Sculpture At The Ends Of Slavery

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Sculpture at the Ends of Slavery

Author : Caitlin Meehye Beach
Publisher : Univ of California Press
Page : 235 pages
File Size : 45,9 Mb
Release : 2022-11-15
Category : Art
ISBN : 9780520343269

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Sculpture at the Ends of Slavery by Caitlin Meehye Beach Pdf

From abolitionist medallions to statues of bondspeople bearing broken chains, sculpture gave visual and material form to narratives about the end of slavery in the eighteenth and nineteenth centuries. Sculpture at the Ends of Slavery sheds light on the complex—and at times contradictory—place of such works as they moved through a world contoured both by the devastating economy of enslavement and by international abolitionist campaigns. By examining matters of making, circulation, display, and reception, Caitlin Meehye Beach argues that sculpture stood as a highly visible but deeply unstable site from which to interrogate the politics of slavery. With focus on works by Josiah Wedgwood, Hiram Powers, Edmonia Lewis, John Bell, and Francesco Pezzicar, Beach uncovers both the radical possibilities and the conflicting limitations of art in the pursuit of justice in racial capitalism's wake.

Slavery in Art and Literature

Author : Birgit Haehnel,Melanie Ulz
Publisher : Frank & Timme GmbH
Page : 353 pages
File Size : 55,5 Mb
Release : 2010-01-01
Category : Art
ISBN : 9783865962430

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Slavery in Art and Literature by Birgit Haehnel,Melanie Ulz Pdf

Slavery, both in its historical and modern forms, continues to be a matter of undiminished political and social relevance. This is mirrored by an increasing interest in scholarly research as well as by critical statements from within the field of contemporary art. The present volume is designed to bring together artists and scholars from various fields of study discussing trauma and visuality, or more precisely, memory and denial of traumatic history within visual discourses. The purpose of this project is to put the phenomenon of contemporary art production dealing with the issue of slavery into a wider, interdisciplinary and transcultural context. The book covers current case studies focusing on different media and including visual, literary and performative approaches of dealing with the history of slavery in West-African, American and European cultures.

Public Art, Memorials and Atlantic Slavery

Author : Celeste-Marie Bernier,Judie Newman
Publisher : Routledge
Page : 233 pages
File Size : 45,7 Mb
Release : 2013-09-13
Category : Art
ISBN : 9781317990208

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Public Art, Memorials and Atlantic Slavery by Celeste-Marie Bernier,Judie Newman Pdf

In this collection distinguished American and European scholars, curators and artists discuss major issues concerning the representation and commemoration of slavery, as brought into sharp focus by the 2007 bicentennial of the abolition of the slave trade. Writers consider nineteenth and twentieth century American and European images of African Americans, art installations, photography, literature, sculpture, exhibitions, performances, painting, film and material culture. This is essential reading for historians, cultural critics, art-historians, educationalists and museologists, in America as in Europe, and an important contribution to the understanding of the African diaspora, race, American and British history, heritage tourism, and transatlantic relations. Contributions include previously unpublished interview material with artists and practitioners, and a comprehensive review of the commemorative exhibitions of 2007. Illustrations include images from Louisiana, Maryland, and Virginia, many previously unpublished, in black and white, which challenge previous understandings of the aesthetics of slave representation. This book was published as a special issue of Slavery and Abolition.

Committed to Memory

Author : Cheryl Finley
Publisher : Princeton University Press
Page : 320 pages
File Size : 48,6 Mb
Release : 2022-08-30
Category : Art
ISBN : 9780691241067

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Committed to Memory by Cheryl Finley Pdf

How an eighteenth-century engraving of a slave ship became a cultural icon of Black resistance, identity, and remembrance One of the most iconic images of slavery is a schematic wood engraving depicting the human cargo hold of a slave ship. First published by British abolitionists in 1788, it exposed this widespread commercial practice for what it really was—shocking, immoral, barbaric, unimaginable. Printed as handbills and broadsides, the image Cheryl Finley has termed the "slave ship icon" was easily reproduced, and by the end of the eighteenth century it was circulating by the tens of thousands around the Atlantic rim. Committed to Memory provides the first in-depth look at how this artifact of the fight against slavery became an enduring symbol of Black resistance, identity, and remembrance. Finley traces how the slave ship icon became a powerful tool in the hands of British and American abolitionists, and how its radical potential was rediscovered in the twentieth century by Black artists, activists, writers, filmmakers, and curators. Finley offers provocative new insights into the works of Amiri Baraka, Romare Bearden, Betye Saar, and many others. She demonstrates how the icon was transformed into poetry, literature, visual art, sculpture, performance, and film—and became a medium through which diasporic Africans have reasserted their common identity and memorialized their ancestors. Beautifully illustrated, Committed to Memory features works from around the world, taking readers from the United States and England to West Africa and the Caribbean. It shows how contemporary Black artists and their allies have used this iconic eighteenth-century engraving to reflect on the trauma of slavery and come to terms with its legacy.

