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(Book). Sinister Urge is the first in-depth, career-spanning biography of heavy-metal musician and filmmaker Rob Zombie. Born Robert Cummings in 1965, Zombie is now as well known for his movies as he is for his music, which he has released and performed both as a solo artist and as part of his early band White Zombie. In both fields, he imbues his art with the vivid sense of macabre theater that has thrilled his millions of disciples since he and his band first emerged with Soul-Crusher in 1987. Although he has sold millions of albums and generated many more millions of dollars at the box office, Zombie has never taken the easy option or the predictable route. Indeed, while the music industry and many of his peers have fallen to their knees in the last decade or so, Zombie has found a new edge, his work undiluted by success or middle age. Drawing on original research and new interviews with bandmates and associates, Sinister Urge takes a detailed look at Zombie's challenging oeuvre, offering close analysis of his albums and films alongside tales of his life and work on and offstage.
What if you had a secret? An irresistible urge? Delve backstage and into the private lives of popular rock band, Lilli and the Munsterz. Returning to the music world after a turbulent split from her former band, Lilli Morgan has risen like a phoenix and has the industry at her feet. "Before the split, it was: 'Lilli? Everyone always wants to know if there has ever been anything romantic between Adam and you?''No not at all. I'm quite content being young, free, and single,' was my standard reply. Now it's: 'A special man in my life? No, I'm very happy being single. No time for all that.' I've been peddling that line for years and it's never failed me.Problem is, I do have a special man in my life. A wonderful perfect man ... It's just a question of keeping it a secret. But for how long?"
Author : Andrew J. Rausch,Charles E. Pratt, Jr. Publisher : BearManor Media Page : 251 pages File Size : 45,6 Mb Release : 2024-05-04 Category : Performing Arts ISBN : 8210379456XXX
The Cinematic Misadventures of Ed Wood by Andrew J. Rausch,Charles E. Pratt, Jr. Pdf
Tim Burton's Ed Wood (1994), a critically acclaimed film starring Johnny Depp that earned two Academy Awards, only told part of the fascinating story of the strange American screenwriter, director, producer, actor, author, and film editor. Now, authors Andrew J. Rausch and Charles E. Pratt Jr. unreel the unreal back stories of the much-maligned “Worst Filmmaker of All Time” and his 29 films that sometimes outshone Wood’s off screen shenanigans. In the 1950s, audiences cringed at Glen or Glenda, Jail Bait with Steve Reeves, Bride of the Monster and Plan 9 From Outer Space with Bela Lugosi, The Violent Years, and Night of the Ghouls. In the 1960s, moviegoers winced at The Sinister Urge and Orgy of the Dead. Though his films sometimes shocked the delicate sensibilities of post-war audiences, modern moviegoers often love the good, bad, and ugly movie millstones. The authors share a passion for all things Ed Wood and wanted to explore, deplore, and implore the always unvarnished facts about the born loser, who continually defied odds to achieve each scrap of success in Hollywood. Wood refused to allow his dreams to die, despite the seemingly-insurmountable hurdles he faced in life and with his own lack of talent, yet he found a way to continue making movies. Discover his daring deeds in detail, from the crowd favorites to the more obscure nudie films that Wood made late in life. Illustrated. 293 pages, 42 chapters, and 10 interviews with a variety of people involved with Ed Wood films. “A lot of movies are simply lousy – created by two-bit hacks who obviously didn’t give a damn about the outcome. But it takes a filmmaker with singularly unique sensibilities to create such sincerely passionate, wondrously lousy films as Edward D. Wood, Jr. Paying tribute to his long and memorable career as both director and screenwriter, the majority of this engaging 293-page softcover consists of separate chapters devoted to each Ed Wood screen project, from ‘classics’ like GLEN OR GLENDA and PLAN 9 FROM OUTER SPACE, to surprisingly competent B-movies (JAIL BAT, THE SINISTER URGE) and his most pathetic paychecks (SHOTGUN WEDDING, LOVE FEAST). In the process, Rausch and Pratt deftly critique every film – respecting Wood’s overall vision, while acknowledging the laughs found in Ed’s overripe dialogue, nonsensical stories, half-baked production values, and penchant for stock footage. But while Wood’s early projects were both earnest and engagingly ridiculous, his later (often pseudonymous) gigs became increasingly uninspired and embarrassing, with our authors justifiably ripping apart pathetic ‘70s-era smut like NECROMANIA. Rounding out this terrific book are ten interviews, including actor/stuntman Gary Kent (who played caveman Olaf in the Wood-scripted ONE MILLION AC/DC), ED WOOD screenwriter Larry Karaszewski, author Rudolph Grey, director Aris Iliopulos (I WOKE UP EARLY THE DAY I DIED), and THE NYMPHO CYCLER starlet Casey Larrain.” -- Shock Cinema
A prize-winning and innovative collection of connected short stories. "You could look back after a long time and ask, who wanted what from whom?" A man confronts death after an operation, a devout Christian encounters a man who hurt her long ago, a secretary uncovers her boss's secret shame. And in a house in Auckland an elderly woman is writing the last book of her life, one which, she says, contains all of her crimes. How are the characters connected and who is writing the stories? Each of these astute stories is an inspection of motive, rich in vivid insight into a diverse range of lives. Together, they form a unified whole. Opportunity is a book about storytelling, about generosity and opportunism; above all it is a celebration of the subtleties of human impulses, of what Katherine Mansfield called the LIFE of life.
