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Author : Simon Williams
Publisher : Unknown
Page : 128 pages
File Size : 42,5 Mb
Release : 1990
Category : Theater
ISBN : LCCN:89009789
Author : Simon Williams
Publisher : Cambridge University Press
Page : 264 pages
File Size : 51,6 Mb
Release : 2004-11-11
Category : Drama
ISBN : 0521611938
Professor Williams focuses on the classical period of German literature and theatre, when Shakespeare's plays were first staged in Germany in a relatively complete form, and when they had a potent influence on the writings of German drama and dramatic criticism.
Author : Simon Williams
Publisher : Cambridge University Press
Page : 259 pages
File Size : 40,7 Mb
Release : 1990-05-17
Category : Drama
ISBN : 0521344646
This is an illustrated history of the performance and reception of Shakespeare's plays on the German stage from the English Comedians in the late sixteenth century to the First World War. Simon Williams argues that the vision of Shakespeare first articulated by critics of Sturm und Drang and romanticism was only realised in practice with the productions of Max Reinhardt in the early twentieth century. The book focuses on the classical period of German literature and theatre, when Shakespeare's plays were first staged in Germany in a relatively complete form, and when they had a potent influence on the writings of German drama and dramatic criticism. Important contributions to the critical reception of Shakespeare in the late eighteenth century are discussed. Professor Williams describes the steady increase in productions of Shakespeare's plays during the nineteenth century, paying attention to textual adaptation, actors' interpretations of leading roles and, in the latter part of the book, to the influence of the rise of the director on Shakespearean performance. A subsequent volume by Wilhelm Hortmann discusses Shakespeare production in Germany from the early twentieth century to the present day.
Author : Simon Williams
Publisher : Unknown
Page : 128 pages
File Size : 48,9 Mb
Release : 1990
Category : Electronic
ISBN : OCLC:833879410
Author : Wilhelm Hortmann,Michael Hamburger
Publisher : Cambridge University Press
Page : 532 pages
File Size : 43,5 Mb
Release : 1998-05-28
Category : Drama
ISBN : 0521343860
Shakespeare has been a central figure in German literature and theatre. This book tells the story of Shakespeare in the German-speaking theatre against the background of German culture and politics in the twentieth century. It follows the earlier volume by Simon Williams on the reception of Shakespeare during the previous 300 years (Shakespeare on the German Stage, 1586-1914). Hortmann concentrates on the two most important and fruitful periods: the years of the Weimar Republic (1919-1933) and the turbulent decades of the sixties and seventies, when the German theatre was revitalised by a stormy marriage of avant-garde art and revolutionary politics. A section by Maik Hamburger covers developments in the theatres of the German Democratic Republic. Hortmann focuses on the most representative and colourful directors and actors, describing and illustrating individual productions as examples of particular trends or movements.
Author : Wilhelm Hortmann
Publisher : Cambridge University Press
Page : 0 pages
File Size : 52,5 Mb
Release : 2009-10-29
Category : Drama
ISBN : 052112168X
This history of Shakespeare in the German-speaking theater is set against the background of German culture and politics in the twentieth century. Following on the earlier volume by Simon Williams, Shakespeare on the German Stage, 1586-1914, Hortmann concentrates on the years of the Weimar Republic (1919-1933) and the turbulent decades of the sixties and seventies. The work of individual directors, designers and actors is described and performances are plentifully illustrated. A section by Maik Hamburger describes the theater of the German Democratic Republic.
Author : Anonim
Publisher : BRILL
Page : 259 pages
File Size : 46,9 Mb
Release : 2018-03-20
Category : Drama
ISBN : 9789004361591
Shakespeare as German Author explores in particular the Bard’s reception in Germany 1760-1830 that witnessed the birth of modern German aesthetics and literary production. The volume highlights the connection between Shakespeare’s mind (“Geist Shakespeares”) and the German mind (“deutscher Geist”).
