Shakespeare And Emotion

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Shakespeare and Emotion

Author : Katharine Craik
Publisher : Cambridge University Press
Page : 350 pages
File Size : 47,5 Mb
Release : 2020-10-31
Category : Literary Criticism
ISBN : 1108416160

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Shakespeare and Emotion by Katharine Craik Pdf

Shakespeare and Emotion devotes sustained attention to the emotions as a novel way of exploring Shakespeare's works in their original contexts. A variety of disciplinary approaches drawn from literary, theatrical, historical, cultural and film studies brings the recent upsurge of interest in affect into conversation with some of the most urgent debates in Shakespeare studies. The volume provides both a comprehensive account of the current state of scholarship and a speculative forum for new research. Its chapters outline some important contexts for understanding Shakespeare's creativity through an emotional lens - from religion, rhetoric, and medicine, to language, acting and Bollywood - and offer a range of case studies which reveal particular emotions at work. Considering emotional and passionate experience as an animating and sometimes alienating force within the plays and poems, the volume highlights the continuing importance of Shakespeare today: for our sense of who we are and who we might become.

Shakespeare and Emotions

Author : R. White,K. O'Loughlin,Mark Houlahan
Publisher : Springer
Page : 270 pages
File Size : 41,9 Mb
Release : 2015-06-29
Category : Literary Criticism
ISBN : 9781137464767

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Shakespeare and Emotions by R. White,K. O'Loughlin,Mark Houlahan Pdf

This collection of essays approaches the works of Shakespeare from the topical perspective of the History of Emotions. Contributions come from established and emergent scholars from a range of disciplines, including performance history, musicology and literary history.

Hamlet and Emotions

Author : Paul Megna,Bríd Phillips,R.S. White
Publisher : Springer
Page : 359 pages
File Size : 42,8 Mb
Release : 2019-02-01
Category : Literary Criticism
ISBN : 9783030037956

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Hamlet and Emotions by Paul Megna,Bríd Phillips,R.S. White Pdf

This volume bears potent testimony, not only to the dense complexity of Hamlet’s emotional dynamics, but also to the enduring fascination that audiences, adaptors, and academics have with what may well be Shakespeare’s moodiest play. Its chapters explore emotion in Hamlet, as well as the myriad emotions surrounding Hamlet’s debts to the medieval past, its relationship to the cultural milieu in which it was produced, its celebrated performance history, and its profound impact beyond the early modern era. Its component chapters are not unified by a single methodological approach. Some deal with a single emotion in Hamlet, while others analyse the emotional trajectory of a single character, and still others focus on a given emotional expression (e.g., sighing or crying). Some bring modern methodologies for studying emotion to bear on Hamlet, others explore how Hamlet anticipates modern discourses on emotion, and still others ask how Hamlet itself can complicate and contribute to our current understanding of emotion.

Shakespeare and Emotional Expression

Author : Bríd Phillips
Publisher : Routledge
Page : 189 pages
File Size : 48,7 Mb
Release : 2022-03-31
Category : Drama
ISBN : 9781000556391

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Shakespeare and Emotional Expression by Bríd Phillips Pdf

Shakespeare and Emotional Expression offers an exciting new way of considering emotional transactions in Shakespearean drama. The book is significant in its scope and originality as it uses the innovative medium of colour terms and references to interrogate the early modern emotional register. By examining contextual and cultural influences, this work explores the impact these influences have on the relationship between colour and emotion and argues for the importance of considering chromatic references as a means to uncover emotional significances. Using a broad range of documents, it offers a wider understanding of affective expression in the early modern period through a detailed examination of several dramatic works. Although colour meanings fluctuate, by paying particular attention to contextual clues and the historically specific cultural situations of Shakespeare’s plays, this book uncovers emotional significances that are not always apparent to modern audiences and readers. Through its examination of the nexus between the history of emotions and the social and cultural uses of colour in early modern drama, Shakespeare and Emotional Expression adds to our understanding of the expressive and affective possibilities in Shakespearean drama.