Slaves Waiting for Sale

Author : Maurie D. McInnis
Publisher : University of Chicago Press
Page : 290 pages
File Size : 52,7 Mb
Release : 2011-12
Category : Art
ISBN : 9780226559339

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Slaves Waiting for Sale by Maurie D. McInnis Pdf

In 1853, Eyre Crowe, a young British artist, visited a slave auction in Richmond, Virginia. Harrowed by what he witnessed, he captured the scene in sketches that he would later develop into a series of illustrations and paintings, including the culminating painting, Slaves Waiting for Sale, Richmond, Virginia. This innovative book uses Crowe’s paintings to explore the texture of the slave trade in Richmond, Charleston, and New Orleans, the evolving iconography of abolitionist art, and the role of visual culture in the transatlantic world of abolitionism. Tracing Crowe’s trajectory from Richmond across the American South and back to London—where his paintings were exhibited just a few weeks after the start of the Civil War—Maurie D. McInnis illuminates not only how his abolitionist art was inspired and made, but also how it influenced the international public’s grasp of slavery in America. With almost 140 illustrations, Slaves Waiting for Sale brings a fresh perspective to the American slave trade and abolitionism as we enter the sesquicentennial of the Civil War.

Fictions of Emancipation: Carpeaux's Why Born Enslaved! Reconsidered

Author : Elyse Nelson,Wendy S. Walters,Caitlin Meehye Beach,Adrienne L. Childs,Rachel Hunter Himes,Sarah E. Lawrence,Iris Moon,James Smalls
Publisher : Metropolitan Museum of Art
Page : 175 pages
File Size : 44,7 Mb
Release : 2022-03-07
Category : Art
ISBN : 9781588397447

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Fictions of Emancipation: Carpeaux's Why Born Enslaved! Reconsidered by Elyse Nelson,Wendy S. Walters,Caitlin Meehye Beach,Adrienne L. Childs,Rachel Hunter Himes,Sarah E. Lawrence,Iris Moon,James Smalls Pdf

A critical reexamination of Jean-Baptiste Carpeaux's bust Why Born Enslaved!, this book unpacks the sculpture's engagement with—and defiance of—an antislavery discourse. In this clear-eyed look at the Black figure in nineteenth-century sculpture, noted art historians and writers discuss how emerging categories of racial difference propagated by the scientific field of ethnography grew in popularity alongside a crescendo in cultural production in France during the Second Empire. By comparing Carpeaux's bust Why Born Enslaved! to works by his contemporaries on both sides of the Atlantic, as well as to objects by twenty‑first‑century artists Kara Walker and Kehinde Wiley, the authors touch on such key themes as the portrayal of Black enslavement and emancipation; the commodification of images of Black figures; the role of sculpture in generating the sympathies of its audiences; and the relevance of Carpeaux's sculpture to legacies of empire in the postcolonial present. The book also provides a chronology of events central to the histories of transatlantic slavery, abolition, colonialism, and empire.

The Slave in European Art

Author : Elizabeth McGrath,Jean Michel Massing
Publisher : Unknown
Page : 386 pages
File Size : 46,5 Mb
Release : 2012
Category : Art, European
ISBN : 1908590432

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The Slave in European Art by Elizabeth McGrath,Jean Michel Massing Pdf

This volume explores the imagery of slaves and enslavement - white as well as black - in early modern Europe. Long before the abolitionist movement took up the theme, European art abounded in images of slaves - chained, subjected, subdued figures. Often these enslaved figures were meant to be symbolic, for slavery was widely invoked as a metaphor in both religious and secular contexts. The ancient Roman iconography of triumphalism, with its trophies and caryatids, provided a crucial impetus to this imagery, particularly for Renaissance artists who developed their own variations. Here the use of classical models had a peculiar force, since nudity, the attribute of antique heroes and idealized abstractions, was the mark of the Mediterranean galley slave. It was also to become the condition of the enslaved and transported African. The poignant sculptures of naked black Africans on Italian monuments of the seventeenth century are Ottoman galley slaves, representatives of the Islamic enemy along with their Turkish companions.But with the expansion and extension of the trade in enslaved Africans among the nations of Europe, African blackness became in itself a sign of slavery in European art. Fashionable portraits increasingly showed young and servile blacks, sometimes wearing silver slave collars, paying tribute to the status or supposed beauty of their masters and mistresses. This imagery often presents itself as playfully metaphorical, even though the slavery of Africans so portrayed could be literal enough. Unsurprisingly, there was little demand for representations of the slave trade. In the few cases in which African slaves in colonial situations became the subject-matter of paintings, they were generally depicted as part of an imperialist and 'civilizing' mission, or accommodated to picturesque formulae, distant from the uncomfortable realities of life on the plantation. Indeed - as the case of Spain especially demonstrates - the representation of slaves in art is never proportionate to their numerical presence in slave-owning societies.It is only with abolitionism that the slave trade and its injustices becomes an artistic theme, provoking the visual counter-propaganda that is charted in the coda to this collection.

