Senshi Vs Sentai Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Senshi Vs Sentai book. This book definitely worth reading, it is an incredibly well-written.
The city of Maybetokyo is constantly being attacked by alien invaders, rampaging dinosaurs, and giant robots. To battle this onslaught of menaces, the powerful rangers known as the Hentai Sentai step up to the plate. But, a rival group of magical girls in sailor suits called the Sushi Senshi plan on saving the city too, and taking the glory for themselves. It's a turf war of epic proportions as the two superhero teams fight to see who will be the city's next top saviors. This ain't no Civil War! Concept by Jer Alford. Story and art by Rick Butler. Design assistance by Ryan Chamberlain.
P-47D Thunderbolt vs Ki-43-II Oscar by Michael John Claringbould Pdf
Although New Guinea's Thunderbolt pilots faced several different types of enemy aircraft in capricious tropical conditions, by far their most common adversary was the Nakajima Ki-43-II Hayabusa, codenamed 'Oscar' by the Allies. These two opposing fighters were the products of two radically different design philosophies. The Thunderbolt was heavy, fast and packed a massive punch thanks to its battery of eight 0.50-cal machine guns, while the 'Oscar' was the complete opposite in respect to fighter design philosophy – lightweight, nimble, manoeuvrable and lightly armed. It was, nonetheless, deadly in the hands of an experienced pilot. The Thunderbolt commenced operations in New Guinea with a series of bomber escort missions in mid-1943, and its firepower and superior speed soon saw Fifth Air Force fighter command deploying elite groups of P-47s to Wewak, on the northern coast. Flying from there, they would pick off unwary enemy aircraft during dedicated fighter patrols. The Thunderbolt pilots in New Guinea slowly wore down their Japanese counterparts by continual combat and deadly strafing attacks, but nevertheless, the Ki-43-II remained a worthy opponent deterrent up until Hollandia was abandoned by the IJAAF in April 1944. Fully illustrated throughout with artwork and rare photographs, this fascinating book examines these two vastly different fighters in the New Guinea theatre, and assesses the unique geographic conditions that shaped their deployment and effectiveness.
Mini-Komix keeps putting out the hits with this traditional Ashcan Album! Some of our regular characters in new stories, as well as fresh material! This features two stories of T.E.D.(Time Exploration Droid), plus High School Sweethearts, Kitty Honey, Gaijin Hi, and Sushi Breakfast from Senshi Vs. Sentai. All this and Seasons Greetings From Hell! Hip hits from the indy comics crowd!
United States. Navy. Pacific Fleet and Pacific Ocean Areas
Author : United States. Navy. Pacific Fleet and Pacific Ocean Areas Publisher : Unknown Page : 696 pages File Size : 40,6 Mb Release : 1945 Category : Japanese language ISBN : UCAL:$B631218
By the beginning of May 1942, five months after the Pearl Harbor attack, the US Navy was ready to challenge the Japanese moves in the South Pacific. When the Japanese sent troops to New Guinea and the Solomon Islands, the Americans sent the carriers Lexington and Yorktown to counter the move, setting the stage for the Battle of the Coral Sea. In Scratch One Flattop: The First Carrier Air Campaign and the Battle of the Coral Sea, historian Robert C. Stern analyzes the Battle of the Coral Sea, the first major fleet engagement where the warships were never in sight of each other. Unlike the Battle of Midway, the Battle of the Coral Sea has received remarkably little study. Stern covers not only the action of the ships and their air groups but also describes the impact of this pivotal engagement. His analysis looks at the short-term impact as well as the long-term implications, including the installation of inert gas fuel-system purging on all American aircraft carriers and the push to integrate sensor systems with fighter direction to better protect against enemy aircraft. The essential text on the first carrier air campaign, Scratch One Flattop is a landmark study on an overlooked battle in the first months of the United States’ engagement in World War II.
