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Chinese Short Stories For Beginners by Lingo Mastery Pdf
Chinese Short Stories For Beginners is an excellent resource for Chinese (Mandarin) learners in the HSK1 to HSK 3 range. The book provides the student with 20 short stories in Chinese along with English and Pinyin parallel text.
Chinese Short Stories by Daily Language Learning Pdf
What is the best way to learn Chinese? We should remember how we learned our own language when we were children. If we could learn a second language in the same way, it would not seem so difficult.
A dual-language edition of Chinese stories—many appearing in English for the first time This new volume of eight short stories offers students at all levels the opportunity to enjoy a wide range of contemporary literature from the world’s most spoken language, without having to constantly to refer back to a dictionary. The stories—many of which appear here in English for the first time—are by well-known writers as well as emerging voices. From a story by Li Rui about the honest simplicity of a Shanxi farmer to one by Ma Yuan exposing the seamy underside of contemporary urban society, they are infused with both rural dialect and urban slang and feature a wide range of styles and points of view. Complete with notes, the stories make excellent reading in either language. Note: For each short story in this eBook edition, the full English translation is followed by its original Chinese text.
Advanced Reader of Contemporary Chinese Short Stories by Anonim Pdf
This reader for advanced students of Chinese presents ten post-1990 short stories by prominent writers such as Su Tong and Yu Hua, whose novels Raise the Red Lantern and To Live served as the basis for internationally acclaimed films. With its captivating content dealing with current social issues, it fills a gap in the literature for advanced language students who are eager to read extensively in “real” literature. Vocabulary lists free the student from the chore of constantly consulting a dictionary while reading, grammar and usage examples highlight new patterns, and questions for discussion explore the literary content. This all-fiction collection of contemporary works can be used as a text in language or literature courses or can be read independently.
HSK 1 STORYBOOK SECOND EDITION This book consists of 15 short stories written in Simplified Chinese and pinyin. The purpose of this book is to provide readers with reading materials to practice their reading skills as well as an introduction to more extended sentence structure and longer articles. This book has all the vocabularies in HSK 1. If you finish the book, you would have practiced your reading skill on all the vocabularies in HSK 1. I have tried to restrict the vocabularies used in this book to HSK 1 as far as possible. Where it is not possible, I have introduced limited new words in the story. If you have learned all the HSK 1 Vocabulary and completed the Standard Course Book for HSK 1 by Jiang Liping, you would be able to read about 90% of this book without learning new words. You may also download the audio files for free with the link and password provided on the last page of the book. The password in this book will also give you access to other materials such as HSK Vocabulary Writing Practice Sheet (with stroke order) and printable HSK Vocabulary with audio files. Lastly, I am sorry to disappoint those who enjoy reading a book with pictures because this book has no picture, only words. For the rest who doesn’t like the distraction of pictures, I hope you will enjoy reading this book. If you have any feedback or would like to download sample chapters of this book, please feel free to visit https://allmusing.net.
Conversational Chinese Dialogues by Lingo Mastery Pdf
Conversational Chinese Dialogues is packed with over 100 dialogues in Chinese with both pinyin and English translations which makes this an excellent immersion tool for Chinese (Mandarin) language learners.
