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Showcase (1956-) #4 by John Broome,Bob Kanigher Pdf
The first appearance and origin of the Silver Age Flash, Barry Allen, and his wife, Iris West! This issue officially begins the Silver Age of comics with Barry Allen serving as the first DC Silver Age superhero!
The very first appearance of one of DC's greatest heroes, Hal Jordan! Test pilot Hal Jordan traces a downed aircraft to the Southwest desert, where he finds the dying alien being, Abin Sur, one of the Green Lantern Corps, whose ring chooses Hal to be Earth's new Green Lantern! Plus, “THE SECRET OF THE FLAMING SPEAR!” and “THE MENACE OF THE RUNAWAY MISSLE!”
American Comic Book Chronicles by William Schelly,Bill Schelly Pdf
1950 : Variety on the newstand -- 1951 : Before the storm -- 1952 : Expansion -- 1953 : EC soars, Fawcett crashes -- 1954 : Comics in crisis -- 1955 : Censored! -- 1956 : Birth of the silver age -- 1957 : Turbulence and transition -- 1958 : National takes the lead -- 1959 : The silver age gains traction
DC Showcase Presents All Star Comics by Paul Levitz Pdf
Written by PAUL LEVITZ and GERRY CONWAY Art by WALLACE WOOD, JOE STATON and others Cover by BRIAN BOLLAND The JSA's 1970s adventures from ALL-STAR COMICS #58-74 and ADVENTURE COMICS #461-466 are collected in a value-priced Showcase edition! Don't miss the team's battles with the Psycho-Pirate, Vandal Savage, the Injustice Society and more. On sale SEPTEMBER 21 - 448 pg, B&W, $19.99 US
Appealing to the casual comic book reader as well as the hardcore graphic novel fan, this ultimate AtoZ compendium describes everyone’s favorite participants in the eternal battle between good and evil. With nearly 200 entries examining more than 1,000 heroes, icons and their place in popular culture, it is the first comprehensive profile of superheroes across all media, following their path from comic book stardom to radio, television, movies, and novels. The best-loved and most historically significant superheroes—mainstream and counterculture, famous and forgotten, best and worst—are presented with numerous full-color illustrations, including dozens of classic comic covers. Each significant era of the superhero is explored—from the Golden Age of the 1930s, 1940s, and 1950s through the Modern Age—providing a unique perspective of the role of the hero over the course of the 20th century and beyond. This latest edition has been revised to reflect updates on existing characters, coverage of new characters, and recent films and media trends in the last several years.
A childhood comic book fan turned comic book retailer, the author soon discovered the prevalence of scams in the world of comics collecting. This book is his tutorial on how to collect wisely and reduce risks. Drawing on skills learned from twenty years with the San Diego Police Department and as a Comic-Con attendee since 1972, he covers in detail the history and culture of collecting comic books and describes the pitfalls, including common deceptions of grading and pricing, as well as theft, and mail and insurance fraud.
Since the release of Christopher Nolan’s Batman Begins in 2005, there has been a pronounced surge in alternative uses of the computer term ‘reboot,’ a surge that has witnessed the term deployed in new contexts and new signifying practices, involving politics, fashion, sex, nature, sport, business, and media. As a narrative concept, however, reboot terminology remains widely misused, misunderstood, and misinterpreted across popular, journalistic, and academic discourses, being recklessly and relentlessly solicited as a way to describe a broad range of narrative operations and contradictory groupings, including prequels, sequels, adaptations, revivals, re-launches, generic ‘refreshes,’ and enactments of retroactive continuity. Adopting an inter-disciplinary approach that fuses cultural studies, media archaeology, and discursive approaches, this book challenges existing scholarship on the topic by providing new frameworks and taxonomies that illustrate key differences between reboots and other ‘strategies of regeneration,’ helping to spotlight the various ways in which the culture industries mine their intellectual properties in distinct and novel ways to present them anew. Reboot Culture: Comics, Film, Transmedia is the first academic study to critically explore and interrogate the reboot phenomenon as it emerged historically to describe superhero comics that sought to jettison existing narrative continuity in order to ‘begin again’ from scratch.of franchising in the twenty-first century. of franchising in the twenty-first century. /div