Sonic Technologies

Author : Robert Strachan
Publisher : Bloomsbury Publishing USA
Page : 208 pages
File Size : 50,8 Mb
Release : 2017-01-12
Category : Music
ISBN : 9781501310638

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Sonic Technologies by Robert Strachan Pdf

Awarded a Certificate of Merit at the ARSC Awards for Excellence 2018 In the past two decades digital technologies have fundamentally changed the way we think about, make and use popular music. From the production of multimillion selling pop records to the ubiquitous remix that has become a marker of Web 2.0, the emergence of new music production technologies have had a transformative effect upon 21st Century digital culture. Sonic Technologies examines these issues with a specific focus upon the impact of digitization upon creativity; that is, what musicians, cultural producers and prosumers do. For many, music production has moved out of the professional recording studio and into the home. Using a broad range of examples ranging from experimental electronic music to more mainstream genres, the book examines how contemporary creative practice is shaped by the visual and sonic look and feel of recording technologies such as Digital Audio Workstations.

Author : Gerry Bloustien
Publisher : Routledge
Page : 372 pages
File Size : 51,5 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351548250

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"Sonic Synergies: Music, Technology, Community, Identity " by Gerry Bloustien Pdf

Sonic Synergies: Music, Technology, Community, Identity focuses on the new and emerging synergies of music and digital technology within the new knowledge economies. Eighteen scholars representing six international perspectives explore the global and local ramifications of rapidly changing new technologies on creative industries, local communities, music practitioners and consumers. Diverse areas are considered, such as production, consumption, historical and cultural context, legislation, globalization and the impact upon the individual. Drawing on a range of musical genres from jazz, heavy metal, hip-hop and trance, and through several detailed case studies reflecting on the work of professional and local amateur artists, this book offers an important discussion of the ways in which the face of music is changing. Approaching these areas from a cultural studies perspective, this text will be a valuable tool for anyone engaged in the study of popular culture, music or digital technologies.

Author : National Research Council,Division on Engineering and Physical Sciences,Commission on Engineering and Technical Systems,Committee on Aeronautical Technologies
Publisher : National Academies Press
Page : 314 pages
File Size : 47,5 Mb
Release : 1992-02-01
Category : Science
ISBN : 9780309047326

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Aeronautical Technologies for the Twenty-First Century by National Research Council,Division on Engineering and Physical Sciences,Commission on Engineering and Technical Systems,Committee on Aeronautical Technologies Pdf

Prepared at the request of NASA, Aeronautical Technologies for the Twenty-First Century presents steps to help prevent the erosion of U.S. dominance in the global aeronautics market. The book recommends the immediate expansion of research on advanced aircraft that travel at subsonic speeds and research on designs that will meet expected future demands for supersonic and short-haul aircraft, including helicopters, commuter aircraft, "tiltrotor," and other advanced vehicle designs. These recommendations are intended to address the needs of improved aircraft performance, greater capacity to handle passengers and cargo, lower cost and increased convenience of air travel, greater aircraft and air traffic management system safety, and reduced environmental impacts.

Author : Michael Bull,Marcel Cobussen
Publisher : Bloomsbury Publishing USA
Page : 896 pages
File Size : 48,8 Mb
Release : 2020-12-10
Category : Music
ISBN : 9781501338779

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The Bloomsbury Handbook of Sonic Methodologies by Michael Bull,Marcel Cobussen Pdf

The field of Sound Studies has changed and developed dramatically over the last two decades involving a vast and dizzying array of work produced by those working in the arts, social sciences and sciences. The study of sound is inherently interdisciplinary and is undertaken both by those who specialize in sound and by others who wish to include sound as an intrinsic and indispensable element in their research. This is the first resource to provide a wide ranging, cross-cultural and interdisciplinary investigation and analysis of the ways in which researchers use a broad range of methodologies in order to pursue their sonic investigations. It brings together 49 specially commissioned chapters that ask a wide range of questions including; how can sound be used in current academic disciplines? Is sound as a methodological tool indispensable for Sound Studies and what can sound artists contribute to the discourse on methodology in Sound Studies? The editors also present 3 original chapters that work as provocative 'sonic methodological interventions' prefacing the 3 sections of the book.

