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As the U.S. invaded Iraq in the spring of 2003, an American couple stormed the country by singing popular Arabic music in the streets of Baghdad. What was it like for them armed only with their singing voices and an Oud, an ancient Arabic lute?
Baghdad: The City in Verse captures the essence of life lived in one of the world’s great enduring metropolises. In this unusual anthology, Reuven Snir offers original translations of more than 170 Arabic poems—most of them appearing for the first time in English—which represent a cross-section of genres and styles from the time of Baghdad’s founding in the eighth century to the present day. The diversity of the fabled city is reflected in the Bedouin, Muslim, Christian, Kurdish, and Jewish poets featured here, including writers of great renown and others whose work has survived but whose names are lost to history. Through the prism of these poems, readers glimpse many different Baghdads: the city built on ancient Sumerian ruins, the epicenter of Arab culture and Islam’s Golden Age under the enlightened rule of Harun al-Rashid, the bombed-out capital of Saddam Hussein’s fallen regime, the American occupation, and life in a new but unstable Iraq. With poets as our guides, we visit bazaars, gardens, wine parties, love scenes (worldly and mystical), brothels, prisons, and palaces. Startling contrasts emerge as the day-to-day cacophony of urban life is juxtaposed with eternal cycles of the Tigris, and hellish winds, mosquitoes, rain, floods, snow, and earthquakes are accompanied by somber reflections on invasions and other catastrophes. Documenting the city’s 1,250-year history, Baghdad: The City in Verse shows why poetry has been aptly called the public register of the Arabs.
Widad, a Jewish singer with a golden voice, captured the heart of Moslem Iraq during the forties through the seventies. Her talent brought her fame and prestige yet caused her a lifelong dilemma. While her Jewish community, ancient and prosperous, was being persecuted and chased out of the country, she had to choose between joining her fellow Jews or remaining in Iraq, her cherished birthplace. Widad began her singing career at the age of seventeen and became the protégée of the Moslem ruling elite. The king, the regent, the ministers were her devoted fans. Her exposure and connections with Moslems led to romantic involvement. But her Jewish roots stood in the way. Meanwhile, political turmoil assailed Iraq Pan-Arabism, Communism and the Arab Israeli conflict, which fueled anti-Semitic oppression. One coup followed another ending with the regime of Saddam Hussein. The tumultuous events, as much as her own choices, determined Widad's fate and destiny. The story portrays the Jewish community, its culture, and its relationship to the Arabs and to Israel. It also depicts the Moslem community within the social and political struggle of the time. Though the story is fictional, it is based on actual historical events and is inspired by the life of a famous Iraqi Jewish singer whose contribution to the local music has yet to be matched. *** About the Author Born in Iraq, Tova Murad Sadka experienced many of the events described in her book. Escaping persecution, she immigrated to Israel where she worked as a newspaper correspondent and published short stories in various magazines. Her earlier novel No Way Back is a chronicle of the first phase of the Jewish mass emigration from Iraq.
Promoting a natural state of compassion which can easily exist between people in the absence of fear, author and musician Powers presents a glimpse into a very modern world with extensive Internet connections but which simultaneously drinks from the ancient wisdom of the Dervish-populated realms of the Middle East. (Foreign Travel)
Vicar of Baghdad - My Journey So Far by Canon Andrew White Pdf
The remarkable story of Canon Andrew White, a man of great charm and energy and one of the world’s most trusted mediators and reconcilers. Combined in a single volume for the first time, The Vicar of Baghdad and My Journey So Far tell the story of how Andrew overcame a childhood beset by illness to become an anaesthetist and then a vicar in the Church of England. As vicar of St George’s Baghdad, the only Anglican church in Iraq, he has led a team providing food, healthcare, and education on a major scale and often in dire circumstances. He has had a considerable role in the work of reconciliation, both between Christian and Jew and between Shi’ite and Sunni Muslim. Andrew is widely recognised to be one of a handful of people trusted by virtually every side in the complex Middle East. Despite dealing with the pain from multiple sclerosis and facing extreme personal danger, he has nevertheless been able to mediate between opposing extremes. Political and military solutions are constantly put forward, and often fail. Andrew offers a different approach, speaking as a man of faith to men of faith. He is trusted by those who trust very few.