Standing Soldiers, Kneeling Slaves

Author : Kirk Savage
Publisher : Princeton University Press
Page : 274 pages
File Size : 40,6 Mb
Release : 2018-07-31
Category : History
ISBN : 9780691184524

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Standing Soldiers, Kneeling Slaves by Kirk Savage Pdf

The United States began as a slave society, holding millions of Africans and their descendants in bondage, and remained so until a civil war took the lives of a half million soldiers, some once slaves themselves. Standing Soldiers, Kneeling Slaves explores how the history of slavery and its violent end was told in public spaces—specifically in the sculptural monuments that came to dominate streets, parks, and town squares in nineteenth-century America. Looking at monuments built and unbuilt, Kirk Savage shows how the greatest era of monument building in American history took place amid struggles over race, gender, and collective memory. Standing Soldiers, Kneeling Slaves probes a host of fascinating questions and remains the only sustained investigation of post-Civil War monument building as a process of national and racial definition. Featuring a new preface by the author that reflects on recent events surrounding the meaning of these monuments, and new photography and illustrations throughout, this new and expanded edition reveals how monuments exposed the myth of a "united" people, and have only become more controversial with the passage of time.

Landscape of Slavery

Author : Angela D. Mack,Stephen G. Hoffius
Publisher : Univ of South Carolina Press
Page : 188 pages
File Size : 53,9 Mb
Release : 2008
Category : Art
ISBN : 1570037205

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Landscape of Slavery by Angela D. Mack,Stephen G. Hoffius Pdf

Through eighty-nine color plates and six thematic essays, this collection examines depictions of plantations, plantation views, and related slave imagery in the context of the history of landscape painting in America, while addressing the impact of these images on US race relations.

Visualising Slavery

Author : Celeste-Marie Bernier,Hannah Durkin
Publisher : Liverpool University Press
Page : 323 pages
File Size : 49,6 Mb
Release : 2016-03-10
Category : Social Science
ISBN : 9781781384299

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Visualising Slavery by Celeste-Marie Bernier,Hannah Durkin Pdf

This book adopts a comparative and interdisciplinary perspective to investigate the experimental bodies of works produced by African, African American, African Caribbean and Black British artists in order to excavate and theorise the formal and thematic contours of an African Diasporic visual arts tradition.

The Sun King at Sea

Author : Meredith Martin,Gillian Weiss
Publisher : Getty Publications
Page : 258 pages
File Size : 55,9 Mb
Release : 2022-01-04
Category : Art
ISBN : 9781606067314

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The Sun King at Sea by Meredith Martin,Gillian Weiss Pdf

This richly illustrated volume, the first devoted to maritime art and galley slavery in early modern France, shows how royal propagandists used the image and labor of enslaved Muslims to glorify Louis XIV. Mediterranean maritime art and the forced labor on which it depended were fundamental to the politics and propaganda of France’s King Louis XIV (r. 1643–1715). Yet most studies of French art in this period focus on Paris and Versailles, overlooking the presence or portrayal of galley slaves on the kingdom’s coasts. By examining a wide range of artistic productions—ship design, artillery sculpture, medals, paintings, and prints—Meredith Martin and Gillian Weiss uncover a vital aspect of royal representation and unsettle a standard picture of art and power in early modern France. With an abundant selection of startling images, many never before published, The Sun King at Sea emphasizes the role of esclaves turcs (enslaved Turks)—rowers who were captured or purchased from Islamic lands—in building and decorating ships and other art objects that circulated on land and by sea to glorify the Crown. Challenging the notion that human bondage vanished from continental France, this cross-disciplinary volume invites a reassessment of servitude as a visible condition, mode of representation, and symbol of sovereignty during Louis XIV’s reign.

