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Samuel Beckett's Plays on Film and Television by G. Herren Pdf
This is the first book devoted Beckett's innovative work for the big- and small-screens. Herren examines each of Beckett's film and television plays in depth, emphasizing the central role that memory plays in these haunting works.
This ground-breaking study analyses Beckett’s television plays in relation to the history and theory of television. It argues that they are in dialogue with innovative television traditions connected to Modernism in television, film, radio, theatre, literature and the visual arts. Using original research from BBC archives and manuscript sources, the book provides new perspectives on the relationships between Beckett’s television dramas and the wider television culture of Britain and Europe. It also compares and contrasts the plays for television with Beckett’s Film and broadcasts of his theatre work including the recent Beckett on Film season. Chapters deal with the production process of the plays, the broadcasting contexts in which they were screened, institutions and authorship, the plays’ relationships with comparable programmes and films and reaction to Beckett’s screen work by audiences and critics. This book is a major contribution to Beckett scholarship and to studies of television drama. It will be essential reading in literature and drama studies, television historiography and for devotees of Beckett’s work.
All That Fall and Other Plays for Radio and Screen by Samuel Beckett Pdf
This new edition brings together all of Beckett's dramatic writings for radio, television and film, offering works which range from eloquent comic naturalism to an eviscerated and pared-down symbolism. Above all, Beckett found his unique uses for the radio-play, a medium 'for voices not bodies', compacted of speech, sound and silence - and the plays in this volume intently explore the resources and limits of the sound-stage.My father, back from the dead, to be with me. (Pause.) As if he hadn't died. (Pause.) No, simply back from the dead, to be with me, in this strange place. (Pause.) Can he hear me? (Pause.) Yes, he must hear me. (Pause.) To answer me? (Pause.) No, he doesn't answer me. (Pause.) Just be with me. (Pause.) That sound you hear is the sea. (Pause. Louder.) I say that sound you hear is the sea, we are sitting on the strand. (Pause.) I mention it because the sound is so strange, so unlike the sound of the sea, that if you didn't see what it was you wouldn't know what it was. (Pause.). Hooves!Contents: All That Fall, Embers, Words and Music, Eh Joe, Quad, Film, ...but the clouds..., Ghost Trio, Nacht und Träume, Rough for Radio I, Rough for Radio II, Cascando, The Old TunePreface and Notes by Everett Frost
The Plays of Samuel Beckett by Katherine Weiss Pdf
Beckett remains one of the most important writers of the twentieth century whose radical experimentations in form and content won him the Nobel Prize for Literature in 1969. This Critical Companion encompasses his plays for the stage, radio and television, and will be indispensable to students of his work. Challenging and at times perplexing, Beckett's work is represented on almost every literature, theatre and Irish studies curriculum in universities in North America, Europe and Australia. Katherine Weiss' admirably clear study of his work provides the perfect companion, illuminating each play and Beckett's vision, and investigating his experiments with the body, voice and technology. It includes in-depth studies of the major works Waiting for Godot, Endgame and Krapp's Last Tape, and as with other volumes in Methuen Drama's Critical Companions series it features too a series of essays by other scholars and practitioners offering different critical perspectives on Beckett in performance that will inform students' own critical thinking. Together with a series of resources including a chronology and a list of further reading, this is ideal for all students and readers of Beckett's work.
Samuel Beckett's Self-Referential Drama by Shimon Levy Pdf
An exploration of Samuel Beckett's drama, using the criteria that ensue from the works themselves, with particular attention given to the relationship between the medium and the message. This fully revised second edition includes chapters on the radioplays and film and television scripts.
Filming Beckett's Television Plays by Sidney Homan Pdf
If in the theater the rehearsal process is a way of "discovering" the play, of suggesting alternative readings, would the same hold true if the critic encountered works like Eh Joe, Ghost Trio, or Quad by going through the actual process of filming and then editing them?
The Collected Shorter Plays of Samuel Beckett by Samuel Beckett Pdf
Samuel Beckett, the great minimalist master and winner of the 1969 Nobel Prize for Literature, has produced some of his most widely praised work for the stage in the form of the shorter play. This complete and definitive collection of twenty-five plays and "playlets" includes Beckett's celebrated Krapp's Last Tape, Embers, Cascando, Play, Eh Joe, Not I, and Footfalls, as well as his mimes, all his radio and television plays, his screenplay for Film, his adaptation of Robert Pignet's The Old Tune, and more recent Catastrophe, What Where, Quad, and Night and Dreams. Includes: All That Fall Act Without Words I Act Without Words II Krapp's Last Tape Rough for Theatre I Rough for Theatre II Embers Rough for Radio I Rough for Radio II Words and Music Cascando Play Film The Old Tune Come and Go Eh Joe Breath Not I That Time Footfalls Ghost Trio …but the clouds… A Piece of Monologue Rockaby Ohio Impromptu Quad Catastrophe Nacht und Träume What Where
The Haptic Aesthetic in Samuel Beckett’s Drama by P. McTighe Pdf
Samuel Beckett's work is deeply concerned with physical contact - remembered, half-remembered, or imagined. Applying the philosophical writings of Jean-Luc Nancy and Maurice Merleau-Ponty that feature sensation, this study examines how Beckett's later work dramatizes moments of contact between self and self, self and world, and self and other.
