumble upon a creeping horror unlike anything they could ever imagine in "the best horror novel of the new century" (Stephen King). Also a major motion picture! Two young couples are on a lazy Mexican vacation—sun-drenched days, drunken nights, making friends with fellow tourists. When the brother of one of those friends disappears, they decide to venture into the jungle to look for him. What started out as a fun day-trip slowly spirals into a nightmare when they find an ancient ruins site ... and the terrifying presence that lurks there. "The Ruins does for Mexican vacations what Jaws did for New England beaches.” —Entertainment Weekly “Smith’s nail-biting tension is a pleasure all its own.... This stuff isn’t for the faint of heart.” —New York Post “A story so scary you may never want to go on vacation, or dig around in your garden, again.” —USA Today
Ruins of the Mind by Jason P. Stadtlander,Julia Koller,Linda Sickinger Pdf
Enter a world of intrigue in this anthology of short stories. Discover a unique elderly home that offers justice to those who are unkind and uncaring of others, yet rewards those who are loving and compassionate in "The Lantern".Shawn could never have imagined what she might find when she ventured into the storm drain near the train tracks. Follow her through her adventure in "The Ter'roc" It s a rainy, dreary Sunday afternoon. Howard is pleased that he has a way to occupy his son indoors by taking him to a birthday party. However, things begin to seem a bit strange as children at the party ignore his son and his day takes a turn in the direction of bizarre in "In the Shadows of a Moment".When Jake and Gwen traveled to the airport together, they took a quick liking to each other. Read about their experiences as you are put into their shoes in this touching story about the events of American Airlines Flight 11 during the attacks of 9/11 in "Feathers in the Wind".Read these stories and many others...Includes the following stories:* The Lantern * Feathers In The Wind * The Glass Pyramid* In The Shadows Of A Moment* The Ter roc* Chance Don t Lose Your Head * Springtime Roses* The Sheadroch* Surviving The Messengers* Downward Spiral
Author : Julia Hell Publisher : University of Chicago Press Page : 633 pages File Size : 45,5 Mb Release : 2019-03-19 Category : History ISBN : 9780226588223
The Roman Empire has been a source of inspiration and a model for imitation for Western empires practically since the moment Rome fell. Yet, as Julia Hell shows in The Conquest of Ruins, what has had the strongest grip on aspiring imperial imaginations isn’t that empire’s glory but its fall—and the haunting monuments left in its wake. Hell examines centuries of European empire-building—from Charles V in the sixteenth century and Napoleon’s campaigns of the late seventeenth and early eighteenth centuries to the atrocities of Mussolini and the Third Reich in the 1930s and ’40s—and sees a similar fascination with recreating the Roman past in the contemporary image. In every case—particularly that of the Nazi regime—the ruins of Rome seem to represent a mystery to be solved: how could an empire so powerful be brought so low? Hell argues that this fascination with the ruins of greatness expresses a need on the part of would-be conquerors to find something to ward off a similar demise for their particular empire.
Author : Susan Stewart Publisher : University of Chicago Press Page : 401 pages File Size : 52,7 Mb Release : 2020-01-07 Category : Literary Criticism ISBN : 9780226632612
How have ruins become so valued in Western culture and so central to our art and literature? Covering a vast chronological and geographical range, from ancient Egyptian inscriptions to twentieth-century memorials, Susan Stewart seeks to answer this question as she traces the appeal of ruins and ruins images, and the lessons that writers and artists have drawn from their haunting forms. Stewart takes us on a sweeping journey through founding legends of broken covenants and original sin, the Christian appropriation of the classical past, myths and rituals of fertility, images of decay in early modern allegory and melancholy, the ruins craze of the eighteenth century, and the creation of “new ruins” for gardens and other structures. Stewart focuses particularly on Renaissance humanism and Romanticism, periods of intense interest in ruins that also offer new frames for their perception. The Ruins Lesson looks in depth at the works of Goethe, Piranesi, Blake, and Wordsworth, each of whom found in ruins a means of reinventing art. Ruins, Stewart concludes, arise at the boundaries of cultures and civilizations. Their very appearance depends upon an act of translation between the past and the present, between those who have vanished and those who emerge. Lively and engaging, The Ruins Lesson ultimately asks what can resist ruination—and finds in the self-transforming, ever-fleeting practices of language and thought a clue to what might truly endure.
The world has become a cold, hard place to livea place where freedom is found only in the departure from living. Its people are enslaved by fear, suffering, and chaos, and even Mother Nature is at war with herself. Earth has become a giant graveyard of destruction, all thanks to an unspeakably evil curse. The beginning of the new world order started the moment Professor Goldsmith pushed off the gold marbled lid from a sarcophagus in a tomb hidden deep within the Sahara desert. An ancient curse was released upon mankind and all life on Earth, causing reality to crumble into chaos. Only the strong survive in this new world. But one man holds the key to free the future from the past, and his journey becomes a test of free will. Ruins of the Mind is his storya sweeping saga of courage, love, loss, and pain.
