Shakespeare And Postcolonial Theory

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Shakespeare and Postcolonial Theory

Author : Jyotsna G. Singh
Publisher : Bloomsbury Publishing
Page : 264 pages
File Size : 46,7 Mb
Release : 2019-01-24
Category : Literary Criticism
ISBN : 9781408186053

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Shakespeare and Postcolonial Theory by Jyotsna G. Singh Pdf

Now available in paperback, Shakespeare and Postcolonial Theory is an up-to-date guide to contemporary debates in postcolonial studies and how these shape our understanding of Shakespeare's politics and poetics. Taking a historical perspective, it covers early modern discourses of colonialism, 'race', gender and globalization, through to contemporary intercultural appropriations and global adaptations of Shakespeare. Showing how the dialogue between Shakespeare criticism and postcolonial studies has evolved, this book offers a critical vocabulary that connects contemporary and early modern cultural struggles. Shakespeare and Postcolonial Theory also provides guides to further reading and online resources which make this an essential resource for students and scholars of Shakespeare.

Post-Colonial Shakespeares

Author : Ania Loomba,Martin Orkin
Publisher : Routledge
Page : 320 pages
File Size : 47,7 Mb
Release : 2013-10-28
Category : Literary Criticism
ISBN : 9781135033705

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Post-Colonial Shakespeares by Ania Loomba,Martin Orkin Pdf

First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

Postcolonial Theory in William Shakespeare's The Tempest

Author : Gerlinde Didea
Publisher : GRIN Verlag
Page : 42 pages
File Size : 47,6 Mb
Release : 2009
Category : Electronic
ISBN : 9783640246786

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Postcolonial Theory in William Shakespeare's The Tempest by Gerlinde Didea Pdf

Seminar paper from the year 2007 in the subject American Studies - Literature, grade: 2, Johannes Gutenberg University Mainz, course: Oberseminar Theories of American Studies, 4 entries in the bibliography, language: English, abstract: Postcolonial theory results from a network of political and cultural tensions between colonizers and colonized. This approach will de-construct Eurocentrism showing that European values and standards are not universal. Highlighting that the same historical event can be interpreted in radically different ways depending on perspective, norms and values, accepted values will be destabilized and marked as constructs. Further, this paper will question the reasons given for colonialism and deconstructs them in order to reveal the economic or political interests they are based on. I will critically examine the representations of Caliban's culture in Western discourse. In The Tempest, cultural ideology provides the ideological network for the colonial endeavours which could be theorized as bringing progress to an archaic world. A striking example for the strategy deconstructing "othering" is revealed in Chapter 1 where Caliban is presented as a completely inhuman being revealing strong racism. Therefore, Shakespeare implicitly legitimizes the colonial endeavor, because people like Caliban deprived of full humanity can be regarded as people without history, culture and they have therefore no logical claim to sovereignty. Shakespeare also produces a symptomatic reading of western discourse by psychoanalyzing to reveal western fear of the "other".

Shakespeare and Literary Theory

Author : Jonathan Gil Harris
Publisher : OUP Oxford
Page : 240 pages
File Size : 47,5 Mb
Release : 2010-08-19
Category : Literary Criticism
ISBN : 9780191614415

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Shakespeare and Literary Theory by Jonathan Gil Harris Pdf

OXFORD SHAKESPEARE TOPICS General Editors: Peter Holland and Stanley Wells Oxford Shakespeare Topics provide students and teachers with short books on important aspects of Shakespeare criticism and scholarship. Each book is written by an authority in its field, and combines accessible style with original discussion of its subject. How is it that the British literary critic Terry Eagleton can say that 'it is difficult to read Shakespeare without feeling that he was almost certainly familiar with the writings of Hegel, Marx, Nietzsche, Freud, Wittgenstein and Derrida', or that the Slovenian psychoanalytic theorist Slavoj Žižek can observe that 'Shakespeare without doubt had read Lacan'? Shakespeare and Literary Theory argues that literary theory is less an external set of ideas anachronistically imposed on Shakespeare's texts than a mode - or several modes - of critical reflection inspired by, and emerging from, his writing. These modes together constitute what we might call 'Shakespearian theory': theory that is not just about Shakespeare but also derives its energy from Shakespeare. To name just a few examples: Karl Marx was an avid reader of Shakespeare and used Timon of Athens to illustrate aspects of his economic theory; psychoanalytic theorists from Sigmund Freud to Jacques Lacan have explained some of their most axiomatic positions with reference to Hamlet; Michel Foucault's early theoretical writing on dreams and madness returns repeatedly to Macbeth; Jacques Derrida's deconstructive philosophy is articulated in dialogue with Shakespeare's plays, including Romeo and Juliet; French feminism's best-known essay is Hélène Cixous's meditation on Antony and Cleopatra; certain strands of queer theory derive their impetus from Eve Kosofsky Sedgwick's reading of the Sonnets; Gilles Deleuze alights on Richard III as an exemplary instance of his theory of the war machine; and postcolonial theory owes a large debt to Aimé Césaire's revision of The Tempest. By reading what theoretical movements from formalism and structuralism to cultural materialism and actor-network theory have had to say about and in concert with Shakespeare, we can begin to get a sense of how much the DNA of contemporary literary theory contains a startling abundance of chromosomes - concepts, preoccupations, ways of using language - that are of Shakespearian provenance.

