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Author : Johannes Brahms
Publisher : Unknown
Page : 0 pages
File Size : 42,7 Mb
Release : 2024-05-12
Category : Electronic
ISBN : OCLC:845643047
Author : Johannes Brahms
Publisher : Courier Corporation
Page : 259 pages
File Size : 45,6 Mb
Release : 1999-01-01
Category : Music
ISBN : 9780486408545
Two popular pieces include the 1860 full orchestra revision of Serenade No. 1 in D Major, Op. 11; and Brahms s 1875 revision of Serenade No. 2 in A Major, Op. 16. Authoritative early editions. Instrumentation. "
Author : Johannes Brahms
Publisher : Courier Corporation
Page : 310 pages
File Size : 47,5 Mb
Release : 1999-01-01
Category : Music
ISBN : 048640854X
Two popular pieces include the 1860 full orchestra revision of Serenade No. 1 in D Major, Op. 11; and Brahms s 1875 revision of Serenade No. 2 in A Major, Op. 16. Authoritative early editions. Instrumentation. "
Author : Michael Musgrave
Publisher : Oxford University Press
Page : 354 pages
File Size : 47,5 Mb
Release : 1994
Category : Music
ISBN : 0198164017
Michael Musgrave presents a contemporary view of Brahms 150 years after his birth, seeing him not simply as the "conservative" figure so often stressed in the past, but as one who creatively reinterpreted a wider range of historical elements than any composer of his time. Brahms absorbed his studies directly into his music making and composition and in so doing helped to evolve not merely a personal language which was regarded as progressive and sometimes difficult by a range of contemporaries and successors, but also helped to establish an ethos of historical reference which anticipates the twentieth century. The Music of Brahms concentrates on the music, with Brahms's life discussed briefly in the introduction. The works are considered in four phases according to genre, with an emphasis on connection and on the development and elaboration of a unified language. The list of works includes recent discoveries and a calendar outlines the pattern of his musical life, including relevant information concerning performances.
Author : Johannes Brahms
Publisher : Eulenburg
Page : 171 pages
File Size : 53,9 Mb
Release : 2017-08-08
Category : Music
ISBN : 9783795714420
Over 200 works of the well-known Edition Eulenburg series of scores from orchestral and choral literature, chamber music and music theatre are now available in digital format. You can now enjoy the yellow study scores digitally with one click in excellent reproduction quality. Über 200 Werke der berühmten Edition Eulenburg Partiturreihe für Orchester- und Chorliteratur, Kammermusik und Musiktheater sind nun auch in einer digitalen Aufbereitung erhältlich. In optisch hervorragender Darstellung kann man die gelben Studienpartituren mit einem Klick jetzt auch digital genießen.
Author : Library of Congress,American Library Association. Committee on Resources of American Libraries. National Union Catalog Subcommittee
Publisher : Unknown
Page : 712 pages
File Size : 44,6 Mb
Release : 1970
Category : Catalogs, Union
ISBN : UOM:39015082905939
Author : Michael Beckerman
Publisher : Princeton University Press
Page : 296 pages
File Size : 50,9 Mb
Release : 2012-01-16
Category : Music
ISBN : 9781400831692
Antonin Dvorák made his famous trip to the United States one hundred years ago, but despite an enormous amount of attention from scholars and critics since that time, he remains an elusive figure. Comprising both interpretive essays and a selection of fascinating documents that bear on Dvorák's career and music, this volume addresses fundamental questions about the composer while presenting an argument for a radical reappraisal. The essays, which make up the first part of the book, begin with Leon Botstein's inquiry into the reception of Dvorák's work in German-speaking Europe, in England, and in America. Commenting on the relationship between Dvorák and Brahms, David Beveridge offers the first detailed portrait of perhaps the most interesting artistic friendship of the era. Joseph Horowitz explores the context in which the "New World" Symphony was premiered a century ago, offering an absorbing account of New York musical life at that time. In discussing Dvorák as a composer of operas, Jan Smaczny provides an unexpected slant on the widely held view of him as a "nationalist" composer. Michael Beckerman further investigates this view of Dvorák by raising the question of the role nationalism played in music of the nineteenth century. The second part of this volume presents Dvorák's correspondence and reminiscences as well as unpublished reviews and criticism from the Czech press. It includes a series of documents from the composer's American years, a translation of the review of Rusalka's premiere with the photographs that accompanied the article, and Janácek's analyses of the symphonic poems. Many of these documents are published in English for the first time.
