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Self-Editing for Fiction Writers, Second Edition by Renni Browne,Dave King Pdf
Hundreds of books have been written on the art of writing. Here at last is a book by two professional editors to teach writers the techniques of the editing trade that turn promising manuscripts into published novels and short stories. In this completely revised and updated second edition, Renni Browne and Dave King teach you, the writer, how to apply the editing techniques they have developed to your own work. Chapters on dialogue, exposition, point of view, interior monologue, and other techniques take you through the same processes an expert editor would go through to perfect your manuscript. Each point is illustrated with examples, many drawn from the hundreds of books Browne and King have edited.
Editing Fiction at Sentence Level by Louise Harnby Pdf
Learn how to self-edit your novel at sentence level so that readers feel compelled to turn the page. Each chapter focuses on a different aspect of narrative and dialogue. In addition to the line-craft guidance, there are examples from published fiction that illustrate the learning in action.
Your future as a writer is in your hands. Whether you are a newcomer or an accomplished professional, a novelist, story writer, or a writer of nonfiction, you will find this book a wealth of immediately useful guidance not available anywhere else. As Sol Stein, renowned editor, author, and instructor, explains, "This is not a book of theory. It is a book of useable solutions-- how to fix writing that is flawed, how to improve writing that is good, how to create interesting writing in the first place." You will find one of the great unspoken secrets of craftsmanship in Chapter 5, called "Markers: The Key to Swift Characterization." In Chapter 7, Stein reveals for he first time in print the wonderful system for creating instant conflict developed in the Playwrights Group of the Actors Studio, of which he was a founder. In "Secrets of Good Dialogue," the premier teacher of dialogue gives you the instantly useable techniques that not only make verbal exchanges exciting but that move the story forward immediately. You won't need to struggle with flashbacks or background material after you've read Chapter 14, which shows you how to bring background into the foreground. Writers of both fiction and nonfiction will relish the amphetamines for speeding up pace, and the many ways to liposuction flab, as well as how to tap originality and recognize what successful titles have in common. You'll discover literary values that enhance writing, providing depth and resonance. You'll bless the day you read Chapters 32 and 33 and discover why revising by starting at page one can be a serious mistake, and how to revise without growing cold on your manuscript. In the pages of this book, nonfiction writers will find a passport to the new revolution in journalism and a guide to using the techniques of fiction to enhance nonfiction. Fresh, useful, informative, and fun to read and reread, Stein on Writing is a book you will mark up, dog-ear, and cherish.
Author : Susan Bell Publisher : W. W. Norton & Company Page : 241 pages File Size : 43,9 Mb Release : 2008-07-29 Category : Language Arts & Disciplines ISBN : 9780393332179
The Artful Edit: On the Practice of Editing Yourself by Susan Bell Pdf
An intimate, lively guide to the magic and mechanics of editing by a veteran editor and writer, this book explores the many-faceted and often misunderstood--or simply overlooked--art of editing.
The Complete Guide to Editing Your Fiction by Michael Seidman Pdf
Using an easy-to-reference format, experienced editor Michael Seidman shows writers how to approach fiction editing from three angles: macro editing, style editing and market editing. Writers will learn to reread their manuscript paying close attention to the continuity of narrative elements, such as point of view, characterization, sequencing and dialogue. After revising and rearranging these elements, writers will edit stylistic aspects, scanning their work with foolproof techniques that ensure proper spelling, grammar and word choice. This guide also teaches how to edit work from a marketing perspective, so writers can keep the expectations of their readership firmly in mind as they title their manuscripts and write their submissions. Michael Seidman is currently senior mystery editor at Walker. Previously, he was editor-in-chief at Mysterious Press, as well as an editor for several other publishing houses. He has written for a variety of publications, including Writer's Digest. Seidman lectures at more than a dozen writing conferences every year and lives in New York City.