South Africa, Shakespeare, and Post-colonial Culture

Author : Natasha Distiller
Publisher : Unknown
Page : 328 pages
File Size : 46,8 Mb
Release : 2005
Category : Literary Criticism
ISBN : UOM:39015062599363

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South Africa, Shakespeare, and Post-colonial Culture by Natasha Distiller Pdf

This book works within the frameworks of post-colonial studies and cultural studies in order to theorise, and then to illustrate, the possibilities for cultural creation in the context of oppression. It re-works the concept of hybridity, and the philosophies of liberalism and humanism, in order to suggest that these important and much-contested terrains within critical theory have specific potential in a South African context. This book applies these theoretical points to a specific trajectory of writing in English in the region, which it finds embodied in the writing of Solomon Plaatje, Peter Abrahams, Es'kia Mphahlele, Bloke Modisane, and Can Themba. By seeking to unlock the complex and sometimes contradictory ways in which Shakespeare is useful to these writers, the book addresses the traditional imbalance of knowledges in Shakespeare Studies by conceptualizing the presence of Shakespeare in these texts as indicative of an act of cultural appropriation and political resistance. Ultimately, the book makes a contribution to post-colonial and cultural studies' engagements with how culture works, how resistance is inscribed, and what role theory can play in the neo-colonial world.

Post-colonial Shakespeares

Author : Ania Loomba,Martin Orkin
Publisher : Unknown
Page : 0 pages
File Size : 55,5 Mb
Release : 2024-06-01
Category : Colonies in literature
ISBN : 0367148579

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Post-colonial Shakespeares by Ania Loomba,Martin Orkin Pdf

This collection of new essays explores the multiple possibilities for the study of Shakespeare in an emerging post-colonial period. Post-Colonial Shakespeares examines the extent to which our assumption about such key terms as 'colonization', 'race' and 'nation' derive from early modern English culture. It also looks at how such terms are themselves affected by what were established subsequently as 'colonial' forms of knowledge.

The Cambridge Companion to Shakespeare and Race

Author : Ayanna Thompson
Publisher : Cambridge University Press
Page : 0 pages
File Size : 52,9 Mb
Release : 2021-02-25
Category : Literary Criticism
ISBN : 1108710565

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The Cambridge Companion to Shakespeare and Race by Ayanna Thompson Pdf

The Cambridge Companion to Shakespeare and Race shows teachers and students how and why Shakespeare and race are inseparable. Moving well beyond Othello, the collection invites the reader to understand racialized discourses, rhetoric, and performances in all of Shakespeare's plays, including the comedies and histories. Race is presented through an intersectional approach with chapters that focus on the concepts of sexuality, lineage, nationality, and globalization. The collection helps students to grapple with the unique role performance plays in constructions of race by Shakespeare (and in Shakespearean performances), considering both historical and contemporary actors and directors. The Cambridge Companion to Shakespeare and Race will be the first book that truly frames Shakespeare studies and early modern race studies for a non-specialist, student audience.

Shakespeare, Race, and Colonialism

Author : Ania Loomba
Publisher : OUP Oxford
Page : 204 pages
File Size : 50,9 Mb
Release : 2002-09-05
Category : Literary Criticism
ISBN : 9780191587931

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Shakespeare, Race, and Colonialism by Ania Loomba Pdf

