Soundtrack Available

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Soundtrack Available

Author : Arthur Knight,Pamela Robertson Wojcik
Publisher : Duke University Press
Page : 503 pages
File Size : 49,7 Mb
Release : 2001-12-03
Category : Performing Arts
ISBN : 9780822380986

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Soundtrack Available by Arthur Knight,Pamela Robertson Wojcik Pdf

From the silent era to the present day, popular music has been a key component of the film experience. Yet there has been little serious writing on film soundtracks that feature popular music. Soundtrack Available fills this gap, as its contributors provide detailed analyses of individual films as well as historical overviews of genres, styles of music, and approaches to film scoring. With a cross-cultural emphasis, the contributors focus on movies that use popular songs from a variety of genres, including country, bubble-gum pop, disco, classical, jazz, swing, French cabaret, and showtunes. The films discussed range from silents to musicals, from dramatic and avant-garde films to documentaries in India, France, England, Australia, and the United States. The essays examine both “nondiegetic” music in film—the score playing outside the story space, unheard by the characters, but no less a part of the scene from the perspective of the audience—and “diegetic” music—music incorporated into the shared reality of the story and the audience. They include analyses of music written and performed for films, as well as the now common practice of scoring a film with pre-existing songs. By exploring in detail how musical patterns and structures relate to filmic patterns of narration, character, editing, framing, and mise-en-scene, this volume demonstrates that pop music is a crucial element in the film experience. It also analyzes the life of the soundtrack apart from the film, tracing how popular music circulates and acquires new meanings when it becomes an official soundtrack. Contributors. Rick Altman, Priscilla Barlow, Barbara Ching, Kelley Conway, Corey Creekmur, Krin Gabbard, Jonathan Gill, Andrew Killick, Arthur Knight, Adam Knee, Jill Leeper, Neepa Majumdar, Allison McCracken, Murray Pomerance, Paul Ramaeker, Jeff Smith, Pamela Robertson Wojcik, Nabeel Zuberi

The Soundtrack Album

Author : Paul N. Reinsch,Laurel Westrup
Publisher : Routledge
Page : 241 pages
File Size : 45,7 Mb
Release : 2020-02-17
Category : Music
ISBN : 9780429833830

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The Soundtrack Album by Paul N. Reinsch,Laurel Westrup Pdf

The Soundtrack Album: Listening to Media offers the first sustained exploration of the soundtrack album as a distinctive form of media. Soundtrack albums have been part of our media and musical landscape for decades, enduring across formats from vinyl and 8-tracks to streaming playlists. This book makes the case that soundtrack albums are more than promotional tools for films, television shows, or video games— they are complex media texts that reward a detailed analysis. The collection’s contributors explore a diverse range of soundtrack albums, from Super Fly to Stranger Things, revealing how these albums change our understanding of the music and film industries and the audio-visual relationships that drive them. An excellent resource for students of Music, Media Studies, and Film/Screen Media courses, The Soundtrack Album offers interdisciplinary perspectives and opens new areas for exploration in music and media studies.

Soundtrack Available

Author : Pamela Robertson Wojcik,Arthur Knight
Publisher : Duke University Press
Page : 506 pages
File Size : 42,7 Mb
Release : 2001-12-03
Category : Music
ISBN : 0822328003

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Soundtrack Available by Pamela Robertson Wojcik,Arthur Knight Pdf

DIVEssays on film soundtracks composed of popular music (rather than the composed film score) both in relation to the films, and circulating separately on record./div

Reeled In: Pre-existing Music in Narrative Film

Author : Jonathan Godsall
Publisher : Routledge
Page : 232 pages
File Size : 52,6 Mb
Release : 2018-09-12
Category : Music
ISBN : 9781351970440

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Reeled In: Pre-existing Music in Narrative Film by Jonathan Godsall Pdf

How and why is pre-existing music used in films? What effects can its use have on films and their audiences? And what lasting impact can appropriation have on the music? Reeled In is a comprehensive exploration of these questions, considering the cinematic quotation of Beethoven symphonies, Beatles songs, and Herrmann scores alike in films ranging from the early sound era to the present day, and in every role from ‘main title theme’ to ‘music playing in bar’. Incorporating a discussion of such factors as copyright and commerce alongside examination of texts and their effects, this broad study is a significant contribution to the scholarship on music in screen media, demonstrating that pre-existing music possesses unique attributes that can affect both how filmmakers construct their works and how audiences receive them, to an extent regardless of the music’s style, genre, and so on. This book also situates the reception of music by film, and by audiences experiencing that music through film, as significant processes within present-day culture, while more generally providing an illuminating case study of the kinds of borrowings, adaptations, and reinventions that characterize much of today’s art and entertainment.