Author : Barbara Ellison,Thomas Bey William Bailey
Publisher : Bloomsbury Publishing USA
Page : 251 pages
File Size : 51,9 Mb
Release : 2020-05-14
Category : Music
ISBN : 9781501347030

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Sonic Phantoms by Barbara Ellison,Thomas Bey William Bailey Pdf

In this book, Barbara Ellison and Thomas B. W. Bailey lay out and explore the mystifying and evanescent musical territory of 'sonic phantoms': auditory illusions within the musical material that convey a 'phantasmatic' presence. Structured around a large body of compositional work developed by Ellison over the past decade, sonic phantoms are revealed and illustrated as they arise through a diverse array of musical sources, materials, techniques, and compositional tools: voices (real and synthetic), field recordings, instrument manipulation, object amplification, improvisation, and recording studio techniques. Somehow inherent in all music--and perhaps in all sound--sonic phantoms lurk and stalk with the promise of mystery and elevation. We just need to conjure them.

Author : Tony Gibbs
Publisher : Bloomsbury Publishing
Page : 176 pages
File Size : 44,6 Mb
Release : 2007-06-25
Category : Music
ISBN : 9782940439966

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The Fundamentals of Sonic Art & Sound Design by Tony Gibbs Pdf

This book introduces a subject that will be new to many: sonic arts. The application of sound to other media (such as film or video) is well known and the idea of sound as a medium in its own right (such as radio) is also widely accepted. However, the idea that sound could also be a distinct art form by itself is less well established and often misunderstood. The Fundamentals of Sonic Art & Sound Design introduces, describes and begins the process of defining this new subject and to provide a starting point for anyone who has an interest in the creative uses of sound. The book explores the worlds of sonic art and sound design through their history and development, and looks at the present state of these extraordinarily diverse genres through the works and words of established artists and through an examination of the wide range of practices that currently come under the heading of sonic arts. The technologies that are used and the impact that they have upon the work are also discussed. Additionally, The Fundamentals of Sonic Art & Sound Design considers new and radical approaches to sound recording, performance, installation works and exhibitions and visits the worlds of the sonic artist and the sound designer.

Author : Alexander Ghedi Weheliye
Publisher : Duke University Press
Page : 300 pages
File Size : 49,8 Mb
Release : 2005-05-20
Category : Music
ISBN : 9780822386933

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Phonographies by Alexander Ghedi Weheliye Pdf

Phonographies explores the numerous links and relays between twentieth-century black cultural production and sound technologies from the phonograph to the Walkman. Highlighting how black authors, filmmakers, and musicians have actively engaged with recorded sound in their work, Alexander G. Weheliye contends that the interplay between sound technologies and black music and speech enabled the emergence of modern black culture, of what he terms “sonic Afro-modernity.” He shows that by separating music and speech from their human sources, sound-recording technologies beginning with the phonograph generated new modes of thinking, being, and becoming. Black artists used these new possibilities to revamp key notions of modernity—among these, ideas of subjectivity, temporality, and community. Phonographies is a powerful argument that sound technologies are integral to black culture, which is, in turn, fundamental to Western modernity. Weheliye surveys literature, film, and music to focus on engagements with recorded sound. He offers substantial new readings of canonical texts by W. E. B. Du Bois and Ralph Ellison, establishing dialogues between these writers and popular music and film ranging from Louis Armstrong’s voice to DJ mixing techniques to Darnell Martin’s 1994 movie I Like It Like That. Looking at how questions of diasporic belonging are articulated in contemporary black musical practices, Weheliye analyzes three contemporary Afro-diasporic musical acts: the Haitian and African American rap group the Fugees, the Afro- and Italian-German rap collective Advanced Chemistry, and black British artist Tricky and his partner Martina. Phonographies imagines the African diaspora as a virtual sounding space, one that is marked, in the twentieth century and twenty-first, by the circulation of culture via technological reproductions—records and tapes, dubbing and mixing, and more.

