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Ruins of the Palace of the Emperor Diocletian at Spalatro in Dalmatia by Robert Adam,Francesco Bartolozzi Pdf
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The Architecture of Ruins: Designs on the Past, Present and Future identifies an alternative and significant history of architecture from the sixteenth century to the twenty-first century, in which a building is designed, occupied and imagined as a ruin. This design practice conceives a monument and a ruin as creative, interdependent and simultaneous themes within a single building dialectic, addressing temporal and environmental questions in poetic, psychological and practical terms, and stimulating questions of personal and national identity, nature and culture, weather and climate, permanence and impermanence and life and death. Conceiving a building as a dialogue between a monument and a ruin intensifies the already blurred relations between the unfinished and the ruined and envisages the past, the present and the future in a single architecture. Structured around a collection of biographies, this book conceives a monument and a ruin as metaphors for a life and means to negotiate between a self and a society. Emphasising the interconnections between designers and the particular ways in which later architects learned from earlier ones, the chapters investigate an evolving, interdisciplinary design practice to show the relevance of historical understanding to design. Like a history, a design is a reinterpretation of the past that is meaningful to the present. Equally, a design is equivalent to a fiction, convincing users to suspend disbelief. We expect a history or a novel to be written in words, but they can also be delineated in drawing, cast in concrete or seeded in soil. The architect is a ‘physical novelist’ as well as a ‘physical historian’. Like building sites, ruins are full of potential. In revealing not only what is lost, but also what is incomplete, a ruin suggests the future as well as the past. As a stimulus to the imagination, a ruin’s incomplete and broken forms expand architecture’s allegorical and metaphorical capacity, indicating that a building can remain unfinished, literally and in the imagination, focusing attention on the creativity of users as well as architects. Emphasising the symbiotic relations between nature and culture, a building designed, occupied and imagined as a ruin acknowledges the coproduction of multiple authors, whether human, non-human or atmospheric, and is an appropriate model for architecture in an era of increasing climate change.
Author : Susan Stewart Publisher : University of Chicago Press Page : 401 pages File Size : 44,8 Mb Release : 2020-01-07 Category : Literary Criticism ISBN : 9780226632612
How have ruins become so valued in Western culture and so central to our art and literature? Covering a vast chronological and geographical range, from ancient Egyptian inscriptions to twentieth-century memorials, Susan Stewart seeks to answer this question as she traces the appeal of ruins and ruins images, and the lessons that writers and artists have drawn from their haunting forms. Stewart takes us on a sweeping journey through founding legends of broken covenants and original sin, the Christian appropriation of the classical past, myths and rituals of fertility, images of decay in early modern allegory and melancholy, the ruins craze of the eighteenth century, and the creation of “new ruins” for gardens and other structures. Stewart focuses particularly on Renaissance humanism and Romanticism, periods of intense interest in ruins that also offer new frames for their perception. The Ruins Lesson looks in depth at the works of Goethe, Piranesi, Blake, and Wordsworth, each of whom found in ruins a means of reinventing art. Ruins, Stewart concludes, arise at the boundaries of cultures and civilizations. Their very appearance depends upon an act of translation between the past and the present, between those who have vanished and those who emerge. Lively and engaging, The Ruins Lesson ultimately asks what can resist ruination—and finds in the self-transforming, ever-fleeting practices of language and thought a clue to what might truly endure.
China from the Ruins of Athens and Rome by Chris Murray Pdf
Fascinated and often baffled by China, Anglophone writers have turned to classics to provide interpretative paradigms and narrative shape to inform their understanding. This volume reveals key insights into British cosmopolitanism, which sought its bearings in the ancient past in encounters with Qing Dynasty China.
He pretends to have no talent for cultivating, but in fact already has super strong force. Others think he has no talent, laugh at him, bully him, but he doesn't care, because he has more important things to do.In order to seek the whereabouts of his parents, to regain the prestige of the family, and to protect the safety of the people, he needs to hide his strength and win eventually when others are inadvertent.☆About the Author☆Nan Chen, a new online novel writer, wrote a novel named Greatest Conceited Emperor on the literary website and received high marks. The rich storyline and distinctive character of the book attracted readers.
Kinaesthesia and Classical Antiquity 1750–1820 by Helen Slaney Pdf
This book argues that touch and movement played a significant role, long overlooked, in generating perceptions of ancient material culture in the late 18th century. At this time the reception of classical antiquity had been transformed. Interactions with material culture – ruins, sculpture, and artefacts – formed the core of this transformation. Some such interactions were proto-archaeological, such as the Dilettanti expeditions to Athens and Asa Minor; others were touristic, seen in the guidebooks consulted by travellers to Rome and the diaries they composed; and others creative, resulting in novels, poetry, and dance performances. Some involved the reproduction of experience in a gallery or museum setting. What all encounters with ancient material culture had in common, however, is their haptic sensory basis. The sense typically associated with the Enlightenment is vision, but this has obscured the equally important contribution made by touch and movement to the way in which a newly materialised Graeco-Roman world was perceived. Kinaesthesia, or the sense of self-movement, is rarely recognised in its own right, but because all encounters with sites and objects are embodied, and all embodiment takes place in motion, this sense is vital to forming more abstract or imaginative impressions. Theories of embodied cognition propose that all intellectual processes are also physical. This book shows how ideas about classical antiquity in the volatile milieu of the late 18th century developed as a result of diverse kinaesthetic relationships.
Secrets of the Chinese Palace (2010 Edition - EPUB) by Lim SK Pdf
For 5,000 years, kings and emperors had ruled China with the palace as their power hub. Yet the common people knew little of the goings-on there, even though court affairs greatly affected their lives. In this book, we unveil the secrets of the Chinese palace. You will learn about the physical palaces of the various dynasties of China although most of them no longer exist. Meet the occupants of the palace: the emperors, empresses, imperial concubines and siblings, eunuchs and many others, and find out how the notable ones altered the course of history. You will be surprised to know that although authority was vested in the emperor, there were numerous occasions when others, such as the empress, concubines, eunuchs and even imperial siblings around him, supplanted his power. Renowned cartoonist Tian Hengyu now relives these stirring tales with the deft strokes of his pen to shed new insights into Chinese history.
