Seductive Ambiguity Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Seductive Ambiguity book. This book definitely worth reading, it is an incredibly well-written.
When she receives the white rose bouquet from Lucas, Divine Anderson feels like she is bathing in an ocean of happiness. Pleased, she goes to his office in order to go out for having lunch. While waiting for him, what does she see? A portrait? A portrait of Lucas and a woman...His wife? By God, Lucas is married?! And what`s this resemblance between that woman and her?Broken hearted, Divine rushes out the office. When getting there, Lucas notices the portrait`s position changed. Damn it! He forgot about it!She leaves to Alaska, but will this be enough for her to forget the man she loves?And Charlie, Lucas`s best friend, what is his hidden agenda? Why does he want to secretly revenge over Lucas and see him destroyed...?
Covering fifty years of British dance, from Margot Fonteyn to innovative contemporary practitioners such as Wendy Houstoun and Nigel Charnock, Yes? No! Maybe is an innovative approach to performing and watching dance. Emilyn Claid brings her life experience and interweaves it with academic theory and historical narrative to create a dynamic approach to dance writing. Using the 1970s revolution of new dance as a hinge, Claid looks back to ballet and forward to British independent dance which is new dance’s legacy. She explores the shifts in performer-spectator relationships, and investigates questions of subjectivity, absence and presence, identity, gender, race and desire using psychoanalytical, feminist, postmodern, post-structuralist and queer theoretical perspectives. Artists and practitioners, professional performers, teachers, choreographers and theatre-goers will all find this book an informative and insightful read.
Recovering Christian Character by Robert C. Roberts Pdf
Discipleship guidance from the writings of Kierkegaard Genuine Christian character often runs counter to prevailing notions of Christianity—as much in today’s era of nationalistic religiosity as in the staid Christendom of Søren Kierkegaard’s time. Kierkegaard responded to the hypocrisy around him by becoming a missionary of sorts in the Western world. Through his writing he exposed the illusions of conventional wisdom while advancing a compelling vision of the true Christian life that would give rise to essential virtues like faith, hope, love, patience, gratitude, and humility. What might Kierkegaard say to us today about recovering a genuine Christian character amid manifold corruptions of the gospel? Robert C. Roberts guides the reader through Kierkegaard’s thought about character—clarifying while never unduly simplifying—to show how Kierkegaard’s prescient psychological insights can be applied in the lives of twenty-first-century Christians interested in personal formation. Taking on a Kierkegaardian voice of his own, Roberts powerfully illustrates how virtue arises not from the mastery of individual ethical principles but from the continuity of one’s soul with the heart of God.
For the first time in English the world community of scholars is systematically assembling and presenting the results of recent research in the vast literature of Soren Kierkegaard. Based on the definitive English edition of Kierkegaard's works by Princeton University Press, this series of commentaries addresses all the published texts of the influential Danish philosopher and theologian.
Management techniques such as strategic planning, project management or operational budgeting, aim to reduce ambiguity and provide clarity. So it is one of the great ironies of modern corporate life that these techniques often end up doing the opposite: increasing ambiguity rather than reducing it.It is easy enough to understand why: organizations are complex entities and it is unreasonable to expect management models, such as those that fit neatly into a 2*2 matrix or a predetermined checklist, to work in the real world. Indeed, expecting them to work as advertised is akin to colouring a paint-by-numbers Mona Lisa with the expectation of recreating Da Vinci's masterpiece. Ambiguity has not been tamed: reality will still impose itself no matter how alluring the model is.Unfortunately, most of us have a deep aversion to situations that involve even a hint of ambiguity. Recent research in neuroscience has revealed the reason for this: ambiguity is processed in the parts of the brain which regulate our emotional responses. As a result, many people associate ambiguity with feelings of anxiety. When kids feel anxious, they turn to transitional objects such as teddy bears or security blankets, providing them with a sense of stability when situations or events seem overwhelming. We contend that as grown-ups, we don't actually stop using teddy bears - they take a different form. Backed by research, we illustrate that management models, fads and frameworks are akin to teddy bears . They provide the same sense of comfort and certainty to corporate managers and minions as real teddies do to distressed kids. This is not a problem in many cases. Children usually outgrow their need for a teddy, unless if development is disrupted or arrested in some way. If this happens, the transitional object can become a fetish - an object that is held on to with a pathological intensity, simply for the comfort that it offers in the face of ambiguity. The corporate reliance on simplistic solutions for the complex challenges faced is akin to little Johnny believing that everything will be OK provided he clings on to Teddy.Ambiguity is a primal force that drives much of our behaviour. It is typically viewed negatively - something to be avoided or to be controlled. The truth however, is that it is a force that can be used in positive ways too. The Force that gave the Dark Side their power in the Star Wars movies was harnessed by the Jedi in positive ways. Similarly, this new management book shows how ambiguous situations, so common in the corporate world, are processed by the brain, and the behaviours that often arise as a consequence. More importantly, though, it shows you how to harness that ambiguity to achieve outstanding results.
