Singing Games In Early Modern Italy

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Singing Games in Early Modern Italy

Paul Schleuse
Singing Games in Early Modern Italy Book PDF

Author : Paul Schleuse
Publisher : Indiana University Press
Page : 386 pages
File Size : 51,8 Mb
Release : 2015-06-08
Category : Music
ISBN : 9780253015044

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Singing Games in Early Modern Italy by Paul Schleuse Pdf

In Italy during the late cinquecento, printed music could be found not only in the homes of the wealthy or the music professional, but also in lay homes, courts, and academies. No longer confined to the salons of the elite, music took on the role of social play and recreation. Paul Schleuse examines these new musical forms through a study of the music books of Italian priest, poet, and composer, Orazio Vecchi. Composed for minor patrons and the wider music-buying public, Vecchi's madrigals took as their subjects game-playing, drinking, hunting, battles, and the life of the street. Schleuse looks at how music and game-playing allowed singers and performers to play the roles of exemplary pastoral characters and also comic, foreign, and "rustic" others in ways that defined and ultimately reinforced social norms of the times. His findings reposition Orazio Vecchi as one of the most innovative composers of the late 16th century.

Knowledge Building in Early Modern English Music

Katie Bank
Knowledge Building in Early Modern English Music Book PDF

Author : Katie Bank
Publisher : Routledge
Page : 284 pages
File Size : 41,6 Mb
Release : 2020-08-16
Category : History
ISBN : 9781000169676

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Knowledge Building in Early Modern English Music by Katie Bank Pdf

Knowledge Building in Early Modern English Music is a rich, interdisciplinary investigation into the role of music and musical culture in the development of metaphysical thought in late sixteenth-, early seventeenth-century England. The book considers how music presented questions about the relationships between the mind, body, passions, and the soul, drawing out examples of domestic music that explicitly address topics of human consciousness, such as dreams, love, and sensing. Early seventeenth-century metaphysical thought is said to pave the way for the Enlightenment Self. Yet studies of the music’s role in natural philosophy has been primarily limited to symbolic functions in philosophical treatises, virtually ignoring music making’s substantial contribution to this watershed period. Contrary to prevailing narratives, the author shows why music making did not only reflect impending change in philosophical thought but contributed to its formation. The book demonstrates how recreational song such as the English madrigal confronted assumptions about reality and representation and the role of dialogue in cultural production, and other ideas linked to changes in how knowledge was built. Focusing on music by John Dowland, Martin Peerson, Thomas Weelkes, and William Byrd, this study revises historiography by reflecting on the experience of music and how music contributed to the way early modern awareness was shaped.

The World of Renaissance Italy [2 volumes]

Joseph P. Byrne
The World of Renaissance Italy 2 volumes Book PDF

Author : Joseph P. Byrne
Publisher : Bloomsbury Publishing USA
Page : 840 pages
File Size : 48,5 Mb
Release : 2017-06-22
Category : History
ISBN : 9781440829604

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The World of Renaissance Italy [2 volumes] by Joseph P. Byrne Pdf

Students of the Italian Renaissance who wish to go beyond the standard names and subjects will find in this text abundant information on the lives, customs, beliefs, and practices of those who lived during this exciting time period. The World of Renaissance Italy: A Daily Life Encyclopedia engages all of the Italian peninsula from the Black Death (1347–1352) to 1600. Unlike other encyclopedic works about the Renaissance era, this book deals exclusively with Italy, revealing the ways common Italian people lived and experienced the events and technological developments that marked the Renaissance era. The coverage specifically spotlights marginal or traditionally marginalized groups, including women, homosexuals, Jews, the elderly, and foreign communities in Italian cities. The entries in this two-volume set are organized into 10 sections of 25 alphabetically listed entries each. Among the broad sections are art, fashion, family and gender, food and drink, housing and community, politics, recreation and social customs, and war. The "See Also" sources for each article are listed by section for easy reference, a feature that students and researchers will greatly appreciate. The extensive collection of contemporary documents include selections from a diary, letters, a travel journal, a merchant's inventory, Inquisition testimony, a metallurgical handbook, and text by an artist that describes what the author feels constitutes great work. Each of the primary source documents accompanies a specific article and provides an added dimension and degree of insight to the material.

