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Sitting Shiva on Minto Avenue, by Toots by Erín Moure Pdf
"SITTING SHIVA ON MINTO AVENUE, BY TOOTS tells the story of a man who had no obituary and no funeral, and who would have left no trace if it weren't for the woman he'd called Toots, who took everything she remembered of him and--for seven days--wrote it down. In recording the tale of the little man, through memories and Google searches, quotes from Rilke and hints of recipes from Madame Jehane Benoit, Toots gives a glimpse into a entire era of urban Canada, from Vancouver's Downtown Eastside, Main Street, and Chinatown, to a long-ago Montreal and its entertainment between the Great Depression and Expo 67."--Back cover.
"A best poem fulfills the promise set out in its first syllable, word, syntax, line break, and soundscape to its reader/listener." “What is a best poem?” asks Best Canadian Poetry 2020 guest editor Marilyn Dumont, the critically acclaimed and award-winning author of four poetry collections. “A best poem fulfills the promise set out in its first syllable, word, syntax, line break, and soundscape to its reader/listener. The work required to complete a poem takes risk, skill, and practice, and the poems selected for this anthology all exhibit such attributes.” In precise language that exposes the attitudes inherent in English, innovative forms that illuminate their content, and mastery of music akin to a composer’s score, the fifty poems collected here fulfill their promises and, in doing so, demonstrate the country’s rich diversity and talent for invention—and the promises it might fulfill as well. Featuring introductions by series editor Anita Lahey and advisory editor Amanda Jernigan, and poems by: Kazim Ali • Amber Dawn • Billy-Ray Belcourt • Brandi Bird • Selina Boan • Margret Bollerup • Rita Bouvier • Tim Bowling • Frances Boyle • Di Brandt • Rob Budde • Mugabi Byenkya • Dell Catherall • Margaret Christakos Ivan Coyote • Barry Dempster • Kyle Flemmer • Susan Haldane • Louise Bernice Halfe–Sky Dancer • Jane Eaton Hamilton • Maureen Scott Harris • Dallas Hunt • Ashley Hynd • Babo Kamel • Conor Kerr • Don Kerr • Fiona Tinwei Lam • Natalie Lim • Tanis MacDonald • Nyla Matuk • Sadie McCarney • Tara McGowan-Ross • Erín Moure • Roger Nash • Samantha Nock • Erin Noteboom • Abby Paige • Geoff Pevlin • Alycia Pirmohamed • Jana Prikryl • Jason Purcell • Armand Garnet Ruffo • Rebecca Salazar • Robyn Sarah • Erin Soros • Kevin Spenst • John Elizabeth Stintzi • Andrea Thompson • Sanna Wani • Adele Wiseman
The poetry in the Governor General’s Award–winning collection Furious is charged with Erin Moure’s characteristic energy and wit as she explores the limits of pure reason and the language of power. There is, too, a fresh and often celebratory look at love, and, in an unusual finale, “The Acts,” Moure challenges us to explore a feminist aesthetic: of thinking, of the page, of working life and the possibility of poetry.
Planetary Noise: Selected Poetry of Erín Moure gathers four decades of poetry from a celebrated Canadian poet and translator who has persistently reconfigured the linguistic and material relations of English. Moure’s poems and networked sequences are hybrid and often polylingual; they work with contradiction, paradox, and verbal detritus— linguistic hics and blips often too quickly dismissed as noise—to create new conditions for thought and pleasure. From postdramatic theatre to queer and feminist theory, from the politics of citizenship and genocide to the minutiae of digital poetics, from the clamor of love to the shadows of grief and memory, Moure has joyously toppled hierarchies of meaning and parasited dominant discourses to create poetry that crosses borders, embracing hope, not war. This volume, edited by poet and literary scholar Shannon Maguire, also features an extensive introduction to Moure’s poetry, a section of poetry by others translated by Moure, and an afterword on translation by the poet. An online reader’s companion is available at wesleyan.edu/wespress/readerscompanions.
A much-anticipated debut collection from one of Canada’s most promising emerging poets Pebble Swing earns its title from the image of stones skipping their way across a body of water, or, in the author’s case, syllables and traces of her mother tongue bouncing back at her from the water’s reflective surface. This collection is about language and family histories. It is the author’s attempt to piece together the resonant aftermath of the Chinese Cultural Revolution, which stole the life of her paternal grandmother. As an immigrant whose grasp of Mandarin is fading, Wang explores absences in her caesuras and fragmentation—that which is unspoken, but endures. The poems in this collection also trace the experiences of a young poet who left home at seventeen to pursue writing; the result is a series of city poetry infused with memory, the small joys of Vancouver’s everyday, environmental politics, grief and notions of home. While the poetics of response are abundant in the collection—with poems written to Natalie Lim and Ashley Hynd—the last section of the book, "Thirteen Ghazals and Anti-Ghazals after Phyllis Webb," forges a continued response to Phyllis Webb on Salt Spring Island, and innovates within the possibilities of the experimental ghazal form.