Slave Portraiture in the Atlantic World

Author : Agnes Lugo-Ortiz,Angela Rosenthal
Publisher : Cambridge University Press
Page : 489 pages
File Size : 47,8 Mb
Release : 2013-09-30
Category : History
ISBN : 9781107354784

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Slave Portraiture in the Atlantic World by Agnes Lugo-Ortiz,Angela Rosenthal Pdf

Slave Portraiture in the Atlantic World is the first book to focus on the individualized portrayal of enslaved people from the time of Europe's full engagement with plantation slavery in the late sixteenth century to its final official abolition in Brazil in 1888. While this period saw the emergence of portraiture as a major field of representation in Western art, 'slave' and 'portraiture' as categories appear to be mutually exclusive. On the one hand, the logic of chattel slavery sought to render the slave's body as an instrument for production, as the site of a non-subject. Portraiture, on the contrary, privileged the face as the primary visual matrix for the representation of a distinct individuality. Essays address this apparent paradox of 'slave portraits' from a variety of interdisciplinary perspectives, probing the historical conditions that made the creation of such rare and enigmatic objects possible and exploring their implications for a more complex understanding of power relations under slavery.

Portraits of Resistance

Author : Jennifer Van Horn
Publisher : Yale University Press
Page : 344 pages
File Size : 54,8 Mb
Release : 2022-10-18
Category : Art
ISBN : 9780300257632

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Portraits of Resistance by Jennifer Van Horn Pdf

A highly original history of American portraiture that places the experiences of enslaved people at its center This timely and eloquent book tells a new history of American art: how enslaved people mobilized portraiture for acts of defiance. Revisiting the origins of portrait painting in the United States, Jennifer Van Horn reveals how mythologies of whiteness and of nation building erased the aesthetic production of enslaved Americans of African descent and obscured the portrait's importance as a site of resistance. Moving from the wharves of colonial Rhode Island to antebellum Louisiana plantations to South Carolina townhouses during the Civil War, the book illuminates how enslaved people's relationships with portraits also shaped the trajectory of African American art post-emancipation. Van Horn asserts that Black creativity, subjecthood, viewership, and iconoclasm constituted instances of everyday rebellion against systemic oppression. Portraits of Resistance is not only a significant intervention in the fields of American art and history but also an important contribution to the reexamination of racial constructs on which American culture was built.

Witnessing Slavery

Author : Sarah Thomas
Publisher : Paul Mellon Centre for Studies
Page : 0 pages
File Size : 42,6 Mb
Release : 2019
Category : Art
ISBN : 1913107051

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Witnessing Slavery by Sarah Thomas Pdf

A timely and original look at the role of the eyewitness account in the representation of slavery in British and European art Gathering together over 160 paintings, watercolors, drawings, and prints, this book offers an unprecedented examination of the shifting iconography of slavery in British and European art between 1760 and 1840. In addition to considering how the work of artists such as Agostino Brunias, James Hakewill, and Augustus Earle responded to abolitionist politics, Sarah Thomas examines the importance of the eyewitness account in endowing visual representations of transatlantic slavery with veracity. "Being there," indeed, became significant not only because of the empirical opportunities to document slave life it afforded but also because the imagery of the eyewitness was more credible than sketches and paintings created by the "armchair traveler" at home. Full of original insights that cast a new light on these highly charged images, this volume reconsiders how slavery was depicted within a historical context in which truth was a deeply contested subject. Distributed for the Paul Mellon Centre for Studies in British Art

Emancipation 6-Pack

Author : Rebecca Hinson
Publisher : Unknown
Page : 24 pages
File Size : 50,5 Mb
Release : 2017-11-15
Category : Electronic
ISBN : 1942765827

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Emancipation 6-Pack by Rebecca Hinson Pdf

Emancipation tells the story of slavery, secession, and the Civil War. The first Africans to arrive in British America are shipped to Virginia where they are forced to work as slaves for white farmers. Slaves are sold at auction. Some owners withhold adequate food and clothing. Others neglect the elderly. Often slaves are overworked and sometimes brutally beaten. By 1804, all Northern states abolish slavery. Abolitionists demand the abolition of slavery in the Southern states. Some slaves try to escape to the North. Some rebel. Abolitionists like Frederick Douglass, begin working together to end slavery. The Underground Railroad helps slaves escape. Seven slave states secede, forming the Confederate States of America. Under President Jefferson Davis, the Confederacy takes U.S. Fort Sumter by force, beginning the Civil War. When Abraham Lincoln calls on the states for troops to put down the rebellion, four more states secede. Battles are fought by land, by sea, on foot, and on horseback. With over a million casualties, 750,000 soldiers die. In border states, the war pits brother against brother, and father against son. Robert E. Lee surrenders. President Lincoln visits Richmond. When black workmen bow to him, he tells them to ¿kneel to God only, and thank Him for the liberty you will hereafter enjoy.¿ Prior to his assassination, Lincoln helped persuade Congress to pass the Thirteenth Amendment, which outlaws slavery in all states. It is adopted on December 6, 1865, ending 246 years of slavery in the United States of America.