The Screen Music of Trevor Jones

Author : David Cooper,Ian Sapiro,Laura Anderson
Publisher : Routledge
Page : 246 pages
File Size : 52,5 Mb
Release : 2019-07-08
Category : Music
ISBN : 9781317016625

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The Screen Music of Trevor Jones by David Cooper,Ian Sapiro,Laura Anderson Pdf

The first significant publication devoted entirely to Trevor Jones’s work, The Screen Music of Trevor Jones: Technology, Process, Production, investigates the key phases of his career within the context of developments in the British and global screen-music industries. This book draws on the direct testimony of the composer and members of his team as well as making use of the full range of archival materials held in the University of Leeds’s unique Trevor Jones Archive, which was digitized with support from the Arts and Humanities Research Council. Through a comprehensive series of chapters covering Jones’s early career to his recent projects, this book demonstrates how Jones has been active in an industry that has experienced a prolonged period of major technological change, including the switchover from analogue to digital production and post-production techniques, and developments in computer software for score production and sound recording/editing. This is a valuable study for scholars, researchers and professionals in the areas of film music, film-score production and audio-visual media.

Innovation in Music: Technology and Creativity

Author : Jan-Olof Gullö,Russ Hepworth-Sawyer,Justin Paterson,Rob Toulson,Mark Marrington
Publisher : CRC Press
Page : 348 pages
File Size : 54,7 Mb
Release : 2024-03-27
Category : Music
ISBN : 9781003847960

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Innovation in Music: Technology and Creativity by Jan-Olof Gullö,Russ Hepworth-Sawyer,Justin Paterson,Rob Toulson,Mark Marrington Pdf

Innovation in Music: Technology and Creativity is a groundbreaking collection bringing together contributions from instructors, researchers, and professionals. Split into two sections, covering composition and performance, and technology and innovation, this volume offers truly international perspectives on ever-evolving practices. Including chapters on audience interaction, dynamic music methods, AI, and live electronic performances, this is recommended reading for professionals, students, and researchers looking for global insights into the fields of music production, music business, and music technology.

Music, Modernity, and Publicness in India

Author : Tejaswi Niranjana
Publisher : Oxford University Press
Page : 288 pages
File Size : 46,7 Mb
Release : 2020-02-14
Category : Music
ISBN : 9780190990206

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Music, Modernity, and Publicness in India by Tejaswi Niranjana Pdf

With the onset of modernity in twentieth-century India, new social arrangements gave rise to new forms of music-making. The musicians were no longer performing exclusively in the princely courts or in the private homes of the wealthy. Not only did the act of listening to and appreciating music change, it became an important feature of public life, thus influencing how modernity shaped itself. This volume attempts to study the connections between music and the creation of new ideas of publicness during the early twentieth century. How was music labelled as folk or classical? How did music come to play such a catalytic role in forming identities of nationhood, politics, or ethnicity? And how did twentieth-century technologies of sound reproduction and commercial marketing contribute to changing notions of cultural distinction? Exploring these interdisciplinary questions across multiple languages, regions, and musical genres, the essays provide fresh perspectives on the history of musicians and migration in colonial India, the formation of modern spaces of performance, and the articulation of national as well as nationalist traditions.

