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Author : Mary Lou Williams
Publisher : A-R Editions, Inc.
Page : 372 pages
File Size : 40,6 Mb
Release : 2013-12-01
Category : Music
ISBN : 0895797623
Author : George Whitefield Chadwick
Publisher : A-R Editions, Inc.
Page : 451 pages
File Size : 43,5 Mb
Release : 2017-01-01
Category : Immigrants
ISBN : 9780895798558
George Whitefield Chadwick (18541931), a Massachusetts native identified with the so-called second New England School of composers, is among the most important and creative American composers in the generation that bridged the nineteenth and twentieth centuries. Trained in part in Germany, he spent much of his working life educating other musicians at the New England Conservatory of Music, which he led from 1897 until his death. Chadwick fashioned a compelling individual musical voice rooted in a Euro-American musical idiom; his orchestral and chamber music was performed with some frequency in his own day and has been revived in ours. His opera The Padrone, set to a libretto by David K. Stevens (based on an idea from Chadwick himself), was composed in 1912; it was strongly influenced by the verismo operas of the time (such as Leoncavallos Pagliacci and Puccinis Tosca), which attempted to bring to opera the naturalism of such late nineteenth-century writers as Zola and Ibsen. The Padrone is set in an American city (presumably the North End of Boston) in the present. The story, a tragic tale in two acts with an orchestral interlude, revolves around a ruthless member of the Italian community (the padrone) and his exploitation of more recently arrived immigrants. Chadwick composed The Padrone for submission to the Metropolitan Opera Company in New York, but the opera was rejected, probably because of its gritty realism, and was never staged during Chadwicks lifetime. (The Padrone exists only in manuscript form and has never been published; its only public performance so far took place in 1997.) In contrast to American operas of its generation that dramatize myths and legends from the ancient past, The Padrone brings a modern story to the stage, set to music of dramatic power and superb craftsmanship.
Author : Norm Cohen,Carson Cohen,Anne Dhu McLucas
Publisher : A-R Editions, Inc.
Page : 597 pages
File Size : 46,9 Mb
Release : 2021-12-20
Category : Music
ISBN : 9781987207286
This edition brings together representative transcriptions of folk songs and ballads in the British-Irish-American oral tradition that have enjoyed widespread familiarity throughout twentieth-century America. Within are the one hundred folk songs that most frequently occurred in a methodical survey of Roud’s Folk Song Index, catalogues of commercial early country (or "hillbilly") recordings, and relevant archival collections. The editors selected sources for transcriptions in a broad range of singing styles and representing many regions of the United States. The selections attempt to avoid the biases of previous collections and provide a fresh group of examples, many heretofore unseen in print. The sources for the transcriptions are recordings of traditional musicians from the 1920s through the early 1940s drawn from (1) commercial recordings of "hillbilly" musicians, and (2) field recordings in the collection of the Library of Congress’s Archive of American Folk Song, now part of the Archive of Folk Culture. Each transcription is accompanied by a brief contextualizing essay discussing the song’s history and influence, recording and performance information (whenever available), and an examination of the tune. The edition begins with a substantive essay about the history of folk song recordings and folk song scholarship, and the nature of traditional vocal music in the United States.
Author : David Tudor
Publisher : A-R Editions, Inc.
Page : 403 pages
File Size : 43,6 Mb
Release : 2020-01-01
Category : Music
ISBN : 9781987203028
When I think of music, I think of you and vice-versa, John Cage told David Tudor in the summer of 1951. Looking back years later, Cage said that every work he composed in the ensuing two decades was composed for Tudoreven if it was not written for the piano, Tudors nominal instrument. The collaboration of Cage and Tudor reached an apex in the Solo for Piano from Cages Concert for Piano and Orchestra (195758). None of Cages previous works had employed more than a single type of notation. In contrast, the Solo for Piano consists of eighty-four notational types, ranging from standard line-and-staff notation to extravagant musical graphics. The notational complexity of the Solo for Piano led Tudor to write outor realizea performance score, from which he played at the premiere of the Concert for Piano and Orchestra in May 1958. The next spring, when Cage requested music to complement his ninety-minute lecture Indeterminacy, Tudor created a second realization, for which he devised a new temporal structure to implement Cages notations. This edition of Tudors second realization of the Solo for Piano presents Tudors performance score in the spatial-temporal layout of its proportional notation. An introductory essay discusses the early collaborations of Cage and Tudor, as well as the genesis, creative process, and performance history of the Solo for Piano. The critical commentary examines each of Tudors methods of realization; which notations from Cages score Tudor selected and why; how Tudor interpreted Cages often ambiguous performance instructions; how Tudor distributed the resulting sounds temporally; and the ways in which Tudors realization fulfills, transcends, and sometimes contravenes the instructions of Cages score.
