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Author : Philip Taylor Publisher : University of Hawaii Press Page : 264 pages File Size : 43,5 Mb Release : 2001-01-01 Category : Social Science ISBN : 0824824172
This book explores in anthropological terms the cultural identity of the people of the Vietnamese South since the Vietnam War ended. The author describes southern Vietnam's postwar history, the impact of political and economic changes, policies towards music and popular culture, shifts in state ideology, and the contrasting fortunes of urban and rural communities. Philip Taylor spent a considerable time in a Mekong delta village undertaking ethnographic research into rural cultural identity. He describes the villagers' view of history and their sense of present decline, contrasting this with state and urban interpretations of the southern region's "modernity" over the same period.
Twenty years after a return from fundamentalism to economic reality, China has become the world's tenth largest economy and an increasingly important global power. Despite the rise of fundamentalism and post-modernism, the pursuit of modernity was an ongoing historical movement in late twentieth century China. He Ping focuses on China's quest for and experience of modernity. Implicitly comparative, the author discusses broad aspects of both Chinese and western civilizations, including their scientific traditions and socio-economic structures, with reference to modernization. He seeks to enhance our understanding of the cultural changes behind China's phenomenal rise and provides a fresh case study for the global cultural discourse.
In Search of Modernity by Paul Tiyambe Zeleza,Ibulaimu Kakoma Pdf
Having grappled with the question of modernisation for a long time, Africa now faces an issue that, with an increasingly knowledge-based global economy, has only become more urgent in this new millennium. This volume examines Africa's scientific and technological literacy, production and consumption, focusing in detail on the constraints and challenges, opportunities and developments, and the strategies required to promote the advancement of IT and biotechnology in Africa, to help advance our understanding of science and technology developments in Africa.
The students who came to the United States in the early twentieth century to become modern Chinese by studying at American universities played pivotal roles in Chinese intellectual, economic, and diplomatic life upon their return to China. These former students exemplified key aspects of Chinese "modernity," introducing new social customs, new kinds of interpersonal relationships, new ways of associating in groups, and a new way of life in general. Although there have been books about a few especially well-known persons among them, this is the first book in either English or Chinese to study the group as a whole. The collapse of the traditional examination system and the need to earn a living outside the bureaucracy meant that although this was not the first generation of Chinese to break with traditional ways of thinking, these students were the first generation of Chinese to live differently. Based on student publications, memoirs, and other writings found in this country and in China, the author describes their multifaceted experience of life in a foreign, modern environment, involving student associations, professional activities, racial discrimination, new forms of recreation and cultural expression, and, in the case of women students, the unique challenges they faced as females in two changing societies.
Korean painters participated in two major cultural trends of the late Choson period in the eighteenth and nineteenth centuries: inquiry into things Korean and investigation of things Western. Departing from Chinese sources long considered authoritative, they developed the distinctly Korean mode known as "true-view" landscape painting for depicting the scenery of their own country. Rooted in the documentary painting of the early Choson period and displaying special techniques developed to describe distinctive features of Korea's topography, true-view paintings portray the most exemplary and ideal landscapes of Korea, such as those of Mount Kumgang (Diamond Mountain). The same painters also drew on Western painting methods, which they learned from descriptions of Western paintings seen and recorded by Korean emissaries to Beijing as well as from actual paintings brought back. This knowledge inspired them to produce not only landscapes but also portraits, images of animals and other paintings based on firsthand observation of nature. Both trends, looking inward to Korea and outward to the West, represented Korean aspiration for something new -- for "modernity." Deftly weaving these two strands together as the unifying theme of Searching for Modernity, Yi Song-mi expands on her pioneering work on true-view landscape painting to reveal even more of the depth and complexity of this mature and fully Korean form of artistic expression.
Modernity and the Unmaking of Men by Violeta Schubert Pdf
Responding to the renewed emphasis on the significance of village studies, this book focuses on aging bachelorhood as a site of intolerable angst when faced with rural depopulation and social precarity. Based on ongoing ethnographic fieldwork in contemporary Macedonian society, the book explores the intersections between modernity, kinship and gender. It argues that as a critical consequence of demographic rupture, changing values and societal shifts, aging bachelorhood illuminates and challenges conceptualizations of performativity and social presence.
