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An exploration of the life and artworks of the internationally renowned Cape Dorset artist Shuvinai Ashoona, whose fantastical drawings have overturned stereotypical notions of Inuit art and questioned contemporary understanding of Arctic-based Canadian culture.
Three Women, Three Generations by Jean Blodgett,Pitseolak,Marybelle Mitchell,Napachie Pootoogook,Leslie Boyd,Pat Tobin,McMichael Canadian Art Collection,Shuvinai Ashoona Pdf
This is an illustrated oral biography created from recorded interviews by Dorothy Harley Eber in 1970. In these interviews, and through her drawings and prints, Pitseolak makes what Inuit call the old way come alive, reflecting on life on the land, its pleasure and trials. Her story later became an NFB animated documentary. This second edition, appearing more than 30 years after the first, contains additional drawings and prints by Pitseolak Ashoona and a new introduction by Eber that provides more information about the artist and the circumstances under which her groundbreaking oral biography came about. Pitseolak Ashoona, who died in 1983, was known for lively prints and drawings showing the things we did long ago before there were many white men and for imaginative renderings of spirits and monsters. She began creating prints in the late 1950s after James Houston started printmaking experiments at Cape Dorset, creating several thousand images of traditional Inuit life. Pitseolak Ashoona was elected a member of the Royal Canadian Academy of Arts in 1974 and was also a member of the Order of Canada.
Here, Now by John P. Lukavic,Dakota Hoska,Christopher Patrello Pdf
Two hundred masterpieces of Indigenous art from North America, accompanied by essays on the collection and the current issues affecting Indigenous communities. Here, Now: Indigenous Arts of North America at the Denver Art Museum features two hundred of the Denver Art Museum's most notable Indigenous artworks. Aimed at both longtime fans of Indigenous arts and those coming to them for the first time, this expansive book reinterprets the collection and offers new insights into the historic and contemporary work of Indigenous artists. The artworks--covering a range of media, artistic traditions, and time periods--are organized geographically and invite readers to make connections between the artworks and the places they were produced. The book also includes contributions by Indigenous authors reflecting on the collection and the current issues that affect contemporary Indigenous communities. Contributors include John P. Lukavic, Dakota Hoska (Oglála Lakȟóta), and Christopher Patrello; with Kathleen Ash-Milby (Navajo), Susan Billy (Hopland Band of Pomo Indians), Jeffrey Chapman (White Earth Ojibwe), Jordan Poorman Cocker (Kiowa/Tongan), Jasha Lyons Echo-Hawk (Seminole/Pawnee), Nicholas Galanin (Tlingit/ Unangax̂), Joe Horse Capture (A'aniiih), Terrance Jade (Oglála Lakȟóta), Zachary R. Jones, Sascha Scott, Rose Simpson (Santa Clara), Daniel C. Swan, and Norman Vorano. The book opens with a contribution from United States Poet Laureate Joy Harjo.
Cape Dorset-born Annie Pootoogook (1969-2016) explored, celebrated, and depicted her northern community in unprecedented ways. Pootoogook belonged to a family of famed Inuit artists that included her parents Eegyvudluk and Napachie, and her grandmother, the celebrated Pitseolak Ashoona. In 1997, Pootoogook started working at the West Baffin Eskimo Co-operative's Kinngait Studios, where she produced drawings in ink and crayon on a monumental scale. In addition to depicting scenes of everyday life in the North--including people watching TV, playing cards, shopping, or cooking dinnerh--Pootoogook depicted such difficult subjects as alcoholism, domestic abuse, food scarcity, and the effects of intergenerational trauma. Pootoogook's compelling drawings resulted in her national and international recognition. Author Nancy G. Campbell reveals how the strength of Pootoogook's work speaks not to what she saw but the way she saw it, and how her distinct images of nude women, spiritual encounters, and domestic scenes led the way for the works of many contemporary Inuit artists.
The Polar World combines fantasy and reality: giant squids, hybrids, and humanoid figures dance across Ashoona's sensual vistas, lending a surreal quality to her work. Springing her imagination but rooted in the landscape of her Kinngait home, The Polar World combines Ashoona's drawings from her 2017 exhibition with a narrative by Andrew Hunter.
