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Sleepers, Moles and Martyrs by Regina Bendix,John Bendix Pdf
The symposium "Sleepers, Moles, and Martyrs: Secret Identifications, Societal Integration, and the Differing Meanings of Freedom" held in Reinhausen, 2002, formed the basis of this publication. Occasioned by the social, political and mass media discourses after the bombings of New York's World Trade Center on September 11, 2001, an interdisciplinary group of scholars came together to explore the connotations and implications of the term "sleeper". The biographies of terrorist perpetrators are but one of many permutations of sleeper-like phenomena in late modern polities. Clandestine operatives of the state are sleepers, and both willing and unwilling victims of terrorism are discursively transformed from sleepers into martyrs. Starting with analyses of the discourses about sleepers in Part I-their historical antecedents, narrative employment, and semantic differentiation-Part II turns to the hidden or unspoken of aspects of the state, the challenge of fundamentalist terrorism to the modern political project and the tensions between neighbourly discourse, public display and the state. Part III juxtaposes changing depictions of Shiite martyrdom with the violence done to the term "martyr" within the Israeli-Palestinian conflict. In Part IV, cultural secrets encoded in memorials and public silences in academic discourse are addressed. The different cases assembled offer comparative materials and perspectives from the USA, France, the Netherlands, Pakistan, Spain, Iran, Israel, Istria and Sweden.
The Sleeper Agent in Post-9/11 Media by Vanessa Ossa Pdf
This book examines the figure of the sleeper agent as part of post-9/11 political, journalistic and fictional discourse. There is a tendency to discuss the terroristic threat after 9/11 as either a faraway enemy to be hunted down by military force or, on the other hand, as a ubiquitous, intangible threat that required constant alertness at home. The missing link between these two is the sleeper agent – the foreign enemy hiding among US citizens. By analyzing popular television shows, several US comic books, and a broad variety of Hollywood films that depict sleeper agents direct or allegorically, this book explores how a shift in perspective—from terrorist to sleeper agent—brings new insights into our understanding of post-9/11 representations of terrorism. The book’s interdisciplinary focus between media studies, cultural studies, and American studies, suggests that it will find an audience in a variety of fields, including historical research, narratology, popular culture, as well as media and terrorism studies.
Roads to Paradise: Eschatology and Concepts of the Hereafter in Islam (2 vols.) by Sebastian Günther,Todd Lawson Pdf
Roads to Paradise: Eschatology and Concepts of the Hereafter in Islam offers a multi-disciplinary study of Muslim thought on paradise, death, and the hereafter. It promises to become the definitive reference work on Islamic eschatology.
Threat Communication and the US Order after 9/11 by Vanessa Ossa,David Scheu,Lukas R.A. Wilde Pdf
This volume investigates the perception of threat, with particular regard to the roles, functions, and agencies of various types of media. With a focus on the profound impact of the terrorist attacks on September 11, 2001 on the US-American political, social, and cultural order, the chapters reach from the early days after the attacks up to the 2016 election of Donald J. Trump. An international team of contributors analyze how the perceived threats and their subsequent representations changed during this period and what part different forms of media - media institutions, media technologies, and media formats - played within these transformations. Media theoretical perspectives are thus combined with historical approaches to examine the "re-ordering" of the nation, the state, and society proposed in an increasingly converging, multimodal, and networked media environment. This book’s focus on the interrelation between Media Studies, Cultural Studies, and American Studies makes it an indispensable landmark for fields such as Historical Research, Media Theory, Narratology, and Popular Culture Studies.