For centuries, plays like Othello and The Tempest have spoken about 'race' to audiences whose lives have been, and continue to be, enormously affected by the racial question. But are concepts such as 'race' or 'racism', 'xenophobia', 'ethnicity', or even 'nation' appropriate for analysing communities and identities in early modern Europe? Did skin colour matter to Shakespeare and his contemporaries, or was religious difference more important to them? This book examines how Shakespeare's plays contribute to, and are themselves crafted from, contemporary ideas about social and cultural difference. It considers how such ideas might have been different from later ideologies of 'race' that emerged during colonialism, but also from older ideas about barbarism, blackness, and religious difference. Thus it places the racial question in Shakespeare's plays alongside the histories with which they converse. Shakespeare uses and plays with the vocabularies of difference prevailing in his time, repeatedly turning to religious and cultural cross-overs and conversions - their impossibility, or the traumas they engender, or the social upheavals they can generate. Shakespeare, Race and Colonialism looks in depth at Othello, The Merchant of Venice, Antony and Cleopatra, The Tempest, and Titus Andronicus, and also shows how racial difference shapes the language and themes of other plays.

The Colonizer and the Colonized. Analysis of Shakespeare's "The tempest"

Author : Sirinya Pakditawan
Publisher : GRIN Verlag
Page : 21 pages
File Size : 42,6 Mb
Release : 2014-11-14
Category : Literary Criticism
ISBN : 9783656840220

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The Colonizer and the Colonized. Analysis of Shakespeare's "The tempest" by Sirinya Pakditawan Pdf

Seminar paper from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Hamburg, language: English, abstract: It is a fact that Shakespeare’s plays are an essential part of the Elizabethan period and hence deal with topics characteristic of this time. This is also true of The Tempest, which was probably written in 1610 – 1611, for it is concerned with the theme of colonization and exploration of the New World, the newly discovered Americas. The Elizabethan period is known as the Age of Exploration. Thus, The Tempest not only deals with the effects of colonization and civilization on the natives but some critics also tend to read this play as a metaphor of colonialism, since every character is concerned with how he would govern the island if he was the ruler. However, The Tempest can be regarded as a play whose plot is completely original and also very personal. The critic Richard Dutton even claims that there is a “theory that Prospero in The Tempest represents Shakespeare himself”. Critics have taken this play very seriously and have pointed out its complexity. Hence, Stanley Wells says that “The Tempest (...) is a supremely poetic drama (...) because it speaks (...) on many levels, universally relevant (...) and (...) universally effective”. Why is The Tempest regarded as so original and unique? Well, one might find an answer to this question by taking a closer look at its background, its sources, its structure and at its main characters. For this reason, I will deal with the sources of The Tempest in more detail in the following chapter. In a next step, the dramatic structure of the play will be analyzed. Since this play is mainly about colonizers and the colonized, it is also of vital importance to analyze the prominent character Caliban and the European characters’ attitude to him, in this context. It will be argued that Caliban becomes a victim of colonization.

Colonialism/Postcolonialism

Author : Ania Loomba
Publisher : Routledge
Page : 402 pages
File Size : 53,6 Mb
Release : 2007-05-07
Category : Literary Criticism
ISBN : 9781134267859

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Colonialism/Postcolonialism by Ania Loomba Pdf

Colonialism/Postcolonialism is a comprehensive yet accessible guide to the historical and theoretical dimensions of colonial and postcolonial studies. Ania Loomba deftly introduces and examines: key features of the ideologies and history of colonialism the relationship of colonial discourse to literature challenges to colonialism, including anticolonial discourses recent developments in postcolonial theories and histories issues of sexuality and colonialism, and the intersection of feminist and postcolonial thought debates about globalization and postcolonialism Recommended on courses across the academic disciplines and around the world, Colonialism/Postcolonialism has for some years been accepted as the essential introduction to a vibrant and politically charged area of literary and cultural study. With new coverage of emerging debates around globalization, this second edition will continue to serve as the ideal guide for students new to colonial discourse theory, postcolonial studies or postcolonial theory as well as a reference for advanced students and teachers.

Post-colonial Theory and English Literature

Author : Peter Childs
Publisher : Unknown
Page : 480 pages
File Size : 52,9 Mb
Release : 1999
Category : Literary Criticism
ISBN : UOM:39076002077035

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Post-colonial Theory and English Literature by Peter Childs Pdf

Includes critical essays on William Shakespeare's The Tempest; Daniel Defoe's Robinson Crusoe; Charlotte Bronte's Jane Eyre; Joseph Conrad's Heart of Darkness; Rudyard Kipling's Kim; James Joyce's Ulysses; E.M. Forster's A passage to India; and, Salman Rushdie's The satanic verses.

For All Time?

