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Shakespeare--made in Canada by Judith Nasby,Daniel Fischlin Pdf
The Macdonald Stewart Art Centre's exhibition explores contemporary Canadian adaptations in theatre, pop media, and visual arts in a demonstration of the Shakespeare effect in Canadian culture. It brings together for the first time hundreds of rare artifacts, including the Canadian-owned Sanders portrait, contemporary Canadian theatre designs, Shakespeare in French Canada, contemporary Aboriginal adaptations of Shakespeare, new portraiture, an innovative learning commons for youth, as well as new and archival material from the Canadian Adaptations of Shakespeare Project, the L. W. Conolly Theatre Archives (University of Guelph), and the Stratford Festival of Canada.
NEW REVISED EDITION Although writers since antiquity had recognized and recorded the experience of adolescence, none had dramatized it so comprehensively.--Jill L. Levenson Shakespeare Made in Canada is a series of editions of Shakespeare's plays with a national focus. A testament to the University of Guelph's commitment to the dissemination of research on the arts in Canada, and in particular to the Canadian Adaptations of Shakespeare Project run since 2004 by Guelph professor Daniel Fischlin, the series aims to celebrate "Canadians doing Shakespeare for over 150 years" ... and to provide teaching texts for Canadian undergraduate students. Romeo and Juliet and The Tempest, the first editions in the series, advance these commemorative and pedagogical aims imaginatively.... [E]ach includes a preface by a Canadian playwright involved with an adaptation of the play as well as an introduction by a leading Canadian scholar. In addition to a play-text complete with original new annotation for students, each edition contains a plethora of pedagogical aids that are sure to make this series popular among undergraduates in particular.... In her introduction to Romeo and Juliet in this series, Jill L. Levenson argues that adaptations of Romeo and Juliet since the Restoration have often deconstructed the story that Shakespeare dramatized.... Levenson's statements about Canadian adaptations of Romeo and Juliet supply fresh insight into the nation's ongoing culture conflicts. -Joel Benabu, Shakespeare Bulletin The Shakespeare Made in Canada volumes are inexpensive paperbacks featuring new editions of the play-texts.... [C]lear and comprehensive act and scene summaries narrate the action and highlight thematic hotspots.... In his preface to Romeo and Juliet, theatre artist extraordinaire Sky Gilbert ... finds the play to be absolutely relevant today: "The concerns in The Tragedy of Romeo and Juliet are also our concerns." -Susan Knutson, Literary Review of Canada Overpowering adolescent passion at odds with a troubled adult world: this ancient tale was never more grippingly told than Shakespeare's Romeo and Juliet, where two youths come together in a love that is both transformative and death-marked. The society around them lacks flexibility, failing to govern this destabilizing energy. Shakespeare scholar Jill L. Levenson-whose work on this play has opened new readings of Romeo and Juliet internationally-shows how the play's treatment of gender, class, sexuality, and political fragmentation has found rich resonance in Canada. There are a variety of surprisingly creative adaptations not just in French and English but also, for example, in French and Attikamek. From ballet to Ann-Marie MacDonald's award-winning play Goodnight Desdemona (Good Morning Juliet), Romeo and Juliet remains a compelling exploration of passion and violence.
Author : Diana Brydon,Irene Rima Makaryk Publisher : University of Toronto Press Page : 518 pages File Size : 44,5 Mb Release : 2002-01-01 Category : Drama ISBN : 0802036554
Shakespeare in Canada by Diana Brydon,Irene Rima Makaryk Pdf
Is there a distinctly Canadian Shakespeare? What is the status and function of Shakespeare in various locations within the nation: at Stratford, on CBC radio, in regional and university theatres, in Canadian drama and popular culture? Shakespeare in Canada brings insights from a little explored but extensive archive to contemporary debates about the cultural uses of Shakespeare and what it means to be Canadian. Canada's long history of Shakespeare productions and reception, including adaptations, literary reworkings, and parodies, is analysed and contextualized within the four sections of the book. A timely addition to the growing field that studies the transnational reach of Shakespeare across cultures, this collection examines the political and cultural agendas invoked not only by Shakespeare's plays, but also by his very name. In part a historical and regional survey of Shakespeare in performance, adaptation, and criticism, this is the first work to engage Shakespeare with distinctly Canadian debates addressing nationalism, separatism, cultural appropriation, cultural nationalism, feminism, and postcolonialism.