Hearing Homophony

Megan Kaes Long
Hearing Homophony Book PDF

Author : Megan Kaes Long
Publisher : Oxford University Press, USA
Page : 301 pages
File Size : 40,7 Mb
Release : 2020
Category : Music
ISBN : 9780190851903

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Hearing Homophony by Megan Kaes Long Pdf

""This book examines a repertoire of homophonic vernacular partsongs composed around the turn of the seventeenth century, and considers how these partsongs exploit rhythm, meter, phrase structure, and form to craft harmonic trajectories. Giovanni Giacomo Gastoldi, Thomas Morley, Hans Leo Hassler, and their contemporaries engineered a particular kind of centricity that is distinctively tonal: they strategically deployed dominant harmonies at regular periodicities and in combination with poetic, phrase structural, and formal cues, thereby creating expectation for tonic harmonies. Homophony provided an ideal venue for these experiments: spurred by an increasing demand for comprehensible texts, composers of partsongs developed rigid text setting procedures that promoted both metrical regularity and consistent phrase rhythm. This rhythmic consistency had a ripple effect: it encouraged composers to design symmetrical phrase structures and to build comprehensive, repetitive, and predictable formal structures. Thus, homophonic partsongs create and exploit trajectories from dominants to tonics on multiple scales, from cadence to sub-phrase to phrase to form. Ultimately, this book argues for a model of tonality-and of tonality's history-that centers not pitch, but rhythm and meter. Metrically oriented harmonic trajectories encourage tonal expectation. And we can locate these trajectories in a variety of repertoires, including those that we traditionally understand as "modal." ""--

Seventeenth-Century Opera and the Sound of the Commedia dell’Arte

Emily Wilbourne
Seventeenth Century Opera and the Sound of the Commedia dell Arte Book PDF

Author : Emily Wilbourne
Publisher : University of Chicago Press
Page : 240 pages
File Size : 51,8 Mb
Release : 2016-11-21
Category : History
ISBN : 9780226401607

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Seventeenth-Century Opera and the Sound of the Commedia dell’Arte by Emily Wilbourne Pdf

In this book, Emily Wilbourne boldly traces the roots of early opera back to the sounds of the commedia dell’arte. Along the way, she forges a new history of Italian opera, from the court pieces of the early seventeenth century to the public stages of Venice more than fifty years later. Wilbourne considers a series of case studies structured around the most important and widely explored operas of the period: Monteverdi’s lost L’Arianna, as well as his Il Ritorno d’Ulisse and L’incoronazione di Poppea; Mazzochi and Marazzoli’s L’Egisto, ovvero Chi soffre speri; and Cavalli’s L’Ormindo and L’Artemisia. As she demonstrates, the sound-in-performance aspect of commedia dell’arte theater—specifically, the use of dialect and verbal play—produced an audience that was accustomed to listening to sonic content rather than simply the literal meaning of spoken words. This, Wilbourne suggests, shaped the musical vocabularies of early opera and facilitated a musicalization of Italian theater. Highlighting productive ties between the two worlds, from the audiences and venues to the actors and singers, this work brilliantly shows how the sound of commedia performance ultimately underwrote the success of opera as a genre.

"Sexualities, Textualities, Art and Music in Early Modern Italy "

LindaL. Carroll
Sexualities Textualities Art and Music in Early Modern Italy Book PDF

Author : LindaL. Carroll
Publisher : Routledge
Page : 258 pages
File Size : 55,9 Mb
Release : 2017-07-05
Category : Art
ISBN : 9781351548984

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"Sexualities, Textualities, Art and Music in Early Modern Italy " by LindaL. Carroll Pdf

Taking as axiomatic the concept that artistic output does not simply reflect culture but also shapes it, the essays in this interdisciplinary collection take a holistic approach to the cultural fashioning of sexualities, drawing on visual art, theatre, music, and literature, in sacred and secular contexts. Although there is diversity in disciplinary approach, the interpretations and readings offered in each essay have a historical basis. Approaching the topic from the point of view of both visual and auditory media, this volume paints a comprehensive picture of artists? challenges to erotic boundaries, and contributes to new historicizing thinking on sexualities. Collectively, the essays demonstrate the role played by artistic production-visual arts, literature, theatre and music-in fashioning, policing, and challenging early modern sexual boundaries, and thus help to identify the ways in which the arts contributed to both the disciplining and the exploration of a range of sexualities.