Encyclopedia of Heavy Metal Music by William Phillips,Brian Cogan Pdf
It has been reviled, dismissed, attacked, and occasionally been the subject of Congressional hearings, but still, the genre of music known as heavy metal maintains not only its market share in the recording and downloading industry, but also as a cultural force that has united millions of young and old fans across the globe. Characterized by blaring distorted guitars, drum solos, and dramatic vibrato, the heavy metal movement headbanged its way to the popular culture landscape with bands like Led Zeppelin and Black Sabbath the 1970s. Motley Crue and Metallica made metal a music phenomenon in the 1980s. Heavy metal continues to evolve today with bands like Mastodon and Lamb of God. Providing an extensive overview of the music, fashion, films, and philosophies behind the movement, this inclusive encyclopedia chronicles the history and development of heavy metal, including sub-movements such as death metal, speed metal, grindcore, and hair metal. Essential and highly entertaining reading for high school and undergraduate courses in popular music studies, communications, media studies, and cultural studies, the Encyclopedia of Heavy Metal Music and Culture offers a guide to the ultimate underground music, exploring its rich cultural diversity, resilience, and adaptability. Entries for musicians include a discography for those wanting to start or develop their music collections.
Girl Gangs, Biker Boys, and Real Cool Cats by Iain McIntyre,Andrew Nette Pdf
Girl Gangs, Biker Boys, and Real Cool Cats is the first comprehensive account of how the rise of postwar youth culture was depicted in mass-market pulp fiction. As the young created new styles in music, fashion, and culture, pulp fiction shadowed their every move, hyping and exploiting their behaviour, dress, and language for mass consumption and cheap thrills. From the juvenile delinquent gangs of the early 1950s through the beats and hippies, on to bikers, skinheads, and punks, pulp fiction left no trend untouched. With their lurid covers and wild, action-packed plots, these books reveal as much about society’s deepest desires and fears as they do about the subcultures themselves. Girl Gangs features approximately 400 full-color covers, many of them never reprinted before. With 70 in-depth author interviews, illustrated biographies, and previously unpublished articles from more than 20 popular culture critics and scholars from the US, UK, and Australia, the book goes behind the scenes to look at the authors and publishers, how they worked, where they drew their inspiration and—often overlooked—the actual words they wrote. Books by well-known authors such as Harlan Ellison and Lawrence Block are discussed alongside neglected obscurities and former bestsellers ripe for rediscovery. It is a must read for anyone interested in pulp fiction, lost literary history, retro and subcultural style, and the history of postwar youth culture. Contributors include Nicolas Tredell, Alwyn W. Turner, Mike Stax, Clinton Walker, Bill Osgerby, David Rife, J.F. Norris, Stewart Home, James Cockington, Joe Blevins, Brian Coffey, James Doig, David James Foster, Matthew Asprey Gear, Molly Grattan, Brian Greene, John Harrison, David Kiersh, Austin Matthews, and Robert Baker.
