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A beautifully illustrated collection of prose retellings of seven Shakespeare plays will bring the Bard to life for young readers. Not only is this a beautiful keepsake edition, full of gorgeous illustrations by Antonio Javier Caparo, but the prose retellings by beloved classic children’s book author E. Nesbit are an excellent tool to introduce children to the complex language of Shakespeare. A foreword by John Lithgow touches on his own childhood as a Shakespearean actor and the importance of Shakespeare. The book contains extensive support materials, including a biography, a timeline of Shakespeare’s life, and further recommended readings. In this volume, you will find: Romeo and Juliet A Midsummer Night’s Dream Twelfth Night Hamlet Macbeth The Tempest Much Ado About Nothing
Authorizing Shakespeare on Film and Television by L. Monique Pittman Pdf
Authorizing Shakespeare on Film and Television examines recent film and television transformations of William Shakespeare's drama by focusing on the ways in which modern directors acknowledge and respond to the perceived authority of Shakespeare as author, text, cultural icon, theatrical tradition, and academic institution. This study explores two central questions. First, what efforts do directors make to justify their adaptations and assert an interpretive authority of their own? Second, how do those self-authorizing gestures impact upon the construction of gender, class, and ethnic identity within the filmed adaptations of Shakespeare's plays? The chosen films and television series considered take a wide range of approaches to the adaptative process - some faithfully preserve the words of Shakespeare; others jettison the Early Modern language in favor of contemporary idiom; some recreate the geographic and historical specificity of the original plays, and others transplant the plot to fresh settings. The wealth of extra-textual material now available with film and television distribution and the numerous website tie-ins and interviews offer the critic a mine of material for accessing the ways in which directors perceive the looming Shakespearean shadow and justify their projects. Authorizing Shakespeare on Film and Television places these directorial claims alongside the film and television plotting and aesthetic to investigate how such authorizing gestures shape the presentation of gender, class, and ethnicity.
Shakespeare’s Sonnets, Retold by William Shakespeare,James Anthony Pdf
'James Anthony has done something I would have confidently stated to be impossible. He has "translated" Shakespeare’s sonnets and he has done so with an insolent, loveable charm ... A dazzling success’ – Stephen Fry Rediscover the greatest love poetry ever written Shall I compare you to a summer’s day? You’re more delightful, always shining strong; High winds blow hard on flowering buds in May, And summer never seems to last that long... Shakespeare’s sonnets are some of the nation’s favourite lines of verse, but the Elizabethan language can make it difficult to really understand them. Many guides offer to clarify the meaning, but lose the magic of the words by explaining them away. James Anthony has done something boldly different. He has rewritten the whole series of poems as sonnets using modern language, while retaining the rhythm and rhyme patterns that gives them such power. In doing so he breathes new life into the original poems and opens them up for a modern readership, demystifying Shakespeare’s eternal poetry with provocative new translations and delightful new lines. Presented as an attractive book with the original sonnets facing their new translations, this is a stunning collection of beautiful love poems, made new.
Shakespeare on screen : Television Shakespeare by Nathalie Vienne-Guerrin,Sarah Hatchuel Pdf
« Television Shakespeare » : l’expression a-t-elle encore un sens à une époque où Shakespeare à la télévision ne se réduit plus à la série BBC mais est devenu, notamment au fil des innovations technologiques, un concept de plus en plus hybride, porteur d’une infinie variété ? Ce volume offre au lecteur un examen précis d’adaptations télévisuelles des pièces shakespeariennes tout en questionnant les limites poreuses que le 21e siècle fait apparaître entre la télévision et les autres médias, Shakespeare semblant pouvoir ou devoir se prêter à toutes les métamorphoses.