Canadians have enjoyed a long history of encounters with Shakespeare, from the visual arts to creative new adaptations, from traditional and nontraditional interpretations to distinguished critical scholarship. We have in over two centuries remade Shakespeare in ways that are distinctlyCanadian. The Oxford Shakespeare Made in Canada series offers a unique vantage on these histories of production and encounter with attention to accessibility and presentation. These editions explore how a given country can inform the interpretation and pedagogy associated with individual plays.Canadians, or more properly British North Americans from both Upper and Lower Canada, have been interacting with Shakespeare since no less than the 1760s in a tradition that is at once rich and robust, indigenous and international. The Canadian Adaptations of Shakespeare project at the University ofGuelph has created a multimedia database of hundreds of adaptations, developed from Guelph's world-class theatre archives and a host of independent sources that reflect on a long tradition - from pre-Confederation times and heading vibrantly into the future - of playing Shakespeare in Canada. Theseare the first editions of the plays of William Shakespeare to place key insights from the world's best scholarship alongside the specific contexts associated with a dynamic Canadian tradition of productions and adaptations. Specially research images, never printed before, from a range of Canadianproductions of Shakespeare will be featured in every playIn additional to a scholarly edition of the playtext complete with original new annotation, these books will include both short introductions by noted scholars and prefaces by well-known Canadians who have experience with Shakespeare. In addition, each play will include act and scene summaries,dramatis personal, and recommended reading/resources.
Romeo and Juliet by William Shakespeare,Jill Levenson Pdf
Canadians, or more properly British North Americans from both Upper and Lower Canada, have been interacting with Shakespeare since no less than the 1760s in a tradition that is at once rich and robust, indigenous and international. The Canadian Adaptations of Shakespeare project at the University of Guelph has created a multimedia database of hundreds of adaptations, developed from Guelph's world-class theatre archives and a host of independent sources that reflect on a long tradition-from pre-Confederation times and heading vibrantly into the future-of playing Shakespeare in Canada. These are the first editions of the plays of William Shakespeare to place key insights from the world's best scholarship alongside the specific contexts associated with a dynamic Canadian tradition of productions and adaptations.
A Midsummer Night's Dream by William Shakespeare Pdf
Canadians have enjoyed a long history of encounters with Shakespeare, from the visual arts to creative new adaptations, from traditional and nontraditional interpretations to distinguished critical scholarship. We have in over two centuries remade Shakespeare in ways that are distinctly Canadian. The Oxford Shakespeare Made in Canada series offers a unique vantage on these histories of production and encounter with attention to accessibility and presentation. These editions explore how a given country can inform the interpretation and pedagogy associated with individual plays. Canadians, or more properly British North Americans from both Upper and Lower Canada, have been interacting with Shakespeare since no less than the 1760s in a tradition that is at once rich and robust, indigenous and international. The Canadian Adaptations of Shakespeare project at the University of Guelph has created a multimedia database of hundreds of adaptations, developed from Guelph's world-class theatre archives and a host of independent sources that reflect on a long tradition - from pre-Confederation times and heading vibrantly into the future - of playing Shakespeare in Canada. These are the first editions of the plays of William Shakespeare to place key insights from the world's best scholarship alongside the specific contexts associated with a dynamic Canadian tradition of productions and adaptations. Specially research images, never printed before, from a range of Canadian productions of Shakespeare will be featured in every play In additional to a scholarly edition of the playtext complete with original new annotation, these books will include both short introductions by noted scholars and prefaces by well-known Canadians who have experience with Shakespeare. In addition, each play will include act and scene summaries, dramatis personal, and recommended reading/resources.
Shakespeare and Canada by Irena R. Makaryk,Kathryn Prince Pdf
Shakespeare in Canada is the result of a collective desire to explore the role that Shakespeare has played in Canada over the past two hundred years, but also to comprehend the way our country’s culture has influenced our interpretation of his literary career and heritage. What function does Shakespeare serve in Canada today? How has he been reconfigured in different ways for particular Canadian contexts? The authors of this book attempt to answer these questions while imagining what the future might hold for William Shakespeare in Canada. Covering the Stratford Festival, the cult CBC television program Slings and Arrows, major Canadian critics such as Northrop Frye and Marshall McLuhan, the influential acting teacher Neil Freiman, the rise of Québécois and First Nation approaches to Shakespeare, and Shakespeare’s place in secondary schools today, this collection reflects the diversity and energy of Shakespeare’s afterlife in Canada. Collectively, the authors suggest that Shakespeare continues to offer Canadians “remembrance of ourselves.” This is a refreshingly original and impressive contribution to Shakespeare studies—a considerable achievement in any work on the history of one of the central figures in the western literary canon.