Author : David Tudor
Publisher : A-R Editions, Inc.
Page : 101 pages
File Size : 52,5 Mb
Release : 2020-01-01
Category : Music
ISBN : 9781987203042
When I think of music, I think of you and vice-versa, John Cage told David Tudor in the summer of 1951. Looking back years later, Cage said that every work he composed in the ensuing two decades was composed for Tudoreven if it was not written for the piano, Tudors nominal instrument. The collaboration of Cage and Tudor reached an apex in the Solo for Piano from Cages Concert for Piano and Orchestra (195758). None of Cages previous works had employed more than a single type of notation. In contrast, the Solo for Piano consists of eighty-four notational types, ranging from standard line-and-staff notation to extravagant musical graphics. The notational complexity of the Solo for Piano led Tudor to write outor realizea performance score, from which he played at the premiere of the Concert for Piano and Orchestra in May 1958. The next spring, when Cage requested music to complement his ninety-minute lecture Indeterminacy, Tudor created a second realization, for which he devised a new temporal structure to implement Cages notations. This edition of Tudors second realization of the Solo for Piano presents Tudors performance score in the spatial-temporal layout of its proportional notation. An introductory essay discusses the early collaborations of Cage and Tudor, as well as the genesis, creative process, and performance history of the Solo for Piano. The critical commentary examines each of Tudors methods of realization; which notations from Cages score Tudor selected and why; how Tudor interpreted Cages often ambiguous performance instructions; how Tudor distributed the resulting sounds temporally; and the ways in which Tudors realization fulfills, transcends, and sometimes contravenes the instructions of Cages score.
Author : Aaron Copland
Publisher : A-R Editions, Inc.
Page : 295 pages
File Size : 46,9 Mb
Release : 2019-12-31
Category : Music
ISBN : 9781987204582
Appalachian Spring is perhaps the most popular work by Aaron Copland (19001990). Composed as a ballet for the renowned choreographer Martha Graham (18941991), it was the result of a close collaboration between Copland and Graham, and the music quickly took on a life of its own. However, the best known versions of the score, those most frequently recorded and heard in concert, differ in form and musical content from the original ballet, which was scored for a chamber ensemble of thirteen instruments and premiered by the Martha Graham Dance Company at the Library of Congress on 30 October 1944. This edition presents the first completed engraving of the original version of Appalachian Spring, providing musicians and scholars access to the score as it has been performed for more than 75 years by the Graham Company. On each page of the score, the editors have included stills from the 1958 film of the ballet, with Graham dancing the lead role, in order to highlight the connection between music and dance. An introductory essay explores the creation of the work, the musical structure, the origins of and differences among multiple versions of the score, and the continued significance and influence of Coplands music. The critical commentary draws on manuscript and published sources, as well as Graham Company performance practice, to illuminate editorial decisions. The edition also includes appendices that present a comparison of historical tempi, markings from the Graham tradition for augmenting the orchestration, and a selected discography of different versions of the score.
Author : Peter C. Muir
Publisher : A-R Editions, Inc.
Page : 567 pages
File Size : 52,7 Mb
Release : 2024-06-25
Category : Music
ISBN : 9781987208856
This volume is a critical edition of early blues-related sheet music, including forty-three known blues songs and instrumental compositions from the first four years of the blues industry, 1912–15, and twenty-four pre-1912 proto-blues; that is, published works stylistically related to the emerging blues style (for instance, using a twelve-bar blues sequence) from 1850–1912. The purpose of the edition is to present in systematic form, and for the first time, the rise of popular blues culture. Up until 1920, sheet music was the dominant medium of blues dissemination. The first blues recordings did not appear until 1914, two years after the appearance of sheet music; furthermore, almost all the recordings of blues that did appear before 1920 were of pre-existent published compositions. This situation only changed with the rise of the race record industry in the 1920s when the identity of blues became increasingly linked to recordings. For this earliest period of blues history, the documentation offered by sheet music is crucial. A majority of this music has not been reissued since its original publication, while some has never been published at all, and exists only as copyright deposits in the Library of Congress. As a body of work, it is little known to historians and musicians despite its importance to the understanding of the evolution of blues and popular music.
Author : Noble Sissle,Eubie Blake
Publisher : A-R Editions, Inc.
