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Author : David Toop
Publisher : A&C Black
Page : 274 pages
File Size : 46,8 Mb
Release : 2010-01-01
Category : Music
ISBN : 9781441149725
A major new work from one of the world's most erudite, intellectual, and influential thinkers and writers about sound and music. >
Author : Daniel C. Melnick
Publisher : Fairleigh Dickinson Univ Press
Page : 180 pages
File Size : 53,8 Mb
Release : 1994
Category : Fiction
ISBN : 0838635253
During the modern period, the bond between music and literature constituted a crucial and influential idea for Conrad and Eliot, Mann and Rilke, and many other writers. For modern novelists in particular this idea has provided the model and rationale for the experimental liberation of narrative form and its desired effect on the reader. Critics later in the twentieth century have undertaken analyses of various contrapuntal, sonata, and other musical structures in fiction, and some critics have studied the influence of various composers on novelists. Fullness of Dissonance is concerned with the related matter of how the aesthetics of music influenced the writers and texts of modern fiction.
Author : Julie Beth Napolin
Publisher : Fordham University Press
Page : 326 pages
File Size : 46,5 Mb
Release : 2020-06-02
Category : Literary Criticism
ISBN : 9780823288182
Shortlisted, 2021 Memory Studies Association First Book Award The Fact of Resonance returns to the colonial and technological contexts in which theories of the novel developed, seeking in sound an alternative premise for theorizing modernist narrative form. Arguing that narrative theory has been founded on an exclusion of sound, the book poses a missing counterpart to modernism’s question “who speaks?” in the hidden acoustical questions “who hears?” and “who listens?” For Napolin, the experience of reading is undergirded by the sonic. The book captures and enhances literature’s ambient sounds, sounds that are clues to heterogeneous experiences secreted within the acoustical unconscious of texts. The book invents an oblique ear, a subtle and lyrical prose style attuned to picking up sounds no longer hearable. “Resonance” opens upon a new genealogy of modernism, tracking from Joseph Conrad to his interlocutors—Sigmund Freud, Frantz Fanon, W. E. B. Du Bois, William Faulkner, and Chantal Akerman—the racialized, gendered, and colonial implications of acoustical figures that “drift” through and are transformed by narrative worlds in writing, film, and music. A major synthesis of resources gleaned from across the theoretical humanities, the book argues for “resonance” as the traversal of acoustical figures across the spaces of colonial and technological modernity, figures registering and transmitting transformations of “voice” and “sound” across languages, culture, and modalities of hearing. We have not yet sufficiently attended to relays between sound, narrative, and the unconscious that are crucial to the ideological entailments and figural strategies of transnational, transatlantic, and transpacific modernism. The breadth of the book’s engagements will make it of interest not only to students and scholars of modernist fiction and sound studies, but to anyone interested in contemporary critical theory.
Author : Nicolas Tredell
Publisher : Columbia University Press
Page : 198 pages
File Size : 50,5 Mb
Release : 1999
Category : Africa
ISBN : 0231119232
At last available in a single volume: comprehensive overviews and concise analyses of the key critical texts and approaches to the most-studied works of literature. By assembling extracts from essays, reviews, and articles, the columbia critical guides provide students with ready access to the most important secondary writings on a single text or pair of texts by a given writer. each volume: -- Offers a balanced and nuanced approach to criticism, drawing on a wide array of British and American sources -- Explains criticism in terms of key approaches, allowing students to grasp the central issues for each work -- Is edited by a noted scholar who specializes in the writer or work in question -- Includes notes and a comprehensive bibliography and index. The critical works in this collection analyze the complex narrative technique of heart of darkness while exploring its evocation of myth, philosophy, and politics, its attitudes to empire, its images of Africa, and its representations of women. Examining secondary sources from the 1900s to the 1990s, this guide is an indispensable resource for the study of one of Conrad's most potent works.