The neoclassic tendency to write about the ruins of Rome was both an attempt to recapture the grandeur of the “golden age” of man and a lament for the passing of a great civilization. John Dyer, who wrote The Ruins of Rome in 1740, was largely responsible for the eighteenth-century revival of a unique subgenre of landscape poetry dealing with ruins of the ancient world. Few poems about the ruins had been written since Antiquités de Rome in 1558 by Joachim Du Bellay. Dyer was one of first neoclassic poets to return to the decaying stones of a past society as a source of poetic inspiration and imagination. He views the relics as monuments of grandeur and greatness, but also of impending death and destruction. While following most of the rules and standards of neoclassicism—that of imitating nature and giving pleasure to a reader—Dyer also includes his personal reactions and emotions in The Ruins of Rome. The work is composed from the position of a poet who serves as interpreter and translator of the subject, a primary characteristic of “prospect” poetry in the eighteenth century. Numerous other writers quickly followed Dyer’s example, including George Keate, William Whitehead and William Parsons. The tendency by these poets to write about the ruins of Rome from a subjective point of view was one of the strongest themes in what Northrop Frye has called the “Age of Sensibility.” Although the renewed interest in Roman ruins lasted well into the nineteenth century, influencing Romantic poets from Lord Byron to William Wordsworth, the evolution of this type of verse was a gradual process: it originated with Du Bellay’s poem, continued through seventeenth-century paintings by Claude Lorrain and Salvator Rosa (along with the later art of Piranesi and Pannini), and reached maturity with the poetic interest in the imagination in the eighteenth century. All of these factors, especially the tendency of poets to record their subjective feelings and insights concerning the ruins, are elements that proved to be instrumental in the eventual development of Romanticism.
One of the most common scenes in Augustan and Romantic literature is that of a writer confronting some emblem of change and loss, most often the remains of a vanished civilization or a desolate natural landscape. Ruins and Empire traces the ruin sentiment from its earliest classical and Renaissance expressions through English literature to its establishment as a dominant theme of early American art.
The Re-Use of Urban Ruins by Hanna Katharina Göbel Pdf
How do urban ruins provoke their cultural revaluation? This book offers a unique sociological analysis about the social agencies of material culture and atmospheric knowledge of buildings in the making. It draws on ethnographic research in Berlin along the former Palace of the Republic, the E-Werk and the Café Moskau in order to make visible an interdisciplinary regime of design experts who have developed a professional sensorium turning the built memory of the city into an object of aesthetic inquiry.
Blown: or Sketches Among the Ruins of My Mind by Philip Jose Farmer Pdf
In Philip Jose Farmers incredible sequel to The Image of the Beast, Herald Childe continues what started as a murder case - a very gruesome one - but which has now become a struggle against the strange and deadly beings who have taken his wife, who threaten his manhood and threaten mankind itself. His seems a hopeless quest. He is fighting not people but inhuman, unhuman monster from another universe. They take grotesque physical forms, they indulge cruel whims, and they are sex-mad. There is Vivienne, amazingly beautiful, who used to be Joan of Arc. But she has false teeth and she comes literally to pieces. Her lover is a snake-like horror whose needle teeth drip aphrodisiac venom. There is Count Igescu, a real live vampire. And these three are surrounded by a grisly crowd of bizarre aliens, characters in a science fiction nightmare. But for Childe there is to be no waking up: though no one else will believe him, he knows this is for real...
Enter a world of intrigue in this anthology of short stories. Discover a unique elderly home that offers justice to those who are unkind and uncaring of others, yet rewards those who are loving and compassionate in "The Lantern." Shawn could never have imagined what she might find when she ventured into the storm drain near the train tracks. Follow her through her adventure in "The Ter'roc" It's a rainy, dreary Sunday afternoon. Howard is pleased that he has a way to occupy his son indoors by taking him to a birthday party. However, things begin to seem a bit strange as children at the party ignore his son and his day takes a turn in the direction of bizarre in "In the Shadows of a Moment." When Jake and Gwen traveled to the airport together, they took a quick liking to each other. Read about their experiences as you are put into their shoes in this touching story about the events of American Airlines Flight 11 during the attacks of 9/11 in "Feathers in the Wind." Read these stories and many others... Includes the following stories: * The Lantern * Feathers In The Wind * The Glass Pyramid * In The Shadows Of A Moment * The Ter'roc * Chance Don t Lose Your Head * Springtime Roses * The Sheadroch * Surviving The Messengers * Downward Spiral
Author : Susan Stewart Publisher : University of Chicago Press Page : 401 pages File Size : 42,5 Mb Release : 2021-06-02 Category : Architecture ISBN : 9780226792200
"In 'The Ruins Lesson,' the National Book Critics Circle Award-winning poet-critic Susan Stewart explores the West's fascination with ruins in literature, visual art, and architecture, covering a vast chronological and geographical range from the ancient Egyptians to T. S. Eliot. In the multiplication of images of ruins, artists, and writers she surveys, Stewart shows how these thinkers struggled to recover lessons out of the fragility or our cultural remains. She tries to understand the appeal in the West of ruins and ruination, particularly Roman ruins, in the work and thought of Goethe, Piranesi, Blake, and Wordsworth, whom she returns to throughout the book. Her sweeping, deeply felt study encompasses the founding legends of broken covenants and original sin; Christian transformations of the classical past; the myths and rituals of human fertility; images of ruins in Renaissance allegory, eighteenth-century melancholy, and nineteenth-century cataloguing; and new gardens that eventually emerged from ancient sites of disaster"--
At face value, the concept of modernity seems to reference a stream of social and historical traffic headed down a utopian one-way street named "progress." Mexico's Ruins examines modernity in twentieth-century Mexican culture as a much more ambiguous concept, arguing that such a single-minded notion is inadequate to comprehend the complexity of modern Mexico's national projects and their reception by the nation's citizenry. Instead, through the trope of modernity as ruin, author Raúl Rodríguez-Hernández explores the dilemma presented by the etymology of "ruins": a simultaneous falling down and rising up, a confluence of opposing forces at work on the skyline of the metropolis since 1968. He focuses on artists and writers of the generación de medio siglo, like Juan García Ponce, and envisions both the tales of modernity and their storytellers in a new light. The arts, literature, and architecture of twentieth-century Mexico are all examined in this cross-cultural and interdisciplinary book.