Songs From The Baobab Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Songs From The Baobab book. This book definitely worth reading, it is an incredibly well-written.
The baobab tree story, which I wrote (the church version) is actually based upon a true story, told by Limakatso Nare, a Lutheran pastor who is currently serving a congregation in Louisiana. When he was growing up in his native Africa, he gathered for Sunday school under the baobab tree. Here he learned the Biblical stories of Noah and the ark, Jonah and the big fish, and the parables of Jesus. His Sunday school experiences inspired my story, Under the Baobab Tree.
Songs in the Shade of the Cashew and Coconut Trees by Nathalie Soussana,Jean-Christophe Hoarau Pdf
Songs about children playing in the schoolyard, sisters braiding each other's hair at the beach, and parents dancing late into the night mesh together thanks to the music. A wide array of styles--nursery rhymes from Gabon, lullabies from Cape Verde, and rumbas from the Congo--are performed in more than a dozen languages. Luminous artwork and homegrown instruments round off this wonderful celebration of history, language, and culture. Lyrics appear in their original language and in English, along with notes on culture, a world map, and a code for song downloads and print-outs.
Ruth Finnegan's Oral Literature in Africa was first published in 1970, and since then has been widely praised as one of the most important books in its field. Based on years of fieldwork, the study traces the history of storytelling across the continent of Africa. This revised edition makes Finnegan's ground-breaking research available to the next generation of scholars. It includes a new introduction, additional images and an updated bibliography, as well as its original chapters on poetry, prose, "drum language" and drama, and an overview of the social, linguistic and historical background of oral literature in Africa. This book is the first volume in the World Oral Literature Series, an ongoing collaboration between OBP and World Oral Literature Project. A free online archive of recordings and photographs that Finnegan made during her fieldwork in the late 1960s is hosted by the World Oral Literature Project (http: //www.oralliterature.org/collections/rfinnegan001.html) and can also be accessed from publisher's website.
The hummingbird sings and dances by Grupo Cántaro Pdf
An extraordinary collection of 19 traditional Latin American nursery rhymes and lullabies in Spanish that have withstood the test of time. A map of Latin America and complete lyrics in Spanish with English translations appear at the end of the book, which also includes a CD and a code for digital download. Full color.
The Baobabs: Pachycauls of Africa, Madagascar and Australia by G.E. Wickens Pdf
This is the only comprehensive account of all eight species in the genus Adansonia. It describes the historical background from the late Roman period to the present. It covers the extraordinary variety of economic uses of baobabs. There are also appendices on vernacular names, gazetteer, economics, nutrition and forest mensuration. This book fills a gap in the botanical literature. It deals with a genus that has fascinated and intrigued scientists and lay persons for centuries.
Songs on the Vanilla Trail by Jean-Christophe Hoarau,Nathalie Soussana Pdf
An enchanting collection of 25 traditional songs pays homage to the rich cultural heritage and multilingual communities of East and Southern Africa. The resulting highly mixed musical styles that are unique to each region demonstrate how they welcomed new horizons through contact with others. A wide array of styles--skipping rope songs from Mozambique, lullabies from South Africa, counting songs from Réunion, traditional dance tunes from Madagascar--are all performed exquisitely by men, women, and children in more than a dozen languages and dialects. Vibrant compelling artwork and homegrown instruments, such as the tube zither, the kayamb, the bobre, the segakordeon and ravanne drums round off this wonderful celebration of history, language, and culture. Lyrics appear transcribed in their original language and translated to English followed by extensive notes describing the cultural background of each song and a map of East and Southern Africa. This picture book is accompanied by a CD featuring 25 recorded songs along with unique code for the digital download of the audio.
This book serves as both a textbook and reference for faculty and students in LIS courses on storytelling and a professional guide for practicing librarians, particularly youth services librarians in public and school libraries. Storytelling: Art and Technique serves professors, students, and practitioners alike as a textbook, reference, and professional guide. It provides practical instruction and concrete examples of how to use the power of story to build literacy and presentation skills, as well as to create community in those same educational spaces. This text illustrates the value of storytelling, covers the history of storytelling in libraries, and offers valuable guidance for bringing stories to contemporary listeners, with detailed instructions on the selection, preparation, and presentation of stories. It also provides guidance around the planning and administration of a storytelling program. Topics include digital storytelling, open mics and slams, and the neuroscience of storytelling. An extensive and helpful section of resources for the storyteller is included in an expanded Part V of this edition.