Author : Paul Skrebels,Sieta van der Hoeven
Publisher : Wakefield Press
Page : 156 pages
File Size : 42,9 Mb
Release : 2002
Category : Drama in education
ISBN : 1862545952

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For All Time? by Paul Skrebels,Sieta van der Hoeven Pdf

The continued place of Shakespeare in the classroom and how various critical theories inform current pedagogy are at the core of this conversation among an international group of educators. Its scope ranges from the theoretical background on the subject to new research and practical tips for the teaching of Shakespeare. Digital Shakespeare, Shakespeare through performance, protecting Shakespeare, and Shakespeare for the new millennium are a sampling of the topics covered. Contributing to the discussion are representatives from Northwestern University, Colgate University, Western University, and Black Hills State.

Caliban's Voice

Author : Bill Ashcroft
Publisher : Routledge
Page : 400 pages
File Size : 46,9 Mb
Release : 2009-01-21
Category : Literary Criticism
ISBN : 9781134030064

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Caliban's Voice by Bill Ashcroft Pdf

In Shakespeare’s Tempest, Caliban says to Miranda and Prospero: "...you taught me language, and my profit on’t Is, I know how to curse. " With this statement, he gives voice to an issue that lies at the centre of post-colonial studies. Can Caliban own Prospero’s language? Can he use it to do more than curse? Caliban’s Voice examines the ways in which post-colonial literatures have transformed English to redefine what we understand to be ‘English Literature’. It investigates the importance of language learning in the imperial mission, the function of language in ideas of race and place, the link between language and identity, the move from orature to literature and the significance of translation. By demonstrating the dialogue that occurs between writers and readers in literature, Bill Ashcroft argues that cultural identity is not locked up in language, but that language, even a dominant colonial language, can be transformed to convey the realities of many different cultures. Using the figure of Caliban, Ashcroft weaves a consistent and resonant thread through his discussion of the post-colonial experience of life in the English language, and the power of its transformation into new and creative forms.

From Creole to Standard

Author : Roshni Mooneeram
Publisher : Rodopi
Page : 252 pages
File Size : 43,5 Mb
Release : 2009
Category : Foreign Language Study
ISBN : 9789042026247

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From Creole to Standard by Roshni Mooneeram Pdf

This book gives a fascinating account of the unique history of the national – creole – language of Mauritius and the process of standardization that it is undergoing in postcolonial times. The central question is how far a creative writer's activity may affect the status and linguistic forms of a regional language. The book focuses on the work of the author Dev Virahsawmy, who, particularly through his Shakespeare translations, is an active agent in the standardization of Mauritian creole. The approaches employed in From Creole to Standard combine a sociolinguistic examination of (changing) language attitudes with detailed textual studies of some of Virahsawmy's works to show the relation of his work to the process of language development. This book is relevant to the study of other creole languages undergoing standardization as well as to questions of language development more widely. Its strength lies precisely in its interdisciplinary approach, which addresses different readerships. Mooneeram’s study is of great interest to both postcolonial thinking and sociolinguistics but also has important implications for debates about the role of canonical literary works and their transmission in the wider world. Her book is also a contribution to Shakespeare studies and the field of literary linguistics. There are interesting parallels between the contemporary situation of Mauritian creole and English in the sixteenth and seventeenth centuries. Virahsawmy’s adaptations and translations into creole echo the role Shakespeare’s ‘originals’ played for English, and Mooneeram demonstrates how other writers have followed Virahsawmy in using literary forms to enrich the language.

Shakespeare and Race

Author : Imtiaz H. Habib
Publisher : Unknown
Page : 328 pages
File Size : 55,9 Mb
Release : 2000
Category : Drama
ISBN : STANFORD:36105028617731

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Shakespeare and Race by Imtiaz H. Habib Pdf

Shakespeare and Race is a provocative new study that reveals a connection between the subject of race in Shakespeare and the advent of early English colonialism. Citing generally neglected archival evidence, Imtiaz Habib argues that a small population of captured Indians and Africans brought to England during the 16th century provided the impetus for Elizabethan constructions of race rather than existing European traditions in which blackness was represented metaphorically. He explores Tudor and Stuart dramatic representations of black characters, focusing specifically on how race affected Shakespeare personally and historically over the course of his career. Using postcolonial paradigms combined with neo-Marxist, feminist, and psychoanalytic insights, Habib discusses the possible existence of a black woman that Shakespeare knew and wrote about in his Sonnets and examines the design of his black male characters, including Aaron, Othello, and Caliban. Shakespeare and Race represents a significant contribution that will fascinate scholars of literature as well as those interested in the cultural impact of colonialism.