Cultural Revolution in Iran by Annabelle Sreberny,Massoumeh Torfeh Pdf
The Islamic Republic of Iran is several decades into its existence and the values and legacy of the Revolution upon which it was founded continue to have profound and contradictory consequences for everyday Iranian life. Despite a powerful system of surveillance and control, an extremely lively cultural milieu exists in the country, utilising many different forms of expression, including film, theatre, music and dance. Cultural Revolution in Iran examines the diverse areas of social and cultural innovation that are driving change and progress, both negotiating and resisting government policies and censorship. While religious conservatism remains the creed of the establishment, this volume uncovers a hidden world of new technologies, social media and entertainment that speaks both to women seeking a greater public role and to a restless younger generation that organises and engages with global trends online. In this volume, Annabelle Sreberny and Massoumeh Torfeh highlight the huge range of cultural activities which allow Iranians to express themselves, voice their coded opinions in between the 'red lines' of censorship and even engage in social and civil disobedience. From film to rock music and from painting to video games, there is a vast array of cultural expression and dissent that often eludes the international observer. For example, film production in Iran is highThe Islamic Republic of Iran is several decades into its existence and the values and legacy of the Revolution upon which it was founded continue to have profound and contradictory consequences for everyday Iranian life. Despite a powerful system of surveillance and control, an extremely lively cultural milieu exists in the country, utilising many different forms of expression, including film, theatre, music and dance. Cultural Revolution in Iran examines the diverse areas of social and cultural innovation that are driving change and progress, both negotiating and resisting government policies and censorship. While religious conservatism remains the creed of the establishment, this volume uncovers a hidden world of new technologies, social media and entertainment that speaks both to women seeking a greater public role and to a restless younger generation that organises and engages with global trends online. In this volume, Annabelle Sreberny and Massoumeh Torfeh highlight the huge range of cultural activities which allow Iranians to express themselves, voice their coded opinions in between the 'red lines' of censorship and even engage in social and civil disobedience. From film to rock music and from painting to video games, there is a vast array of cultural expression and dissent that often eludes the international observer. For example, film production in Iran is high and women directors, such as Rakhshan Bani-Etemad, Samira Makhmalbaf and Manijeh Hekmat, have come to the fore, making both popular but also prize-winning films. In addition to this, there is a vibrant music scene in Iran where many performances occur literally 'underground', in private basements, as illegal activity. Sometimes an audience has to wait patiently in the auditorium for the start of a public performance – for example, to hear Morteza Shafiei conducting the Isfahan Symphony Orchestra – whilst the organisers debate with the authorities as to whether the performance can go ahead or not. It is these activities and modes of communication and expression that are central to this volume, making Cultural Revolution in Iran essential for those researching the modern Iranian state as well as those looking at everyday life and popular culture under authoritarian governments and women directors, such as Rakhshan Bani-Etemad, Samira Makhmalbaf and Manijeh Hekmat, have come to the fore, making both popular but also prize-winning films. In addition to this, there is a vibrant music scene in Iran where many performances occur literally 'underground', in private basements, as illegal activity. Sometimes an audience has to wait patiently in the auditorium for the start of a public performance – for example, to hear Morteza Shafiei conducting the Isfahan Symphony Orchestra – whilst the organisers debate with the authorities as to whether the performance can go ahead or not. It is these activities and modes of communication and expression that are central to this volume, making Cultural Revolution in Iran essential for those researching the modern Iranian state as well as those looking at everyday life and popular culture under authoritarian governments
Mythologies and narratives of victimization pervade contemporary Croatia, set against the backdrop of militarized notions of masculinity and the political mobilization of religion and nationhood. Based on extensive ethnographic fieldwork in rural Dalmatia in the Croatian-Bosnian border region, this book provides a unique account of the politics of ambiguous Europeanness from the perspective of those living at Europe's margins. Examining phenomena such as Marian apparitions, a historic knights tournament, the symbolic re-signification of a massacre site, and the desolate social situation of Croatian war veterans, Narrating Victimhood traces the complex mechanisms of political radicalization in a post-war scenario. This book provides a new perspective for understanding the ongoing processes of transformation in Southeastern Europe and the Balkans.
Ethnologia Europaea Vol.34:1 by Bjarne Stoklund Pdf
Since its start in 1967 Ethnologia Europaea has acquired a central position in the international cooperation between ethnologists in the different European countries. It is, however, a journal of topical interest not only for ethnologists but also for anthropologists, social historians and others studying the social and cultural forms of everyday life in recent and historical European societies. This journal appears twice a year, sometimes as a thematic issue.
Visual Culture in the Modern Middle East by Christiane Gruber,Sune Haugbolle Pdf
A collection of essays examining the role and power of images from a wide variety of media in today’s Middle Eastern societies. This timely book examines the power and role of the image in modern Middle Eastern societies. The essays explore the role and function of image making to highlight the ways in which the images “speak” and what visual languages mean for the construction of Islamic subjectivities, the distribution of power, and the formation of identity and belonging. Visual Culture in the Modern Middle East addresses aspects of the visual in the Islamic world, including the presentation of Islam on television; on the internet and other digital media; in banners, posters, murals, and graffiti; and in the satirical press, cartoons, and children’s books. “This volume takes a new approach to the subject . . . and will be an important contribution to our knowledge in this area. . . . It is comprehensive and well-structured with fascinating material and analysis.” —Peter Chelkowski, New York University “An innovative volume analyzing and instantiating the visual culture of a variety of Muslim societies [which] constitutes a substantially new object of study in the regional literature and one that creates productive links with history, anthropology, political science, art history, media studies, and urban studies, as well as area studies and Islamic studies.” —Walter Armbrust, University of Oxford
In the first comprehensive look at Iranian art and visual culture since the 1979 revolution, Talinn Grigor investigates the official art sponsored by the Islamic Republic, the culture of avant-garde art created in the studio and its display in galleries and museums, and the art of the Iranian diaspora within Western art scenes. Divided into three parts—street, studio, and exile—the book argues that these different areas of artistic production cannot be understood independently, revealing how this art offers a mirror of the sociopolitical turmoil that has marked Iran’s recent history. Exploring the world of galleries, museums, curators, and art critics, Grigor moves between subversive and daring art produced in private to propaganda art, martyrdom paraphernalia, and museum interiors. She examines the cross-pollination of kitsch and avant-garde, the art market, state censorship, the public-private domain, the political implications of art, and artistic identity in exile. Providing an astute analysis of the workings of artistic production in relation to the institutions of power in the Islamic Republic, this beautifully illustrated book is essential reading for anyone interested in Iranian history and contemporary art.
