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Songs of the Royal Zhōu and the Royal Shào by Dirk Meyer,Adam Craig Schwartz Pdf
The songs of the Royal Zhōu (“Zhōu Nán” 周南) and of the Royal Shào (“Shào Nán” 召南) have formed a conceptual unit since at least the late Spring and Autumn period (771–453 BC). With this book Meyer and Schwartz provide a first complete reading of their earliest, Warring States (453–221 BC), iteration as witnessed by the Ānhuī University manuscripts. As a thought experiment, the authors seek to establish an emic reading of these songs, which they contextualise in the larger framework of studies of the Shī (Songs) and of meaning production during the Warring States period more broadly. The analysis casts light on how the Songs were used by different groups during the Warring States period.
Author : Edward L. Shaughnessy Publisher : State University of New York Press Page : 345 pages File Size : 48,9 Mb Release : 2023-11-01 Category : History ISBN : 9781438495231
Archaeological discoveries over the past one hundred years have resulted in repeated calls to "rewrite ancient Chinese history." This is especially true of documents written on oracle bones, bronze vessels, and bamboo strips. In Writing Early China, Edward L. Shaughnessy surveys all of these types of documents and considers what they reveal about the creation and transmission of knowledge in ancient China. Opposed to the common view that most knowledge was transmitted orally in ancient China, Shaughnessy demonstrates that by no later than the tenth century BCE scribes were writing lengthy texts like portions of the Chinese classics, and that by the fourth century BCE the primary mode of textual transmission was by way of visual copying from one manuscript to another.
Documentation and Argument in Early China by Dirk Meyer Pdf
This study uncovers the traditions behind the formative Classic Shàngshū (Venerated Documents). It is the first to establish these traditions—“Shū” (Documents)—as a historically evolving practice of thought-production. By focusing on the literary form of the argument, it interprets the “Shū” as fluid text material that embodies the ever-changing cultural capital of projected conceptual communities. By showing how these communities actualised the “Shū” according to their changing visions of history and evolving group interests, the study establishes that by the Warring States period (ca. 453–221 BC) the “Shū” had become a literary genre employed by diverse groups to legitimize their own arguments. Through forms of textual performance, the “Shū” gave even peripheral communities the means to participate in political discourse by conferring their ideas with ancient authority. Analysing this dynamic environment of socio-political and philosophical change, this study speaks to the Early China field, as well as to those interested in meaning production and foundational text formation more widely.
Tuttle Learning Chinese Characters by Alison Matthews,Laurence Matthews Pdf
This user-friendly book is aimed at helping students of Mandarin Chinese learn and remember Chinese characters. At last--there is a truly effective and enjoyable way to learn Chinese characters! This book helps students to learn and remember both the meanings and the pronunciations of over 800 characters. This otherwise daunting task is made easier by the use of techniques based on the psychology of learning and memory. key principles include the use of visual imagery, the visualization of short "stories," and the systematic building up of more complicated characters from basic building blocks. Although Learning Chinese Characters is primarily a book for serious learners of Mandarin Chinese, it can be used by anyone with interest in Chinese characters, without any prior knowledge of Chinese. It can be used alongside (or after, or even before) a course in the Chinese language. All characters are simplified (as in mainland China), but traditional characters are also given, when available. Key features: Specially designed pictures and stories are used in a structured way to make the learning process more enjoyable and effective, reducing the need for rote learning to the absolute minimum. The emphasis throughout is on learning and remembering the meanings and pronunciations of the characters. Tips are also included on learning techniques and how to avoid common problems. Characters are introduced in a logical sequence, which also gives priority to learning the most common characters first. Modern, simplified characters are used, with pronunciations given in pinyin. Key information is given for each character, including radical, stroke-count, traditional form, compounds, and guidance on writing the character. This is a practical guide with a clear, concise and appealing layout, and it is well-indexed with easy lookup methods. The 800 Chinese characters and 1,033 compounds specified for the original HSK Level A proficiency test are covered.
Author : Xi Xiang Publisher : Taylor & Francis Page : 282 pages File Size : 53,9 Mb Release : 2023-03-15 Category : Language Arts & Disciplines ISBN : 9781000834697
A Brief History of the Chinese Language VI by Xi Xiang Pdf
As the sixth volume of a multivolume set on the Chinese language, this book studies the influence of foreign culture on Middle Chinese lexicon and the development of synonyms, idioms, and proverbs during the period. Focusing on lexicons in Middle Chinese, the middle form of the Chinese language used between the 4th century CE and the 12th century CE, this book first analyzes loanwords in Middle Chinese, a product of cultural exchange with western regions on the Silk Road and the impact of Buddhism. It then discusses the differences in meaning between monosyllables and polysyllables. The final chapter describes enriching idioms and proverbs and the major sources of words, including classical works, Buddhist texts, and the spoken language. Illustrated with abundant examples, this comprehensive groundwork on Chinese lexical history will be a must-read for scholars and students studying ancient Chinese language and linguistics and especially for beginning learners of the Middle Chinese lexicon.