A Reflection of Reality by Chih-p'ing Chou,Liping Yu,Joanne Chiang Pdf
A Reflection of Reality is an anthology of modern Chinese short stories designed as an advanced-level textbook for students who have completed at least three years of college-level Chinese. While many advanced-level Chinese language textbooks stress only practical communication, this textbook uses stories from well-known Chinese authors not only to enhance students' language proficiency, but also to expose students to the literature, history, and evolution of modern Chinese society. The twelve stories selected for this textbook are written by such contemporary authors as Yu Hua, Wang Anyi, and Gao Xingjian, and have appeared in various newspapers and magazines in China. Each story is filled with useful sentence structures, vocabulary, and cultural information, and is followed by an extensive vocabulary list, numerous sentence structure examples, grammar exercises, and discussion questions. The textbook also includes a comprehensive pinyin index. A Reflection of Reality will effectively improve students' Chinese language skills and their understanding of today's China. Advanced-level Chinese language textbook Selected short stories reflect contemporary Chinese society and culture Extensive vocabulary lists, sentence structure examples, grammar exercises, and discussion questions Comprehensive pinyin index
This book presents Chinese short-short stories in English and Chinese, integrating language learning with cultural studies for intermediate to advanced learners of Mandarin Chinese and students of contemporary Chinese literature. Each chapter begins with a critical introduction, followed by two or more stories in parallel Chinese and English texts; each story is followed by a vocabulary list, discussion questions, and a biography of the author. The chapters are organized around central concepts in Chinese culture such as li (ritual), ren (benevolence), mianzi (face/prestige), being filial, and the dynamics of yin and yang, as well as the themes of governance, identity, love, marriage, and change. The stories selected are short-shorts by important contemporary writers ranging from the most literary to everyday voices. Specifically designed for use in upper-level Chinese language courses, Contemporary Chinese Short-Short Stories: A Parallel Text offers students a window onto China today and pathways to its traditions and past as they gain language competence and critical cultural skills.
Toward the North by Hua Laura Wu,Xueqing Xu,Corinne Bieman Davies Pdf
Toward the North is the first anthology of thirteen short fiction pieces written and translated by Chinese-Canadian writers during the last two decades, each of which depicts the contemporary lives of new Chinese immigrants to Canada, and illustrates newcomers' perspectives of multicultural Canada. The theme of the anthology is Chinese transnational and cross-cultural life experience. A fundamental concern shared by most of the authors is to redefine their characters' cultural identity in their acculturation across times and space. In these stories, the exploration of the relationship between Chinese immigrants and Canadians extends beyond "yellow"/"white" binary model, revealing interactions between the Chinese and other ethnic communities. Struggles between cultural assimilation and resistance are vividly and captivatedly portrayed. The authors' approaches to their characters' life experience of culture's in-between displays an intriguing diversity both in content and in styles.
Finally a book to help you read original Chinese literature. Footnotes highlight the more difficult vocabulary and pinyin is provided for the entire text. There is no need to constantly consult a dictionary or look up difficult characters by radical. Historical events, people and places are explained throughout and illustrations recreate the scenes.
Straw Sandals; Chinese Short Stories, 1918-1933 by Harold Robert Isaacs Pdf
Straw Sandalsis a collection of 23 stories, a play, and a poem by 16 Chinese writers selected to represent the radical literature produced in China between 1918 and 1933. It was assembled in Peking in 1934 by Harold R. Isaacs with the advice and guidance of Lu Hsun, China's foremost literary figure of this century, and Mao Tun, leading novelist of the younger group that had gathered around Lu Hsun in those tumultuous years. The first half of the collection, including several of Lu Hsun's most famous stories, typifies work that appeared in the first years of China's modern cultural renaissance—short stories written in vernacular Chinese that rejected surviving Chinese traditionalism with its philosophic and social outlooks, its rules of behavior for family life and relationships between men and women. The second group of stories represents the growing ideological and political turbulence of the 1920s and 1930s. Straw Sandalsis introduced by Professor Isaacs, who describes the historical setting in which this short-lived and violence-ridden literary movement tried to make its way. He vividly presents the Shanghai of that period, where many of these writers struggled to pursue their craft and were caught between the pressures of Kuomintang repression (many were imprisoned and executed) and the demands for total conformity inside the Communist movement. His account adds an ironic perspective to the collection in light of all that has happened since that time—for the writers who survived Kuomintang repression and the war against Japan to see the Communist victory they had fought so hard and so long to bring about ultimately fell in their turn in the repeated purges that marked the Communist regime's imposition of total control over all art and literature. The English translations of a number of these stories first appeared in the China Forum,a journal that Professor Isaacs edited and published in Shanghai from 1932 to 1934. They were made by a distinguished Chinese language scholar, the late George A. Kennedy, while he was teaching in a Shanghai school. The rest of the collection was translated by several Chinese collaborators and then edited by Isaacs. The book includes updated biographical notes on the writers, many of which were originally supplied by the writers themselves, and an appendix, Mao Tun's "Notes on Chinese Left-wing Literary Magazines."