The Loss of Java explains in detail the air, sea and land battles between the Allied and Japanese armed forces during the battle for Java that followed the evacuation of southern Sumatra in February 1942. Little has been written about the allied air campaign, or about why Dutch forces fought just one major land battle with the Japanese, the Battle of the Tjiater Pass, in the later stages of the struggle. P.C. Boer considers whether the assessment of Major General Van Oyen that deploying the Allied air forces might prevent Japanese invasion of Java was realistic, and whether reliance on air power limited the capacity of land and naval forces to repel Japan's advances. The generally accepted idea is that the Allies were ineffective in their fight against the Japanese invaders but in fact the Japanese suffered serious losses. Boer's study shows that Dutch strategy grew out of a carefully-devised plan of defense, and that the battle for Java comprised not one (the Battle of the Java Sea) but four major engagements. However, Japanese commanders at various levels consciously took steps that exposed their forces to great risk but succeeded in putting the Allies under great pressure. In the end the Royal Netherlands East Indies Army (KNIL) and the allied forces capitulated on 8 March 1942. This book is a translation of Het Verlies Van Java: Een kwestie van Air Power. De eindstrijd om Nederlands-Indie van de geallieerde lucht-, zee- en landstrijdkrschten in de periode van 18 februari t/m 7 maart 1942 (Amsterdam: Bataafsche Leeuw BV for the Koninklijke Militaire Academie, 2006).
An animated cartoon is a short, hand-drawn (or made with computers to look similar to something hand-drawn) moving picture for the cinema, TV or computer screen, featuring some kind of story or plot. Animation is the optical illusion of motion created by the consecutive display of images of static elements. In film and video production, this refers to techniques by which each frame of a film or movie is produced individually. Computer animation is the art of creating moving images via the use of computers. It is a subfield of computer graphics and animation. Anime is a medium of animation originating in Japan, with distinctive character and background aesthetics that visually set it apart from other forms of animation. An animated cartoon is a short, hand-drawn (or made with computers to look similar to something hand-drawn) moving picture for the cinema, TV or computer screen, featuring some kind of story or plot (even if it is a very short one). Manga is the Japanese word for comics and print cartoons. Outside of Japan, it usually refers specifically to Japanese comics. Special effects (abbreviated SPFX or SFX) are used in the film, television, and entertainment industry to visualize scenes that cannot be achieved by normal means, such as space travel. Stop motion is a generic gereral term for an animation technique which makes static objects appear to move.
Movie is considered to be an important art form; films entertain, educate, enlighten and inspire audiences. Film is a term that encompasses motion pictures as individual projects, as well as — in metonymy — the field in general. The origin of the name comes from the fact that photographic film (also called filmstock) has historically been the primary medium for recording and displaying motion pictures. Many other terms exist — motion pictures (or just pictures or "picture"), the silver screen, photoplays, the cinema, picture shows, flicks — and commonly movies.
Author : Donald M. Kehn Publisher : Quarto Publishing Group USA Page : 321 pages File Size : 51,7 Mb Release : 2009-01-15 Category : History ISBN : 9781616732387
On the morning of March 1, 1942, the WWI-era destroyer USS Edsall—under orders to deliver some forty Army Air Force fighter crews to the beleaguered island of Java—split off from the USS Whipple and the tanker Pecos and was never seen again by Allied forces. Despite the later discovery of bodies identified as Edsall crew members near a remote airfield on the coast of Celebes, what happened to the ship remains a matter of mystery and, perhaps, deliberate obfuscation. This book explores the many puzzling facets of the Edsall’s disappearance in order to finally tell the full story of the fate of the vessel and her crew. Based on exhaustive research of the historical record—including newly deciphered Japanese documents and previously unrevealed material from the crew’s family members—A Blue Sea of Blood offers a painstaking reconstruction of the ship’s history. The book investigates not only the Edsall’s mysterious final action, but also her wide-ranging pre-war career and the curious uses to which her story was put—generally under false pretenses—first by the pre-war US Navy and then by the Japanese wartime propaganda machine. And finally, military historian Donald Kehn considers the circumstances surrounding the curious obscurity of the Edsall’s heroic service and final battle in American histories. Redressing six decades of official indifference, Kehn’s account recovers a significant chapter missing from the history of World War II—and tells a long-overdue story of courage and tragic loss.
The Oxford Handbook of Comic Book Studies by Frederick Luis Aldama Pdf
The Oxford Handbook of Comic Book Studies examines the history and evolution of the visual narrative genre from a global perspective. The Handbook brings together readable, jargon-free essays written by established and emerging scholars from diverse geographic, institutional, gender, and national backgrounds.