"In The Ethics of Earth Art, Amanda Boetzkes analyzes the development of the earth art movement, arguing that such diverse artists as Robert Smithson, Ana Mendieta, James Turrell, Jackie Brookner, Olafur Eliasson, Basia Irland, and Ichi Ikeda are connected through their elucidation of the earth as a domain of ethical concern. Boetzkes contends that in basing their works' relationship to the natural world on receptivity rather than representation, earth artists take an ethical stance that counters both the instrumental view that seeks to master nature and the Romantic view that posits a return to a mythical state of unencumbered continuity with nature. By incorporating receptive surfaces into their work - film footage of glaring sunlight, an aperture in a chamber that opens to the sky, or a porous armature on which vegetation grows - earth artists articulate the dilemma of representation that nature presents."--pub. desc.
18th Biennale of Sydney 2012 by M. Catherine de Zegher,Gerald McMaster Pdf
The most exciting contemporary visual arts event in the Asia-Pacific region, the 18th Biennale of Sydney, will take place from 27 June - 16 September 2012. This full-colour catalogue provides a comprehensive overview of the exhibition, its artists and the ideas that inform it.
Oh, Canada by Denise Markonish,Massachusetts Museum of Contemporary Art Pdf
"The fact that Canada has a vibrant contemporary art scene is no secret to Canadians, but in other parts of the world, including the United States, this is not as recognized as it deserves to be. This wide-ranging, comprehensive survey of contemporary Canadian art, showcasing the work of artists from all across the country, will change that. These artists include those who have risen to international prominence - Michael Snow, Garry Neill Kennedy, and Marcel Dzama, among others - as well as many artists who have yet to be discovered outside Canada.
Author : Canada. Indian and Northern Affairs Canada Publisher : Affaires indiennes et du Nord Canada Page : 36 pages File Size : 44,8 Mb Release : 1988 Category : Eskimo art ISBN : MSU:31293005704246
Canadian Inuit Sculpture by Canada. Indian and Northern Affairs Canada Pdf
Booklet giving a brief outline of Inuit sculpture from the Dorset culture (c. 600 B.C.-1,000 A.D.) and Thule culture to the present day and discussing themes, styles and materials used in the different regions of the Canadian Arctic.
Inuit Modern by Ingo Hessel,Dorothy Eber,Art Gallery of Ontario Pdf
A gorgeous retrospective on the transformation of Inuit art in the 20th century, mirroring the vast and poignant cultural changes in the North. In response to a rapidly changing Arctic environment, Inuit have had to cope with the transition from a traditional lifestyle to the disturbing realities of globalization and climate change. Inuit art in the latter half of the 20th century reflects the reciprocal stimulus of contact with Euro-Canadians and embodies the evolution of a modern Inuit aesthetic that springs from an ancient cultural context, creating an exciting new hybridized art form. Inuit Modern: Art from the Samuel and Esther Sarick Collection situates modern Inuit art within a larger framework that reinterprets the Canadian Arctic. Essays by leading Canadian scholars in the field including Ingo Hessel, Robert McGhee, Christine Laloude, Heather Igloliorte, Dorothy Eber and Bernadette Driscoll Engelstad examine the social, political and cultural transformation through the dynamic lens of colonial influence and agency. Inuit Modern also features interviews with David Ruben Piqtoukun and Zacharias Kunuk. This book was published in partnership with the Art Gallery of Ontario.
Sakahàn by Greg A. Hill,Candice Hopkins,Christine Lalonde Pdf
This book celebrates a growing international commitment to the collection, study and exhibition of Indigenous art. Featuring more than 75 artists from around the world, this remarkable project places indigenous art squarely at the centre of contemporary art produced today. As well as providing an outstanding opportunity to see work by some of the most innovative contemporary artists, this ambitious publication allows us to build knowledge and further understanding. These artworks cite histories, stories and perspectives that emerge from specific local contexts, and as we live in an increasingly globalized world, these events affect us all. Unexpected and challenging, this profusely illustrated publication features over 150 artworks by artists from a wide range of countries, notably, Canada, the United States, Mexico, Australia, India, Japan, Finland and Guatemala and many more.