Iraq's Last Jews is a collection of first-person accounts by Jews about their lives in Iraq's once-vibrant, 2500 year-old Jewish community and about the disappearance of that community in the middle of the 20th century. This book tells the story of this last generation of Iraqi Jews, who both reminisce about their birth country and describe the persecution that drove them out, the result of Nazi influences, growing Arab nationalism, and anger over the creation of the State of Israel.
In Baghdad: City of Peace, City of Blood, celebrated young travelwriter-historian Justin Marozzi gives us a many-layered history of one of the world's truly great cities - both its spectacular golden ages and its terrible disasters 'Justin Marozzi is the most brilliant of the new generation of travelwriter-historians' - Sunday Telegraph Over thirteen centuries, Baghdad has enjoyed both cultural and commercial pre-eminence, boasting artistic and intellectual sophistication and an economy once the envy of the world. It was here, in the time of the Caliphs, that the Thousand and One Nights were set. Yet it has also been a city of great hardships, beset by epidemics, famines, floods, and numerous foreign invasions which have brought terrible bloodshed. This is the history of its storytellers and its tyrants, of its philosophers and conquerors. Here, in the first new history of Baghdad in nearly 80 years, Justin Marozzi brings to life the whole tumultuous history of what was once the greatest capital on earth. Justin Marozzi is a Councillor of the Royal Geographic Society and a Senior Research Fellow at Buckingham University. He has broadcast for BBC Radio Four, and regularly contributes to a wide range of publications, including the Financial Times, for which he has worked in Iraq, Afghanistan and Darfur. His previous books include the bestselling Tamerlane: Sword of Islam, a Sunday Telegraph Book of the Year (2004), and The Man Who Invented History: Travels with Herodotus.
To witness war is, in large part, to hear it. And to survive it is, among other things, to have listened to it--and to have listened through it. Listening to War: Sound, Music, Trauma, and Survival in Wartime Iraq is a groundbreaking study of the centrality of listening to the experience of modern warfare. Based on years of ethnographic interviews with U.S. military service members and Iraqi civilians, as well as on direct observations of wartime Iraq, author J. Martin Daughtry reveals how these populations learned to extract valuable information from the ambient soundscape while struggling with the deleterious effects that it produced in their ears, throughout their bodies, and in their psyches. Daughtry examines the dual-edged nature of sound--its potency as a source of information and a source of trauma--within a sophisticated conceptual frame that highlights the affective power of sound and the vulnerability and agency of individual auditors. By theorizing violence through the prism of sound and sound through the prism of violence, Daughtry provides a productive new vantage point for examining these strangely conjoined phenomena. Two chapters dedicated to wartime music in Iraqi and U.S. military contexts show how music was both an important instrument of the military campaign and the victim of a multitude of violent acts throughout the war. A landmark work within the study of conflict, sound studies, and ethnomusicology, Listening to War will expand your understanding of the experience of armed violence, and the experience of sound more generally. At the same time, it provides a discrete window into the lives of individual Iraqis and Americans struggling to orient themselves within the fog of war.
Ḥāwī l-Funūn wa-Salwat al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn al-Ṭaḥḥān by George Dimitri Sawa Pdf
Ḥāwī l-Funūn (Encompasser of the Arts) of Ibn al-Ṭaḥḥān (d. ca. 1057) is a medieval Arabic music dictionary that complements other sources because of the practical knowledge of the author: an accomplished singer, lutenist and composer.
The Orient in Music - Music of the Orient by Małgorzata Grajter Pdf
“OM”, a fundamental meditation sound present in the cultures of Buddhism, is a syllable full of philosophical and transcendental meanings. The category of the Orient, as contrasted, antithetical and complementary to the Occident (West) and its culture, appears to be one of the most interesting and long-lasting issues discussed in the humanities. European fascination with Oriental cultures has found multifaceted manifestations in science, art, fashion and beliefs. Music, as an important element of cultural communication, has always been well suited for transitions and inspirations. The relationship between the Orient and Western music encompasses a wide and fascinating scope of problems, a field of various multidimensional influences which brings an opportunity not only to study particular questions, but also to search for universal and fundamental values. This collection of essays is a result of an International Conference titled “OM: Orient in Music – Music of the Orient”, held at the Grażyna and Kiejstut Academy of Music in Łódź, Poland, in March 2016. The volume provides insight into the many ways in which the music of the East and West can be understood and treated by both Western and Eastern scholars.
