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Samuel Beckett: Debts and Legacies by Peter Fifield,David Addyman Pdf
This text presents new scholarship addressing the sources, development and ongoing influence of Samuel Beckett's work. It presents 10 research essays by international scholars ranging across Beckett's work, opening up new avenues of enquiry and association for scholars, students and readers of Beckett's work.
Edinburgh Companion to Samuel Beckett and the Arts by S E (Florida State University) Gontarski Pdf
The 35 new and original chapters in this Companion capture the continued vitality of Beckett studies in drama, music and the visual arts and establish rich and varied cultural contexts for BeckettOCOs work world-wide. As well as considering topics such as Beckett and science, historiography, geocriticism and philosophy, the volume focuses on the post-centenary impetus within Beckett studies, emphasising a return to primary sources amid letters, drafts, and other documents. Major Beckett critics such as Steven Connor, David Lloyd, Andrew Gibson, John Pilling, Jean-Michel Rabat(r), and Mark Nixon, as well as emerging researchers, present the latest critical thinking in 9 key areas: Art & Aesthetics; Fictions; European Context; Irish Context; Film, Radio & Television; Language/Writing; Philosophies; Theatre & Performance; Global Beckett. Edited by eminent Beckett scholar S. E. Gontarski, the Companion draws on the most vital, ground-breaking research to outline the nature of Beckett studies for the next generation."e;
Edinburgh Companion to Samuel Beckett and the Arts by S.E. Gontarski Pdf
A landmark collection showcasing the diversity of Samuel Beckett's creative output The 35 original chapters in this Companion capture the continued vitality of Beckett studies in drama, music and the visual arts and establish rich and varied cultural contexts for Beckett's work world-wide. As well as considering topics such as Beckett and science, historiography, geocriticism and philosophy, the volume focuses on the post-centenary impetus within Beckett studies, emphasising a return to primary sources amid letters, drafts, and other documents. Major Beckett critics such as Steven Connor, David Lloyd, Andrew Gibson, John Pilling, Jean-Michel Rabate, and Mark Nixon, as well as emerging researchers, present the latest critical thinking in 9 key areas: Art & Aesthetics; The Body; Fiction; Film, Radio & Television; Global Beckett; Language / Writing; Philosophy; Reading; and Theatre & Performance. Edited by eminent Beckett scholar S. E. Gontarski, the Companion draws on the most vital, ground-breaking research to outline the nature of Beckett studies for the next generation.
Samuel Beckett and BBC Radio by David Addyman,Matthew Feldman,Erik Tonning Pdf
This book is the first sustained examination of Samuel Beckett’s pivotal engagements with post-war BBC radio. The BBC acted as a key interpreter and promoter of Beckett’s work during this crucial period of his "getting known" in the Anglophone world in the 1950s and 1960s, especially through the culturally ambitious Third Programme, but also by the intermediary of the house magazine, The Listener. The BBC ensured a sizeable but also informed reception for Beckett’s radio plays and various “adaptations” (including his stage plays, prose, and even poetry); the audience that Beckett's works reached by radio almost certainly exceeded in size his readership or theatre audiences at the time. In rethinking several key aspects of his relationship with the BBC, a mix of new and familiar Beckett critics take as their starting point the previously neglected BBC radio archives held at the Written Archive Centre in Caversham, Berkshire. The results of this extended reassessment are timely and, in many cases, quite surprising for readers of Beckett and for scholars of radio, “late modernism,” and post-war British culture more broadly.
Samuel Beckett and Cinema by Anthony Paraskeva Pdf
In 1936, Samuel Beckett wrote a letter to the Soviet film director Sergei Eisenstein expressing a desire to work in the lost tradition of silent film. The production of Beckett's Film in 1964, on the cusp of his work as a director for stage and screen, coincides with a widespread revival of silent film in the period of cinema's modernist second wave. Drawing on recently published letters, archival material and production notebooks, Samuel Beckett and Cinema is the first book to examine comprehensively the full extent of Beckett's engagement with cinema and its influence on his work for stage and screen. The book situates Beckett within the context of first and second wave modernist filmmaking, including the work of figures such as Vertov, Keaton, Lang, Epstein, Flaherty, Dreyer, Godard, Bresson, Resnais, Duras, Rogosin and Hitchcock. By examining the parallels between Beckett's methods, as a writer-director, and particular techniques, such as the embodied presence of the camera, the use of asynchronous sound, and the cross-pollination of theatricality and cinema, as well as the connections between his collaborators and the nouvelle vague, the book reveals how Beckett's aesthetic is fundamentally altered by his work for the screen, and his formative encounters with modernist film culture.
Translating Samuel Beckett around the World by José Francisco Fernández,Pascale Sardin Pdf
The global reception of Samuel Beckett raises numerous questions: in which areas of the world was Beckett first translated? Why were Beckett texts sometimes slow to penetrate certain cultures? How were national literatures impacted by Beckett's oeuvre? Translating Samuel Beckett around the World brings together leading researchers in Beckett studies to discuss these questions and explore the fate of Beckett in their own societies and national languages. The current text provides ample coverage of the presence of Beckett in geographical contexts normally ignored by literary criticism, and reveals unknown aspects of the 1969 Nobel Prize winner interacting with translators of his work in a number of different countries.