The answers to these questions - and much, much more - are to be found in The Changing Room , which traces the origins and variations of theatrical cross-dressing through the ages and across cultures. It examines: * tribal rituals and shamanic practices in the Balkans and Chinese-Tibet * the gender-bending elements of Greek and early Christian religion * the homosexual appeal of the boy actor on the traditional stage of China, Japan and England * the origins of the dame comedian, the principal boy, the glamour drag artiste and the male impersonator * artists such as David Bowie, Boy George, Charles Ludlam, Dame Edna Everage, Lily Savage, Candy Darling, Julian Clary and the New York Dolls. Lavishly illustrated with unusual and rare pictures, this is the first ever cross-cultural study of theatrical transvestism. It is a must for anyone interested in cross-dressing, theatre, and gender.
Ontological arguments are one of the main classes of arguments for the existence of God, and have been influential from the Middle Ages right up until the present time. This accessible volume offers a comprehensive survey and assessment of them, starting with a sequence of chapters charting their history - from Anselm and Aquinas, via Descartes, Leibniz, Kant and Hegel, to Gödel, Plantinga, Lewis and Tichý. This is followed by chapters on the most important topics to have emerged in the discussion of ontological arguments: the relationship between conceivability and possibility, the charge that ontological arguments beg the question, and the nature of existence. The volume as a whole shows clearly how these arguments emerged and developed, how we should think about them, and why they remain important today.
Life as Creative Constraint is the first book to focus on the extraordinary life-writing of the French experimental writing group, the Oulipo. The Oulipo's enthusiasm for literary games and formal gymnastics has seen its work caricatured as 'lifeless' - impressively virtuoso but more interested in form than content and ultimately disengaged from the world. This book examines a broad corpus of work by Georges Perec, Marcel Bénabou, Jacques Roubaud and Anne F. Garréta to show that, despite the group's early devotion to the radical impersonality of mathematics, later generations of oulipians have brought the group's fascination with systems, games and constraints to bear on autobiography. Far from being 'lifeless', oulipian constraints and concepts provide the tools that allow writers to engage critically and creatively with lived experience, and mine the potential of the autobiographical genre. The games played by these writers are not simply pastimes or cunning writing techniques, but modes of survival, self-examination, self-invention, and relating to the world and to others. As the title of Georges Perec's masterpiece suggests, they are a mode d'emploi for life.
Examining United States history from Columbus to Clinton, Steven J. Keillor disabuses us of the notion that our nation has ever been a genuinely "Christian" one. He focuses on various political, economic and cultural policies or events (the Civil War, westward expansion) that are now often cited to "disprove" or "debunk" Christianity.
Being in Contact: Encountering a Bare Body by Mariella Greil Pdf
This choreographed book is dedicated to the phenomenon of the bare body in contemporary performance. This work of artistic research draws on philosophical, biopolitical, and ethical discourses relevant to the appearance of bare bodies in choreography, setting a framework for a reflexive movement between affect and ethics, sensuous address and response. Acts of exposure and concealment are culturally situated and anchored, and are examined for their methodological and nanopolitical significance. The concepts of anarchic responsibility and choreo-ethics lead to a reevaluation of contact, relationship, and solidarity. Choreography is thus understood as a complex field of revelatory experiences based on ecologies of aesthetic perception and ethico-political agency.