"Reminiscent of the best war literature, such as John Hersey's Hiroshima, Michael Herr's Dispatches, and Michael Kelly's Martyr's Day." --The Washington Post The Fall of Baghdad is a masterpiece of literary reportage about the experience of ordinary Iraqis living through the endgame of the Saddam Hussein regime, its violent fall, and the troubled American occupation. In channeling a tragedy of epic dimensions through the stories of real people caught up in the whirlwind of history, Jon Lee Anderson has written a book of timeless significance.
War With No End by Ahdaf Soueif,Arundhati Roy,Haifa Zangana,Hanif Kureishi,Joe Sacco,John Berger,Naomi Klein,Phyllis Bennis,Tram Nguyen Pdf
On October 7th 2001, US-led forces invaded Afghanistan, marking the start of George Bush and Tony Blair's "War on Terror." Six years on, where have the policies of Bush and Blair left us? Bringing together some of the finest contemporary writers, this wide-ranging anthology, from reportage and "faction" to fiction, explores the impact of this "long war" throughout the world, from Palestine to Iraq, Abu Ghraib, the curtailment of civil liberties and manipulation of public opinion. Published in conjunction with Stop the War coalition and United for Peace and Justice, War With No End provides an urgent, necessary reflection on the causes and consequences of the ideological War on Terror.
Baghdad Noir by Muhsin al-Ramli,Nassif Falak,Sinan Antoon Pdf
This unique anthology of Iraqi noir fiction collects fourteen original stories of crime, conspiracy, regret, and revenge in the capital of Iraq. The centuries-old city of Baghdad has known many rulers, many troubles, and many crimes. But while most Iraqis would agree that their life has always been noir, there has not been a literary tradition to capture this aspect of the culture. By commissioning the fourteen stories collected here—most by Iraqi writers, all by authors familiar with Baghdad—editor Samuel Shimon and Akashic Books have created what may be the first anthology of Iraqi crime fiction ever assembled. Here you will read of life in Baghdad both during and after the Saddam Hussein era, with stories of fear in the shadow of a ruthless dictator; kidnappings in the time of U.S. occupation; detectives who investigate political conspiracies; and tales of revenge, assassination, mental illness, and family struggle in the war-torn City of Peace. Baghdad Noir includes brand-new stories by Sinan Antoon, Ali Bader, Mohammed Alwan Jabr, Nassif Falak, Dheya al-Khalidi, Hussain al-Mozany, Layla Qasrany, Hayet Raies, Muhsin al-Ramli, Ahmed Saadawi, Hadia Said, Salima Salih, Salar Abdoh, and Roy Scranton.
Baghdad: The City in Verse captures the essence of life lived in one of the world's great enduring metropolises. In this unusual anthology, Reuven Snir offers original translations of more than 170 Arabic poems--most of them appearing for the first time in English--which represent a cross-section of genres and styles from the time of Baghdad's founding in the eighth century to the present day. The diversity of the fabled city is reflected in the Bedouin, Muslim, Christian, Kurdish, and Jewish poets featured here, including writers of great renown and others whose work has survived but whose names are lost to history. Through the prism of these poems, readers glimpse many different Baghdads: the city built on ancient Sumerian ruins, the epicenter of Arab culture and Islam's Golden Age under the enlightened rule of Harun al-Rashid, the bombed-out capital of Saddam Hussein's fallen regime, the American occupation, and life in a new but unstable Iraq. With poets as our guides, we visit bazaars, gardens, wine parties, love scenes (worldly and mystical), brothels, prisons, and palaces. Startling contrasts emerge as the day-to-day cacophony of urban life is juxtaposed with eternal cycles of the Tigris, and hellish winds, mosquitoes, rain, floods, snow, and earthquakes are accompanied by somber reflections on invasions and other catastrophes. Documenting the city's 1,250-year history, Baghdad: The City in Verse shows why poetry has been aptly called the public register of the Arabs.