Collects over twenty short plays published by the Nobel Prize winning playwright Samuel Beckett. Includes his mimes, radio and television plays, screenplay, and adaptations of other's works.
This is the first monograph to analyse Beckett’s use of the visual arts, music, and broadcasting media through a transdisciplinary approach. It considers how Beckett’s complex and varied use of art, music, and media in a selection of his novels, radio plays, teleplays, and later short prose informs his creative process. Investigating specific instances where Beckett’s writing adopts musical or visual structures, Lucy Jeffery identifies instances of Beckett’s transdisciplinarity and considers how this approach to writing facilitates ways of expressing familiar Beckettian themes of abstraction, ambiguity, longing, and endlessness. With case studies spanning forty years, she evaluates Beckett’s stylistic shifts in relation to the cultural context, particularly the technological advancements and artistic movements, during which they were written. With new examples from Beckett’s notebooks, critical essays, and letters, Transdisciplinary Beckett evidences how the drastic changes that took place in the visual arts and in musical composition influenced Beckett and, in turn, were influenced by him. Transdisciplinary Beckett situates Beckett as a key figure not just in the literary marketplace but also in the fields of music, art, and broadcasting.
This book, first published in 1999, addresses Beckett’s visual and musical sensibilities, and examines his visionary use of such diverse modes of creative expression as stage, radio, television and film, when his medium was the written word. The first section of the book focuses on music; the second part analyses the visual arts; and the third part examines film, radio and television. This book uncovers aspects of his thinking on, and use of the arts that have been little studied, including the nonfigurative function of music and art in Beckett’s work; the ‘collaborations’ undertaken by composers, painters and choreographers with his texts; the relation of his literary to his visual and musical artistry; and his use of film, radio and television as innovative means and celebration of artistic process.
“The” Making of Samuel Beckett?s Radio Plays by Pim Verhulst Pdf
Reassessing the notions of ?undoing? and ?vaguening? that dominate genetic studies of Beckett?s work in theatre, television and film, the present volume in the BDMP series analyses the writing process of his radio drama, to illustrate how he grappled with the unique affordances of the medium while exploiting its ephemerality. In addition to Beckett?s six canonical works for radio, written in French and English from 1956 to 1962 (All That Fall, Embers, Pochaderadiophonique, Words and Music, Esquisse radiophonique, Cascando), his first ever radio script (The Capital of the Ruins, 1946) and his adaptation of Robert Pinget?s radio play La Manivelle (The Old Tune, 1959) are also included, as well as two previously unknown works: ?All but I? (1973) and ?Hörendspiel? (1988). For every text a detailed chronology is established in relation to Beckett?s other output, and his role in the recording process is reconstructed on the basis of archival materials from the BBC and RTF broadcasting services. With more than fifty newly discovered drafts, this book offers the most comprehensive study of Beckett?s radio plays to date, including his self-translations and those that he made in collaboration with Pinget.00This volume is part of the Beckett Digital Manuscript Project (BDMP), a collaboration between the Centre for Manuscript Genetics (University of Antwerp), the Beckett International Foundation (University of Reading) and the Harry Ransom Humanities Research Center (University of Texas at Austin), with the support of the Estate of Samuel Beckett. The BDMP (www.beckettarchive.org) digitally reunites the dispersed manuscripts of Samuel Beckett?s works and facilitates their examination. The project consists of two parts:0a) a digital archive of Beckett?s a manuscripts, with facsimiles and transcriptions, organized in modules;0b) a series of print volumes, analyzing the genesis of Beckett?s works
Samuel Beckett as World Literature by Thirthankar Chakraborty,Juan Luis Toribio Vazquez Pdf
The essays in this collection provide in-depth analyses of Samuel Beckett's major works in the context of his international presence and circulation, particularly the translation, adaptation, appropriation and cultural reciprocation of his oeuvre. A Nobel Prize winner who published and self-translated in both French and English across literary genres, Beckett is recognized on a global scale as a preeminent author and dramatist of the 20th century. Samuel Beckett as World Literature brings together a wide range of international contributors to share their perspectives on Beckett's presence in countries such as China, Japan, Serbia, India and Brazil, among others, and to flesh out Beckett's relationship with postcolonial literatures and his place within the 'canon' of world literature.