Page : 639 pages
File Size : 55,6 Mb
Release : 2018-11-30
Category : African American theater
ISBN : 9781987200287
The Broadway musical Shuffle Alongwith book by Flournoy Miller and Aubrey Lyles, lyrics by Noble Sissle, and music by Eubie Blakepremiered on 23 May 1921 at the Cort Theatre on 63rd Street and became the first overwhelmingly successful African American musical on Broadway. Langston Hughes, who saw the production, said that Shuffle Along marked the beginning of the Harlem Renaissance. Both black and white audiences swarmed to the show, which prompted the integration of subsequent Broadway audiences. The dances were such a smash that choreographers for white Broadway shows hired Shuffle Along chorus girls to teach their chorus lines the new steps. Love Will Find a Way, the first successful unburlesqued love song in a black Broadway show, was so well-received that audiences demanded multiple encores. The shows influences went far beyond Broadway: Some of the periods most influential black musicians, including dancer Josephine Baker, vocalist Paul Robeson, composer Hall Johnson, and composer William Grant Still, all got their start in Shuffle Along. The editors have assembled the full score and libretto for this critical edition from the original performance materials. The critical report thoroughly explains all sources and editorial decisions. The accompanying scholarly essay examines the music, dances, and script of Shuffle Along and places this influential show in its social, racial, and historical context.
Author : Laura Hamer
Publisher : Cambridge University Press
Page : 357 pages
File Size : 44,5 Mb
Release : 2021-05-06
Category : Music
ISBN : 9781108470285
An overview of women's work in classical and popular music since 1900 as performers, composers, educators and music technologists.
Author : Leo Zeitlin
Publisher : A-R Editions, Inc.
Page : 88 pages
File Size : 45,6 Mb
Release : 2014-11-01
Category : Music
ISBN : 9780895798008
Trained in Russia, Zeitlin (18841930) was an accomplished composer, conductor, performer, and pedagogue. In writing Palestina, Zeitlin, as he had done during his entire career, was fulfilling the goals of the Society for Jewish Folk Music, which he joined in 1908 while still a student at the St. Petersburg Conservatory: to compose and perform works of art music on motivic material drawn from Jewish cantillation, liturgy, and folk song. In addition to employing two modes central to Jewish music and several Jewish tunes, in Palestina Zeitlin actually imitates the shofar calls heard in the synagogue before and during Rosh Hashanah and at the conclusion of Yom Kippur. This edition includes an extensive essay on the composer and on the themes and structure of Palestina, with insights into the Capitol Theatre and the role of music in picture palaces of this era.
Author : Deanna Witkowski
Publisher : Liturgical Press
Page : 168 pages
File Size : 47,5 Mb
Release : 2021-08-09
Category : Biography & Autobiography
ISBN : 9780814664254
Winner of the ASCAP Foundation Deems Taylor/Virgil Thomson Book Award in Pop Music 2022 Catholic Media Association honorable mention in biography 2022 Association of Catholic Publishers second place award for Biography Winner of the 2022 Jazz Journalists Association Award for Biography/Autobiography of the Year In Mary Lou Williams: Music for the Soul, Deanna Witkowski brings a fresh perspective to the life and music of the legendary jazz pianist-composer Mary Lou Williams (1910-81). As a fellow jazz pianist-composer, adult convert to Catholicism, and liturgical composer, Witkowski offers unique insight gleaned from a twenty-year journey with Williams as her chosen musical and spiritual mentor. Viewing Williams’s musical and corporal acts of mercy as part of a singular effort to create community no matter the context, Witkowski examines how Williams created networks of support and friendship through her decades long letter correspondence with various women religious, her charitable work, and her tireless efforts to perform jazz in churches, community centers, concert halls, and schools. Throughout this fascinating story told with equal amounts of deep love and scholarly research, Witkowski illumines Williams’s passionate mantra that “jazz is healing to the soul.”