“Nicole Galland is exceptionally well versed in the fine nuances of storytelling.” —St. Petersburg Times “Galland has an exceptional gift.” —Neal Stephenson The critically acclaimed author of The Fool's Tale, Nicole Galland now approaches William Shakespeare's classic drama of jealousy, betrayal, and murder from the opposite side. I, Iago is an ingenious, brilliantly crafted novel that allows one of literature's greatest villains--the deceitful schemer Iago, from the Bard's immortal tragedy, Othello--to take center stage in order to reveal his "true" motivations. This is Iago as you've never known him, his past and influences breathtakingly illuminated, in a fictional reexamination that explores the eternal question: is true evil the result of nature versus nurture...or something even more complicated?
The Cambridge Introduction to Shakespeare's Comedies by Penny Gay Pdf
Why did theatre audiences laugh in Shakespeare's day? Why do they still laugh now? What did Shakespeare do with the conventions of comedy that he inherited, so that his plays continue to amuse and move audiences? What do his comedies have to say about love, sex, gender, power, family, community, and class? What place have pain, cruelty, and even death in a comedy? Why all those puns? In a survey that travels from Shakespeare's earliest experiments in farce and courtly love-stories to the great romantic comedies of his middle years and the mould-breaking experiments of his last decade's work, this book addresses these vital questions. Organised thematically, and covering all Shakespeare's comedies from the beginning to the end of his career, it provides readers with a map of the playwright's comic styles, showing how he built on comedic conventions as he further enriched the possibilities of the genre.
Twelfth Night by William Shakespeare,James Anthony Pdf
Shakespeare's 400-year-old language can be tough to understand...but, with Shakespeare Retold, it's easy! Written line-by-line in the same iambic pentameter versification of the originals, it offers a contemporary interpretation of the Bard's lines in the same form and pacing that everyone can understand. Quickly learn each character motive, each plot twist, each convoluted phrase, each befuddling reference. Never get stuck on Shakespeare's language again! A perfect guide for actors, students, and the curious, Shakespeare Retold breathes new life into the most intoxicating, beguiling and often frustrating words in the English language. If music be the food of love, play on; If music is the fuel of love, play on! Give me excess of it, that, surfeiting, Play tunes aplenty till I’ve heard too much, The appetite may sicken, and so die. And then these pangs will pale and fade away. That strain again! it had a dying fall. Play that refrain again; I found it haunting. PRAISE FOR SHAKESPEARE RETOLD "Schools and colleges will stamp and cheer with unrestrained gratitude and delight." – STEPHEN FRY “Tackling Hamlet for The Royal Shakespeare Company is arguably the most daunting role for any actor. For me, learning the words was the easy part; interpreting the nuances of the language and breathing life into the performance was brutally tough. James Anthony’s Shakespeare, Retold would have helped me immensely. For every line, I’d have had a lyrically identical modern-day translation that I precisely understood, helping reveal the emphasis and punch of each moment of my stage performance. Every actor would benefit from this compelling translation.” – PAAPA ESSIEDU
Julius Caesar by William Shakespeare,James Anthony Pdf
Shakespeare's 400-year-old language can be tough to understand...but, with Shakespeare Retold, it's easy! Written line-by-line in the same iambic pentameter versification of the originals, it offers a contemporary interpretation of the Bard's lines in the same form and pacing that everyone can understand. Quickly learn each character motive, each plot twist, each convoluted phrase, each befuddling reference. Never get stuck on Shakespeare's language again! A perfect guide for actors, students, and the curious, Shakespeare Retold breathes new life into the most intoxicating, beguiling and often frustrating words in the English language. PRAISE FOR SHAKESPEARE RETOLD "Schools and colleges will stamp and cheer with unrestrained gratitude and delight." – STEPHEN FRY “Tackling Hamlet for The Royal Shakespeare Company is arguably the most daunting role for any actor. For me, learning the words was the easy part; interpreting the nuances of the language and breathing life into the performance was brutally tough. James Anthony’s Shakespeare, Retold would have helped me immensely. For every line, I’d have had a lyrically identical modern-day translation that I precisely understood, helping reveal the emphasis and punch of each moment of my stage performance. Every actor would benefit from this compelling translation.” – PAAPA ESSIEDU