World Music and the Black Atlantic by Aleysia K. Whitmore Pdf
In the mid-20th century, African musicians took up Cuban music as their own and claimed it as a marker of black Atlantic connections and of cosmopolitanism untethered from European colonial relations. Today, Cuban/African bands popular in Africa in the 1960s and '70s have moved into the world music scene in Europe and North America, and world music producers and musicians have created new West African-Latin American collaborations expressly for this market niche. World Music and the Black Atlantic follows two of these bands, Orchestra Baobab and AfroCubism, and the industry and audiences that surround them-from musicians' homes in West Africa, to performances in Europe and North America, to record label offices in London. World Music and the Black Atlantic examines the intensely transnational experiences of musicians, industry personnel, and audiences as they collaboratively produce, circulate, and consume music in a specific post-colonial era of globalization. Musicians, industry personnel, and audiences work with and push against one another as they engage in personal collaborations imbued with histories of global travel and trade. They move between and combine Cuban and Malian melodies, Norwegian and Senegalese markets, and histories of slavery and independence as they work together to create international commodities. Understanding the unstable and dynamic ways these peoples, musics, markets, and histories intersect elucidates how world music actors assert their places within, and produce knowledge about, global markets, colonial histories, and the black Atlantic. World Music and the Black Atlantic offers a nuanced view of a global industry that is informed and deeply marked by diverse transnational perspectives and histories of transatlantic exchange.
Africa Speaks, America Answers by Robin D. G. Kelley Pdf
In Bedford-Stuyvesant, Brooklyn, pianist Randy Weston and bassist Ahmed Abdul-Malik celebrated with song the revolutions spreading across Africa. In Ghana and South Africa, drummer Guy Warren and vocalist Sathima Bea Benjamin fused local musical forms with the dizzying innovations of modern jazz. These four were among hundreds of musicians in the 1950's and '60's who forged connections between jazz and Africa that definitively reshaped both their music and the world. Each artist identified in particular ways with Africa's struggle for liberation and made music dedicated to, or inspired by, demands for independence and self-determination. That music was the wild, boundary-breaking exultation of modern jazz. The result was an abundance of conversation, collaboration, and tension between African and African American musicians during the era of decolonization. This collective biography demonstrates how modern Africa reshaped jazz, how modern jazz helped form a new African identity, and how musical convergences and crossings altered politics and culture on both continents. In a crucial moment when freedom electrified the African diaspora, these black artists sought one another out to create new modes of expression. Documenting individuals and places, from Lagos to Chicago, from New York to Cape Town, Robin Kelley gives us a meditation on modernity: we see innovation not as an imposition from the West but rather as indigenous, multilingual, and messy, the result of innumerable exchanges across a breadth of cultures.
Penda Diakité joins forces with her award-winning author/artist father to give a charming peek at everyday life in Africa. "This fact-based story of losing a tooth while visiting family in Mali rings with authenticity and good humour...[T]he illustrations exude happiness and togetherness." - The Bulletin of the Center for Children's Books
One night, in the dim darkness of his room, Moin heard something shuffling and sniffling under his bed ...' It is a monster. Moin has to learn to live with the monster, which does nothing but eat bananas, sing silly songs and try out new hairstyles. However, keeping the monster a secret from his parents and teachers is a tough task and finally Moin decides that the only thing to do is send the monster back where it came from...
A study of the impact of Cuban music on Senegalese music and modernity Roots in Reverse explores how Latin music contributed to the formation of the négritude movement in the 1930s. Taking Senegal and Cuba as its primary research areas, this work uses oral histories, participant observation, and archival research to examine the ways Afro-Cuban music has influenced Senegalese debates about cultural and political citizenship and modernity. Shain argues that the trajectory of Afro-Cuban music in twentieth century Senegal illuminates many dimensions of that nation's cultural history such as gender relations, generational competition and conflict, debates over cosmopolitanism and hybridity, the role of nostalgia in Senegalese national culture and diasporic identities. More than just a new form of musical enjoyment, Afro-Cuban music provided listeners with a tool for creating a public sphere free from European and North American cultural hegemony.
This CD and book combines five centuries of music history with illustrations of insects, arachnids, and amphibians; wasps, butterflies, frogs, and snakes.