Author : Michael Goddard,Benjamin Halligan,Nicola Spelman
Publisher : Bloomsbury Publishing USA
Page : 390 pages
File Size : 44,6 Mb
Release : 2013-07-18
Category : Music
ISBN : 9781441118370
Resonances is a compelling collection of new essays by scholars, writers and musicians, all seeking to explore and enlighten this field of study. Noise seems to stand for a lack of aesthetic grace, to alienate or distract rather than enrapture. And yet the drones of psychedelia, the racket of garage rock and punk, the thudding of rave, the feedback of shoegaze and post-rock, the bombast of thrash and metal, the clatter of jungle and the stuttering of electronica, together with notable examples of avant-garde noise art, have all found a place in the history of contemporary musics, and are recognised as representing key evolutionary moments. Noise therefore is the untold story of contemporary popular music, and in a critical exploration of noise lies the possibility of a new narrative: one that is wide-ranging, connects the popular to the underground and avant-garde, fully posits the studio as a musical instrument, and demands new critical and theoretical paradigms of those seeking to write about music.
Author : Alan Shockley
Publisher : Rowman & Littlefield
Page : 269 pages
File Size : 43,9 Mb
Release : 2018-06-05
Category : Music
ISBN : 9781442281882
With Contemporary Piano: A Performer and Composer’s Guide to Techniques and Resources, Alan Shockley provides a comprehensive resource for composers writing music that uses extended techniques for the piano, and for pianists interested in playing repertoire that makes use of techniques and/or implements unfamiliar to them. Shockley explains dozens of ways to prepare a piano without damaging the instrument, how to notate every standard technique and many, many obscure ones, and the specific geographies of every common concert hall piano. This will be the standard reference for pianists touring and playing inside-the-piano repertoire, and for composers at all levels of familiarity with the piano hoping to understand the mechanical miracle that is the modern piano.
Author : Tim Crook
Publisher : Routledge
Page : 319 pages
File Size : 50,8 Mb
Release : 2013-06-17
Category : Performing Arts
ISBN : 9781136521089
'Tim Crook has written an important and much-needed book, and its arrival on our shelves has come at a highly appropriate time.' Professor Seán Street, Bournemouth University The Sound Handbook maps theoretical and practical connections between the creation and study of sound across the multi-media spectrum of film, radio, music, sound art, websites, animation and computer games entertainment, and stage theatre. Using an interdisciplinary approach Tim Crook explores the technologies, philosophies and cultural issues involved in making and experiencing sound, investigating soundscape debates and providing both intellectual and creative production information. The book covers the history, theory and practice of sound and includes practical production projects and a glossary of key terms. The Sound Handbook is supported by a companion website, signposted throughout the book, with further practical and theoretical resources dedicated to bridging the creation and study of sound across professional platforms and academic disciplines.
Author : A. Enns,S. Trower
Publisher : Springer
Page : 255 pages
File Size : 42,7 Mb
Release : 2013-07-19
Category : Art
ISBN : 9781137027252
Vibratory Modernism is a collection of original essays that show how vibrations provide a means of bridging science and art - two fields that became increasingly separate in the nineteenth and early twentieth centuries.
Author : Jessica Teague
Publisher : Cambridge University Press
Page : 263 pages
File Size : 45,7 Mb
Release : 2021-05-20
Category : Art
ISBN : 9781108840132
Based on the author's dissertation (doctoral)--Columbia University, 2013.