Author : Jacquelyn E. C. Sholes
Publisher : Indiana University Press
Page : 332 pages
File Size : 49,6 Mb
Release : 2018-05-24
Category : Music
ISBN : 9780253033178
A musicologist offers a fresh look at how Brahms used the inspiration of earlier composers in his own instrumental works. As Jacquelyn E. C. Sholes reveals in this study, an essential aspect of Johannes Brahms’s art was the canny use of musical references to the works of others. By analyzing newly identified allusions alongside previously known musical references in works such as the B-Major Piano Trio, the D-Major Serenade, the First Piano Concerto, and the Fourth Symphony, Sholes demonstrates how a historical reference in one movement can resonate meaningfully, musically, and dramatically with material in other movements in ways not previously recognized. Brahms masterfully wove such references into broad, movement-spanning narratives. Sholes argues that these narratives served as expressive outlets for his complicated attitudes toward the material to which he alludes. Ultimately, Brahms’s music reveals both the inspiration and the burden that established masters such as Domenico Scarlatti, J. S. Bach, Haydn, Mozart, Schubert, Schumann, Wagner, and especially Beethoven represented for him as he struggled to establish his own artistic voice and place in musical history.
Author : Donald Francis Tovey
Publisher : Courier Corporation
Page : 579 pages
File Size : 49,7 Mb
Release : 2015-02-18
Category : Music
ISBN : 9780486784526
More than 100 selections from the noted musicologist's Essays in Musical Analysis cover most of the standard works in the symphonic repertory, from Bach to Vaughan Williams. Incisive essays examine overtures and symphonies by Beethoven and Brahms, eleven symphonies by Haydn, six by Mozart, three each by Schubert, Schumann, and Sibelius, and many other works.
Author : University of Michigan. School of Music
Publisher : Unknown
Page : 208 pages
File Size : 53,6 Mb
Release : 1941
Category : Concert programs
ISBN : UOM:39015027703076
Author : R. Larry Todd
Publisher : Princeton University Press
Page : 300 pages
File Size : 48,5 Mb
Release : 1991-08-13
Category : Biography & Autobiography
ISBN : 0691027153
Bringing together previously unpublished essays by historians and musicologists, reflections on Mendelssohn written by his contemporaries, the composer's own letters, and early critical reviews of his music, this volume explores various facets of Mendelssohn's music, his social and intellectual circles, and his career. The essays in Part I cover the nature of a Jewish identity in Mendelssohn's music; his relationship to the Berlin Singakademie; the role of his sister Fanny Hensel, herself a child prodigy and accomplished composer; Mendelssohn's compositional craft in the Italian Symphony and selected concert overtures; his oratorio Elijah; his incidental music to Sophocles' Antigone; his anthem "Why, O Lord, delay forever?"; and an unfinished piano sonata. Part II presents little-known memoirs by such contemporaries as J.C. Lobe, A.B. Marx, Julius Schubring, C.E. Horsley, Max Mller, and Betty Pistor. Mendelssohn's letters are represented in Part III by his correspondence with Wilhelm von Boguslawski and Aloys Fuchs, here translated for the first time. Part IV contains late nineteenth-century critical reviews by Heinrich Heine, Franz Brendel, Friedrich Niecks, Otto Jahn, and Hans von Blow. --From publisher's description.
Author : Music Library Association
Publisher : Totowa, N.J. : Rowman and Littlefield
Page : 598 pages
File Size : 42,5 Mb
Release : 1974
Category : Language Arts & Disciplines
ISBN : UOM:39015018107477
Author : Johannes Brahms
Publisher : Unknown
Page : 152 pages
File Size : 53,9 Mb
Release : 1978
Category : Suites (Chamber orchestra)
ISBN : UOM:39076006067669
Author : A. Peter Brown
Publisher : Indiana University Press
Page : 1050 pages
File Size : 46,6 Mb
Release : 2003-08-07
Category : Music
ISBN : 0253334888
This volume contains the symphonies of Brahms, Bruckner, Dvorák and Mahler, covering the period from roughly 1860 to 1930. Other contemporaries are discussed including Goldmark, Zemlinsky and Berg.
Author : Robert Philip
Publisher : Yale University Press
Page : 969 pages
File Size : 53,7 Mb
Release : 2018-12-04
Category : Music
ISBN : 9780300242720
An invaluable guide for lovers of classical music designed to enhance their enjoyment of the core orchestral repertoire from 1700 to 1950 Robert Philip, scholar, broadcaster, and musician, has compiled an essential handbook for lovers of classical music, designed to enhance their listening experience to the full. Covering four hundred works by sixty-eight composers from Corelli to Shostakovich, this engaging companion explores and unpacks the most frequently performed works, including symphonies, concertos, overtures, suites, and ballet scores. It offers intriguing details about each piece while avoiding technical terminology that might frustrate the non-specialist reader. Philip identifies key features in each work, as well as subtleties and surprises that await the attentive listener, and he includes enough background and biographical information to illuminate the composer’s intentions. Organized alphabetically from Bach to Webern, this compendium will be indispensable for classical music enthusiasts, whether in the concert hall or enjoying recordings at home.