Tackling Othello? Easily understand every line and quickly master Shakespeare’s daunting text. Does Shakespeare’s 400-year-old language often leave you confused? Do you wish there was an easier way to get to the heart of the story without tedious cross-referencing? Award-winning Shakespearean author James Anthony unlocks each line of Othello via a modern, versified retelling alongside the brilliant original, empowering you to excel at this formidable text. In this book, you’ll discover: What each line of the complete original text means via a retelling printed directly below it. The precise meaning of each character motive, plot twist, convoluted phrase and befuddling reference. The rhythm and pacing Shakespeare uses to drive this classic story forward. How to form your own views by understanding the hidden subtleties of Shakespeare’s verse. How to sail through exams by quickly and easily transforming your knowledge of the text. Buy this Shakespeare Retold book today and enjoy Hamlet as you quickly learn this timeless masterpiece! PRAISE FOR SHAKESPEARE RETOLD "Schools and colleges will stamp and cheer with unrestrained gratitude and delight." – STEPHEN FRY “Tackling Hamlet for The Royal Shakespeare Company is arguably the most daunting role for any actor. For me, learning the words was the easy part; interpreting the nuances of the language and breathing life into the performance was brutally tough. James Anthony’s Shakespeare, Retold would have helped me immensely. For every line, I’d have had a lyrically identical modern-day translation that I precisely understood, helping reveal the emphasis and punch of each moment of my stage performance. Every actor would benefit from this compelling translation.” – PAAPA ESSIEDU
Romeo and Juliet by William Shakespeare,James Anthony Pdf
Tackling Romeo and Juliet? Easily understand every line and quickly master Shakespeare’s classic tragedy of young love and family feuding. Does Shakespeare’s 400-year-old language often leave you confused? Do you wish there was an easier way to get to the heart of the story without tedious cross-referencing? Award-winning Shakespearean author James Anthony unlocks each line of Romeo and Juliet via a modern, versified retelling alongside the brilliant original, empowering you to excel at this formidable text. In this book, you’ll discover: - What each line of the complete original text means via a retelling printed directly below it. - The precise meaning of each character motive, plot twist, convoluted phrase and befuddling reference. - The rhythm and pacing Shakespeare uses to drive this classic story forward. - How to form your own views by understanding the hidden subtleties of Shakespeare’s verse. - How to sail through exams by quickly and easily transforming your knowledge of the text. Buy this Shakespeare Retold book today and enjoy Romeo and Juliet as you quickly learn this timeless masterpiece! PRAISE FOR SHAKESPEARE RETOLD "Schools and colleges will stamp and cheer with unrestrained gratitude and delight." – STEPHEN FRY “Tackling Hamlet for The Royal Shakespeare Company is arguably the most daunting role for any actor. For me, learning the words was the easy part; interpreting the nuances of the language and breathing life into the performance was brutally tough. James Anthony’s Shakespeare, Retold would have helped me immensely. For every line, I’d have had a lyrically identical modern-day translation that I precisely understood, helping reveal the emphasis and punch of each moment of my stage performance. Every actor would benefit from this compelling translation.” – PAAPA ESSIEDU
Shakespeare’s Contested Nations by L. Monique Pittman Pdf
Shakespeare’s Contested Nations argues that performances of Shakespearean history at British institutional venues between 2000 and 2016 manifest a post-imperial nostalgia that fails to tell the nation’s story in ways that account for the agential impact of women and people of color, thus foreclosing promising opportunities to re-examine the nation’s multicultural past, present, and future in more intentional, self-critical, and truly progressive ways. A cluster of interconnected stage and televisual performances and adaptations of the history play canon illustrate the function that Shakespeare’s narratives of incipient "British" identities fulfill for the postcolonial United Kingdom. The book analyzes treatments of the plays in a range of styles—staged performances directed by Michael Boyd with the Royal Shakespeare Company (2000–2001) and Nicholas Hytner at the National Theatre (2003, 2005), the BBC’s Hollow Crown series (2012, 2016), the RSC and BBC adaptations of Wolf Hall and Bring Up the Bodies (2013, 2015), and a contemporary reinterpretation of the canon, Mike Bartlett’s King Charles III (2014, 2017). This book will be of great interest to scholars and students of Shakespeare, theatre, and politics.