Author : Sumanth Gopinath,Jason Stanyek
Publisher : Oxford University Press
Page : 561 pages
File Size : 55,7 Mb
Release : 2014-03
Category : Music
ISBN : 9780195375725

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The Oxford Handbook of Mobile Music Studies, Volume 1 by Sumanth Gopinath,Jason Stanyek Pdf

The two volumes of The Oxford Handbook of Mobile Music Studies consolidate an area of scholarly inquiry that addresses how mechanical, electrical, and digital technologies and their corresponding economies of scale have rendered music and sound increasingly mobile-portable, fungible, and ubiquitous. At once a marketing term, a common mode of everyday-life performance, and an instigator of experimental aesthetics, "mobile music" opens up a space for studying the momentous transformations in the production, distribution, consumption, and experience of music and sound that took place between the late nineteenth and the early twenty-first centuries. Taken together, the two volumes cover a large swath of the world-the US, the UK, Japan, Brazil, Germany, Turkey, Mexico, France, China, Jamaica, Iraq, the Philippines, India, Sweden-and a similarly broad array of the musical and nonmusical sounds suffusing the soundscapes of mobility. Volume 1 provides an introduction to the study of mobile music through the examination of its devices, markets, and theories. Conceptualizing a long history of mobile music extending from the late nineteenth century to the present, the volume focuses on the conjunction of human mobility and forms of sound production and reproduction. The volume's chapters investigate the MP3, copyright law and digital downloading, music and cloud computing, the iPod, the transistor radio, the automated call center, sound and text messaging, the mobile phone, the militarization of iPod usage, the cochlear implant, the portable sound recorder, listening practices of schoolchildren and teenagers, the ringtone, mobile music in the urban soundscape, the boombox, mobile music marketing in Mexico and Brazil, music piracy in India, and online radio in Japan and the US.

Author : Paul D. Greene,Thomas Porcello
Publisher : Wesleyan University Press
Page : 301 pages
File Size : 48,5 Mb
Release : 2012-01-01
Category : Music
ISBN : 9780819570628

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Wired for Sound by Paul D. Greene,Thomas Porcello Pdf

Winner of the Society for Ethnmusicology's Klaus Wachsmann Award (2006) Wired for Sound is the first anthology to address the role of sound engineering technologies in the shaping of contemporary global music. Wired sound is at the basis of digital audio editing, multi-track recording, and other studio practices that have powerfully impacted the world's music. Distinctions between musicians and engineers increasingly blur, making it possible for people around the globe to imagine new sounds and construct new musical aesthetics. This collection of 11 essays employs primarily ethnographical, but also historical and psychological, approaches to examine a range of new, technology-intensive musics and musical practices such as: fusions of Indian film-song rhythms, heavy metal, and gamelan in Jakarta; urban Nepali pop which juxtaposes heavy metal, Tibetan Buddhist ritual chant, rap, and Himalayan folksongs; collaborations between Australian aboriginals and sound engineers; the production of "heaviness" in heavy metal music; and the production of the "Austin sound." This anthology is must reading for anyone interested in the global character of contemporary music technology. CONTRIBUTORS: Harris M. Berger, Beverley Diamond, Cornelia Fales, Ingemar Grandin, Louise Meintjes, Frederick J. Moehn, Karl Neunfeldt, Timothy D. Taylor, Jeremy Wallach.

Author : Steve Goodman
Publisher : MIT Press
Page : 291 pages
File Size : 49,7 Mb
Release : 2012-08-17
Category : Music
ISBN : 9780262517959

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Sonic Warfare by Steve Goodman Pdf

An exploration of the production, transmission, and mutation of affective tonality—when sound helps produce a bad vibe. Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread—to produce a bad vibe. Sonic weapons of this sort include the “psychoacoustic correction” aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or “sound bombs”) over the Gaza Strip, and high-frequency rat repellants used against teenagers in malls. At the same time, artists and musicians generate intense frequencies in the search for new aesthetic experiences and new ways of mobilizing bodies in rhythm. In Sonic Warfare, Steve Goodman explores these uses of acoustic force and how they affect populations. Traversing philosophy, science, fiction, aesthetics, and popular culture, he maps a (dis)continuum of vibrational force, encompassing police and military research into acoustic means of crowd control, the corporate deployment of sonic branding, and the intense sonic encounters of sound art and music culture. Goodman concludes with speculations on the not yet heard—the concept of unsound, which relates to both the peripheries of auditory perception and the unactualized nexus of rhythms and frequencies within audible bandwidths.

