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Author : Klaus Kuhnke,Peter Schulze
Publisher : Unknown
Page : 76 pages
File Size : 55,5 Mb
Release : 1975
Category : Popular music
ISBN : UCAL:B4338009
Author : Klaus Kuhnke,Manfred Miller
Publisher : Unknown
Page : 70 pages
File Size : 51,8 Mb
Release : 1977
Category : Electronic
ISBN : OCLC:632304430
Author : Klaus Kuhnke
Publisher : Unknown
Page : 64 pages
File Size : 51,6 Mb
Release : 1975
Category : Popular music
ISBN : OCLC:2897234
Author : Robert Ford
Publisher : Routledge
Page : 1401 pages
File Size : 43,8 Mb
Release : 2008-03-31
Category : Art
ISBN : 9781135865085
This revised and updated definitive blues bibliography now includes 6,000-7,000 entries to cover the last decade’s writings and new figures to have emerged on the Country and modern blues to the R&B scene.
Author : Bernhard Hefele
Publisher : München : Saur
Page : 384 pages
File Size : 46,5 Mb
Release : 1981
Category : Jazz
ISBN : UOM:39015018100555
Author : Anonim
Publisher : Association of Research Libr
Page : 92 pages
File Size : 51,7 Mb
Release : 1978
Category : Acquisition of foreign publications
ISBN : UOM:39015036864471
Author : Anonim
Publisher : Unknown
Page : 336 pages
File Size : 53,7 Mb
Release : 1979
Category : Jazz
ISBN : UOM:39015023760385
Author : Library of Congress
Publisher : Unknown
Page : 848 pages
File Size : 50,6 Mb
Release : 2024-07-02
Category : Monographic series
ISBN : WISC:89126009398
Author : Library of Congress
Publisher : Unknown
Page : 854 pages
File Size : 55,6 Mb
Release : 1980
Category : Monographic series
ISBN : UOM:39015054479426
Author : Vincent Harris Duckles,Ida Reed,Michael A. Keller
Publisher : New York : Schirmer Books ; London ; Toronto : Prentice Hall International
Page : 840 pages
File Size : 44,5 Mb
Release : 1997
Category : Education
ISBN : UOM:49015002903145
This text has been the standard guide to source literature of music and contains critically annotated listings of over 3,500 key sources. This comprehensive guide to reference sources is organized into chapters by category of source. The text's organization introduces students to a vast array of sources to include: Dictionaries and Encyclopedias; Histories and Chronologies; Sources of Systematic and Historical Musicology; Bibliographies of Music, Music Literature, and Music Business; Reference Works on Individual Composers and Their Music; Catalogs of Libraries and Musical Instrument Collections; Discographies; Yearbooks; Directories; Electronic Resources.
Author : Library of Congress
Publisher : Unknown
Page : 984 pages
File Size : 46,8 Mb
Release : 1989
Category : Audio-visual materials
ISBN : UOM:39015054490514
Author : Gale Group
Publisher : Macmillan Reference USA
Page : 932 pages
File Size : 50,7 Mb
Release : 2001-07
Category : Music
ISBN : 0783892136
Author : David Horn,Richard Jackson
Publisher : Metuchen, N.J. : Scarecrow Press
Page : 598 pages
File Size : 51,9 Mb
Release : 1988
Category : Music
ISBN : IND:39000006121268
_Anyone doing work in any aspect of American music must begin with this bibliography... an important acquisition for all libraries._--CHOICE
Author : Anonim
Publisher : Unknown
Page : 72 pages
File Size : 48,6 Mb
Release : 1980
Category : Music
ISBN : IND:30000110854357
Author : Christian Thorau,Hansjakob Ziemer
Publisher : Oxford University Press, USA
Page : 545 pages
File Size : 52,8 Mb
Release : 2018-12-03
Category : Music
ISBN : 9780190466961
An idealized image of European concert-goers has long prevailed in historical overviews of the nineteenth and twentieth centuries. This act of listening was considered to be an invisible and amorphous phenomenon, a naturally given mode of perception. This narrative influenced the conditions of listening from the selection of repertoire to the construction of concert halls and programmes. However, as listening moved from the concert hall to the opera house, street music, and jazz venues, new and visceral listening traditions evolved. In turn, the art of listening was shaped by phenomena of the modern era including media innovation and commercialization. This Handbook asks whether, how, and why practices of music listening changed as the audience moved from pleasure gardens and concert venues in the eighteenth century to living rooms in the twentieth century, and mobile devices in the twenty-first. Through these questions, chapters enable a differently conceived history of listening and offer an agenda for future research.