Author : Margreta de Grazia,Stanley Wells
Publisher : Cambridge University Press
Page : 352 pages
File Size : 45,8 Mb
Release : 2001-04-05
Category : Drama
ISBN : 0521658810
This book offers a comprehensive, readable and authoritative introduction to the study of Shakespeare, by means of nineteen newly commissioned essays. An international team of prominent scholars provide a broadly cultural approach to the chief literary, performative and historical aspects of Shakespeare's work. They bring the latest scholarship to bear on traditional subjects of Shakespeare study, such as biography, the transmission of the texts, the main dramatic and poetic genres, the stage in Shakespeare's time and the history of criticism and performance. In addition, authors engage with more recently defined topics: gender and sexuality, Shakespeare on film, the presence of foreigners in Shakespeare's England and his impact on other cultures. Helpful reference features include chronologies of the life and works, illustrations, detailed reading lists and a bibliographical essay.
Author : David Fuller
Publisher : Oxford University Press
Page : 240 pages
File Size : 54,6 Mb
Release : 2021-02-11
Category : Drama
ISBN : 9780192648396
Romantic criticism, of which Shakespeare is the central figure, invented many of the modes of modern criticism. It is also distinct from many contemporary academic norms. Engaged with the social and intellectual currents of an age of revolutionary change, it is experimental, writerly, and individually expressive. Above all it is creative in response to the difficulties of understanding aesthetic experience in new ways, and in setting those experiences in new cultural and political contexts that Shakespeare's work helped to shape. This book presents the main currents of these exciting but relatively little known engagements with Shakespeare, and through Shakespeare with the theory and practice of criticism, in England, Germany, and France, from the 1760s in Germany to the aftermath of the Romanticism in France. It also discusses Shakespeare in the theatre of the period—realist stagings which prefigure Shakespeare films; adaptations which fitted Shakespeare to contemporary tastes; and bare-stage experiments which foreshadow modes of contemporary theatre. A chapter on scholarship in the period shows Shakespeare as central to modern editing and historical criticism. Much of the writing discussed is by men and women whose focus is not primarily critical but creative—poetry (Coleridge, Keats, Heine), fiction (Stendhal), drama (Lessing), or all three (Goethe, Hugo), cultural critique (Jameson, de Staël), philosophy (Hamann, Herder), politics (Hazlitt, Guizot), aesthetics (the Schlegel circle), or new original work in other media (Berlioz, Delacroix, Chassériau). It is writing directed to new modes of creating as well as new modes of understanding.
Author : Monika Smialkowska
Publisher : Cambridge University Press
Page : 331 pages
File Size : 55,8 Mb
Release : 2023-12-21
Category : Literary Criticism
ISBN : 9781009280860
The worldwide commemorations of the three-hundredth anniversary of Shakespeare's death were held amid the global upheaval of the First World War. As empires battled for world domination and nations sought self-determination, diverse communities vied to claim Shakespeare as their own, to underpin their sense of collective identity and cohesion. Unearthing previously unknown Tercentenary events in Europe, the British Empire, and the USA, Monika Smialkowska demonstrates that the 1916 Shakespeare commemorators did not speak with one unified voice. Tributes by marginalised social, ethnic, and racial groups often challenged the homogenising narratives of the official celebrations. Rather than the traditionally patriotic Bard, used to support totalising versions of national or imperial identity, this study reveals Shakespeare as a site of debate and contestation, in which diverse voices – local and global, nationalist and universalist, militant and pacifist – combined and clashed in a fascinating, open-ended dialogue.