Shakespeare and Emotion

Author : Katharine A. Craik
Publisher : Cambridge University Press
Page : 708 pages
File Size : 41,9 Mb
Release : 2020-10-22
Category : Literary Criticism
ISBN : 9781108245159

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Shakespeare and Emotion by Katharine A. Craik Pdf

Shakespeare and Emotion devotes sustained attention to the emotions as a novel way of exploring Shakespeare's works in their original contexts. A variety of disciplinary approaches drawn from literary, theatrical, historical, cultural and film studies brings the recent upsurge of interest in affect into conversation with some of the most urgent debates in Shakespeare studies. The volume provides both a comprehensive account of the current state of scholarship and a speculative forum for new research. Its chapters outline some important contexts for understanding Shakespeare's creativity through an emotional lens – from religion, rhetoric, and medicine, to language, acting and Bollywood – and offer a range of case studies which reveal particular emotions at work. Considering emotional and passionate experience as an animating and sometimes alienating force within the plays and poems, the volume highlights the continuing importance of Shakespeare today: for our sense of who we are and who we might become.

The Renaissance of Emotion

Author : Richard Meek,Erin Sullivan
Publisher : Unknown
Page : 276 pages
File Size : 42,8 Mb
Release : 2017-06-02
Category : Emotions in literature
ISBN : 152611691X

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The Renaissance of Emotion by Richard Meek,Erin Sullivan Pdf

This collection of essays offers a major reassessment of the meaning and significance of emotional experience in the work of Shakespeare and his contemporaries. Recent scholarship on early modern emotion has relied on a medical-historical approach, resulting in a picture of emotional experience that stresses the dominance of the material, humoral body. While such scholarship has been important in foregrounding questions related to historical phenomenology and embodiment, it has obscured the extent to which other intellectual and creative frameworks - including religion, philosophy, rhetoric and drama - also shaped cultural beliefs about emotion in the period. The Renaissance of Emotion seeks to redress this balance by examining the ways in which Shakespeare and his contemporaries explored emotional experience from perspectives other than humoral medicine. Bringing together an international group of established and emerging scholars, the volume demonstrates how open, creative and agency-ridden the experience and interpretation of early modern emotion could be. Taken individually, the chapters offer much-needed investigations into previously overlooked areas of emotional experience and signification; taken together, they offer a thorough re-evaluation of the cultural priorities and phenomenological principles that shaped the understanding of the emotive self in the early modern period. The Renaissance of Emotion will be of particular interest to students and scholars of Shakespeare and Renaissance literature, the history of emotion, theatre and cultural history, and the history of ideas.

Humoring the Body

Author : Gail Kern Paster
Publisher : University of Chicago Press
Page : 291 pages
File Size : 42,6 Mb
Release : 2010-11-15
Category : Literary Criticism
ISBN : 9780226648484

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Humoring the Body by Gail Kern Paster Pdf

Though modern readers no longer believe in the four humors of Galenic naturalism—blood, choler, melancholy, and phlegm—early modern thought found in these bodily fluids key to explaining human emotions and behavior. In Humoring the Body, Gail Kern Paster proposes a new way to read the emotions of the early modern stage so that contemporary readers may recover some of the historical particularity in early modern expressions of emotional self-experience. Using notions drawn from humoral medical theory to untangle passages from important moral treatises, medical texts, natural histories, and major plays of Shakespeare and his contemporaries, Paster identifies a historical phenomenology in the language of affect by reconciling the significance of the four humors as the language of embodied emotion. She urges modern readers to resist the influence of post-Cartesian abstraction and the disembodiment of human psychology lest they miss the body-mind connection that still existed for Shakespeare and his contemporaries and constrained them to think differently about how their emotions were embodied in a premodern world.

