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Shakespeare's Imagery and What It Tells Us by Caroline Spurgeon Pdf
2014 Reprint of 1958 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. Caroline Spurgeon is known as the first female university professor in London, the second in England. In 1935, Spurgeon wrote this pioneer study on the use of images in William Shakespeare's opus. In it she analyses the different types of images and motifs that he uses in his plays. She also shows that there is a "cluster," or there are several "clusters," of images in each of the major plays, for instance, illness and injury images in "Hamlet," and light and darkness images in "Romeo and Juliet." Remains a classic study to this day.
Shakespeare's Imagery and What It Tells Us by Caroline F. Spurgeon Pdf
This early work by Caroline F. Spurgeon was originally published in 1935 and we are now republishing it with a brand new introductory biography. 'Shakespeare's Imagery and What it Tells Us' is an in-depth work on the example, function, and use of imagery in the work of the great playwright. Caroline Spurgeon was born on 24 October 1869, in India. She was educated at Cheltenham Ladies College, England and at King's College, London and also University College London. In 1901 she became a member of the staff of Bedford College, London, and wrote two thesis on Chaucer. The first in 1911 which she wrote in Paris, 'Chaucer devant la critique', and the second, written in London in 1929, '500 years of Chaucer criticism and allusion.' In 1935, Spurgeon wrote the pioneer study on the use of images in William Shakespeare's Work, called 'Shakespeare's Imagery, and what it tells us.' In it she analyses the different types of images and motifs he uses in his plays. Spurgeon was also responsible for launching the well regarded English literature curriculum at the University of London.
Shakespeare's Imagery and What it Tells Us by Caroline F. E. Spurgeon Pdf
Caroline Spurgeon's pioneer study of the imagery of Shakespeare's plays shows how much light can be thrown on Shakespeare's own mind and thought and on the themes and characters of the plays by a detailed examination of his imagery. At the same time she contrasts Shakespeare with other dramatists of his time, including Marlowe, Bacon, Ben Jonson and Dekker.
Originally published in 1991. Collecting together commentary and critique on ‘the Scottish play’, this book showcases varied discussions of the text and the theatrical productions. From Samuel Johnson’s brief 1765 comment to the editor’s own piece on the Porter’s scene, the texts included here are popular important accounts of thoughts and scholarship on the play over the years. Some pieces address the most famous early Lady Macbeth – Mrs Siddons, while others look at a theme or specific issue such as Lady Macbeth’s children. This is a great sample of the voluminous body of work looking at the tragedy, considering its images, symbols, meanings and its challenges for the stage.
William Shakespeare's Macbeth by Alexander Leggatt Pdf
Containing annotated extracts from key sources, this guide to William Shakespeare's Macbeth explores the heated debates that this play has sparked. Looking at issues, such as the representation of gender roles, political violence and the dramatisation of evil, this volume provides a way through the wealth of contextual and critical material that surrounds Shakespeare's text.
The Development of Shakespeare's Imagery by Wolfgang Clemen Pdf
First published in 1951. The edition reprints the second, updated, edition, of 1977. When first published this book quickly established itself as the standard survey of Shakespeare's imagery considered as an integral part of the development of Shakespeare's dramatic art. By illustrating, through the use of examples the progressive stages of Shakespeare's use of imagery, and in relating it to the structure, style and subject matter of the plays, the book throws new light on the dramatist's creative genius. The second edition includes a new preface and an up-to-date bibliography.
The Development of Shakespeare's Imagery by Wolfgang Clemen Pdf
First published in 1951. The edition reprints the second, updated, edition, of 1977. When first published this book quickly established itself as the standard survey of Shakespeare's imagery considered as an integral part of the development of Shakespeare's dramatic art. By illustrating, through the use of examples the progressive stages of Shakespeare's use of imagery, and in relating it to the structure, style and subject matter of the plays, the book throws new light on the dramatist's creative genius. The second edition includes a new preface and an up-to-date bibliography.
Questioning Bodies in Shakespeare's Rome by Maria Del Sapio Garbero Pdf
Ancient Rome has always been considered a compendium of City and World. In the Renaissance, an era of epistemic fractures, when the clash between the 'new science' (Copernicus, Galileo, Vesalius, Bacon, etcetera) and the authority of ancient texts produced the very notion of modernity, the extended and expanding geography of ancient Rome becomes, for Shakespeare and the Elizabethans, a privileged arena in which to question the nature of bodies and the place they hold in a changing order of the universe. Drawing on the rich scenario provided by Shakespeare's Rome, and adopting an interdisciplinary perspective, the authors of this volume address the way in which the different bodies of the earthly and heavenly spheres are re-mapped in Shakespeare's time and in early modern European culture. More precisely, they investigate the way bodies are fashioned to suit or deconstruct a culturally articulated system of analogies between earth and heaven, microcosm and macrocosm. As a whole, this collection brings to the fore a wide range of issues connected to the Renaissance re-mapping of the world and the human. It should interest not only Shakespeare scholars but all those working on the interaction between sciences and humanities.
In Shakespeare’s Language, Keith Johnson offers an overview of the rich and dynamic history of the reception and study of Shakespeare’s language from his death right up to the present. Tracing a chronological history of Shakespeare’s language, Keith Johnson also picks up on classic and contemporary themes, such as: lexical and digital studies original pronunciation rhetoric grammar. The historical approach provides a comprehensive overview, plotting the attitudes towards Shakespeare’s language, as well as a history of its study. This approach reveals how different cultural and literary trends have moulded these attitudes and reflects changing linguistic climates; the book also includes a chapter that looks to the future. Shakespeare’s Language is therefore not only an essential guide to the language of Shakespeare, but it offers crucial insights to broader approaches to language as a whole.