Ten hours after the attack on Pearl Harbor, “another Pearl Harbor” of even more devastating consequence for American arms occurred in the Philippines, 4,500 miles to the west. On December 8, 1941, at 12.35 p.m., 196 Japanese Navy bombers and fighters crippled the largest force of B-17 four-engine bombers outside the United States and also decimated their protective P-40 interceptors. The sudden blow allowed the Japanese to rule the skies over the Philippines, removing the only effective barrier that stood between them and their conquest of Southeast Asia. This event has been called “one of the blackest days in American military history.” How could the army commander in the Philippines—the renowned Lt. Gen. Douglas MacArthur—have been caught with all his planes on the ground when he had been alerted in the small hours of that morning of the Pearl Harbor attack and warned of the likelihood of a Japanese strike on his forces? In this book, author William H. Bartsch attempts to answer this and other related questions. Bartsch draws upon twenty-five years of research into American and Japanese records and interviews with many of the participants themselves, particularly survivors of the actual attack on Clark and Iba air bases. The dramatic and detailed coverage of the attack is preceded by an account of the hurried American build-up of air power in the Philippines after July, 1941, and of Japanese planning and preparations for this opening assault of its Southern Operations. Bartsch juxtaposes the experiences of staff of the U.S. War Department in Washington and its Far East Air Force bomber, fighter, and radar personnel in the Philippines, who were affected by its decisions, with those of Japan’s Imperial General Headquarters in Tokyo and the 11th Air Fleet staff and pilots on Formosa, who were assigned the responsibility for carrying out the attack on the Philippines five hundred miles to the south. In order to put the December 8th attack in broader context, Bartsch details micro-level personal experiences and presents the political and strategic aspects of American and Japanese planning for a war in the Pacific. Despite the significance of this subject matter, it has never before been given full book-length treatment. This book represents the culmination of decades-long efforts of the author to fill this historical gap.
Cross-Cultural Influences between Japanese and American Pop Cultures by Kendra N. Sheehan Pdf
This collection features examinations of popular culture, including manga, music, film, cosplay, and literature, among other topics. Using interdisciplinary sources and analyses, this collection adds to the global discussion and relevancy of Japanese popular culture. This collection serves to highlight the work of multidisciplinary scholars who offer fresh perspectives of ongoing cross-cultural and cyclical influences that are commonly found between the US and Japan. Notably, this collection considers the relationships that have influenced Japanese popular culture, and how this has, in turn, influenced the Western world.
In the Highest Degree Tragic by Donald M. Kehn Pdf
In the Highest Degree Tragic tells the heroic story of the U.S. Asiatic Fleet's sacrifice defending the Dutch East Indies from the Japanese in the first three months of the Pacific War. Donald M. Kehn Jr.'s comprehensive narrative history of the operations involving multiple ships and thousands of men dramatically depicts the chaotic nature of these battles. His research has uncovered evidence of communications failures, vessels sinking hundreds of miles from where they had been reported lost, and entire complements of men simply disappearing off the face of the earth. Kehn notes that much of the fleet went down with guns blazing and flag flying, highlighting, where many others have failed to do so, the political and strategic reasons for the fleet's deployment to the region in the first place. In the Highest Degree Tragic rectifies the historical record, showcasing how brave yet all-too-human sailors and officers carried out their harrowing tasks. Containing rare first-person accounts and anecdotes, from the highest command echelons down to the lowest enlisted personnel, Kehn's book is the most comprehensive and exhaustive study to date of this important part of American involvement in World War II.
The Dragon and the Dazzle by Marco Pellitteri,Jean-Marie Bouissou,Gianluca Di Fratta,Cristiano Martorella,Bounthavy Suvilay Pdf
"In the worldwide circulation of the products of cultural industries, an important role is played by Japanese popular culture in European contexts. Marco Pellitteri shows that the contact between Japanese pop culture and European youth publics occurred during two phases. By use of metaphor, the author calls them the Dragon and the Dazzle. The first took place between 1975 and 1995, the second from 1996 to today. They can be distinguished by the modalities of circulation and consumption/re-elaboration of Japanese themes and products in the most receptive countries: Italy, France, Spain, Germany and, across the ocean, the United States. During these two phases, several themes have been perceived, in Europe, as rising from Japan's social and mediatic systems. Among them, this book examines the most apparent from a European point of view: the author names them machine, infant, and mutation, visible mostly through manga, anime, videogames, and toys. Together with France, Italy is the European country that in this respect has had the most central role. There, Japanese imagination has been acknowledged not only by young people, but also by politicians, television programmers, the general public, educators, comics and cartoons authors. The growing influence of Japanese pop culture, connected to the appreciation of its manga, anime, toys, and videogames, also urges political and mediologic questions linked to the identity/ies of Japan as they are understood--wrongly or rightly--in Europe and the West, and to the increasingly important role of Japan in international relations."--Back cover