Stupid Movie Lines by Kathryn Petras,Ross Petras Pdf
The creme de la crud of screen history "War! War! That's all you think of, Dick Plantagenet! You burner! You pillager!" --Virginia Mayo as Lady Edith to George Sanders in King Richard and the Crusaders (1954) "Visits? That would indicate visitors." --Army captain learning of alien visits in Plan 9 from Outer Space (1959) "When I'm sitting here with you, I don't even think about the slime people." --Hero to heroine in The Slime People (1962) "Suck the coffin mushroom now." --The Ultimate Vampire (1991) "This is bad." --Leonardo DiCaprio as the you-know-what hits the you-know-what in Titanic (1997)
Lame Brains and Lunatics 2: More Good, Bad and Forgotten of Silent Comedy by Steve Massa Pdf
“Steve Massa has become a world-class chronicler and archaeologist of silent comedy.” – Leonard Maltin As a sequel to his original 2013 volume author Steve Massa celebrates a new batch of unsung practitioners and overlooked aspects of silent film comedy. Profiled are neglected rank and file such as Ingram “Seven Foot” Pickett, Edward Luddy, James “Bubbles” Berry, Earl Mohan, and a Harry Keaton that was not Buster’s brother, as well as popular names like Leo McCarey and Larry Semon. Edward Everett Horton’s career as a silent screen performer, the rise of animal stars, and the invasion of the British music hall comics are also discussed. The book includes selected filmographies and is lavishly illustrated with over 300 rarely-seen photographs and advertising images. Steve Massa is the author of Rediscovering Roscoe, The Films of “Fatty” Arbuckle, Slapstick Divas: The Women of Silent Comedy, Lame Brains and Lunatics: The Good, The Bad, and the Forgotten of Silent Comedy, and Marcel Perez: The International Mirth-Maker.
Metaldata: A Bibliography of Heavy Metal Resources is the first book-length bibliography of resources about heavy metal. From its beginnings in the late 1960s and early 1970s, heavy metal has emerged as one of the most consistently popular and commercially successful music styles. Over the decades the style has changed and diversified, drawing attention from fans, critics, and scholars alike. Scholars, journalists, and musicians have generated a body of writing, films, and instructional materials that is substantial in quantity, diverse in approach, and intended for many types of audiences, resulting in a wealth of information about heavy metal. Metaldata provides a current and comprehensive bibliographic resource for researchers and fans of metal. This book also serves as a guide for librarians in their collection development decisions. Chapters focus on performers, musical instruction, discographies, metal subgenres, metal in specific places, and research relating metal to the humanities and sciences, and encompass archives, books, articles, videos, websites, and other resources by scholars, journalists, musicians, and fans of this vibrant musical style.
Stressed out? Swimming in a sea of screens? Worried about our beloved, endangered earth yet uncertain how to work for change? If this sounds familiar, you're not alone. In this intelligent guide to mindfulness in the digital age, writer and teacher Amy Weldon describes how practicing life as an artist can help you wake yourself up and take back control of your attention, your money, your time, and the health of our society and our planet. Traveling from farm to protest march to classroom, and engaging a range of thinkers from Hannah Arendt to George Orwell, John Keats, and Henry David Thoreau, The Hands-On Life is a book for students and for everyone who dreams of building a better world.
From the team who brought you The Empire Film Guide, here are all the obscure, indecent and downright bizarre movie facts and figures that were not considered sensible for a practical film guide. Discover which country translated GI Jane as Satan Female Soldier, which Hollywood heartthrob is the lead singer of 30 Odd Foot of Grunts, and which country takes a bag of toasted leaf cutter ants to the cinema instead of popcorn! The Schott's Miscellany of movies, packed full of movie facts, figures and lists, as well as explanations of filmmaking terminology and a "shot miscellany" - a list of all the various camera shots. You will soon know your Oscar Hosts from your Monty Python French insults, and never be short of small talk again!
An important work offering a viable theory for the concept of "Sublime" in philosophy. This is a work of quite unusual philosophical interest, original and deeply insightful. Dr. Tsang argues on the one hand that sublimity is not a property of objects regarded as sublime, but belongs to our construal of objects, while on the other he also argues that when we so construe an object we are giving expression to some limit to our life, not an external barrier, but a limit internal to it. But what lies at the limit cannot be represented. So the sublime can be evoked by language, but not represented in it. This leads Dr. Tsang on to a philosophical analysis of evocation and of the evocative possibilities of a sublime object. What he says about evocation presupposes and requires for its completion an account of how affective elements are involved in the experience of the sublime and what he claims here is that there is no one feeling or type of feeling involved in the experience of the sublime, but that a wide range of different feelings may be involved on different occasions. The quality of the feeling is closely bound up with the character of the experience of the sublime as a limit-experience. Finally Dr. Tsang considers the cultural and social context of experiences of the sublime, both what is universally recognized as sublime, because bound up with the general conditions of human life, and what is specific to particular cultural and social contexts. He then moves to the conclusion to examine the relationship of the sublime to human willing. As a postscript there is an excellent treatment of Kant's theory of the sublime.
