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Author : Graham Bradshaw,Tom Bishop,Mark Turner
Publisher : Unknown
Page : 0 pages
File Size : 42,5 Mb
Release : 2004
Category : Electronic
ISBN : OCLC:879152101
Author : E. Pechter
Publisher : Springer
Page : 238 pages
File Size : 55,9 Mb
Release : 2011-06-06
Category : Literary Criticism
ISBN : 9780230119369
The Romantics invented Shakespeare studies, and in losing contact with our origins, we have not been able to develop an adequate alternative foundation on which to build our work. This book asserts that among Shakespeareans at present, the level of conviction required to sustain a healthy critical practice is problematically if not dangerously low, and the qualities which the Romantics valued in an engagement with Shakespeare are either ignored these days or fundamentally misunderstood.
Author : Graham Bradshaw,Tom Bishop,Mark Turner
Publisher : Ashgate Publishing
Page : 392 pages
File Size : 53,8 Mb
Release : 2004
Category : Electronic
ISBN : STANFORD:36105119840044
With this volume, The Shakespearean International Yearbook inaugurates a new feature-a special section, which in this issue is 'shakespeare in the Age of Cognitive Science.' The guest editor for the section is Mark Turner, Institute Professor, Dean of the College of Arts and Sciences, and Interim Chair, Department of Cognitive Science at Case Western Reserve University, USA. The Shakespearean International Yearbook continues to provide an annual survey of important issues and new developments in contemporary Shakespeare research. Representing truly international perspectives on Shakespeare studies, in this issue contributors come from not only the US and the UK but also Japan, Denmark, Canada, and Australia. They appraise or reappraise current thinking about such diverse matters as scepticism, ethnicity, performance, theatrical and textual practices, and translations or adaptations. Essays on the plays and poems tend to focus on 'where we are now', and what has changed, is changing, or ought to change.
Author : Mark Turner
Publisher : Routledge
Page : 354 pages
File Size : 53,9 Mb
Release : 2017-11-30
Category : Literary Criticism
ISBN : 9781351145305
This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and fashioned through a Renaissance awareness that needs to be recognized as European, and that has had effects and afterlives across the Continent. Guest editors Ton Hoenselaars and Clara Calvo have constructed this section to highlight both how the spread of 'Shakespeare' throughout Europe has brought together the energies of a wide variety of European cultures across several centuries, and how the inclusion of Shakespeare in European culture has been not only a European but also a world affair. The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies. Contributors to this issue come from the US and the UK, Spain, Switzerland and South Africa, Canada, The Netherlands, India, Portugal, Greece, France, and Hungary. In addition to the section on European Shakespeares, this volume includes essays on the genre of romance, issues of character, and other topics.
Author : J. Leeds Barroll
Publisher : Fairleigh Dickinson Univ Press
Page : 304 pages
File Size : 46,8 Mb
Release : 1995
Category : Drama
ISBN : 0838636403
Shakespeare Studies is an international volume published every year in hardcover, containing more than three hundred pages of essays and studies by critics from both hemispheres.
Author : John. M Mucciolo,William R Elton
Publisher : Routledge
Page : 392 pages
File Size : 41,9 Mb
Release : 2017-11-22
Category : Social Science
ISBN : 9781351742962
This title was first published in 2002. This second volume of The Shakespearean International Yearbook continues the work of assessing the present state of Shakespeare studies in the new millennium. Comprising 20 essays by distinguished scholars from North America, the UK and Australia, it is divided into sections on criticism and theory; text, textuality and technology; Renaissance ideas and conventions; and Shakespeare and the city. The essays address issues that are fundamental to our interpretive encounter with Shakespeare, including those of gender and sexuality, the staging of plays, and historical research on matters such as the monarchy, language, religion, and the law.