Samuel Beckett and Pain is a collection of ten essays which explores the theme of pain in Beckett’s works. Experiencing both physical and psychological pain in the course of his life, Beckett found suffering in human life inevitable, accepted it as a source of inspiration in his writings, and probed it to gain deeper insight into the difficult and emotionally demanding processes of artistic creation, practice and performance. Acknowledging the recent developments in the study of pain in literature and culture, this volume explores various aspects of pain in Beckett’s works, a subject which has been heretofore only sporadically noted. The topics discussed include Beckett’s aesthetics and pain, pain as loss and trauma, pain in relation to palliation, pain at the experience of the limit, pain as archive, and pain as part of everyday life and language. This volume is characterized by its plural, interdisciplinary perspectives covering the fields of literature, theatre, art, philosophy, and psychoanalysis. By suggesting more diverse paths in Beckett studies, the authors hope to make a lasting contribution to contemporary literary studies and other relevant fields.
Samuel Beckett's Critical Aesthetics by Tim Lawrence Pdf
This book considers how Samuel Beckett’s critical essays, dialogues and reflections drew together longstanding philosophical discourses about the nature of representation, and fostered crucial, yet overlooked, connections between these discourses and his fiction and poetry. It also pays attention to Beckett’s writing for little-magazines in France from the 1930s to the 1950s, before going on to consider how the style of Beckett’s late prose recalls and develops figures and themes in his critical writing. By providing a long-overdue assessment of Beckett’s work as a critic, this study shows how Beckett developed a new aesthetic in knowing dialogue with ideas including phenomenology, Kandinsky’s theories of abstraction, and avant-garde movements such as Surrealism. This book will be illuminating for students and researchers interested not just in Beckett, but in literary modernism, the avant-garde, European visual culture and philosophy.
Samuel Beckett and Europe by Michela Bariselli,Niamh M. Bowe,William Davies Pdf
Drawing on the diverse critical debates of the ‘Beckett and Europe’ conference held in Reading, UK, in 2015, this volume brings together a selection of essays to offer an international response to the central question of what ‘Europe’ might mean for our understandings of the work of Samuel Beckett. Ranging from historical and archival work to the close interrogation of language and form, from the influences of various national literary traditions on Beckett’s writing to his influence on the work of other writers and thinkers, this book examines the question of Europe from multiple vantage points so as to reflect the ways in which Beckett’s oeuvre both challenges and enlivens his status as a ‘European writer’. With a full introductory chapter examining the challenging implications of the term ‘Europe’ in the contemporary period, this volume treats Europe as a recognition of the multiple ways that Beckett’s poetry, criticism, prose and drama invite new understandings of the role of history, culture and tradition in one of the most significant bodies of writing of the twentieth century.
Still: Samuel Beckett's Quietism by Wimbush Andy Pdf
In the 1930s, a young Samuel Beckett confessed to a friend that he had been living his life according to an ‘abject self-referring quietism’. Andy Wimbush argues that ‘quietism’—a philosophical and religious attitude of renunciation and will-lessness—is a key to understanding Beckett’s artistic vision and the development of his career as a fiction writer from his early novels Dream of Fair to Middling Women and Murphy to late short prose texts such as Stirrings Still and Company. Using Beckett’s published and archival material, Still: Samuel Beckett’s Quietism shows how Beckett distilled an understanding of quietism from the work of Arthur Schopenhauer, E.M. Cioran, Thomas à Kempis, Fyodor Dostoevsky, and André Gide, before turning it into an aesthetic that would liberate him from the powerful literary traditions of nineteenth-century realism and early twentieth-century high modernism. Quietism, argues Andy Wimbush, was for Beckett a lifelong preoccupation that shaped his perspectives on art, relationships, ethics, and even notions of salvation. But most of all it showed Beckett a way to renounce authorial power and write from a position of impotence, ignorance, and incoherence so as to produce a new kind of fiction that had, in Molloy’s words, the ‘tranquility of decomposition’.
Samuel Beckett and the Second World War by William Davies Pdf
In the wake of the Second World War, Samuel Beckett wrote some of the most significant literary works of the 20th century. This is the first full-length historical study to examine the far-reaching impact of the war on Beckett's creative and intellectual sensibilities. Drawing on a substantial body of archival material, including letters, manuscripts, diaries and interviews, as well as a wealth of historical sources, this book explores Beckett's writing in a range of political contexts, from the racist dogma of Nazism and aggressive traditionalism of the Vichy regime to Irish neutrality censorship and the politics of recovery in the French Fourth Republic. Along the way, Samuel Beckett and the Second World War casts new light on Beckett's political commitments and his concepts of history as they were formed during Europe's darkest hour.