In this "guided" anthology, experts lead students through the major genres and eras of Chinese poetry from antiquity to the modern time. The volume is divided into 6 chronological sections and features more than 140 examples of the best shi, sao, fu, ci, and qu poems. A comprehensive introduction and extensive thematic table of contents highlight the thematic, formal, and prosodic features of Chinese poetry, and each chapter is written by a scholar who specializes in a particular period or genre. Poems are presented in Chinese and English and are accompanied by a tone-marked romanized version, an explanation of Chinese linguistic and poetic conventions, and recommended reading strategies. Sound recordings of the poems are available online free of charge. These unique features facilitate an intense engagement with Chinese poetical texts and help the reader derive aesthetic pleasure and insight from these works as one could from the original. The companion volume How to Read Chinese Poetry Workbook presents 100 famous poems (56 are new selections) in Chinese, English, and romanization, accompanied by prose translation, textual notes, commentaries, and recordings. Contributors: Robert Ashmore (Univ. of California, Berkeley); Zong-qi Cai; Charles Egan (San Francisco State); Ronald Egan (Univ. of California, Santa Barbara); Grace Fong (McGill); David R. Knechtges (Univ. of Washington); Xinda Lian (Denison); Shuen-fu Lin (Univ. of Michigan); William H. Nienhauser Jr. (Univ. of Wisconsin); Maija Bell Samei; Jui-lung Su (National Univ. of Singapore); Wendy Swartz (Columbia); Xiaofei Tian (Harvard); Paula Varsano (Univ. of California, Berkeley); Fusheng Wu (Univ. of Utah)
Author : Mark W. Post Publisher : BRILL Page : 321 pages File Size : 43,8 Mb Release : 2017-05-08 Category : Language Arts & Disciplines ISBN : 9789004344884
Tangam is a critically endangered Trans-Himalayan language spoken by 150 hilltribespeople in the Far Eastern Himalaya. This work presents a cultural, historical and grammatical introduction to the Tangam language, a trilingual lexicon in Tangam, English and Minyong, and analysed texts.
Synchrony and Diachrony of Okinawan "Kakari Musubi" in Comparative Perspective with Premodern Japanese by Rumiko Shinzato,Leon A. Serafim Pdf
In Synchrony and Diachrony of Okinawan and Premodern Japanese Kakari Musubi, Rumiko Shinzato and Leon A. Serafim offer reconstructions, comparative-functional analyses, and evaluations of grammaticalization-based hypotheses on kakari musubi's origin, development, and demise.
Literary Forms of Argument in Early China by Anonim Pdf
In Literary Forms of Argument in Early China, Gentz and Meyer explore a new analytical approach to the study of written thinking by focusing on the argumentative function of literary patterns in early Chinese texts.
A New Practical Primer of Literary Chinese by Paul Rouzer Pdf
"Forty lessons designed to introduce beginning students to the basic patterns and structures of Classical Chinese are taken from a number of pre-Han and Han texts selected to give students a grounding in exemplary Classical Chinese style. Two additional lessons use texts from later periods to help students appreciate the changes in written Chinese over the centuries.Each lesson consists of a text, a vocabulary list featuring discussions of meaning and usage, explanations of grammar, and explications of difficult passages. The standard modern Chinese, Japanese, and Korean pronunciations are indicated for each character, making this a learning tool for native speakers of those languages as well.Appendices give suggestions for further readings, review common and significant words, explain the radical system, and provide Japanese kanbun readings for all the selections. Glossaries of all vocabulary items and pronunciation indexes for modern Chinese and Korean are also included."
Origins of Chinese Political Philosophy by Anonim Pdf
Origins of Chinese Political Philosophy. explores the composition, language, thought, and early history of the Shangshu (Classic of Documents), showing its texts as dynamic cultural products that expressed and shaped the political and intellectual discourses of different times and communities.
Scholarship on early Chinese thought has long tended to treat texts as mere repositories of ideas rather than as meaningful objects in their own right. Not only does this approach present an idealised account of China’s intellectual past, but it also imposes artificial boundaries between textual and philosophical traditions. As the first study to treat text as a cultural phenomenon during the Warring States period, this book demonstrates the interplay among the material conditions of text and manuscript culture, writing, and thought. Through close readings of philosophical texts excavated at Guōdiàn, it analyses crucial strategies of meaning construction and casts light on the ways in which different communities used texts to philosophical ends. Meyer thus establishes new understandings of the correlation between ideas, their material carrier, and the production of meaning in early China.
"This book is an essential reference on creating words. It's packed with etymologies, ideas on derivation, places you can diverge from English, and fascinating things to think about. Plus it contains the real-world knowledge you need to name everything from colors to elements, from kinship systems to guilds" -- Back cover.