Author : Evelyn Gajowski
Publisher : Bloomsbury Publishing
Page : 385 pages
File Size : 46,9 Mb
Release : 2020-10-15
Category : Literary Criticism
ISBN : 9781350093232
The Arden Research Handbook of Contemporary Shakespeare Criticism is a wide-ranging, authoritative guide to research on critical approaches to Shakespeare by an international team of leading scholars. It contains chapters on 20 specific critical practices, each grounded in analysis of a Shakespeare play. These practices range from foundational approaches including character studies, close reading and genre studies, through those that emerged in the 1970s and 1980s that challenged the preconceptions on which traditional liberal humanism is based, including feminism, cultural materialism and new historicism. Perspectives drawn from postcolonial, queer studies and critical race studies, besides more recent critical practices including presentism, ecofeminism and cognitive ethology all receive detailed treatment. In addition to its coverage of distinct critical approaches, the handbook contains various sections that provide non-specialists with practical help: an A–Z glossary of key terms and concepts, a chronology of major publications and events, an introduction to resources for study of the field and a substantial annotated bibliography.
Author : Richard van Oort
Publisher : University of Toronto Press
Page : 272 pages
File Size : 42,6 Mb
Release : 2016-01-01
Category : History
ISBN : 9781442650077
Shakespeare's Big Men examines five Shakespearean tragedies - Julius Caesar, Hamlet, Othello, Macbeth, and Coriolanus - through the lens of generative anthropology and the insights of its founder, Eric Gans. Generative anthropology's theory of the origins of human society explains the social function of tragedy: to defer our resentment against the "big men" who dominate society by letting us first identify with the tragic protagonist and his resentment, then allowing us to repudiate the protagonist's resentful rage and achieve theatrical catharsis. Drawing on this hypothesis, Richard van Oort offers inspired readings of Shakespeare's plays and their representations of desire, resentment, guilt, and evil. His analysis revives the universal spirit in Shakespearean criticism, illustrating how the plays can serve as a way to understand the ethical dilemma of resentment and discover within ourselves the nature of the human experience.
Author : David Ruiter
Publisher : Bloomsbury Publishing
Page : 353 pages
File Size : 43,5 Mb
Release : 2020-11-26
Category : Drama
ISBN : 9781350140370
The Arden Research Handbook of Shakespeare and Social Justice is a wide-ranging, authoritative guide to research on Shakespeare and issues of social justice and arts activism by an international team of leading scholars, directors, arts activists, and educators. Across four sections it explores the relevance and responsibility of art to the real world ? to the significant teaching and learning, performance and practice, theory and economies that not only expand the discussion of literature and theatre, but also open the gates of engagement between the life of the mind and lived experience. The collection draws from noted scholars, writers and practitioners from around the globe to assert the power of art to question, disrupt and re-invigorate both the ties that bind and the barriers that divide us. A series of interviews with theatre practitioners and scholars opens the volume, establishing an initial portfolio of areas for research, exploration, and change. In Section 2 'The Practice of Shakespeare and Social Justice' contributors examine Shakespeare's place and possibilities in intervening on issues of race, class, gender and sexuality. Section 3 'The Performance of Shakespeare and Social Justice' traces Shakespeare and social justice in multiple global contexts; engaging productions grounded in the politics of Mexico, India, South Africa, China and aspects of Asian politics broadly, this section illuminates the burgeoning field of global production while keeping as a priority the political structures that make advocacy and resistance possible. The last section on 'Economies of Shakespeare' describes socio-economic and community issues that come to light in Shakespeare, and their potential to catalyse ongoing discussion and change in respect to wealth, distribution, equity, and humanity. An annotated bibliography provides further guidance to those researching the subject.
Author : Charles LaPorte
Publisher : Cambridge University Press
Page : 227 pages
File Size : 48,6 Mb
Release : 2020-11-05
Category : Drama
ISBN : 9781108496155
How and why did Victorian culture make Shakespeare into a literary deity and his work into a secular Bible?
Author : Robert Ormsby,Valerie Clayman Pye
Publisher : Taylor & Francis
Page : 322 pages
File Size : 53,8 Mb
Release : 2022-08-19
Category : Drama
ISBN : 9780429619083
Shakespeare and Tourism provides a dialogical mapping of Shakespeare studies and touristic theory through a collection of essays by scholars on a wide range of material. This volume examines how Shakespeare tourism has evolved since its inception, and how the phenomenon has been influenced and redefined by performance studies, the prevalence of the World Wide Web, developments in technology, and the globalization of Shakespearean performance. Current scholarship recognizes Shakespearean tourism as a thriving international industry, the result of centuries of efforts to attribute meanings associated with the playwright’s biography and literary prestige to sites for artistic pilgrimage and the consumption of cultural heritage. Through bringing Shakespeare and tourism studies into more explicit contact, this collection provides readers with a broad base for comparisons across time and location, and thereby encourages a thorough reconsideration of how we understand both fields.