Margherita Costa, Diva of the Baroque Court

Jessica Goethals
Margherita Costa Diva of the Baroque Court Book PDF

Author : Jessica Goethals
Publisher : University of Toronto Press
Page : 455 pages
File Size : 42,8 Mb
Release : 2023-10-02
Category : History
ISBN : 9781487547318

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Margherita Costa, Diva of the Baroque Court by Jessica Goethals Pdf

The Roman singer, courtesan, and writer Margherita Costa won prominence and fame across the courts of Italy and France during the mid-seventeenth century. She secured a steady stream of elite patrons – including popes, queens, grand dukes, and influential cardinals – while male poets and librettists wrote celebratory poetry on her behalf. In addition to her appearances as a soprano on the opera stage, Costa published a remarkable fourteen full-length texts across an expanse of genres: burlesque comedy, drama, equestrian ballet, pastoral opera, amorous letters, lyric poetry, and history. Margherita Costa, Diva of the Baroque Court brings together close textual readings of Costa’s numerous publications with archival materials detailing her performance itinerary and social-cultural networks. The book progresses chronologically through her life, geographically along the routes she travelled, and thematically via the genres in which she experimented. Jessica Goethals illuminates how Costa was unafraid to leap over the boundaries of decorum that delimited what women should and did write about. More than merely a literary biography, this book is also a portrait of seventeenth-century courts, their concerns, and their entertainments.

Keys to Play

Roger Moseley
Keys to Play Book PDF

Author : Roger Moseley
Publisher : Univ of California Press
Page : 468 pages
File Size : 44,7 Mb
Release : 2016-10-28
Category : Music
ISBN : 9780520291249

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Keys to Play by Roger Moseley Pdf

A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program for monographs. Visit www.luminosoa.org to learn more. How do keyboards make music playable? Drawing on theories of media, systems, and cultural techniques, Keys to Play spans Greek myth and contemporary Japanese digital games to chart a genealogy of musical play and its animation via improvisation, performance, and recreation. As a paradigmatic digital interface, the keyboard forms a field of play on which the book’s diverse objects of inquiry—from clavichords to PCs and eighteenth-century musical dice games to the latest rhythm-action titles—enter into analogical relations. Remapping the keyboard’s topography by way of Mozart and Super Mario, who head an expansive cast of historical and virtual actors, Keys to Play invites readers to unlock ludic dimensions of music that are at once old and new.

Storytelling as Plague Prevention in Medieval and Early Modern Italy

Martin Marafioti
Storytelling as Plague Prevention in Medieval and Early Modern Italy Book PDF

Author : Martin Marafioti
Publisher : Routledge
Page : 138 pages
File Size : 41,5 Mb
Release : 2017-12-15
Category : Literary Criticism
ISBN : 9781317049685

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Storytelling as Plague Prevention in Medieval and Early Modern Italy by Martin Marafioti Pdf

Through close readings of five Italian collections of novellas written over a 500-year period, Martin Marafioti explores the literary tradition of storytelling, and particularly its efficacy as a healing tool following traumatic visitations from the plague. In this study, Giovanni Boccaccio's Decameron provides the framework for later authors. Although Boccaccio was not the first writer to deal with pestilence or epidemics in a literary work, he was the first to unite the topos of a life-threatening context with a public health disaster like the Black Death, and certainly the first author to propose storytelling as a means of prophylaxis in times of plague. Marafioti goes on to analyze Franco Sacchetti's Trecento Novelle, Giovanni Sercambi's Novelliere, Celio Malespini's Duecento Novelle, and Francesco Argelati's Decamerone, following in its longue-durée the ups and down, structurally and thematically, of the realistic novella as a genre.

