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Sourcebook of Contemporary Graphic Design by Maia Francisco Pdf
The Sourcebook of Contemporary Graphic Design is a cutting-edge design anthology featuring material from established and emerging designers around the world, as well as hundreds of full-color examples of work forging new graphic ground across a complete range of visual media. For ease of reference, graphic design illustrations and explanations are categorized according to design type: websites, brochures, posters, company reports, stationary, and promotional materials. Also included is a visual index for quick reference and designers' contact information.
Graphic Design Sourcebook by Charlotte Fiell,Peter Fiell Pdf
Graphic Design Sourcebook surveys the visually stunning, thought-provoking work of 100 groundbreaking practitioners, with projects ranging from websites, apps, banner ads, and infographics to social-issue posters, corporate branding, and interactive media. Every entry includes a biography and a short précis of the creator's approach, written by the designer. An introduction assesses the status of graphic design in our increasingly digitized world and offers predictions of its future trajectory.
Today's world is so flooded with images and information that only the freshest new designs get noticed. But dominating trends and carbon-copy successes often trap designers in been there, done that mediocrity. Inspiration = Ideas helps artists kick their work out of the clone zone and journey into new, uncharted visual territory. The book introduces readers to found design, where inspiration flows not from successful finished designs, but from textures, colors, patterns, and primitive and offbeat imagery. From indigenous design (Brazilian canned good labels), traditional patterns (the hennaed hands of Indian brides), and captivating textures and materials (ikat paper) -- to examples of current local commercial design on simple things like food packaging -- this well-traveled sourcebook brings an endless stream of rare global images and ideas straight to designer's doorsteps. Complete with frequent sidebars that explore how successful designers are inspired by and have used found design in their work, this exotic visual tour will enable artists to bring their work from common and bland to original and beautiful.
Retro Graphics by Jonathan Raimes,Lakshmi Bhaskaran Pdf
Retro Graphics makes it easy for DIY designers to mimic the most prominent styles of the past hundred years. A plethora of authentic design modelsfrom Art Deco and Gothic Revival to Pop Art and Post Modernismare presented and broken down into their component parts in this handy sourcebook. These entries include step-by-step techniques, color palettes, typefaces, illustration styles, and ornamentation to help anyone create the look of such diverse materials as Victorian advertisements and pulp fiction book jackets. History can't be revived, but it can be simulated with this richly illustrated and meticulously researched visual encyclopedia.
The Sourcebook of Contemporary Illustration by Yaiza Nicolas,Andres Gonzalez Fernandez,Alessandro Zanchetta Pdf
The Sourcebook of Contemporary Illustration features the best contemporary illustrations and illustration techniques from around the world. This cutting-edge anthology from Yaiza Nicolas and Andres Gonzalez Fernandez includes both established and emerging illustrators and hundreds of full-color examples of their artwork, catagorized according to theme and organized in a visual index for quick reference.
The rise and rise of new media has resulted in an explosion of new creativity in the field of typography and graphics. ''Emotional Digital'' is a wide-ranging, international selection of today’s most beautiful typefaces introduced by the designers and publishers themselves. From the cult status designers of Emigre, San Francisoc to LettError, The Hague Thirsttype, Chicago Typerware in Barcelona, the comic alphabets of Rian Hughes to the character-filled typeface of Alessio Leonardi, this book offers stimuli for typeface design and layout. A wide range of fonts devised by international cutting-edge graphic design companies are stylishly presented in full-colour spreads. Each profile includes information on where and when the company originates, awards and characteristics of their work.
Font provides a fully integrated visual sourcebook of classic fonts that still resonate with contemporary style for today’s graphic designers. Each font featured in the book is accompanied by the main character setof the principal font along with “typesheet” style examples of the font with specifications. The characteristics of each font, such as vertically stressed oblique serifs or abrupt contrasts, will be highlighted, and the main font will be juxtaposed with other similar fonts for easy cross-referencing.Uniquely for a typeface sourcebook, each font is also shown in situ to give a real-life working context.Broken down into specific typographic classifications, this classic collection provides an inspirationalresource for graphic designers alongside a fully featured type source, allowing designers to makeconsidered font choices without having to trawl through the vast font libraries on offer from mostfont vendors.