Writing a novel can seem daunting, but it doesn't have to be. No matter where you are with your writing project--beginning the first draft, rewriting the fifth draft, or editing the final draft--help is available. The Magic of Fiction is a comprehensive guide for crafting fiction. It's the perfect resource for writers planning to self-publish, authors looking for an edge for manuscript submissions, and editors looking for a handbook on craft. Students and educators will also benefit, with details about the crafts of writing and editing available in a single book.Whether you intend to self-publish or submit your manuscript to agents or publishers, use The Magic of Fiction to master the ins and outs of writing and revision, create stronger early drafts, and edit your own stories.This guide addresses all aspects of editing and writing, from the mechanics to story issues to style concerns. In it you'll find--~ A comprehensive editing checklist~ Fixes for common writing mistakes~ Specifics for punctuation in dialogue~ Tips for putting setting to work for your fiction~ Suggestions for editing for the reader~ Help for writing to genre conventions~ Tips for word choices~ A guide for editing approaches and much more.Every fiction writer should be equipped to not only write well, but to rewrite and edit. There are books designed to help you write a novel, books to help you revise, and books to help you with the nitty-gritty of punctuation and grammar. The Magic of Fiction brings all those elements together in a single easy-to-digest resource for the writer looking for an edge in today's literary marketplace.The format of The Magic of Fiction helps you focus on what you need when you need it. Chapters provide detailed discussions of topics and end with "quick lists" to help you get straight to work on your own stories.Written by freelance fiction editor Beth Hill, The Magic of Fiction will help you produce high-quality fiction that will earn attention for all the right reasons.
Congratulations You just finished writing your first novel "What do I do next?" If you're like I was, that was the first question you asked yourself. Do you remember what I said last time? In "Nine Day Novel: Writing?" Steve, I totally remember: You said, "Bravo Pop champagne and..." You remember that part after the champagne about calling someone, right? Your Editor-the Last Line of Defense. But editors cost a lot of money and wouldn't be helpful if we could minimize some of that expense by doing a little bit of editing ourselves? Before we send it off to an expensive professional? Don't make the mistake I did On my first novel, I debated for months between paying an editor and whether I should just "edit" the entire thing myself. After all, how hard it be, right? Predictably, money won out, and I chose poorly, publishing my first book before a professional editor had proofread it. That was a big mistake. That one decision set my writing career back about a year. Why? Because my book languished on Amazon as yet another unprofessional, unfinished and unwanted draft, posing as a completely finished novel. I got discouraged, disappointed and down. It took months before I overcame my fear of what a professional editor would say about my first novel. Because that was the real reason I had edited it myself all along. A great editor will make your novel shine. Picture your reader, trying to follow the fantastic story that you painstakingly outlined, researched and wrote. As they read, their eyes are interrupted by misspellings, grammatical errors, improper word usage and dialogue that's punctuated poorly. Finally, unable to stay engaged through those constant interruptions, they give up and close your book. We're not going to let that happen Your editor will have the single biggest impact on the professional look and feel of your novel. But that doesn't mean we can't do a little bit of "editing" ourselves. In fact, inside this book, I'll show you how you can do quite a bit of self-editing before your draft needs to go to an editor. And that'll save you money. Removing the mystery. To many beginning authors, editing is a mysterious and often misunderstood process. In this book, I'll define the types of editing you need, outline the parts that you can and should do yourself, and then explain the process that your editor will go through as they clean up what's left. No idea where to find an editor? I'll show you how to find a good one on popular freelancing sites. If that doesn't work, I'll give you the contact information of my own editor Then I'll introduce you to a piece of software that'll save you countless hours in turnaround time, working with your editor. And I'll walk you through the steps my writing partner and I use to fix our own drafts before they go to our editor. Editing is much easier if you make fewer mistakes in the first place. Seems simple, right? It should be. For that reason, I felt it was important for this book to have two parts to it: How to clean up what you had already written ... and how to minimize all that cleanup by knowing what and how to write fiction sentences in the first place. So the first half of the book is about editing process and work-flow. And the second half is a refresher course on the very basics of writing fiction sentences. And the bonuses... I created tutorial videos to show you exactly how I've cut Word loose and now collaborate directly with my editors inside Scrivener. So whether you've never worked with an editor before or you just want to save some time, money and headache editing your next draft, I wrote this book for you
Fifteen Quick and Easy Ways to Write a Novel by Susan Summers Pdf
The science fiction writer Damon Knight wrote once that writers were basically toads in childhood. They were the introverts, the loners, the less-than-handsome or beautiful children in school. Many of those toads gravitated to literature to read about better times and better worlds, he noted. The writer Frederick Pohl objected. He claimed he did not have an unhappy childhood nor was he ugly. Until he knocked a tooth out when he was about ten, Pohl said he was a rather cute little kid. Whether cute or ugly, this book is for the men and women who have gravitated to literature and dream of being a writer. To be honest, no book can make you a best selling author. That must come through your own creativity. What books can do is give you tips on plotting, dialogue, prose, pace, characterization and other aspects of the writing craft. While you can never teach creativity, a book can give you sound advice on action verbs, crisp dialogue and good characterization. Almost every best selling writer can point to advice from another writer or a book that helped him develop his craft. While there are some things that cannot be leaned - such as how to copy George V. Higgins' amazing dialogue 0 other aspects of the writing craft can be studied and incorporated into your own work, while still allowing flexibility for your own special style. Even with sound advice and some writing talent, a great deal of knowledge about writing will be learned at your own keyboard, pecking out scenes of mystery or science fiction or childhood longing.