A tantalizing true story of one of literature’s most enduring enigmas is at the heart of this “lively, even sprightly book” (Michael Dirda, The Washington Post)—the quest to find the personal library of the world’s greatest writer. Millions of words of scholarship have been expended on the world’s most famous author and his work. And yet a critical part of the puzzle, Shakespeare’s library, is a mystery. For four centuries people have searched for it: in mansions, palaces and libraries; in riverbeds, sheep pens and partridge coops; and in the corridors of the mind. Yet no trace of the bard’s manuscripts, books or letters has ever been found. The search for Shakespeare’s library is much more than a treasure hunt. Knowing what the Bard read informs our reading of his work, and it offers insight into the mythos of Shakespeare and the debate around authorship. The library’s fate has profound implications for literature, for national and cultural identity, and for the global Shakespeare industry. It bears on fundamental principles of art, identity, history, meaning and truth. Unfolding the search like the mystery story that it is, acclaimed author Stuart Kells follows the trail of the hunters, taking us through different conceptions of the library and of the man himself. Entertaining and enlightening, Shakespeare’s Library is a captivating exploration of one of literature’s most enduring enigmas. "An engaging and provocative contribution to the unending world of Shakespeariana . . . An enchanting work that bibliophiles will savor and Shakespeare fans adore." ―Kirkus Reviews
Newly revised edition ... The voice of slave Caliban rings most clearly to my twenty-first century Iroquoian ears, singing drunkenly, hopefully, of freedom.--Daniel David Moses Shakespeare Made in Canada is a series of editions of Shakespeare's plays with a national focus. A testament to the University of Guelph's commitment to the dissemination of research on the arts in Canada, and in particular to the Canadian Adaptations of Shakespeare Project run since 2004 by Guelph professor Daniel Fischlin, the series aims to celebrate "Canadians doing Shakespeare for over 150 years" ... and to provide teaching texts for Canadian undergraduate students. Romeo and Juliet and The Tempest, the first editions in the series, advance these commemorative and pedagogical aims imaginatively.... [E]ach includes a preface by a Canadian playwright involved with an adaptation of the play as well as an introduction by a leading Canadian scholar. In addition to a play-text complete with original new annotation for students, each edition contains a plethora of pedagogical aids that are sure to make this series popular among undergraduates in particular.-Joel Benabu, Shakespeare Bulletin The electric connect between the First Nations and the Bard is front and centre in Fischlin's Canadian edition of Shakespeare's last play, and rightly so, for The Tempest is widely seen as Shakespeare's commentary on European colonial expansion.... Fischlin's introductory essay plunges into significant Canadian debates provoked by this play...."-Susan Knutson, Literary Review of Canada Europeans collide with an unknown new world in this curious play, filled with magic, corruption, intrigue, lust, and full-on comedy. Written and staged around 1610, The Tempest reflects a contemporary fascination with those mysterious and foreign parts of the world newly available to European exploration and exploitation. How would old and new worlds interact? Few come off surrounded by virtue in Shakespeare's drama. Daniel Fischlin-the ingenious creator of the Canadian Adaptations of Shakespeare Project-has written an excellent introduction that provides dark and delightful new ways to understand this play, including insights from Northrop Frye, Margaret Atwood, Robertson Davies, and Normand Chaurette.
Shakespeare and Canada by Richard Paul Knowles Pdf
This book brings together essays on the Stratford Festival, on Shakespeare in Quebec, and on Canadian dramatic adaptations of Hamlet and Othello by Ric Knowles, one of Canada's leading drama and theatre scholars. The essays discuss such major figures as Robert Lepage, Ann Marie MacDonald, Djanet Sears, Michael O'Brien, Ken Gass, Robin Phillips, Marco Micone, and Martine Beaulne. Taken together they explore both the role that Canada has played in contemporary understandings of Shakespeare, and the role that Shakespeare has played in the constitution of postcolonial Canadian subjectivity and nationhood.
William Shakespeare's Star Wars by Ian Doescher Pdf
The New York Times Best Seller Experience the Star Wars saga reimagined as an Elizabethan drama penned by William Shakespeare himself, complete with authentic meter and verse, and theatrical monologues and dialogue by everyone from Darth Vader to R2D2. Return once more to a galaxy far, far away with this sublime retelling of George Lucas’s epic Star Wars in the style of the immortal Bard of Avon. The saga of a wise (Jedi) knight and an evil (Sith) lord, of a beautiful princess held captive and a young hero coming of age, Star Wars abounds with all the valor and villainy of Shakespeare’s greatest plays. Authentic meter, stage directions, reimagined movie scenes and dialogue, and hidden Easter eggs throughout will entertain and impress fans of Star Wars and Shakespeare alike. Every scene and character from the film appears in the play, along with twenty woodcut-style illustrations that depict an Elizabethan version of the Star Wars galaxy. Zounds! This is the book you’re looking for.
