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"A Season of Splendor takes you on a spectacular journey through this Gilded Age, the period from roughly the 1870s to 1914, when old-money bluebloods and patricians confronted the nouveau riche - railway barons, steel magnates, and Wall Street speculators - and forged an uneasy and dazzling new social order in New York City. Together, their extreme wealth, elaborate parties, marble mansions, shocking excesses, and delicious scandals transformed the social, architectural, and sartorial landscape."--BOOK JACKET.
Journey through the splendor and the excesses of the Gilded Age "Every aspect of life in the Gilded Age took on deeper, transcendent meaning intended to prove the greatness of America: residences beautified their surroundings; works of art uplifted and were shared with the public; clothing exhibited evidence of breeding; jewelry testified to cultured taste and wealth; dinners demonstrated sophisticated palates; and balls rivaled those of European courts in their refinement. The message was unmistakable: the United States had arrived culturally, and Caroline Astor and her circle were intent on leading the nation to unimagined heights of glory."—From A Season of Splendor Take a dazzling journey through the Gilded Age, the period from roughly the 1870s to 1914, when bluebloods from older, established families met the nouveau riche headlong—railway barons, steel magnates, and Wall Street speculators—and forged an uneasy and glittering new society in New York City. The best of the best were Caroline Astor's 400 families, and she shaped and ruled this high society with steel. A Season of Splendor is a panoramic sweep across this sumptuous landscape, presenting the families, the wealth, the balls, the clothing, and the mansions in vivid detail—as well as the shocking end of the era with the sinking of the Titanic.
A collection of traditional tales about gods and heroes in Hindu mythology, aranged in sequence as they might be told at religious festivals during the course of a Hindu calendar year.
Features the court of Britain's longest-reigning monarch Royalty and the Victorian era, with coverage of the people, pageantry, and power of Queen Victoria's court. Beginning with the Queen's 1897 Diamond Jubilee, this book describes her long reign. It paints a portrait of a unique ruler at the height of empire.
A wickedly whimsical and delectable brew of mystery, spine-tingling chills and intoxicating romance that makes for an irresistibly fun and page-turning read The bride: The dearly departed. Who could have killed her? The groom: Is there no love lost for his would-be wife? The medium: She speaks to the dead. She’s a fake—isn’t she? The doctor: He swore to do no harm. Did he? The ward: He lives in the house, but will he ever be family? The lawyer: He’s served the family for decades. If there were secrets, wouldn’t he know them? The housekeeper: She runs the house. What has she seen? The maid: She knows all the gossip. What does she have to hide? London, 1852. Genevieve Timmons has made her living posing as a spiritualist to swindle wealthy believers, until one misstep lands her in a jail cell awaiting the noose. Then a stranger, Mr. Lockhart, arrives to make her a peculiar offer. The lord he serves, Mr. Pemberton, has been grieving the mysterious death of his beautiful bride-to-be for six months. Although no foul play was ever uncovered, the young lord is convinced that she was murdered. If Genevieve can hold a séance to persuade him that his betrothed’s spirit is at peace, Mr. Lockhart promises to have the charges against her dismissed and reward her with enough money to start a new life. But when Genevieve arrives at Somerset Park estate, she discovers that the handsome and aloof Mr. Pemberton is anything but the heartbroken lover she expected. Mr. Pemberton then approaches Genevieve with an offer of his own: together, they will stage a séance so convincing it will coax the killer out of the shadows. Attempting to play both sides until she can determine which plan holds the key to her freedom, Genevieve prepares to stage a haunting. But when ghoulish incidents begin to plague the manor, the dogged heroine realizes her tricks may not be required after all. Somerset and its residents are hiding many deadly secrets, and its ghosts could be all too real.
From the #1 New York Times bestselling author of People We Meet on Vacation, Emily Henry's A Song Below Water meets Stranger Things novel is a gripping story about a group of friends in a small town who find themselves dealing with unexpected powers after a cosmic event Almost everyone in the small town of Splendor, Ohio, was affected when the local steel mill exploded. If you weren't a casualty of the accident yourself, chances are a loved one was. That's the case for seventeen-year-old Franny, who, five years after the explosion, still has to stand by and do nothing as her brother lies in a coma. In the wake of the tragedy, Franny found solace in a group of friends whose experiences mirrored her own. The group calls themselves The Ordinary, and they spend their free time investigating local ghost stories and legends, filming their exploits for their small following of YouTube fans. It's silly, it's fun, and it keeps them from dwelling on the sadness that surrounds them. Until one evening, when the strange and dangerous thing they film isn't fiction--it's a bright light, something massive hurtling toward them from the sky. And when it crashes and the teens go to investigate...everything changes.