Voices and Texts in Early Modern Italian Society

Stefano Dall'Aglio,Brian Richardson,Massimo Rospocher
Voices and Texts in Early Modern Italian Society Book PDF

Author : Stefano Dall'Aglio,Brian Richardson,Massimo Rospocher
Publisher : Taylor & Francis
Page : 262 pages
File Size : 48,9 Mb
Release : 2016-11-25
Category : Literary Criticism
ISBN : 9781317001003

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Voices and Texts in Early Modern Italian Society by Stefano Dall'Aglio,Brian Richardson,Massimo Rospocher Pdf

This book studies the uses of orality in Italian society, across all classes, from the fifteenth to the seventeenth century, with an emphasis on the interrelationships between oral communication and the written word. The Introduction provides an overview of the topic as a whole and links the chapters together. Part 1 concerns public life in the states of northern, central, and southern Italy. The chapters examine a range of performances that used the spoken word or song: concerted shouts that expressed the feelings of the lower classes and were then recorded in writing; the proclamation of state policy by town criers; songs that gave news of executions; the exercise of power relations in society as recorded in trial records; and diplomatic orations and interactions. Part 2 centres on private entertainments. It considers the practices of the performance of poetry sung in social gatherings and on stage with and without improvisation; the extent to which lyric poets anticipated the singing of their verse and collaborated with composers; performances of comedies given as dinner entertainments for the governing body of republican Florence; and a reading of a prose work in a house in Venice, subsequently made famous through a printed account. Part 3 concerns collective religious practices. Its chapters study sermons in their own right and in relation to written texts, the battle to control spaces for public performance by civic and religious authorities, and singing texts in sacred spaces.

Guarini's 'Il pastor fido' and the Madrigal

Seth Coluzzi
Guarini s Il pastor fido and the Madrigal Book PDF

Author : Seth Coluzzi
Publisher : Taylor & Francis
Page : 459 pages
File Size : 54,6 Mb
Release : 2023-01-19
Category : Music
ISBN : 9781315463049

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Guarini's 'Il pastor fido' and the Madrigal by Seth Coluzzi Pdf

Battista Guarini’s pastoral tragicomedy Il pastor fido (1589) began its life as a play, but soon was transformed through numerous musical settings by prominent composers of the late sixteenth and early seventeenth centuries. Through the many lives of this work, this book explores what happens when a lover’s lament is transplanted from the theatrical stage to the courtly chamber, from speech to song, and from a single speaking character to an ensemble of singers, shedding new light on early modern literary and musical culture. From the play’s beginnings in manuscripts, private readings, and aborted stage productions in the 1580s and 1590s, through the gradual decline of Pastor fido madrigals in the 1640s, this book examines how this widely read yet controversial text became the center of a lasting and prolific music tradition. Using a new integrative system of musical-textual analysis based on sixteenth-century theory, Seth Coluzzi demonstrates how composers responded not only to the sentiments, imagery, and form of the play’s speeches, but also to subtler details of Guarini’s verse. Viewing the musical history of Guarini’s work as an integral part of the play’s roles in the domains of theater, literature, and criticism, this book brings a new perspective to the late Italian madrigal, the play, and early modern patronage and readership across a diverse geographical and temporal frame.

Musicians' Migratory Patterns: The Adriatic Coasts

Franco Sciannameo
Musicians Migratory Patterns The Adriatic Coasts Book PDF

Author : Franco Sciannameo
Publisher : Routledge
Page : 135 pages
File Size : 53,6 Mb
Release : 2018-01-19
Category : Music
ISBN : 9781351332224

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Musicians' Migratory Patterns: The Adriatic Coasts by Franco Sciannameo Pdf

Musicians’ Migratory Patterns: The Adriatic Coasts contains essays dedicated to the movement of musicians along and across the coasts of the Adriatic Sea. In the course of this book, the musicians become narrators of their own stories seen through the lenses of wanderlust, opportunity, exile, and refuge. Essayists in this collection are scholars hailing from Croatia, Italy, and Greece. They are internationally known for their passionate advocacy of musicians’ migratory rights and faithfulness to the lesson imparted by the history of immigration in the broadest of terms. Spanning the Venetian Republic’s domination, the demise of the Ottoman Empire, the European nationalistic movements of mid-nineteenth century, the shocking outcomes of World War One, and the dramatic shifts of frontiers that continue to occur in our time, the chapters of this book guide the reader on a voyage through the Adriatic Sea—from the Gulf of Venice and the peninsula of Istria, to Albania, the Island of Corfu, and other Ionian outposts.

