Scott Joplin Piano Scores The Entertainer And Other Classics By The King Of Ragtime
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Scott Joplin Piano Scores - The Entertainer and Other Classics by the "King of Ragtime" by Anonim Pdf
A fantastic collection of Scott Joplin's classic ragtime compositions. Scott Joplin was an African-American composer and pianist. Joplin achieved fame for his pioneering ragtime compositions and was known as the "King of Ragtime". Classic Ragtime Music Collection constitutes an extensive library of the most well-known and universally-enjoyed works of ragtime music ever composed, reproduced from authoritative editions for the enjoyment of musicians and music students the world over.
Complete piano rags by Scott Joplin,David A. Jasen Pdf
Reprinted from the publishers' original editions, offers all thirty-eight piano rags by the respected master of the form, along with the original sheet music covers.
Flute Quartet: The Entertainer (score & parts) by Scott Joplin Pdf
"The Entertainer," the iconic ragtime masterpiece by Scott Joplin, receives a fresh and elegant arrangement for Flute Quartet by Francesco Leone. This intermediate-level adaptation perfectly captures the lively spirit and timeless charm of Joplin's original composition, offering flute ensembles a piece that is both enjoyable to play and delightful to hear. The arrangement comprises a SCORE and a SET OF PARTS (5 in total) for 4 C Flutes, with an additional option for a G Alto Flute to replace the fourth C Flute. This thoughtful inclusion allows ensembles to experiment with a broader range of tonal colors and textures, adding depth and richness to the quartet's sound. Listeners and performers alike can access an audio demo of this arrangement at www.glissato.it. This demo provides a clear example of how "The Entertainer" comes to life in the hands of a flute quartet, serving as an invaluable reference for capturing the nuances and dynamics of the arrangement. Furthermore, this arrangement is complemented by a collection of informative resources, available in multiple languages: English, French, German, Spanish, Italian, and Portuguese. These resources delve into the history of "The Entertainer," Scott Joplin's significant contribution to music, and the ragtime genre's cultural context. This educational aspect enriches the playing experience, offering musicians a deeper appreciation of the piece they are performing. Francesco Leone's arrangement of "The Entertainer" for flute quartet is an excellent choice for intermediate players looking to explore the richness of ragtime music. Ideal for ensembles seeking to diversify their repertoire with a piece that is both musically rewarding and historically significant, this arrangement is sure to captivate and entertain audiences and performers alike.
Saxophone Quartet: The Entertainer (score & parts) by Scott Joplin Pdf
"The Entertainer," the seminal ragtime piece by Scott Joplin, is elegantly reimagined for Saxophone Quartet SATB by Francesco Leone, targeting musicians at an intermediate proficiency level. This arrangement captures the vivacious and rhythmic essence of Joplin's original, allowing the saxophone quartet to delve into the heart of ragtime music with flair and precision. The ensemble is provided with a SCORE and a set of PARTS (4 in total) for Soprano, Alto, Tenor, and Baritone saxophones. Each part has been carefully crafted to contribute to the overall harmony and dynamic interplay, ensuring that the spirit of the original ragtime classic is both preserved and celebrated through the unique voice of the saxophone. An audio demo of this captivating arrangement can be found at www.glissato.it. This resource is invaluable for both individual musicians and ensembles, offering a sonic blueprint that aids in understanding the arrangement's tempo, style, and emotional depth, thereby enhancing rehearsal and performance preparation. Additionally, this arrangement is accompanied by informative resources available in multiple languages: English, French, German, Spanish, Italian, and Portuguese. These resources enrich the musicians' experience by providing historical context about "The Entertainer," insights into Scott Joplin's life and legacy, and an overview of the ragtime genre's development. This added educational component deepens the understanding and appreciation of the piece, making it not just a performance piece but also a journey into the history of American music.
Author : Edward A. Berlin Publisher : Oxford University Press Page : 349 pages File Size : 44,7 Mb Release : 1996-01-11 Category : Music ISBN : 9780195356465
In 1974, the academy award-winning film The Sting brought back the music of Scott Joplin, a black ragtime composer who died in 1917. Led by The Entertainer, one of the most popular pieces of the mid-1970s, a revival of his music resulted in events unprecedented in American musical history. Never before had any composer's music been so acclaimed by both the popular and classical music worlds. While reaching a "Top Ten" position in the pop charts, Joplin's music was also being performed in classical recitals and setting new heights for sales of classical records. His opera Treemonisha was performed both in opera houses and on Broadway. Destined to be the definitive work on the man and his music, King of Ragtime is written by Edward A. Berlin. A renowned authority on Joplin and the author of the acclaimed and widely cited Ragtime: A Musical and Cultural History, Berlin redefines the Scott Joplin biography. Using the tools of a trained musicologist, he has uncovered a vast amount of new information about Joplin. His biography truly documents the story of the composer, replacing the myths and unsupported anecdotes of previous histories. He shows how Joplin's opera Treemonisha was a tribute to the woman he loved, a woman other biographers never even mentioned. Berlin also reveals that Joplin was an associate of Irving Berlin, and that he accused Berlin of stealing his music to compose Alexander's Ragtime Band in 1911. Berlin paints a vivid picture of the ragtime years, placing Scott Joplin's story in its historical context. The composer emerges as a representative of the first post-Civil War generation of African Americans, of the men and women who found in the world of entertainment a way out of poverty and lowly social status. King of Ragtime recreates the excitement of these pioneers, who dreamed of greatness as they sought to expand the limits society placed upon their race.