Before Federer versus Nadal, before Borg versus McEnroe, the greatest tennis match ever played pitted the dominant Don Budge against the seductively handsome Baron Gottfried von Cramm. This deciding 1937 Davis Cup match, played on the hallowed grounds of Wimbledon, was a battle of titans: the world's number one tennis player against the number two; America against Germany; democracy against fascism. For five superhuman sets, the duo’s brilliant shotmaking kept the Centre Court crowd–and the world–spellbound. But the match’s significance extended well beyond the immaculate grass courts of Wimbledon. Against the backdrop of the Great Depression and the brink of World War II, one man played for the pride of his country while the other played for his life. Budge, the humble hard-working American who would soon become the first man to win all four Grand Slam titles in the same year, vied to keep the Davis Cup out of the hands of the Nazi regime. On the other side of the net, the immensely popular and elegant von Cramm fought Budge point for point knowing that a loss might precipitate his descent into the living hell being constructed behind barbed wire back home. Born into an aristocratic family, von Cramm was admired for his devastating good looks as well as his unparalleled sportsmanship. But he harbored a dark secret, one that put him under increasing Gestapo surveillance. And his situation was made even more perilous by his refusal to join the Nazi Party or defend Hitler. Desperately relying on his athletic achievements and the global spotlight to keep him out of the Gestapo’s clutches, his strategy was to keep traveling and keep winning. A Davis Cup victory would make him the toast of Germany. A loss might be catastrophic. Watching the mesmerizingly intense match from the stands was von Cramm’s mentor and all-time tennis superstar Bill Tilden–a consummate showman whose double life would run in ironic counterpoint to that of his German pupil. Set at a time when sports and politics were inextricably linked, A Terrible Splendor gives readers a courtside seat on that fateful day, moving gracefully between the tennis match for the ages and the dramatic events leading Germany, Britain, and America into global war. A book like no other in its weaving of social significance and athletic spectacle, this soul-stirring account is ultimately a tribute to the strength of the human spirit.
Splendor in the Short Grass by Grover Lewis,W. K. Stratton Pdf
"Dave Hickey gets it exactly right in his preface to this collection of journalism, poetry, fiction and memoir: Lewis, who died in 1997, was indeed 'the most stone wonderful writer that nobody ever heard of.' Writing for Rolling Stone in the early '70s, he almost singlehandedly invented the movie set piece, and no one's ever improved on his flint-eyed profiles of Sam Peckinpah and the Allman Brothers. But the best piece here is his searing memoir of his white-trash Texas parents, who died in what was ruled a double suicide. Etched in acid and heart's blood, it is a terse masterpiece." —Malcolm Jones, Newsweek "The least known of the New Journalism's founding fathers, Grover Lewis has long been a legend among nonfiction writers, and this overdue collection shows us why. A beautiful stylist blessed with a blistering honesty, Grover saw it all and wrote it like nobody else could. Put Splendor in the Short Grass up on the shelf with the best of Tom Wolfe, Hunter Thompson and Gay Talese. It belongs there." —Kenneth Turan, film critic for the Los Angeles Times and National Public Radio's Morning Edition "Grover Lewis, the most literary of journalists, did things his way, simultaneously inventing a genre and setting the standard. These days ambitious feature writers, whether they know it or not, all strive to do it Grover's way. But, as this long overdue collection shows, not only did Grover do it first, he did it best." —Tim Cahill, author of Lost in My Own Backyard and Hold the Enlightenment "Grover Lewis was a gift to American letters. He had a hard eye, a sharp eye for hidden reality, and the unique ability to raise a popular journalism piece to the level of a universal truth. Plus he wrote like an angel. This collection, Splendor in the Short Grass, is not just a terrific read, it's an important work. I loved every page of it." —James Crumley, author of the hardboiled mysteries Dancing Bear, The Last Good Kiss, and The Final Country "Your gonzo journalism library isn't complete without him." —Ruminator "Grover was, after all, the most stone wonderful writer that nobody ever heard of....His job was to hammer the detritus of fugitive cultural encounters into elegant sentences, lapidary paragraphs, and knowable truth; and, in truth, the loveliness and lucidity of Grover's writing always rose to the triviality of the occasion." —Dave Hickey, from the foreword Grover Lewis was one of the defining voices of the New Journalism of the 1960s and 1970s. His wry, acutely observed, fluently