Medical Charlatanism in Early Modern Italy

David Gentilcore
Medical Charlatanism in Early Modern Italy Book PDF

Author : David Gentilcore
Publisher : OUP Oxford
Page : 446 pages
File Size : 42,8 Mb
Release : 2006-09-21
Category : History
ISBN : 9780191514296

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Medical Charlatanism in Early Modern Italy by David Gentilcore Pdf

From the mid-sixteenth century onwards, the Italian Protomedicato tribunals, Colleges of Physicians, or Health Offices (jurisdiction varied from state to state) required charlatans to submit their wares for inspection and, upon approval, pay a licence fee in order to set up a stage from which to perform and sell them. The licensing of charlatans became an administrative routine. As far as the medical magistracies were concerned, charlatans had a defineable identity, constituting a specific trade or occupation. This book studies the way charlatans were represented, by contemporaries and by historians, how they saw themselves and, most importantly, it reconstructs the place of charlatans in early modern Italy. It explores the goods and services charlatans provided, their dealings with the public and their marketing strategies. It does so from a range of perspectives: social, cultural, economic, political, geographical, biographical and, of course, medical. Charlatans are not just some curiosity on the fringes of medicine: they offered health care to an extraordinarily wide sector of the population. Moreover, from their origins in Renaissance Italy, the Italian ciarlatano was the prototype for itinerant medical practitioners throughout Europe. This book offers a different look at charlatans. It is the first to take seriously the licences issued to charlatans in the Italian states, compiling them into a 'charlatans database' of over 1,300 charlatans active throughout Italy over the course of some three centuries. In addition, it makes use of other types of archival documents, such as trial records and wills, to give the charlatans a human face, as well as a wide range of artistic and printed sources, not forgetting the output of the charlatans themselves, in the form of handbills and pamphlets.

Companion to Music in the Age of the Catholic Monarchs

Anonim
Companion to Music in the Age of the Catholic Monarchs Book PDF

Author : Anonim
Publisher : BRILL
Page : 744 pages
File Size : 45,7 Mb
Release : 2016-10-05
Category : History
ISBN : 9789004329324

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Companion to Music in the Age of the Catholic Monarchs by Anonim Pdf

The Companion to Music in the Age of the Catholic Monarchs, edited by Tess Knighton, offers a major new study that deepens and enriches our understanding of the forms and functions of music that flourished in late medieval Spanish society.

Interactions between Orality and Writing in Early Modern Italian Culture

Luca Degl’Innocenti,Brian Richardson,Chiara Sbordoni
Interactions between Orality and Writing in Early Modern Italian Culture Book PDF

Author : Luca Degl’Innocenti,Brian Richardson,Chiara Sbordoni
Publisher : Routledge
Page : 270 pages
File Size : 51,9 Mb
Release : 2016-03-02
Category : Literary Criticism
ISBN : 9781317114765

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Interactions between Orality and Writing in Early Modern Italian Culture by Luca Degl’Innocenti,Brian Richardson,Chiara Sbordoni Pdf

Investigating the interrelationships between orality and writing in elite and popular textual culture in early modern Italy, this volume shows how the spoken or sung word on the one hand, and manuscript or print on the other hand, could have interdependent or complementary roles to play in the creation and circulation of texts. The first part of the book centres on performances, ranging from realizations of written texts to improvisations or semi-improvisations that might draw on written sources and might later be committed to paper. Case studies examine the poems sung in the piazza that narrated contemporary warfare, commedia dell'arte scenarios, and the performative representation of the diverse spoken languages of Italy. The second group of essays studies the influence of speech on the written word and reveals that, as fourteenth-century Tuscan became accepted as a literary standard, contemporary non-standard spoken languages were seen to possess an immediacy that made them an effective resource within certain kinds of written communication. The third part considers the roles of orality in the worlds of the learned and of learning. The book as a whole demonstrates that the borderline between orality and writing was highly permeable and that the culture of the period, with its continued reliance on orality alongside writing, was often hybrid in nature.