The Human Factor of Cybercrime by Rutger Leukfeldt,Thomas J. Holt Pdf
Cybercrimes are often viewed as technical offenses that require technical solutions, such as antivirus programs or automated intrusion detection tools. However, these crimes are committed by individuals or networks of people which prey upon human victims and are detected and prosecuted by criminal justice personnel. As a result, human decision-making plays a substantial role in the course of an offence, the justice response, and policymakers' attempts to legislate against these crimes. This book focuses on the human factor in cybercrime: its offenders, victims, and parties involved in tackling cybercrime. The distinct nature of cybercrime has consequences for the entire spectrum of crime and raises myriad questions about the nature of offending and victimization. For example, are cybercriminals the same as traditional offenders, or are there new offender types with distinct characteristics and motives? What foreground and situational characteristics influence the decision-making process of offenders? Which personal and situational characteristics provide an increased or decreased risk of cybercrime victimization? This book brings together leading criminologists from around the world to consider these questions and examine all facets of victimization, offending, offender networks, and policy responses. Chapter 13 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Humor and Rumor in the Post-Soviet Authoritarian State by Anastasiya Astapova Pdf
Drawing on ethnographic fieldwork in Belarus, an example of an authoritarian state, Humor and Rumor in the Post-Soviet Authoritarian State presents over one hundred contemporary political jokes in the contexts of their performance. Throughout, Anastasiya Astapova demonstrates the salience of the joke genre, the multiplicity of humor manifestations, and the fundamental presence of intertextual links between jokes and another folk genre—rumor. Informed by real-life fieldwork in an authoritarian regime, Humor and Rumor in the Post-Soviet Authoritarian State challenges many common theories of political humor, including the interpretation of political jokes as weapons of the weak. It illustrates how jokes and rumors remind communities of their fears, support paranoia, shape conformist behavior, and, consequently, reinforce the existing hegemony. In this rare study on everyday life in and reactions to repressive regimes, Astapova unveils political humor as it is lived.
Human Rights in Asia by D. Kingsbury,Leena Avonius Pdf
This book offers a critical reassessment of the 'Asian values' debate, which dominated the human rights discourse in the late 1990s, and a reappraisal of the human rights situation in Asia since then. The chapters in this book contextualize the debate and examine in what ways the issues raised then continue to trouble Asian societies.
The BBC, The 'War on Terror' and the Discursive Construction of Terrorism by Jared Ahmad Pdf
In the years since the September 11th 2001 attacks, the al-Qaeda phenomenon has become one of the most written about, yet crucially misunderstood, threats of the 21st century. But despite the sheer volume of literature produced during the ‘war on terror’ period, few studies have sought to consider the way this entity has been represented within the news media. The BBC, the War on Terror and the Discursive Construction of Al-Qaeda addresses this significant gap in knowledge by providing an original and much needed assessment of the various strategies used to depict ‘al-Qaeda’, and thus make it meaningful for British television audiences. Drawing on the work of French philosopher Michel Foucault, and focusing on Britain’s most watched and trusted news programme, the BBC’s flagship ‘News at Ten’ bulletin, the book provides insight into both the visual and verbal nature of these representations and the way they have shifted over the course of a ten-year period, while also shedding light upon the broader political and social consequences of the BBC’s portrayals. In doing so, the book not only helps to develop a deeper understanding of the complexity of the BBC’s representations, and their various shifts and transformations, but also details the process through which ‘al-Qaeda’ has been pieced together from a range of cultural parts. And how, ultimately, the dominant mode of representation used to portray this entity is one that closely resembles Britain’s own, diverse multicultural ‘self’.
Have you ever heard of the cream effect or witnessed the power of cultural backdraft? Have you watched the slow process of fossilization or used the tactics of cultural stealth? You might be waiting for just the right word to describe what you have seen and done. This collection revitalizes the study of the cultural processes of stability and change. The 25 essays invent new processes for a rapidly changing world. They illustrate how different perspectives enrich cultural analysis and add a bit of playfulness and experimentation to a longstanding academic issue. The authorsfrom anthropology, European ethnology, sociology, and cultural studiesare peeking into blind spots and looking under the furniture in order to understand why and how some kinds of social life become visible, while so many others remain unseen. This book will inspire researchers and students to develop new approaches in cultural analysis. This is a reprint of the journal Ethnologia Europaea - Journal of European Eth