Heidegger's Concept of Truth by Daniel O. Dahlstrom Pdf
This major new study of Heidegger is the first to examine in detail the concept of existential truth that Heidegger developed in the 1920s. Daniel Dahlstrom offers a critical focus on the genesis, nature, and viability of Heidegger's radical reconceptualization. The book has several distinctive and innovative features. First, it is the only study that attempts to understand the logical dimension of Heidegger's thought in its historical context. Second, no other book-length treatment explores the breadth and depth of Heidegger's confrontation with Husserl, his erstwhile mentor. Third, the book demonstrates that Heidegger's deconstruction of Western thinking occurs on three interconnected fronts: truth, being, and time.
Prince: The Making of a Pop Music Phenomenon by Stan Hawkins,Sarah Niblock Pdf
The career of the prolific pop artist Prince has become inextricably intertwined with the history of popular music since the late 1970s. This multi-instrumental icon, who remains one of the highest-grossing live performers in America, has been called a genius for his musicianship, composition and incredible performances. But Prince holds iconic status for more than his music. Best known for his racial blurring and extravagant sexual persona, Prince's music and visual iconography has always chimed with the ambiguity of subjectivity at any given moment. 'Prince' the sign offers a space for fans to evaluate and reconfigure their attitudes towards their own identities, and towards their position as subjects within the socio-cultural sphere. This much-needed interdisciplinary analysis is the first of its kind to examine critically Prince's popular music, performances, sounds, lyrics and the plethora of accompanying visual material such as album covers, posters, fashions, promotional videos and feature films. Specifically, the book explores how and why he has played such a profoundly meaningful and significant role in his fans' lives.
Kierkegaard's Writing, III, Part I by Søren Kierkegaard Pdf
Søren Kierkegaard, the nineteenth-century Danish philosopher rediscovered in the twentieth century, is a major influence in contemporary philosophy, religion, and literature. He regarded Either/Or as the beginning of his authorship, although he had published two earlier works on Hans Christian Andersen and irony. The pseudonymous volumes of Either/Or are the writings of a young man (I) and of Judge William (II). The ironical young man's papers include a collection of sardonic aphorisms; essays on Mozart, modern drama, and boredom; and "The Seducer's Diary." The seeming miscellany is a reflective presentation of aspects of the "either," the esthetic view of life. Part II is an older friend's "or," the ethical life of integrated, authentic personhood, elaborated in discussions of personal becoming and of marriage. The resolution of the "either/or" is left to the reader, for there is no Part III until the appearance of Stages on Life's Way. The poetic-reflective creations of a master stylist and imaginative impersonator, the two men write in distinctive ways appropriate to their respective positions.
Archetypal Dimensions of the Psyche by Marie-Louise von Franz Pdf
The chief disciple of C. G. Jung, analyst Marie-Louise von Franz uses her vast knowledge of the world of myths, fairy tales, visions, and dreams to examine expressions of the universal symbol of the Anthropos, or Cosmic Man—a universal archetype that embodies humanity's personal as well as collective identity. She shows that the meaning of life—the realization of our fullest human potential, which Jung called individuation—can only be found through a greater differentiation of consciousness by virtue of archetypes, and that ultimately our future depends on relationships, whether between the sexes or among nations, races, religions, and political factions.
How has sport, starting as the happy games of childhood, become branded as an endless competition of 'winning' and 'losing'? Why is the public apparently 'unperturbed' with humiliating so many people? It can 'cost' five thousand 'losers' to produce one 'winner' - sport, a 'weapon of mass destruction'. Will to Win tries to explain why millions trek weekly to its myriad global chapels/stadiums for worship, blessing and succour, and how it spreads its tentacles across the globe, and floods daily media. And how it has the confidence to believe its 'winners' can teach the community how to become 'successful' in business and life. This book is a work of reflection by a social scientist.