Author : William Baker,Brian Vickers
Publisher : Bloomsbury Publishing
Page : 480 pages
File Size : 51,9 Mb
Release : 2005-03-01
Category : Drama
ISBN : 9781847141873
The Merchant of Venice has always been regarded as one of Shakespeare's most interesting plays. Before the nineteenth century critical reaction is relatively fragmentary. However between then and the late twentieth century the critical tradition reveals the tremendous vitality of the play to evoke emotion in the theatre and in the study. Since the middle of the twentieth century reactions to the drama have been influenced by the Nazi destruction of European Jewry. The first volume to document the full tradition of criticism of The Merchant of Venice includes an extensive introduction which charts the reactions to the play up to the beginning of the twenty first century and reflects changing reactions to prejudice in this period. Material by a variety of critics appears here for the first time since initial publication. Reactions are included from: Malone, Hazlitt, Jameson, Heine, Knight, Lewes, Halliwell-Phillips, Furnivall, Irving, Ruskin, Swinburne, Masefield, Gollancz and Quiller-Couch.
Author : Lukas Erne,Kareen Seidler
Publisher : Bloomsbury Publishing
Page : 253 pages
File Size : 47,8 Mb
Release : 2020-03-19
Category : Drama
ISBN : 9781350084025
This book is a translation of German versions of both Hamlet and Romeo and Juliet. The introductions to each play place these versions of Shakespeare's plays in the German context, and offer insights into what we can learn about the original texts from these translations. English itinerant players toured in northern continental Europe from the 1580s. Their repertories initially consisted of plays from the London theatre, but over time the players learnt German, and German players joined the companies, as a result of which the dramatic texts were adapted and translated into German. A number of German plays now extant have a direct connection to Shakespeare. Four of them are so close in plot, character constellation and at times even language to their English originals that they can legitimately be considered versions of Shakespeare's plays. This volume offers fully edited translations of two such texts: Der Bestrafte Brudermord / Fratricide Punished (Hamlet) and Romio und Julieta (Romeo and Juliet). With full scholarly apparatus, these texts are of seminal interest to all scholars of Shakespeare's texts, and their transmission over time in print, translation and performance.
Author : Adrian Poole,Peter Holland
Publisher : Bloomsbury Publishing
Page : 932 pages
File Size : 40,7 Mb
Release : 2014-09-11
Category : Literary Criticism
ISBN : 9781472578624
Great Shakespeareans presents a systematic account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, both nationally and internationally. This major project offers an unprecedented scholarly analysis of the contribution made by the most important Shakespearean critics, editors, actors and directors as well as novelists, poets, composers, and thinkers from the seventeenth to the twentieth century. An essential resource for students and scholars in Shakespeare studies.
Author : Anselm Heinrich
Publisher : Routledge
Page : 300 pages
File Size : 52,9 Mb
Release : 2017-08-07
Category : History
ISBN : 9781317628866
The Second World War went beyond previous military conflicts. It was not only about specific geographical gains or economic goals, but also about the brutal and lasting reshaping of Europe as a whole. Theatre in Europe Under German Occupation explores the part that theatre played in the Nazi war effort. Using a case-study approach, it illustrates the crucial and heavily subsidised role of theatre as a cultural extension of the military machine, key to Nazi Germany’s total war doctrine. Covering theatres in Oslo, Riga, Lille, Lodz, Krakau, Warsaw, Prague, The Hague and Kiev, Anselm Heinrich looks at the history and context of their operation; the wider political, cultural and propagandistic implications in view of their function in wartime; and their legacies. Theatre in Europe Under German Occupation focuses for the first time on Nazi Germany’s attempts to control and shape the cultural sector in occupied territories, shedding new light on the importance of theatre for the regime’s military and political goals.
Author : Roger Paulin
Publisher : A&C Black
Page : 224 pages
File Size : 42,5 Mb
Release : 2014-03-27
Category : Literary Criticism
ISBN : 9781441175427
Great Shakespeareans offers a systematic account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, both nationally and internationally. In this volume, leading scholars assess the contribution of Voltaire, Goethe, Schlegel and Coleridge to the afterlife and reception of Shakespeare and his plays. Each substantial contribution assesses the double impact of Shakespeare on the figure covered and of the figure on the understanding, interpretation and appreciation of Shakespeare, provide a sketch of their subject's intellectual and professional biography and an account of the wider cultural context, including comparison with other figures or works within the same field.
