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Screening Justice--the Cinema of Law by Rennard Strickland,Teree E. Foster,Taunya Lovell Banks Pdf
"Screening Justice is designed to tell the complex story of law through an exploration of forty films focusing upon courtroom dramas, social issues and questions of justice. These motion pictures are evaluated by distinguished scholars who, using a range of narrative styles, compare the law on the screen and the law in action. The work serves as a guide to understanding law, the rhetoric of law and images of justice. The book will introduce readers to new films as well as help create new perspectives on familiar classic movies."--Publisher's website.
Screening Justice by Steven Kohm,Sonia Bookman,Pauline Greenhill Pdf
What do Canadian films say about crime and justice in Canada? What purpose to Canadian crime films serve politically and culturally? Screening Justice is a scholarly exploration of films that focus on crime and justice in Canada. Crime films are pivotal for understanding and shaping Canadian sensibilities by setting out widely available templates for thinking about crime and justice in Canadian society. Spanning disciplines and examining films from across Canada, Screening Justice is the first comprehensive Canadian volume on crime films that takes up cultural criminology’s call for more critical scholarly analyses of the interplay between crime, culture and society.
Author : Antoine Masson,Kevin O'Connor Publisher : Peter Lang Page : 350 pages File Size : 47,5 Mb Release : 2007 Category : Culture and law ISBN : 9052013497
Representations of Justice by Antoine Masson,Kevin O'Connor Pdf
The public understanding of law is gleaned from the cultural representation of justice which, in turn, reflects popular culture. Movies, caricatures, portrayal of trials by media or crime fiction shape the image of justice. However these representations play an important role in the legal system itself through the representation of truth as conveyed by litigating parties in their arguments. Studying how justice is represented in society is thus interesting for citizens who want to understand the popular culture but also for lawyers who want to understand theirs clients' expectations. This book explores in a multidisciplinary way the aspects of those representations of justice in their various forms in popular culture and in economics.
Law and Justice on the Small Screen by Peter Robson,Jessica Silbey Pdf
'Law and Justice on the Small Screen' is a wide-ranging collection of essays about law in and on television. In light of the book's innovative taxonomy of the field and its international reach, it will make a novel contribution to the scholarly literature about law and popular culture. Television shows from France, Canada, the United Kingdom, Germany, Spain and the United States are discussed. The essays are organised into three sections: (1) methodological questions regarding the analysis of law and popular culture on television; (2) a focus on genre studies within television programming (including a subsection on reality television), and (3) content analysis of individual television shows with attention to big-picture jurisprudential questions of law's efficacy and the promise of justice. The book's content is organised to make it appropriate for undergraduate and graduate classes in the following areas: media studies, law and culture, socio-legal studies, comparative law, jurisprudence, the law of lawyering, alternative dispute resolution and criminal law. Individual chapters have been contributed by, among others: Taunya Banks, Paul Bergman, Lief Carter, Christine Corcos, Rebecca Johnson, Stefan Machura, Nancy Marder, Michael McCann, Kimberlianne Podlas and Susan Ross, with an Introduction by Peter Robson and Jessica Silbey.
Author : Ross D. Levi Publisher : Bloomsbury Publishing USA Page : 192 pages File Size : 40,8 Mb Release : 2005-03-30 Category : Performing Arts ISBN : 9780313013706
The genre of legal cinema is an extensive and revealing one: it is a body of films that depicts lawyers, clients, criminals, judges, and juries, often not as they actually are, but as we would like them to be. The idealized courtroom of many legal movies tells us a great deal about what we think of our justice system and what we want it to reflect about America, but the films in the genre vary widely in how they do this. From To Kill a Mockingbird to Liar, Liar, from A Time to Kill to Twelve Angry Men, we see certain stereotypes repeating themselves again and again: the judge as stern referee, the jury as an ultimately fair body of decisionmakers, the lawyer as hardworking and passionate fighter for the underdog. In this new and comprehensive study of this understudied category of film, author Ross D. Levi argues that, contrary to popular belief, legal movies show us a system that is far more fair than our actual one, with corruption downplayed and greed made subordinate to compassion and compromise. With a comprehensive filmography, penetrating analysis—both cinematic and legal—and engaging discussion of a wide array of movies, The Celluloid Courtroom is an indispensable guide to a key aspect of American movies and American justice. The genre of legal cinema is an extensive and revealing one: it is a body of films that depicts lawyers, clients, criminals, judges, and juries, often not as they actually are, but as we would like them to be. The idealized courtroom of many legal movies tells us a great deal about what we think of our justice system and what we want it to reflect about America, but the films in the genre vary widely in how they do this. From To Kill a Mockingbird to Liar, Liar, from A Time to Kill to Twelve Angry Men, we see certain stereotypes repeating themselves again and again: the judge as stern referee, the jury as an ultimately fair body of decisionmakers, the lawyer as hardworking and passionate fighter for the underdog. In this new and comprehensive study of this understudied category of film, author Ross D. Levi argues that, contrary to popular belief, legal movies show us a system that is far more fair than our actual one, with corruption downplayed and greed made subordinate to compassion and compromise. These are films that have affected as much as reflected the American justice system, as we enter the courts hoping, often against hope, that they will be something like what we've seen in the movies. With a comprehensive filmography, penetrating analysis—both legal and cinematic—and engaging and enlightening discussion, The Celluloid Courtroom is an indispensable guide to a key aspect of American movies and American justice.