The Bloomsbury Handbook of Religion and Popular Music

Author : Christopher Partridge,Marcus Moberg
Publisher : Bloomsbury Publishing
Page : 441 pages
File Size : 53,9 Mb
Release : 2017-04-06
Category : Religion
ISBN : 9781474237345

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The Bloomsbury Handbook of Religion and Popular Music by Christopher Partridge,Marcus Moberg Pdf

The Bloomsbury Handbook of Religion and Popular Music is the first comprehensive analysis of the most important themes and concepts in this field. Drawing on contemporary research from religious studies, theology, sociology, ethnography, and cultural studies, the volume comprises thirty-one specifically commissioned essays from a team of international experts. The chapters explore the principal areas of inquiry and point to new directions for scholarship. Featuring chapters on methodology, key genres, religious traditions and popular music subcultures, this volume provides the essential reference point for anyone with an interest in religion and popular music as well as popular culture more broadly. Religious traditions covered include Christianity, Islam, Judaism, Hinduism, Buddhism, Paganism and occultism. Coverage of genres and religion ranges from heavy metal, rap and hip hop to country music and film and television music. Edited by Christopher Partridge and Marcus Moberg, this Handbook defines the research field and provides an accessible entry point for new researchers in the field.

Women's Music for the Screen

Author : Felicity Wilcox
Publisher : Routledge
Page : 195 pages
File Size : 52,9 Mb
Release : 2021-08-26
Category : Music
ISBN : 9780429559945

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Women's Music for the Screen by Felicity Wilcox Pdf

Women’s Music for the Screen: Diverse Narratives in Sound shines a long-overdue light on the works and lives of female-identifying screen composers. Bringing together composer profiles, exclusive interview excerpts, and industry case studies, this volume showcases their achievements and reflects on the systemic gender biases women have faced in an industry that has long excluded them. Across 16 essays, an international array of contributors present a wealth of research data, biographical content, and musical analysis of film, television, and video game scores to understand how the industry excludes women, the consequences of these deficits, and why such inequities persist – and to document women’s rich contributions to screen music in diverse styles and genres. The chapters amplify the voices of women composers including Bebe Barron, Delia Derbyshire, Wendy Carlos, Anne Dudley, Rachel Portman, Hildur Guðnadóttir, Mica Levi, Winifred Phillips, and more. From the mid-twentieth century to the present, and from classic Hollywood scores to pioneering electronic music, these are the stories and achievements of the women who have managed to forge successful careers in a male-dominated arena. Suitable for researchers, educators, and students alike, Women’s Music for the Screen urges the screen music industry to consider these sounds and stories in a way it hasn’t before: as voices that more accurately reflect the world we all share.

Sound and Music in Film and Visual Media

Author : Graeme Harper,Ruth Doughty,Jochen Eisentraut
Publisher : Bloomsbury Publishing USA
Page : 851 pages
File Size : 54,6 Mb
Release : 2014-10-27
Category : Social Science
ISBN : 9781501305443

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Sound and Music in Film and Visual Media by Graeme Harper,Ruth Doughty,Jochen Eisentraut Pdf

Sound and Music in Film and Visual Media: A Critical Overview is a comprehensive work defining and encapsulating concepts, issues and applications in and around the use of sound in film and the cinema, media/broadcast and new media. Over thirty definitive full-length essays, which are linked by highlighted text and reference material, bring together original research by many of the world's top scholars in this emerging field. Complete with an extensive bibliography, Sound and Music in Film and Visual Media provides the most comprehensive and wide-ranging consideration of this subject yet produced.

Popular Film Music and Masculinity in Action

Author : Amanda Howell
Publisher : Routledge
Page : 250 pages
File Size : 48,5 Mb
Release : 2015-02-11
Category : Social Science
ISBN : 9781134109418

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Popular Film Music and Masculinity in Action by Amanda Howell Pdf

Amanda Howell offers a new perspective on the contemporary pop score as the means by which masculinities not seen—or heard—before become a part of post-World War II American cinema. Popular Film Music and Masculinity in Action addresses itself to an eclectic mix of film, from Elvis and Travolta star vehicles to Bruckheimer-produced blockbuster action, including the work of musically-innovative directors, Melvin Van Peebles, Martin Scorsese, Gregg Araki, and Quentin Tarantino. Of particular interest is the way these films and their representations of masculinity are shaped by generic exchanges among contemporary music, music cultures, and film, combining American cinema's long-standing investment in violence-as-spectacle with similarly body-focused pleasures of contemporary youth music. Drawing on scholarship of popular music and the pop score as well as feminist film and media studies, Howell addresses an often neglected area of gender representation by considering cinematic masculinity as an audio-visual construction. Through her analyses of music’s role in action and other film genres that share its investment in violence, she reveals the mechanisms by which the pop score has helped to reinvent gender—and gendered fictions of male empowerment—in contemporary screen entertainment.