Author : Valerie Traub
Publisher : Oxford University Press
Page : 816 pages
File Size : 40,5 Mb
Release : 2016-09-08
Category : Drama
ISBN : 9780191019739
The Oxford Handbook of Shakespeare and Embodiment brings together 42 of the most important scholars and writing on the subject today. Extending the purview of feminist criticism, it offers an intersectional paradigm for considering representations of gender in the context of race, ethnicity, sexuality, disability, and religion. In addition to sophisticated textual analysis drawing on the methods of historicism, psychoanalysis, queer theory, and posthumanism, a team of international experts discuss Shakespeare's life, contemporary editing practices, and performance of his plays on stage, on screen, and in the classroom. This theoretically sophisticated yet elegantly written Handbook includes an editor's Introduction that provides a comprehensive overview of current debates.
Author : Peter G. Platt
Publisher : Routledge
Page : 308 pages
File Size : 55,9 Mb
Release : 2016-04-01
Category : Literary Criticism
ISBN : 9781317056522
Exploring Shakespeare's intellectual interest in placing both characters and audiences in a state of uncertainty, mystery, and doubt, this book interrogates the use of paradox in Shakespeare's plays and in performance. By adopting this discourse-one in which opposites can co-exist and perspectives can be altered, and one that asks accepted opinions, beliefs, and truths to be reconsidered-Shakespeare used paradox to question love, gender, knowledge, and truth from multiple perspectives. Committed to situating literature within the larger culture, Peter Platt begins by examining the Renaissance culture of paradox in both the classical and Christian traditions. He then looks at selected plays in terms of paradox, including the geographical site of Venice in Othello and The Merchant of Venice, and equity law in The Comedy of Errors, Merchant, and Measure for Measure. Platt also considers the paradoxes of theater and live performance that were central to Shakespearean drama, such as the duality of the player, the boy-actor and gender, and the play/audience relationship in the Henriad, Hamlet, As You Like It, Twelfth Night, Antony and Cleopatra, The Winter's Tale, and The Tempest. In showing that Shakespeare's plays create and are created by a culture of paradox, Platt offers an exciting and innovative investigation of Shakespeare's cognitive and affective power over his audience.
Author : Una Ellis-Fermor
Publisher : Routledge
Page : 216 pages
File Size : 54,5 Mb
Release : 2013-10-11
Category : Literary Criticism
ISBN : 9781136560200
First published in 1961. On her death, Professor Ellis-Fermor left behind some uncollected essays and part of a book on Shakespeare the Dramatist. This volume includes the chapters of the unfinished work and three further articles on Shakespeare. It discusses Shakespeare's methods with regard to plot, character, diction, and imagery and it contains comparative analysis of Shakespeare with other dramatists, including Ibsen and Corneille.
Author : Neema Parvini
Publisher : Edinburgh University Press
Page : 256 pages
File Size : 45,9 Mb
Release : 2017-11-01
Category : LITERARY CRITICISM
ISBN : 9781474423540
Shakespeare's History Plays boldly moves criticism of Shakespeare's history plays beyond anti-humanist theoretical approaches. This important intervention in the critical and theoretical discourse of Shakespeare studies summarises, evaluates and ultimately calls time on the mode of criticism that has prevailed in Shakespeare studies over the past thirty years. It heralds a new, more dynamic way of reading Shakespeare as a supremely intelligent and creative political thinker, whose history plays address and illuminate the very questions with which cultural historicists have been so preoccupied since the 1980s. In providing bold and original readings of the first and second tetralogies (Henry VI, Richard III, Richard II and Henry IV, Parts 1 & 2), the book reignites old debates and re-energises recent bids to humanise Shakespeare and to restore agency to the individual in the critical readings of his plays