The Reformation of Emotions in the Age of Shakespeare

Author : Steven Mullaney
Publisher : University of Chicago Press
Page : 242 pages
File Size : 55,6 Mb
Release : 2015-07-13
Category : Literary Criticism
ISBN : 9780226117096

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The Reformation of Emotions in the Age of Shakespeare by Steven Mullaney Pdf

The crises of faith that fractured Reformation Europe also caused crises of individual and collective identity. Structures of feeling as well as structures of belief were transformed; there was a reformation of social emotions as well as a Reformation of faith. As Steven Mullaney shows in The Reformation of Emotions in the Age of Shakespeare, Elizabethan popular drama played a significant role in confronting the uncertainties and unresolved traumas of Elizabethan Protestant England. Shakespeare and his contemporaries—audiences as well as playwrights—reshaped popular drama into a new form of embodied social, critical, and affective thought. Examining a variety of works, from revenge plays to Shakespeare’s first history tetralogy and beyond, Mullaney explores how post-Reformation drama not only exposed these faultlines of society on stage but also provoked playgoers in the audience to acknowledge their shared differences. He demonstrates that our most lasting works of culture remain powerful largely because of their deep roots in the emotional landscape of their times.

Emotional Excess on the Shakespearean Stage

Author : Bridget Escolme
Publisher : A&C Black
Page : 343 pages
File Size : 45,7 Mb
Release : 2013-12-16
Category : Performing Arts
ISBN : 9781408179680

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Emotional Excess on the Shakespearean Stage by Bridget Escolme Pdf

Emotional Excess on the Shakespearean Stage demonstrates the links made between excess of emotion and madness in the early modern period. It argues that the ways in which today's popular and theatrical cultures judge how much is too much can distort our understanding of early modern drama and theatre. It argues that permitting the excesses of the early modern drama onto the contemporary stage might free actors and audiences alike from assumptions that in order to engage with the drama of the past, its characters must be just like us. The book deals with characters in the plays of Shakespeare and his contemporaries who are sad for too long, or angry to the point of irrationality; people who laugh when they shouldn't or make their audiences do so; people whose selfhood has broken down into an excess of fragmentary extremes and who are labelled mad. It is about moments in the theatre when excessive emotion is rewarded and applauded - and about moments when the expression of emotion is in excess of what is socially acceptable: embarrassing, shameful, unsettling or insane. The book explores the broader cultures of emotion that produce these theatrical moments, and the theatre's role in regulating and extending the acceptable expression of emotion. It is concerned with the acting of excessive emotion and with acting emotion excessively. And it asks how these excesses are produced or erased, give pleasure or pain, in versions of early modern drama in theatre, film and television today. Plays discussed include Hamlet, Romeo and Juliet, The Spanish Tragedy, Twelfth Night, Much Ado About Nothing, Measure for Measure, and Coriolanus.

Shakespeare and Emotions

Author : R. White,K. O'Loughlin,Mark Houlahan
Publisher : Springer
Page : 270 pages
File Size : 44,8 Mb
Release : 2015-06-29
Category : Literary Criticism
ISBN : 9781137464750

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Shakespeare and Emotions by R. White,K. O'Loughlin,Mark Houlahan Pdf

This collection of essays approaches the works of Shakespeare from the topical perspective of the History of Emotions. Contributions come from established and emergent scholars from a range of disciplines, including performance history, musicology and literary history.

Grammar Rules of Affection

Author : Ross Knecht
Publisher : University of Toronto Press
Page : 189 pages
File Size : 45,6 Mb
Release : 2021
Category : Education
ISBN : 9781487508470

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Grammar Rules of Affection by Ross Knecht Pdf

This interdisciplinary study argues that the intersection of pedagogical and affective language in Renaissance literature shows that emotion was conceived as a conventional practice.

Shakespeare's Schoolroom

Author : Lynn Enterline
Publisher : University of Pennsylvania Press
Page : 209 pages
File Size : 50,6 Mb
Release : 2012-10-29
Category : Literary Criticism
ISBN : 9780812207132

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Shakespeare's Schoolroom by Lynn Enterline Pdf