The Elements is a family book, a thinker’s biography in poetry, and a polylingual homage. Poems about and for Moure’s late father — accepting his dementia as a real way of thinking “world” and “self” in a struggle against invasive powers — are braced alongside poems invoking the struggle of Galician peasants against the invasion of the armies of Napoleon. It is a book about tenderness, and about The Good, in the face of destructions. By celebrating our ability to think and to revolt, it defends the human pull toward happiness and sovereignty, toward life, toward living. “The infinitely transmissible,” it says, “demands this polyvalent body.”
"The poetry in Furious is charged with Mours characteristic energy and wit as she explores the limits of pure reason and the language of power. There is, too, a fresh and often celebratory look at love, and, in an unusual finale, The Acts, Mour challenges us to explore a feminist aesthetic: of thinking, of the page, of working life, and the possibility of poetry."
The collected longer poems of brilliant Canadian poet Sharon Thesen Refabulations collects and reanimates the longer and serial poems from Sharon Thesen's oeuvre, from her first book in 1980 to today. It is a record of a life in language, created by a dexterous and renegade poet whose mind is ever at work in the poem. A self-described "receiver," Thesen energizes her decades of vital work by providing new neighbours and contexts for a body of poetry that has always recognized disaster, laughed at folly, and made its home in the vigour of the Now. Refabulations includes a short introductory essay by the editor, Erín Moure, an afterword-interview with the poet, and a bibliography.
Shortlisted for the Kobzar Literary Award. The Unmemntioable joins letters that should not be joined. There is, in this word, an act of force. Of devastation. The unmentionable is love, of course. But in Moure’s poems, love is bound to a duty: to comprehend what it was that the immigrants would not speak of. Now they are dead; their children and grandchildren know but an anecdotal pastiche of Ukrainian history. On Saskatoon Mountain in Alberta where they settled, only the chatter of the leaves remains of their presence. What was not spoken is sealed over, unmemntioable. There is no one left to contact in the Old Country. Can the unmemntioable retain its silence, yet be eased into words? Can experience still be spoken?
India: Art and Culture 1300-1900 is a tribute to the rich and varied culture of India as represented in the later art of the subcontinent, dating from the fourteenth through the nineteenth century. Comprehensive in its conceptual framework, this presentation of three hundred thirty-three works brings together masterpieces of the sacred and court traditions and embraces as well the urban, folk, and tribal heritage. India: Art and Culture 1300-1900 is the catalogue for the exhibition INDIA!, held at The Metropolitan Museum of Art, New York, from September 14, 1985, through January 5, 1986, the most extensive survey of Indian art ever assembled by a museum in the United States.
Poetry. Women's Studies. Translation. Translated by Erín Moure. CAMOUFLAGE is a new collection of poems by the Galician poet and journalist Lupe Gómez. The poems in CAMOUFLAGE are sharp, tender elegies for a mother and for a rural village, its changing walks and ways and words. In CAMOUFLAGE, we see how one person can be "two sisters," with "two pasts." We learn about making cheeses, but also that "Death is a political project." Gómez's bold voice erases the line between the political and the domestic, the experimental and the sequential, and allows for celebratory insight. CAMOUFLAGE was published in Spain in 2017 and is Gómez's eleventh book of poetry but her first published in the United States. The poems were originally written in Galician, a language spoken by about 3 million people, primarily in Galicia, an "autonomous community" in the northwest of Spain. Translator and poet Erín Moure has translated the book into an intimate English with a vivid and tight "linguistic embrace." CAMOUFLAGE is a bilingual edition with a translator's introduction, and presents a new approach to designing work in translation.
City of Love and Revolution by Lawrence Aronsen Pdf
"City of Love and Revolution takes readers back to Vancouver in the sixties, the decade when everything changed for the Baby Boomer generation. Dozens of rarely seen photos accompany Lawrence Aronsen's account of the tumultuous decade, bringing to life the sights, the sounds, and the passions of the era of psychedelia and free love, when for a brief moment in time everything seemed possible. Aronsen tells the story of the spread of the "hippie" lifestyle north from San Francisco into Vancouver, and how this rocked the buttoned-down, Protestant, whitebread frontier town that Vancouver had been until then. A chapter on the impact of the sexual revolution tells of love-ins, free clinics, public nudism, and the Penthouse and other Vancouver fleshpots. Other chapters recount the stories of the drugs and music that were embraced by the new generation of Vancouverites; of peaceful anti-war protesters and the birth of Greenpeace, and the harder edge of the Yippies and their occupations and street theatre; and of Vancouver Free University and the new ideas that forever changed the way our schools work."--Publisher's website.