Author : Katherine Mansfield
Publisher : Bloomsbury Publishing
Page : 345 pages
File Size : 55,5 Mb
Release : 2023-06-15
Category : Literary Criticism
ISBN : 9781350096677
Katherine Mansfield (1888-1923) was one of the leading figures in the development of the modernist short story and her writings were a profound influence on writers such as Virginia Woolf and D.H. Lawrence. Presenting for the first time draft manuscripts of some of her most important stories, this book gives scholars and students alike vivid new insight into Mansfield's creative process. With manuscripts for each text presented in facsimile and transcript, detailed notes throughout compare early drafts with later revisions and the final published work. In the final section of the book leading scholars offer vivid new critical readings exploring the manuscript history of these stories. A detailed descriptive listing of the major Mansfield archives is also included to help researchers explore the work further. The stories included are: 'Je ne parle pas francais'; 'Sun and Moon'; 'Revelations'; 'The Stranger'; 'The Daughters of the Late Colonel'; 'Mr and Mrs Dove'; 'Marriage à la Mode'; 'The Voyage'; 'Six Years After'; 'The Fly'.
Author : David Toop
Publisher : MIT Press
Page : 304 pages
File Size : 47,5 Mb
Release : 2019-12-17
Category : Music
ISBN : 9781912685240
A rich collection of essays tracing the relationship between art and sound. In the 1970s David Toop became preoccupied with the possibility that music was no longer bounded by formalities of audience: the clapping, the booing, the short attention span, the demand for instant gratification. Considering sound and listening as foundational practices in themselves leads music into a thrilling new territory: stretched time, wilderness, video monitors, singing sculptures, weather, meditations, vibration and the interior resonance of objects, interspecies communications, instructional texts, silent actions, and performance art. Toop sought to document the originality and unfamiliarity of this work from his perspective as a practitioner and writer. The challenge was to do so without being drawn back into the domain of music while still acknowledging the vitality and hybridity of twentieth-century musics as they moved toward art galleries, museums, and site-specificity. Toop focused on practitioners, whose stories are as compelling as the theoretical and abstract implications of their works. Inflamed Invisible collects more than four decades of David Toop's essays, reviews, interviews, and experimental texts, drawing us into the company of artists and their concerns, not forgetting the quieter, unsung voices. The volume is an offering, an exploration of strata of sound that are the crossing points of sensory, intellectual, and philosophical preoccupations, layers through which objects, thoughts and air itself come alive as the inflamed invisible.
Author : Sarah Finley
Publisher : University of Nebraska Press
Page : 250 pages
File Size : 54,9 Mb
Release : 2019-02-01
Category : Literary Criticism
ISBN : 9781496211798
Hearing Voices takes a fresh look at sound in the poetry and prose of colonial Latin American poet and nun Sor Juana Inés de la Cruz (1648/51–95). A voracious autodidact, Sor Juana engaged with early modern music culture in a way that resonates deeply in her writing. Despite the privileging of harmony within Sor Juana’s work, however, links between the poet’s musical inheritance and subjects such as acoustics, cognition, writing, and visual art have remained unexplored. These lacunae have marginalized nonmusical aurality and contributed to the persistence of both ocularcentrism and a corresponding visual dominance in scholarship on Sor Juana—and indeed in early modern cultural production in general. As in many areas of her work, Sor Juana’s engagement with acoustical themes restructures gendered discourses and transposes them to a feminine key. Hearing Voices focuses on these aural conceits in highlighting the importance of sound and—in most cases—its relationship with gender in Sor Juana’s work and early modern culture. Sarah Finley explores attitudes toward women’s voices and music making; intersections of music, rhetoric, and painting; aurality in Baroque visual art; sound and ritual; and the connections between optics and acoustics. Finley demonstrates how Sor Juana’s striking aurality challenges ocularcentric interpretations and problematizes paradigms that pin vision to logos, writing, and other empirical models that traditionally favor men’s voices. Sound becomes a vehicle for women’s agency and responds to anxiety about the female voice, particularly in early modern convent culture.