Author : Edward A. Berlin Publisher : Oxford University Press Page : 377 pages File Size : 43,6 Mb Release : 1996-01-11 Category : Music ISBN : 9780199839148
In 1974, the academy award-winning film The Sting brought back the music of Scott Joplin, a black ragtime composer who died in 1917. Led by The Entertainer, one of the most popular pieces of the mid-1970s, a revival of his music resulted in events unprecedented in American musical history. Never before had any composer's music been so acclaimed by both the popular and classical music worlds. While reaching a "Top Ten" position in the pop charts, Joplin's music was also being performed in classical recitals and setting new heights for sales of classical records. His opera Treemonisha was performed both in opera houses and on Broadway. Destined to be the definitive work on the man and his music, King of Ragtime is written by Edward A. Berlin. A renowned authority on Joplin and the author of the acclaimed and widely cited Ragtime: A Musical and Cultural History, Berlin redefines the Scott Joplin biography. Using the tools of a trained musicologist, he has uncovered a vast amount of new information about Joplin. His biography truly documents the story of the composer, replacing the myths and unsupported anecdotes of previous histories. He shows how Joplin's opera Treemonisha was a tribute to the woman he loved, a woman other biographers never even mentioned. Berlin also reveals that Joplin was an associate of Irving Berlin, and that he accused Berlin of stealing his music to compose Alexander's Ragtime Band in 1911. Berlin paints a vivid picture of the ragtime years, placing Scott Joplin's story in its historical context. The composer emerges as a representative of the first post-Civil War generation of African Americans, of the men and women who found in the world of entertainment a way out of poverty and lowly social status. King of Ragtime recreates the excitement of these pioneers, who dreamed of greatness as they sought to expand the limits society placed upon their race.
Artists, Writers, and Musicians by Michel-Andre Bossy,Thomas Brothers,John Craig McEnroe Pdf
Disney's animated trailblazing, Dostoyevsky's philosophical neuroses, Hendrix's electric haze, Hitchcock's masterful manipulation, Frida Kahlo's scarifying portraits, Van Gogh's vigorous color, and Virginia Woolf's modern feminism: this multicultural reference tool examines 200 artists, writers, and musicians from around the world. Detailed biographical essays place them in a broad historical context, showing how their luminous achievements influenced and guided contemporary and future generations, shaped the internal and external perceptions of their craft, and met the sensibilities of their audience.
Author : the late Russell Sanjek Publisher : Oxford University Press Page : 494 pages File Size : 49,5 Mb Release : 1988-07-28 Category : Music ISBN : 9780190243296
American Popular Music and Its Business by the late Russell Sanjek Pdf
Volume two concentrates exclusively on music activity in the United States in the nineteenth century. Among the topics discussed are how changing technology affected the printing of music, the development of sheet music publishing, the growth of the American musical theater, popular religious music, black music (including spirituals and ragtime), music during the Civil War, and finally "music in the era of monopoly," including such subjects as copyright, changing technology and distribution, invention of the phonograph, copyright revision, and the establishment of Tin Pan Alley.
Encyclopedia of the Harlem Renaissance: A-J by Cary D. Wintz,Paul Finkelman Pdf
From the music of Louis Armstrong to the portraits by Beauford Delaney, the writings of Langston Hughes to the debut of the musical Show Boat, the Harlem Renaissance is one of the most significant developments in African-American history in the twentieth century. The Encyclopedia of the Harlem Renaissance, in two-volumes and over 635 entries, is the first comprehensive compilation of information on all aspects of this creative, dynamic period. For a full list of entries, contributors, and more, visit the Encyclopedia of Harlem Renaissance website.
African Americans in the Performing Arts by Steven Otfinoski Pdf
Includes profiles of African-American performing artists. Provides brief biographies, subject indexes, further reading suggestions and general index. Part of a 10-volume set--each volume devoted to the contributions of African Americans in a particular cultural field. This text contains profiles of some 190 performing artists from choreographer Alvin Ailey to hip hop producer Dr. Dre (nee Andre Young). Each entry provides a biographical sketch of the artist's career and lists readings and other materials of interest. The contributions of musicians receive comparatively greater coverage than other artistic endeavors.