The New Rules of Marketing & PR

Author : David Meerman Scott
Publisher : John Wiley & Sons
Page : 464 pages
File Size : 47,5 Mb
Release : 2013-07
Category : Business & Economics
ISBN : 9781118488768

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The New Rules of Marketing & PR by David Meerman Scott Pdf

Filled with compelling case studies and real-world examples, this pioneering guide presents up-to-date marketing strategies for using the Internet and social media to promote products and services directly to the widest audience. Original.

Movie Music, the Film Reader

Author : Kay Dickinson
Publisher : Psychology Press
Page : 228 pages
File Size : 46,8 Mb
Release : 2003
Category : Motion picture music
ISBN : 0415281601

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Movie Music, the Film Reader by Kay Dickinson Pdf

This reader brings together a wide range of writings to examine the role of music in cinema. Articles by leading critics including Theodor Adorno, Lawrence Grossberg and Lisa A. Lewis explore the function of the soundtrack, the place of song in film, andlook at how cinema has represented music and the music industry.

The New Rules of Marketing and PR

Author : David Meerman Scott
Publisher : John Wiley & Sons
Page : 422 pages
File Size : 54,5 Mb
Release : 2017-07-10
Category : Business & Economics
ISBN : 9781119362449

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The New Rules of Marketing and PR by David Meerman Scott Pdf

The international bestseller—now in a new edition When it comes to marketing, anything goes in the Digital Age, right? Well, not quite. While marketing and public relations tactics do seem to change overnight, every smart businessperson knows that it takes a lot more than the 'next big thing.' The New Rules of Marketing & PR is an international bestseller with more than 375,000 copies sold in twenty-nine languages. In the latest edition of this pioneering guide to the future of marketing, you'll get a step-by-step action plan for leveraging the power of the latest approaches to generating attention for your idea or your business. You'll learn how get the right information to the right people at the right time—at a fraction of the cost of traditional advertising. The Internet continues to change the way people communicate and interact with each other, and if you're struggling to keep up with what's trending in social media, online videos, apps, blogs, or more, your product or service is bound to get lost in the ether. In The New Rules of Marketing & PR, you'll get access to the tried-and-true rules that will keep you ahead of the curve when using the latest and greatest digital spaces to their fullest PR, marketing, and customer-communications potential. Keeping in mind that your audience is savvy and crunched for time, this essential guide shows you how to cut through the online clutter to ensure that your message gets seen and heard. Serves as the ideal resource for entrepreneurs, business owners, marketers, PR professionals, and non-profit managers Offers a wealth of compelling case studies and real-world examples Includes information on new platforms including Facebook Live and Snapchat Shows both small and large organizations how to best use Web-based communication Finally, everything you need to speak directly to your audience and establish a personal link with those who make your business work is in one place.

Turbo-folk Music and Cultural Representations of National Identity in Former Yugoslavia

Author : Uroš Čvoro
Publisher : Routledge
Page : 254 pages
File Size : 44,8 Mb
Release : 2016-03-03
Category : Music
ISBN : 9781317006060

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Turbo-folk Music and Cultural Representations of National Identity in Former Yugoslavia by Uroš Čvoro Pdf

Turbo-folk music is the most controversial form of popular culture in the new states of former Yugoslavia. Theoretically ambitious and innovative, this book is a new account of popular music that has been at the centre of national, political and cultural debates for over two decades. Beginning with 1970s Socialist Yugoslavia, Uroš Čvoro explores the cultural and political paradoxes of turbo-folk: described as ’backward’ music, whose misogynist and Serb nationalist iconography represents a threat to cosmopolitanism, turbo-folk’s iconography is also perceived as a ’genuinely Balkan’ form of resistance to the threat of neo-liberalism. Taking as its starting point turbo-folk’s popularity across national borders, Čvoro analyses key songs and performers in Serbia, Slovenia and Croatia. The book also examines the effects of turbo on the broader cultural sphere - including art, film, sculpture and architecture - twenty years after its inception and popularization. What is proposed is a new way of reading the relationship of contemporary popular music to processes of cultural, political and social change - and a new understanding of how fundamental turbo-folk is to the recent history of former Yugoslavia and its successor states.