Author : John Mowitt
Publisher : Anthem Press
Page : 274 pages
File Size : 43,7 Mb
Release : 2020-08-04
Category : Philosophy
ISBN : 9781785274084
A reading of Theory that in tracing when and where Theory arises in the event of reading proposes how Theory might best be handled in the context of higher education today. Arguing against those who propose to avoid Theory in the name of its putative obsolescence, this text sets out to challenge two aspects of this avoidance. On the one hand, Theory has been set aside in the name of identity politics, that is, the proposition that its intellectual pertinence has been overshadowed by a sense of political urgency construed as at odds with Theory. Theory itself has assumed an identity, a profile. On the other hand, implicit within the avoidance of Theory is a concept of “context” that calls for reflection. Resisting the tendency to treat context as either negligible or obvious, this text sets out to trace, in the when and where of Theory, the rudiments of a “sociographic” (think “historiographic”) account of context. In relation to it, the reading that is Theory can be usefully situated as part of a politics of higher education in the era of the global crisis of the university.
Author : Benjamin Tausig
Publisher : Oxford University Press
Page : 208 pages
File Size : 40,7 Mb
Release : 2019-01-04
Category : Music
ISBN : 9780190847548
Bangkok Is Ringing is an on-the-ground sound studies analysis of the political protests that transformed Thailand in 2010-11. Bringing the reader through sixteen distinct "sonic niches" where dissidents used media to broadcast to both local and diffuse audiences, the book catalogues these mass protests in a way that few movements have ever been catalogued. The Red Shirt and Yellow Shirt protests that shook Thailand took place just before other international political movements, including the Arab Spring and Occupy Wall Street. Bangkok Is Ringing analyzes the Thai protests in comparison with these, seeking to understand the logic not only of political change in Thailand, but across the globe. The book is attuned to sound in a great variety of forms. Author Benjamin Tausig traces the history and use in protest of specific media forms, including community radio, megaphones, CDs, and live concerts. The research took place over the course of sixteen months, and the author worked closely with musicians, concert promoters, activists, and rank-and-file protesters. The result is a detailed and sensitive ethnography that argues for an understanding of sound and political movements in tandem. In particular, it emphasizes the necessity of thinking through constraint as a fundamental condition of both political movements and the sound that these movements produce. In order to produce political transformations, Bangkok Is Ringing argues, dissidents must be sensitive to the ways that their sounding is constrained and channeled.
Author : Mark D. Larabee
Publisher : Bloomsbury Publishing USA
Page : 206 pages
File Size : 43,7 Mb
Release : 2018-01-04
Category : Literary Criticism
ISBN : 9781440851070
Fiction has power to portray historical truth. This book presents Joseph Conrad's Heart of Darkness to students and general readers as an insightful guide to the history of Europe and Africa in the late nineteenth and early twentieth centuries. The phrase "heart of darkness" has become a term commonly used to conjure an ominous sense of hidden or deeply rooted evil. How did these words become so evocative? The answer lies in the richness and acute insight of Heart of Darkness, Joseph Conrad's story based on his 1890 journey on the Congo River. Conrad's novella illustrates many crucial themes of European and world history through the last two centuries: civilization; exploration; colonialism and imperialism; race and conflict based on race; trade and globalization; commercial exploitation; and the impact of changing technology, especially for communication and transport. Heart of Darkness deserves to be studied today for its value as social and cultural history. In this edition, Conrad's story is shown to reveal important truths not only about Europe and Africa a century ago, but also about the historical forces that shape the world we live in now. Featuring the texts of both Heart of Darkness and Conrad's autobiographical Congo Diary along with more than 200 annotations, this book enables readers to appreciate the connections between Conrad's writing and its historical context. Introductory essays explain how Conrad was uniquely positioned to chronicle history, provide critical background information on how Europeans partitioned Africa and created the Congo Free State, and describe how the ivory and rubber trades brutalized the natives. Readers will learn how Conrad contributed to European awareness of the atrocities committed and understand how the story's literary qualities form an essential part of its historical meaning. The numerous illustrations and maps depicting the historical Congo Free State provide a visual element to the story of Heart of Darkness—a fictionalized tale that can be interpreted as history and that can help us interpret today's postcolonial, globalized world.