Film and the Law by Steve Greenfield,Guy Osborn,Peter Robson Pdf
Described by Richard Sherwin of New York Law School as the law and film movement's 'founding text', this text is a second, heavily revised and improved edition of the original Film and the Law (Cavendish Publishing, 2001). The book is distinctive in a number of ways: it is unique as a sustained book-length exposition on law and film by law scholars; it is distinctive within law and film scholarship in its attempt to plot the parameters of a distinctive genre of law films; its examination of law in film as place and space offers a new way out of the law film genre problem, and also offers an examination of representations of an aspect of legal practice, and legal institutions, that have not been addressed by other scholars. It is original in its contribution to work within the wider parameters of law and popular culture and offers a sustained challenge to traditional legal scholarship, amply demonstrating the practical and the pedagogic, as well as the moral and political significance of popular cultural representations of law. The book is a valuable teaching and learning resource, and is the first in the field to serve as a basic guidebook for students of law and film.
A History of Western Public Law by Bruno Aguilera-Barchet Pdf
The book outlines the historical development of Public Law and the state from ancient times to the modern day, offering an account of relevant events in parallel with a general historical background, establishing and explaining the relationships between political, religious, and economic events.
Hollywood and the Law by Paul McDonald,Emily Carman,Eric Hoyt,Philip Drake Pdf
Since the earliest days of cinema the law has influenced the conditions in which Hollywood films are made, sold, circulated or presented – from the talent contracts that enable a film to go into production, to the copyright laws that govern its distribution and the censorship laws that may block exhibition. Equally, Hollywood has left its own impression on the American legal system by lobbying to expand the duration of copyright, providing a highly visible stage for contract disputes and representing the legal system on screen. In this comprehensive collection, international experts offer chapters on key topics, including copyright, trademark, piracy, antitrust, censorship, international exhibition, contracts, labour and tax. Drawing on historical and contemporary case studies, Hollywood and the Law provides readers with a wide range of perspectives on how legal frameworks shape the culture and commerce of popular film.
Encyclopedia of Race and Crime by Helen Taylor Greene,Shaun L. Gabbidon Pdf
"The organization of the reader's guide—especially the groupings of landmark cases, race riots, and criminology theories—is impressive ... Other related titles lack the breadth, detail, and accessibility of this work ... Recommended for all libraries; essential for comprehensive social studies collections." —Library Journal As seen almost daily on local and national news, race historically and presently figures prominently in crime and justice reporting within the United States, in the areas of hate crimes, racial profiling, sentencing disparities, wrongful convictions, felon disenfranchisement, political prisoners, juveniles and the death penalty, and culturally specific delinquency prevention programs. The Encyclopedia of Race and Crime covers issues in both historical and contemporary context, with information on race and ethnicity and their impact on crime and the administration of justice. These two volumes offer a greater appreciation for the similar historical experiences of varied racial and ethnic groups and illustrate how race and ethnicity has mattered and continues to matter in the administration of American criminal justice. Key Features Covers a number of broad thematic areas: basic concepts and theories of criminal justice; the police, courts, and corrections; juvenile justice; public policy; the media; organizations; specific groups and populations; and specific cases and biographies Addresses such topics as gender, hate/bias crimes, immigrant experiences, international and cross-cultural issues, race and gangs, and race and law, Presents experiences of all major racial and ethnic groups in the U.S., including Asians, Blacks, Latinos, Native Americans, and Ethnic Whites, as well as religious minorities, such as Muslims Includes coverage of recent incidents like the alleged rape of a black female North Carolina Central University student by white male members of the Duke University Lacrosse Team;, the Jena 6 incident; the Tulia, Texas drug arrests; the Rodney King beating; the O. J. Simpson trials in the 1990s; and more recent racial profiling incidents Two appendices provide information on locating and interpreting statistical data on race and crime, as well as detailed instructions on how to access statistical data on the web for such specific areas as arrests, drugs, gang membership, hate crimes, homicide trends, juvenile justice, prison populations, racial profiling, the death penalty, and victimization Because the topic of race and crime is of wide interest and relevance, entries in this Encyclopedia are written in an accessible style to appeal to a broad audience, making it a welcome addition to academic and public libraries alike.