Bruce Springsteen brought international attention to the Jersey shore by naming his debut album Greetings from Asbury Park, NJ. But the real Asbury Park has an even more fascinating story behind it: a seaside city of dreams that became a magnet for both the best and worst of America, playing host to John Philip Sousa, Count Basie, and Dr. Martin Luther King, as well as the mob and the Ku Klux Klan. Fourth of July, Asbury Park tells the tale of the city’s first 150 years, guiding us through the development of its lavish amusement parks and bandstands, as well as the decay of its working-class neighborhoods and spread of its racially-segregated ghettos. Featuring exclusive interviews with Springsteen and other prominent Asbury Park residents, Daniel Wolff uncovers the history of how this Jersey shore resort town came to epitomize both the promises of the American dream and the tragic consequences when those promises are broken. Hailed by The New York Times as a “wonderfully evocative...grand, sad story” when first published in 2006, this revised and expanded edition considers how Asbury Park has changed in the twenty-first century, experiencing both gentrification and new forms of segregation.
Material Culture in America by Helen Sheumaker,Shirley Wajda Pdf
The first encyclopedia to look at the study of material culture (objects, images, spaces technology, production, and consumption), and what it reveals about historical and contemporary life in the United States. Reaching back 400 years, Material Life in America: An Encyclopedia is the first reference showing what the study of material culture reveals about American society—revelations not accessible through traditional sources and methods. In nearly 200 entries, the encyclopedia traces the history of artifacts, concepts and ideas, industries, peoples and cultures, cultural productions, historical forces, periods and styles, religious and secular rituals and traditions, and much more. Everyone from researchers and curators to students and general readers will find example after example of how the objects and environments created or altered by humans reveal as much about American life as diaries, documents, and texts.
Encyclopedia of African American Music [3 volumes] by Tammy L. Kernodle,Horace Maxile,Emmett G. Price III Pdf
African Americans' historical roots are encapsulated in the lyrics, melodies, and rhythms of their music. In the 18th and 19th centuries, African slaves, longing for emancipation, expressed their hopes and dreams through spirituals. Inspired by African civilization and culture, as well as religion, art, literature, and social issues, this influential, joyous, tragic, uplifting, challenging, and enduring music evolved into many diverse genres, including jazz, blues, rock and roll, soul, swing, and hip hop. Providing a lyrical history of our nation, this groundbreaking encyclopedia, the first of its kind, showcases all facets of African American music including folk, religious, concert and popular styles. Over 500 in-depth entries by more than 100 scholars on a vast range of topics such as genres, styles, individuals, groups, and collectives as well as historical topics such as music of the Harlem Renaissance, the Black Arts Movement, the Civil Rights Movement, and numerous others. Offering balanced representation of key individuals, groups, and ensembles associated with diverse religious beliefs, political affiliations, and other perspectives not usually approached, this indispensable reference illuminates the profound role that African American music has played in American cultural history. Editors Price, Kernodle, and Maxile provide balanced representation of various individuals, groups and ensembles associated with diverse religious beliefs, political affiliations, and perspectives. Also highlighted are the major record labels, institutions of higher learning, and various cultural venues that have had a tremendous impact on the development and preservation of African American music. Among the featured: Motown Records, Black Swan Records, Fisk University, Gospel Music Workshop of America, The Cotton Club, Center for Black Music Research, and more. With a broad scope, substantial entries, current coverage, and special attention to historical, political, and social contexts, this encyclopedia is designed specifically for high school and undergraduate students. Academic and public libraries will treasure this resource as an incomparable guide to our nation's African American heritage.
Encyclopedia of African-American Heritage, Third Edition by Susan Altman Pdf
Praise for the previous edition: "Every reference library...should have a copy...Highly recommended." —Book Report "...a useful, dependable, and attractive encyclopedia." —American Reference Books Annual Now in its third edition, this highly acclaimed and comprehensive reference offers a wealth of information on African-American history, politics, and culture. Chronicling more than a millennium of history, the encyclopedia traces the rich and varied tapestry woven by Africans—from those who remained on their ancestral continent to those who were forced to leave their homes and begin again in a new land. Coverage includes: People: scientists, civil rights leaders, artists, explorers, politicians, athletes, and key figures in ancient African history Places: nations and major cities of Africa, as well as former empires and kingdoms Culture: the Harlem Renaissance, jazz, the Negro Baseball League, rhythm and blues, calypso, and rap Politics: key political groups, movements, and events, including the voting rights struggle in the United States and the victory of the African National Congress over apartheid in South Africa History: major events of the African-American past, including slavery and resistance to it, the abolitionist and civil rights movements, Reconstruction, and Pan-Africanism.