Self-editing for Self-publishers by Richard Bradburn Pdf
A comprehensive guide to the art of self-editing, written by a professional editor. This book introduces an innovative, easy-to-follow, three-stage process for authors looking to effectively self-edit their book, be it for self-publication or if they are looking to polish their manuscript before submission to agents or traditional publishers.
"First published in 2009, Scott Norton's book is the only guide dedicated solely to the art of developmental editing. With more than three decades of experience in the field, Norton offers expert advice on how to approach the task of diagnosing and fixing structural problems with book manuscripts in consultation with authors and publishers. He illustrates these principles through a series of detailed case studies featuring before-and-after tables of contents, samples of edited text, and other materials to make an otherwise invisible process tangible. This revised edition includes a new chapter on editing fiction, which presents similar challenges to nonfiction plus a range of additional ones, including issues of premise, setting, plot, and character development. For the first time, the book comes with a set of exercises that allow readers to edit sample materials and compare their work with that of an experienced professional. And it includes new or expanded coverage of basic business arrangements for freelancers, self-publishing, e-books, and content marketing, among other topics. Aspiring and experienced developmental editors as well as the authors who work with them will find a wealth of insight in this new edition"--
You’ve finished the first draft of your novel – now to make it shine. This book will show you how by focusing first on the structural aspects of a great book and then getting down to the nitty gritty of copy editing and proofreading. Not sure if the beginning will hook the reader? Think your pacing might be off? Is something not quite right but you don’t know what it is? Learn how to analyse what’s not working in your manuscript and get tips on how to fix it. Claire Boston has been writing, mentoring and judging competitions for more than ten years and continues to see the same issues in beginner writers’ work. She made the same mistakes when she was starting out. With her help you can avoid the pitfalls and ensure your manuscript is the best it can be before you submit it.
Author : James Scott Bell Publisher : Penguin Page : 282 pages File Size : 47,5 Mb Release : 2012-12-10 Category : Language Arts & Disciplines ISBN : 9781599637105
Revision and Self Editing for Publication by James Scott Bell Pdf
Take your first draft from so-so to sold! You've finished the first draft of your novel--congratulations! Time to have a drink, sit back...and start revising. But the revision process doesn't have to be intimidating. Revision and Self-Editing for Publication, Second Edition gives you the tools and advice you need to transform your first draft into a finished manuscript that agents and editors will fight for. Inside you'll find: • Self-editing techniques for plot, structure, character, theme, voice, and more that can be applied as you're writing to reduce your revision workload. • Methods for fine-tuning your first draft into a tight, well-developed piece of literature. • The Ultimate Revision Checklist, which seamlessly guides you through the revision process, step by step. • New Chapter! Exercises and techniques for "deepening" your work to engage and excite readers like never before. Whether you're writing a novel currently or have finished the first draft, Revision and Self-Editing for Publication, Second Edition will give you the guidance you need to revise your manuscript into a novel ready to be sold.
The 10% Solution: Self-Editing for the Modern Writer by Ken Rand Pdf
This concise book is jammed full of the kind of information it often takes beginning writers years to learn. Ken Rand offers his own advice and twenty-five years of experience for the benefit of other writers. His no-nonsense approach to editing fiction will do more to make writing more professional.
In today's publishing world many writers can neither find nor afford a professional writer. The only editing such writers benefit from is self-editing. Fears argues against the common notion that an independent novelist must hire an editor to turn out a good novel and proposes writers learn the skill set of an editor. He points out the advantages a novelist has with his own work and how to avoid the “snow blindness” that often afflicts self-editing. He covers micro-level changes of editing at the word/phrase/sentence level, and macro-level revision of larger elements, such as characters, pacing, plot, and dialogue. Fears offers several practices and processes that teach a writer editor skills. There's no promise here of making riches, or becoming a top-notch editor without effort. You'll have to work at it, just like you did to learn the craft of writing fiction. If you're neither a beginner nor a best-selling novelist, this book is for you.