written essays for Rolling Stone and the Village Voice set a standard for other writers of the time, including Hunter S. Thompson, Joe Eszterhas, Timothy Ferris, Chet Flippo, and Tim Cahill, who said of Lewis, "He was the best of us." Pioneering the "on location" reportage that has become a fixture of features about moviemaking and live music, Lewis cut through the celebrity hype and captured the real spirit of the counterculture, including its artificiality and surprising banality. Even today, his articles on Woody Guthrie, the Allman Brothers, the Rolling Stones concert at Altamont, directors Sam Peckinpah and John Huston, and the filming of The Last Picture Show and One Flew over the Cuckoo's Nest remain some of the finest writing ever done on popular culture. To introduce Grover Lewis to a new generation of readers and collect his best work under one cover, this anthology contains articles he wrote for Rolling Stone, Village Voice, Playboy, Texas Monthly, and New West, as well as excerpts from his unfinished novel The Code of the West and his incomplete memoir Goodbye If You Call That Gone and poems from the volume I'll Be There in the Morning If I Live. Jan Reid and W. K. Stratton have selected and arranged the material around themes that preoccupied Lewis throughout his life—movies, music, and loss. The editors' biographical introduction, the foreword by Dave Hickey, and a remembrance by Robert Draper discuss how Lewis's early struggles to escape his working-class, anti-intellectual Texas roots for the world of ideas in books and movies made him a natural proponent of the counterculture that he chronicled so brilliantly. They also pay tribute to Lewis's groundbreaking talent as a stylist, whose unique voice deserves to be more widely known by today's readers.
Mrs Astor, queen of New York society in the decades before World War I, used her prestige to create a social aristocracy in the city. Mrs Astor's story, told here by Eric Homberger, sheds light on the origins, extravagant lifestyle, and social competitiveness of this aristocracy.
In this eloquent plea for compassion and respect for all species, journalist and gardener Nancy Lawson describes why and how to welcome wildlife to our backyards. Through engaging anecdotes and inspired advice, profiles of home gardeners throughout the country, and interviews with scientists and horticulturalists, Lawson applies the broader lessons of ecology to our own outdoor spaces. Detailed chapters address planting for wildlife by choosing native species; providing habitats that shelter baby animals, as well as birds, bees, and butterflies; creating safe zones in the garden; cohabiting with creatures often regarded as pests; letting nature be your garden designer; and encouraging natural processes and evolution in the garden. The Humane Gardener fills a unique niche in describing simple principles for both attracting wildlife and peacefully resolving conflicts with all the creatures that share our world.
A National Book Award Finalist A "riveting" (New York Times) look at one year of Viennese life during the twilight of an empire On January 30, 1889, at the champagne-splashed hight of the Viennese Carnival, the handsome and charming Crown Prince Rudolf fired a revolver at his teenaged mistress and then himself. The two shots that rang out at Mayerling in the Vienna Woods echo still. Frederic Morton, author of the bestselling Rothschilds, deftly tells the haunting story of the Prince and his city, where, in the span of only ten months, "the Western dream started to go wrong." In Rudolf's Vienna moved other young men with striking intellectual and artistic talents—and all as frustrated as the Prince. Among them were: young Sigmund Freud, Gustav Mahler, Theodor Herzl, Gustav Klimt, and the playwright Arthur Schnitzler, whose La Ronde was the great erotic drama of the fin de siecle. Morton studies these and other gifted young men, interweaving their fates with that of the doomed Prince and the entire city through to the eve of Easter, just after Rudolf's body is lowered into its permanent sarcophagus and a son named Adolf Hitler is born to Frau Klara Hitler.
In the labyrinths of an ancient city lies a Queen’s treasure... 1205 - the town of Chinon is beseiged by enemies of King John, and his young Queen calls upon a trusted servant to conceal her treasured jewels. Emily Braden is intrigued by the medieval story of Queen Isabelle, and cannot resist when her cousin Harry, a historian, suggests a trip to the white-walled town of Chinon, nestling in France's Loire Valley. But when Harry vanishes and Emily begins to search for him, she stumbles across another intriguing mystery -- a second Isabelle, a chambermaid during the Second World War, who had her own tragedy, and her own treasure to hide. As Emily explores the ancient town of labyrinthine tunnels, old enmities, and new loves, she finds herself drawn ever closer to the mysterious Isabelles and their long-kept secrets.