Class, Individualization and Late Modernity by W. Atkinson Pdf
This book puts to the test the prominent claim that social class has declined in importance in an era of affluence, choice and the waning of tradition. Arguing against this view, this study vividly uncovers the multiple ways in which class stubbornly persists.
Literature: 1981-1990 by Tore Frngsmyr,Sture Alln Pdf
Equally important to our understanding of history and humanity are the great works of literature. The Nobel Prize for literature recognises modern classics and the efforts of authors to bridge gaps between different cultures, time-periods and styles; the prizewinners between 1968 and 1995 are from four continents. These volumes are collections of the Nobel lectures delivered by the prizewinners, together with their biographies, portraits and presentation speeches for the period 1968 - 1995. Each Nobel lecture is based on the work that won the laureate his prize. New biographical data of the laureates, since they were awarded the Nobel prize, are also included. These volumes of inspiring lectures by outstanding individuals should be on everyone's bookshelf. Literature: (1981) E Canetti -- for writings marked by a broad outlook, a wealth of ideas and artistic power; (1982) G G Marquez -- for his novels and short stories, in which the fantastic and the realistic are combined in a richly composedworld of imagination, reflecting a continent's life and conflicts; (1983) W Golding -- for his novels which, with the perspicuity of realistic narrative art and the diversity and universality of myth, illuminate the human condition in the world of today; (1984) J Seifert -- for his poetry which endowed with freshness, sensuality and rich inventiveness provides a liberating image of the indomitable spirit and versatility of man; (1985) C Simon -- who in his novel combines the poet's and the painter's creativeness with a deepened awareness of time in the depiction of the human condition; (1986) W Soyinka -- who in a wide cultural perspective and with poetic overtones fashions the drama ofexistence; (1987) J Brodsky -- for an all-embracing authorship imbued with clarity of thought and poetic intensity; (1988) N Mahfouz -- who, through works rich in nuance -- now clearsightedly realistic, now evocatively ambiguous --
Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art by Minglu Gao Pdf
A groundbreaking book that describes a distinctively Chinese avant-gardism and a modernity that unifies art, politics, and social life. To the extent that Chinese contemporary art has become a global phenomenon, it is largely through the groundbreaking exhibitions curated by Gao Minglu: "China/Avant-Garde" (Beijing, 1989), "Inside Out: New Chinese Art" (Asia Society, New York, 1998), and "The Wall: Reshaping Contemporary Chinese Art" (Albright-Knox Art Gallery, 2005) among them. As the first Chinese writer to articulate a distinctively Chinese avant-gardism and modernity—one not defined by Western chronology or formalism—Gao Minglu is largely responsible for the visibility of Chinese art in the global art scene today. Contemporary Chinese artists tend to navigate between extremes, either embracing or rejecting a rich classical tradition. Indeed, for Chinese artists, the term "modernity" refers not to a new epoch or aesthetic but to a new nation—modernityinextricably connects politics to art. It is this notion of "total modernity" that forms the foundation of the Chinese avant-garde aesthetic, and of this book. Gao examines the many ways Chinese artists engaged with this intrinsic total modernity, including the '85 Movement, political pop, cynical realism, apartment art, maximalism, and the museum age, encompassing the emergenceof local art museums and organizations as well as such major events as the Shanghai Biennial. He describes the inner logic of the Chinese context while locating the art within the framework of a worldwide avant-garde. He vividly describes the Chinese avant-garde's embrace of a modernity that unifies politics, aesthetics, and social life, blurring the boundaries between abstraction, conception, and representation. Lavishly illustrated with color images throughout, this book will be a touchstone for all considerations of Chinese contemporary art.
In Search of Russian Modernism by Leonid Livak Pdf
Aiming to open an overdue debate about the academic fields of Russian and transnational modernist studies, this book is intended for an audience of scholars in comparative literary and cultural studies, specialists in Russian and transnational modernism, and researchers engaged with European cultural historiography.