Author : Greg Goodale
Publisher : University of Illinois Press
Page : 210 pages
File Size : 43,8 Mb
Release : 2011-03-31
Category : History
ISBN : 9780252036040

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Sonic Persuasion by Greg Goodale Pdf

This title critically analyzes a range of sounds on vocal and musical recordings, on the radio, in film, and in cartoons to show how sounsd are used to persuade in subtle ways.

Author : Holger Schulze
Publisher : Bloomsbury Publishing USA
Page : 272 pages
File Size : 50,5 Mb
Release : 2019-04-04
Category : Technology & Engineering
ISBN : 9781501330230

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Sound Works by Holger Schulze Pdf

What is sound design? What is its function in the early 21st century and into the future? Sound Works examines these questions in four parts: Part 1, "Why This Sound?", presents an overview of the modern history of sound design. Part 2 is highly visual and provides a glance onto a sound designer's workbench and the current state of "Sonic Labor." Part 3 uses cultural analysis to explore our contemporary "Living with Sounds." The final and fourth part then proposes a series of anthropological and political interpretations of how “Sound Works” today. This book is not a manual on sound design; it instead argues for a cultural theory of sound design for sound designers and sound artists, for clients who commission a sound design and for researchers in the fields of sound studies, design research, and cultural studies

Author : Robert Strachan
Publisher : Bloomsbury Publishing USA
Page : 208 pages
File Size : 45,9 Mb
Release : 2017-01-12
Category : Music
ISBN : 9781501310645

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Sonic Technologies by Robert Strachan Pdf

Awarded a Certificate of Merit at the ARSC Awards for Excellence 2018 In the past two decades digital technologies have fundamentally changed the way we think about, make and use popular music. From the production of multimillion selling pop records to the ubiquitous remix that has become a marker of Web 2.0, the emergence of new music production technologies have had a transformative effect upon 21st Century digital culture. Sonic Technologies examines these issues with a specific focus upon the impact of digitization upon creativity; that is, what musicians, cultural producers and prosumers do. For many, music production has moved out of the professional recording studio and into the home. Using a broad range of examples ranging from experimental electronic music to more mainstream genres, the book examines how contemporary creative practice is shaped by the visual and sonic look and feel of recording technologies such as Digital Audio Workstations.

Author : E. M. Repic,G. A. Olson,R. J. Milliken
Publisher : Unknown
Page : 292 pages
File Size : 47,5 Mb
Release : 1973
Category : Aerodynamics, Hypersonic
ISBN : UIUC:30112106628073

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A Methodology for Hypersonic Transport Technology Planning by E. M. Repic,G. A. Olson,R. J. Milliken Pdf

Author : Vimal Saxena,Michel Krief,Ludmila Adam
Publisher : Elsevier
Page : 484 pages
File Size : 49,6 Mb
Release : 2018-04-28
Category : Science
ISBN : 9780128123324

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Handbook of Borehole Acoustics and Rock Physics for Reservoir Characterization by Vimal Saxena,Michel Krief,Ludmila Adam Pdf

The Handbook of Borehole Acoustics and Rock Physics for Reservoir Characterization combines in a single useful handbook the multidisciplinary domains of the petroleum industry, including the fundamental concepts of rock physics, acoustic logging, waveform processing, and geophysical application modeling through graphical examples derived from field data. It includes results from core studies, together with graphics that validate and support the modeling process, and explores all possible facets of acoustic applications in reservoir evaluation for hydrocarbon exploration, development, and drilling support. The Handbook of Borehole Acoustics and Rock Physics for Reservoir Characterization serves as a technical guide and research reference for oil and gas professionals, scientists, and students in the multidisciplinary field of reservoir characterization through the use of petrosonics. It overviews the fundamentals of borehole acoustics and rock physics, with a focus on reservoir evaluation applications, explores current advancements through updated research, and identifies areas of future growth. Presents theory, application, and limitations of borehole acoustics and rock physics through field examples and case studies Features "Petrosonic Workflows" for various acoustic applications and evaluations, which can be easily adapted for practical reservoir modeling and interpretation Covers the potential advantages of acoustic-based techniques and summarizes key results for easy geophysical application