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Shows how a series of revolutions that erupted across Europe in the mid to late 1840s were crucial to the creation of modern ideas of constitutional democracy, citizenship, and human rights.
Revolutions of 1848 by Priscilla Smith Robertson Pdf
This social history of Europe during 1848 selects the most crucial centers of revolt and shows by a vivid reconstruction of events what revolution meant to the average citizen and how fateful a part he had in it. A wealth of material from contemporary sources, much of which is unavailable in English, is woven into a superb narrative which tells the story of how Frenchmen lived through the first real working-class revolt, how the students of Vienna took over the city government, how Croats and Slovenes were roused in their first nationalistic struggle, how Mazzini set up his ideal republic Rome.
In 1848 revolutions broke out all over Europe - in France, the Habsburg and German lands and the Italian peninsular. This Seminar Study considers why the revolutions occurred and why they were so widespread. The book offers a broad ranging investigation of the social, economic and political circumstances which led to the revolutions of 1848 as well as an account of the revolutions themselves. First published in 1981, and fully revised in 1991, the study has long established itself as one of the most accessible and valuable introductions to this complex subject.
1848 was a pivotal moment not only in Europe but in much of the rest of the world too. Marx's scornful dismissal of the revolutions created a historiography for 1848 that has persisted for more than 150 years. Serial Revolutions 1848 shows how, far from being the failure that Karl Marx claimed them to be, the revolutions of 1848 were a powerful response to the political failure of governments across Europe to care for their people. Crucially, this revolutionary response was the result of new forms of representation and mediation: until the ragged and the angry could see themselves represented, and represented as a serial phenomenon, such a political consciousness was impossible. By the 1840s, the developments in printing, transport, and distribution discussed in Clare Pettitt's Serial Forms: The Unfinished Project of Modernity, 1815-1848 (Oxford University Press, 2020) had made the social visible in an unprecedented way. This print revolution led to a series of real and bloody revolutions in the streets of European cities. The revolutionaries of 1848 had the temerity to imagine universal human rights and a world in which everyone could live without fear, hunger, or humiliation. If looked at like this, the events of 1848 do not seem such 'poor incidents', as Marx described them, nor such an embarrassing failure after all. Returning to 1848, we can choose to look back on that 'springtime of the peoples' as a moment of tragi-comic failure, obliterated by the brutalities that followed, or we can look again, and see it as a proleptic moment of stored potential, an extraordinary series of events that generated long-distance and sustainable ideas about global citizenship, international co-operation, and a shared and common humanity which have not yet been fully understood or realised.
A "lively, panoramic" history of a revolutionary year (New York Times) In 1848, a violent storm of revolutions ripped through Europe. The torrent all but swept away the conservative order that had kept peace on the continent since Napoleon's defeat at Waterloo in 1815 -- but which in many countries had also suppressed dreams of national freedom. Political events so dramatic had not been seen in Europe since the French Revolution, and they would not be witnessed again until 1989, with the revolutions in Eastern and Central Europe. In 1848, historian Mike Rapport examines the roots of the ferment and then, with breathtaking pace, chronicles the explosive spread of violence across Europe. A vivid narrative of a complex chain of interconnected revolutions, 1848 tells the exhilarating story of Europe's violent "Spring of Nations" and traces its reverberations to the present day.
Europe was swept by a wave of revolution in 1848 that had repercussions stretching well beyond the continent. This volume brings together essays from leading specialists on the international dimension, national experiences, political mobilisation, and reaction and legacy.
Discusses the causes and leaders of the uprisings that occurred in Paris, Germany, Prussia, Austria, and Italy in 1848, showing how the revolutionaries achieved some of their goals even though they were defeated in battle.
In this second edition, Jonathan Sperber has updated and expanded his study of the European Revolutions between 1848-1851. He offers an inclusive narrative of the revolutionary events and a structural analysis of the reasons for the revolutions' ultimatefailure.
Serial Forms: The Unfinished Project of Modernity, 1815-1848 proposes an entirely new way of reading the transition into the modern. It is the first book in a series of three which will take the reader up to the end of the First World War, moving from a focus on London to a global perspective. Serial Forms sets out the theoretical and historical basis for all three volumes. It suggests that, as a serial news culture and a stadial historicism developed together between 1815 and 1848, seriality became the dominant form of the nineteenth century. Through serial newsprint, illustrations, performances, and shows, the past and the contemporary moment enter into public visibility together. Serial Forms argues that it is through seriality that the social is represented as increasingly politically urgent. The insistent rhythm of the serial reorganizes time, recalibrates and rescales the social, and will prepare the way for the 1848 revolutions which are the subject of the next book. By placing their work back into the messy print and performance culture from which it originally appeared, Serial Forms is able to produce new and exciting readings of familiar authors such as Scott, Byron, Dickens, and Gaskell. Rather than offering a rarefied intellectual history or chopping up the period into 'Romantic' and 'Victorian', Clare Pettitt tracks the development of communications technologies and their impact on the ways in which time, history and virtuality are imagined.