Shot Through Velvet Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Shot Through Velvet book. This book definitely worth reading, it is an incredibly well-written.
Fashion reporter Lacey Smithsonian is touring a failing velvet factory in Virginia on its final day of operations-and finds one of the factory owners dead, lashed to a spool of velvet and soaked in blue dye. The workers are delighted, since they blamed the "Blue Devil" for killing their jobs. But when another nickname, the "Velvet Avenger", makes the rounds, and ribbons of blue velvet start popping up, it could be more than Lacey's job at stake-it could be her life...
Loren Randolph returns home from a business trip to find the one hundred year old ancestral home located in a small town on the coast of California burned to the ground and a body inside identified as her husband, John. She blames herself for neglecting the grand old house, left to her by her grandmother, and for the loss of her grandmother's art collection and her many priceless antiques. Then an item that should have been in the house turns up at an auction, and Cam Montogmery, a San Francisco lawyer, appears in town looking for her husband under another name. When the local police chief shows that the body is not Loren's husband, she tries to locate him. She is shocked to hear that over a year before the fire, John quit the firm where he said he was employed. It is clear he has no intention of confiding in her and may be involved in illegal actions involving her grandmother's wealth. When Cam's apartment is blown up and an attempt on Loren's life is barely averted, the two begin to pool information to try to save themselves, find John and alleviate the chaos John has created.
Discover the science of forensics through Agatha Christie's novels in the ultimate true crime investigation Agatha Christie is the bestselling novelist of all time, and nearly every story she ever wrote involves one—or, more commonly, several—dead bodies. And the cause of death, the motives behind violent crimes, the clues that inevitably are left behind, and the people who put the pieces together to solve the mystery invite the reader to analyze the evidence and race to find the answer before the detective does. Nearly every step of the way, Christie outlines the nuts and bolts of early 20th-century crime detection, relying on physical evidence to tell the real story behind the facades humans erect to escape detection. Christie wouldn't have talked of "forensics" as it is understood today—most of her work predates the modern developments of forensics science—but in each tale she harnesses the power of human observation, ingenuity, and scientific developments of the era. A fascinating, science-based deep dive, The Science of Murder examines the use of fingerprints, firearms, handwriting, blood spatter analysis, toxicology, and more in Christie's beloved works. What readers are saying: "Highly entertaining with many fascinating snippets of insider information about real life criminal cases. This is a must for Christie fans." "Thoroughly researched and a delight to read!" "A wealth of information and knowledge to help give an insight to the golden age of crime fiction." "Absolutely brilliant book that looks at how Agatha Christie made use of developments in forensic science in her novels and upgraded her understanding over time." "Agatha Christie is one of my favorite authors, unparalleled in her clever plots and twisting tales. She was also a forensic expert, weaving into her novels human observation, ingenuity and genuine science of the era. This book illuminates all of Agatha's incredible knowledge, showing how she stayed at the cutting edge of forensic knowledge, as seen through her much loved characters."
Flemish Manuscript Painting in Context by Elizabeth Morrison,Thomas Kren Pdf
A companion to the Getty’s prize-winning exhibition catalogue Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, this volume contains thirteen selected papers presented at two conferences held in conjunction with that exhibition. The first was organized by the Getty Museum, and the second was held at the Courtauld Institute of Art under the sponsorship of the Courtauld Institute and the Royal Academy of Arts. Added here is an essay by Margaret Scott on the role of dress during the reign of Charles the Bold. Texts include Lorne Campbell’s research into Rogier van der Weyden’s work as an illuminator, Nancy Turner’s investigation of materials and methods of painting in Flemish manuscripts, and trenchant commentary by Jonathan Alexander and James Marrow on the state of current research on Flemish illumination. A recurring theme is the structure of collaboration in manuscript production. The essays also reveal an important new patron of manuscript illumination and address the role of illuminated manuscripts at the Burgundian court. A series of biographies of Burgundian scribes is featured.