Law and and justice are important themes in film, not only in courtroom dramas, but also in the western, the film noir, even the documentary. In the Godfather trilogy Francis Ford Coppola shows that the Mafia possesses its own strict codes, even though they are in conflict with those of the criminal justice system. In Woody Allen's Crimes and Misdemeanors the protagonist also "gets away with murder," but with a different dramatic intent by the director and a different effect on the audience. Shedding light on myriad facets of the law/film relationship, fourteen contributors to Legal Reelism analyze films ranging from The Man Who Shot Liberty Valance, It's a Wonderful Life, and Drums Along the Mohawk to Do the Right Thing, Basic Instinct, The Thin Blue Line, and Thelma and Louise. The first volume to contain work by both humanists and legal specialists, Legal Reelism is a landmark text for those concerned with depictions of justice in the media and the impact of those depictions on society at large.
Feminism at the Movies by Hilary Radner,Rebecca Stringer Pdf
Feminism at the Movies: Understanding Gender in Contemporary Popular Cinema examines the way that contemporary film reflects today’s changing gender roles. The book offers a comprehensive overview of the central issues in feminist film criticism with analyses of over twenty popular contemporary films across a range of genres, such as chick flicks, teen pics, hommecoms, horror, action adventure, indie flicks, and women lawyer films. Contributors explore issues of femininity as well as masculinity, reflecting on the interface of popular cinema with gendered realities and feminist ideas. Topics include the gendered political economy of cinema, the female director as auteur, postfeminist fatherhood, consumer culture, depictions of professional women, transgender, sexuality, gendered violence, and the intersections of gender, race, and ethnic identities. The volume contains essays by following contributors: Taunya Lovell Banks, Heather Brook, Mridula Nath Chakraborty, Michael DeAngelis, Barry Keith Grant, Kelly Kessler, Hannah Hamad, Christina Lane (with Nicole Richter), JaneMaree Maher, David Hansen-Miller (with Rosalind Gill), Gary Needham, Sarah Projansky, Hilary Radner, Rob Schaap, Yael D Sherman, Michele Shreiber, Janet Staiger, Peter Stapleton, Rebecca Stringer, Yvonne Tasker, and Ewa Ziarek.
Fairy-Tale Films Beyond Disney by Jack Zipes,Pauline Greenhill,Kendra Magnus-Johnston Pdf
The fairy tale has become one of the dominant cultural forms and genres internationally, thanks in large part to its many manifestations on screen. Yet the history and relevance of the fairy-tale film have largely been neglected. In this follow-up to Jack Zipes’s award-winning book The Enchanted Screen (2011), Fairy-Tale Films Beyond Disney offers the first book-length multinational, multidisciplinary exploration of fairy-tale cinema. Bringing together twenty-three of the world’s top fairy-tale scholars to analyze the enormous scope of these films, Zipes and colleagues Pauline Greenhill and Kendra Magnus-Johnston present perspectives on film from every part of the globe, from Hayao Miyazaki’s Spirited Away, to Jan Švankmajer’s Alice, to the transnational adaptations of 1001 Nights and Hans Christian Andersen. Contributors explore filmic traditions in each area not only from their different cultural backgrounds, but from a range of academic fields, including criminal justice studies, education, film studies, folkloristics, gender studies, and literary studies. Fairy-Tale Films Beyond Disney offers readers an opportunity to explore the intersections, disparities, historical and national contexts of its subject, and to further appreciate what has become an undeniably global phenomenon.
Author : Jacqueline Visconti Publisher : Walter de Gruyter GmbH & Co KG Page : 498 pages File Size : 41,7 Mb Release : 2018-09-24 Category : Language Arts & Disciplines ISBN : 9781614514664
Handbook of Communication in the Legal Sphere by Jacqueline Visconti Pdf
This volume explores communication and its implications on interpretation, vagueness, multilingualism, and multiculturalism. It investigates cross-cultural perspectives with original methods, models, and arguments emphasizing national, EU, and international perspectives. Both traditional fields of investigations along with an emerging new field (Legal Visual Studies) are discussed. Communication addresses the necessity of an ongoing interaction between jurilinguists and legal professionals. This interaction requires persuasive, convincing, and acceptable reasons in justifying transparency, visual analyses, and dialogue with the relevant audience. The book is divided into five complementary sections: Professional Legal Communication; Legal Language in a Multilingual and Multicultural Context; Legal Communication in the Courtroom; Laws on Language and Language Rights; and Visualizing Legal Communication. The book shows the diversity in the understanding and practicing of legal communication and paves the way to an interdisciplinary and cross-cultural operation in our common understanding of legal communication. This book is suitable for advanced students in Linguistics and Law, and for academics and researchers working in the field of Language and Law and jurilinguists.