Author : Christi Jay Wells
Publisher : Oxford University Press
Page : 273 pages
File Size : 40,8 Mb
Release : 2021
Category : Music
ISBN : 9780197559277
"The Jazz Tradition and Black Vernacular Dance explores the complex intersections between jazz music and popular dance over the last hundred-plus years. It aims to show how popular entertainment and cultures of social dancing were crucial to jazz music's formation and development, but it also investigates the processes through which jazz music came to earn a reputation as a "legitimate" art form better suited for still, seated listening. Through the concept of "choreographies of listening," the book explores amateur and professional jazz dancers' relationships with jazz music and musicians as jazz's soundscapes and choreoscapes were forged through close contact and mutual creative exchange. The book's later chapters also critically unpack the aesthetic and political negotiations through which jazz music supposedly distanced itself from dancing bodies. As musicians and critics sought to secure institutional space for jazz within America's body-averse academic and high-art cultures, an intentional severance from the dancing body proved crucial to jazz's re-positioning as a form of autonomous, elite art. Fusing little-discussed material from diverse historical and contemporary sources with the author's own years of experience as a social jazz dancer, this book seeks to advance participatory dance and embodied practice as central topics of analysis in jazz studies. As it tells the rich, untold story of jazz as popular dance music, this book also exposes how American anxieties about bodies and a broad cultural privileging of the cerebral over the corporeal have shaped efforts to "elevate" expressive forms such as jazz to elite status"--
Author : Carolyn Wells
Publisher : Delphi Classics
Page : 15667 pages
File Size : 50,5 Mb
Release : 2019-04-26
Category : Fiction
ISBN : 9781788779869
Famous today as the creator of the reserved and scholarly detective Fleming Stone, Carolyn Wells was a prolific American writer of popular mystery novels, celebrated for their intricate plots and engaging characters. The first novel in the series, ‘The Clue’ (1909), features on the Haycraft-Queen Cornerstone list of essential mysteries. Throughout her career, Wells produced over 170 titles, including children’s stories, detective novels, anthologies and humorous and nonsense writings. This eBook presents Wells’ collected works, with numerous illustrations, rare texts appearing in digital print for the first time, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Wells’ life and works * Concise introductions to the major texts * 73 novels, with individual contents tables * Features many rare novels appearing for the first time in digital publishing * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * The complete Patty Fairfield and Marjorie Maynard series * Famous children’s books are fully illustrated with their original artwork * Includes Wells’ rare poetry collections – available in no other collection * Features Wells’ seminal non-fiction work ‘The Technique of the Mystery Story’ * Features the author’s autobiography ‘The Rest of My Life’ (first time in digital print) – discover Wells’ literary life * Scholarly ordering of texts into chronological order and genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Fleming Stone Series The Clue (1909) The Gold Bag (1911) A Chain of Evidence (1912) The Maxwell Mystery (1913) Anybody But Anne (1914) The White Alley (1915) The Curved Blades (1915) The Mark of Cain (1917) Vicky Van (1918) The Diamond Pin (1919) Raspberry Jam (1920) The Mystery of the Sycamore (1921) The Mystery Girl (1922) Feathers Left Around (1923) Spooky Hollow (1923) The Furthest Fury (1924) Prillilgirl (1924) The Daughter of the House (1925) The Bronze Hand (1926) Where’s Emily (1927) The Crime in the Crypt (1928) The Huddle (1936) Murder in the Bookshop (1936) Murder Will In (1942) Who Killed Caldwell? (1942) The Alan Ford Series The Bride of a Moment (1916) Faulkner’s Folly (1917) The Pennington Wise Series The Room with the Tassels (1918) The Man Who Fell Through the Earth (1919) In the Onyx Lobby (1920) The Come Back (1921) The Luminous Face (1921) The Vanishing of Betty Varian (1922) The Affair at Flower Acres (1923) Wheels within Wheels (1923) Kenneth Carlisle Series Sleeping Dogs (1929) The Patty Fairfield Series All 17 Patty Fairfield novels (too many to list) The Marjorie Maynard Series All Marjorie novels The Dorrance Family Series The Dorrance Domain (1905) Dorrance Doings (1906) The Two Little Women Series Two Little Women (1915) Two Little Women and Treasure House (1916) Two Little Women on a Holiday (1917) Other Novels Abeniki Caldwell (1902) Eight Girls and a Dog (1902) The Gordon Elopement (1904) The Staying Guest (1904) The Matrimonial Bureau (1905) The Emily Emmins Papers (1907) Dick and Dolly (1909) Betty’s Happy Year (1910) Ptomaine Street (1921) Face Cards (1925) The Deep-Lake Mystery (1928) Short Stories Christabel’s Crystal (1905) An Easy Errand (1910) The Adventure of the Mona Lisa (1912) The Adventure of the Clothes-Line (1915) The Poetry and Nonsense Works Many poetry works; too many to list. The Non-Fiction The Technique of the Mystery Story (1913) The Autobiography The Rest of My Life Please visit www.delphiclassics.com to browse through our range of exciting titles or to purchase this eBook as a Parts Edition of individual eBooks
Author : Michele Caniato
Publisher : R & L Education
Page : 242 pages
File Size : 52,5 Mb
Release : 2009-10-15
Category : Music
ISBN : UOM:39015084202079
Revisit favorite arrangements, discover new ones, and inspire your jazz ensemble with sound and adventurous music to play. This new book recommends and analyzes sixty-seven quality jazz arrangements recommended by eighteen of the foremost jazz experts in the field today, including directors and professors from high schools and colleges across the country, including the Houston High School for the Performing and Visual Arts, Bloomington High School, Fiorello La Guardia Performing Arts High School, Juilliard School, Berklee College of Music, and Harvard University. Listed alphabetically, each analysis includes information on instrumentation, ranges, playability, and requirements for rendering the score. This book includes eight indexes of musical features to help instructors select repertoire and teaching topics, five indexes for quick navigation and reference, three appendices on survey data results, a glossary, a bibliography, a list of jazz ensemble music publishers, and a general index.