Shakespeare's Schoolroom places moments of considerable emotional power in Shakespeare's poetry—portraits of what his contemporaries called "the passions"—alongside the discursive and material practices of sixteenth-century English pedagogy. Humanist training in Latin grammar and rhetorical facility was designed to intervene in social reproduction, to sort out which differences between bodies (male and female) and groups (aristocrats, the middling sort, and those below) were necessary to producing proper English "gentlemen." But the method adopted by Lynn Enterline in this book uncovers a rather different story from the one schoolmasters invented to promote the social efficacy of their pedagogical innovations. Beginning with the observation that Shakespeare frequently reengaged school techniques through the voices of those it excluded (particularly women), Enterline shows that when his portraits of "love" and "woe" betray their institutional origins, they reveal both the cost of a Latin education as well as the contradictory conditions of genteel masculinity in sixteenth-century Britain. In contrast to attempts to explain early modern emotion in relation to medical discourse, Enterline uncovers the crucial role that rhetoric and the texts of the classical past play in Shakespeare's passions. She relies throughout on the axiom that rhetoric has two branches that continuously interact: tropological (requiring formal literary analysis) and transactional (requiring social and historical analysis). Each chapter moves between grammar school archives and literary canon, using linguistic, rhetorical, and literary detail to illustrate the significant difference between what humanists claimed their methods would achieve and what the texts of at least one former schoolboy reveal about the institution's unintended literary and social consequences. When Shakespeare creates the convincing effects of character and emotion for which he is so often singled out as a precursor of "modern" subjectivity, he signals his debt to the Latin institution that granted him the cultural capital of an early modern gentleman precisely when undercutting the socially normative categories schoolmasters invoked as their educational goal.

Mad Long Emotion

Author : Ben Ladouceur
Publisher : Coach House Books
Page : 98 pages
File Size : 41,5 Mb
Release : 2019-04-10
Category : Poetry
ISBN : 9781770565852

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Mad Long Emotion by Ben Ladouceur Pdf

Mad Long Emotion wants to talk flora to fauna like you. It talks by dancing, as bumblebees do. In its dances, loosestrife shoos humans away, green carnations flirt with handsome men beyond the shade, and “dogbanes though dead bloom.” Meanwhile, in better-discerned motion, numerous species both spiny and spineless prove invasive, from Great Lake lampreys to hydraulic triceratopses. But they’re just looking for better homes. The book concludes with a long poem about distance, desire and the difficulty of combining the two. Lend this book your eyes and nose; mouth its contents to your house plants. The poetry of Mad Long Emotion wants to live forever, and you can make that happen with your face.

William Shakespeare Tragedies

Author : William Shakespeare
Publisher : Simon and Schuster
Page : 704 pages
File Size : 50,5 Mb
Release : 2020-04-14
Category : Drama
ISBN : 9781645171867

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William Shakespeare Tragedies by William Shakespeare Pdf

Twelve of Shakespeare’s most profound and moving dramas in one elegant volume. William Shakespeare’s tragedies introduced the world to some of the most well-known characters in literature, including Romeo, Juliet, Macbeth, Hamlet, King Lear, and Othello. This handsome Word Cloud volume includes all twelve works from the First Folio that are commonly classified as tragedies—but the feelings that Shakespeare’s words can evoke range across the spectrum of human emotion.

Passion's Fictions from Shakespeare to Richardson

Author : Benedict S. Robinson
Publisher : Oxford University Press
Page : 282 pages
File Size : 46,6 Mb
Release : 2021
Category : Drama
ISBN : 9780198869177

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Passion's Fictions from Shakespeare to Richardson by Benedict S. Robinson Pdf

Passion's Fictions traces the intimate links between literature and the sciences of mind and soul from the age of Shakespeare to the rise of the novel. It chronicles the emergence of new sciences of the passions between the sixteenth and eighteenth centuries, and it argues that this history was shaped by rhetoric that contained the most extensively particularized discourse on the passions, offering principles for moving and affecting the passions of others in concrete social scenes. This rhetoric of the passions centered on narrative as the instrument of a non-theoretical knowledge of the passions in their particularity, predicated on an account of passion as an intimate relation between an impassioned mind and an impassioning world: rhetoric offers a kind of externalist psychology, formalized in the relation of passion to action and underwriting an account of narrative as a means of both moving passion and knowing it. This volume describes the psychology of the passions before the discipline of psychology, tracing the influence of rhetoric on theories of the passions from Francis Bacon to Adam Smith and using that history to read literary works by Shakespeare, Milton, Haywood, Richardson, and others. Narrative offers a means of knowing and moving the passions by tracing them to the events and objects that generate them; the history of narrative practices is thus a key part of the history of the psychology of the passions at a critical moment in its development.