Essential Shakespeare by Pamela Bickley,Jenny Stevens Pdf
An introductory critical study for first year undergraduates which bridges the gap between A Level and university study. The book offers an accessible overview of key critical perspectives, early modern contexts, and methods of close reading, as well as screen and stage performances spanning several decades. Organised around the discussion of fourteen major plays, it introduces readers to the diverse theoretical approaches typical of today's English studies. This is a go-to resource that can be consulted thematically or by individual play or genre. Critical approaches can overwhelm students who are daunted by the quantity and complexity of current scholarship; Bickley and Stevens are experienced teachers at both A and university level and are thus uniquely qualified to show how a mix of critical ideas can be used to inform ways of thinking about a play.
Shakespeare on screen : Macbeth by Sarah HATCHUEL,Nathalie VIENNE-GUERRIN,Victoria BLADEN Pdf
This addition to the Shakespeare on Screen series reveals the remarkable presence of Macbeth in the global Shakespearean screenscape. What is it about Macbeth that is capable of extending beyond Scottish contexts and speaking globally, locally and “glocally”? Does the extensive adaptive reframing ofMacbeth suggest the paradoxical irrelevance of the original play? After examining the evident topic of the supernatural elements—the witches and the ghost—in the films, the essays move from a revisitation of the well-known American screen versions, to an analysis of more recent Anglophone productions and to world cinema (Asia, France, South Africa, India, Japan, etc.). Questions of lineage and progeny are broached, then extended into the wider issues of gender. Finally, ballet remediations, filmic appropriations, citations and mises-en-abyme of Macbeth are examined, and the book ends with an analysis of a Macbeth script that never reached the screen. Ce nouvel ouvrage de la série « Shakespeare à l’écran » révèle la présence remarquable de Macbeth dans le paysage filmique shakespearien à l’échelle mondiale. Comment expliquer qu’une pièce dont l’intrigue est ancrée dans une nation, l’Écosse, ait pu être absorbée par des cultures aussi diverses ? Les multiples adaptations de Macbeth suggèrent-elles, de manière paradoxale, une moindre pertinence de la pièce originelle ? Après avoir exploré la représentation des éléments surnaturels (les sorcières et le fantôme), le volume revisite les films américains « canoniques », les productions anglophones plus récentes et les versions d’autres aires culturelles (Asie, France, Afrique du Sud, Inde, Japon, etc.) Les questions de lignée et de descendance sont abordées, puis prolongées dans des articles sur la représentation du genre. Les versions dansées, les appropriations, les citations et les mises en abyme de Macbeth sont ensuite analysées, et ce parcours mène à un étrange objet – un scénario non filmé.
Shakespearean Allusion in Crime Fiction by Lisa Hopkins Pdf
This book explores why crime fiction so often alludes to Shakespeare. It ranges widely over a variety of authors including classic golden age crime writers such as the four ‘queens of crime’ (Allingham, Christie, Marsh, Sayers), Nicholas Blake and Edmund Crispin, as well as more recent authors such as Reginald Hill, Kate Atkinson and Val McDermid. It also looks at the fondness for Shakespearean allusion in a number of television crime series, most notably Midsomer Murders, Inspector Morse and Lewis, and considers the special sub-genre of detective stories in which a lost Shakespeare play is found. It shows how Shakespeare facilitates discussions about what constitutes justice, what authorises the detective to track down the villain, who owns the countryside, national and social identities, and the question of how we measure cultural value.