"A ready reference aid and an inspiration to designers . All in all the best book now available on symbols." --Library Journal This unparalleled reference represents a major achievement in the field of graphic design. Famed industrial designer Henry Dreyfuss recognized the importance of symbols in communicating more quickly and effectively; for many years he and his staff collected and codified graphic symbols as they are used in all walks of life throughout the world. The result is this "dictionary" of universally used graphic symbols. Henry Dreyfuss designed this sourcebook to be as practical and easy to use as possible by arranging the symbol information within ingeniously devised sections: Basic Symbols represents a concise and highly selective grouping of symbols common to all disciplines (on-off, up-down, etc.). Disciplines provides symbols used in accommodations and travel, agriculture, architecture, business, communications, engineering, photography, sports, safety, traffic controls, and many other areas. Color lists the meanings of each of the colors in various worldwide applications and cultures. Graphic Form displays symbols from all disciplines grouped according to form (squares, circles, arrows, human figures, etc.) creating a unique way to identify a symbol out of context, as well as giving designers a frame of reference for developing new symbols. To make the sourcebook truly universal, the Table of Contents contains translations of each of the section titles and discipline areas into 17 languages in addition to English.
New Graphic Design by Charlotte Fiell,Peter Fiell Pdf
A thought provoking round-up of today's most interesting visual communication projects, 'New Graphic Design' surveys the very latest work from 100 of the world's most exciting and groundbreaking practitioners.
Design Sense by Anistatia R. Miller,Jared M. Brown Pdf
Every professional graphic designer has encountered an enthusiastic client whose hopes and dreams exceed the reality of the project's budget. This is the sourcebook for money-saving contemporary design solutions. Fresh, well-planned, and inventive -- these projects represent the creative vision of an international collection of design firms. Each work featured is a polished example of high-quality design on a limited budget by a respected international design firm. Special printing techniques, dual-purpose designs, new choices in paper, and many more creative techniques -- all are here, in a collection of strong, effective design that stays on budget without sacrificing creativity.
The Graphic Design Reference & Specification Book by Poppy Evans,Aaris Sherin,Irina Lee Pdf
The Graphic Design Reference & Specification Book should always be next to a designer's computer. Completely practical with only the most needed information, this valuable book provides designers with all the little details that can make or break a design, such as how much space to leave in the gutter when designing barrel folds, how to layout a template for a box, and the ratios of each part, as well as metric conversion charts, standard envelope sizes in the USA, Europe, Canada and Asia, and much more. This hardworking handbook is compact and accessible and is a must-have for any graphic designer.
Designing with One Color and Two Colors by Maia Francisco Pdf
How do we overcome the limitations associated with using a palette restricted to one or two colors maximum? What are the tricks and resources employed by some of the best international designers to express complex ideas and concepts without resorting to color? How does color effectively communicate universal messages, transcending language barriers all around the world? Designing with One Color and Two Colors answers these questions and more. A compendium of more than three hundred images of one- and two-tone designs, this book showcases the work of industry innovators. Three-dimensionality, depth, overlays, negative space—all tricks of the trade to overcome limitations with color that, upon closer review, can be used to aesthetic advantage. The designers presented in this book are visionaries, reinterpreting the use of color one tone at a time. Perfect for anyone interested in mastering the design of one and two colors, this book is the ultimate sourcebook of inspiration.
Clients and consumers need designs they can quickly understand—designs that employ clear lines and shapes, clear images and text. In this manner, the work in Minimalist Graphics exemplifies easily readable, timeless designs from contemporary graphic designers who embrace minimalist principles for effective communication. With an introduction exploring the history and significance of minimalist design, Minimalist Graphics is organized into sections revealing a wealth of successful minimalist identity, publication, and printed design projects. Background information is provided for each design by the firm that created it, and a biography section reveals how each firm established itself. The result is a modern and highly inspirational book on a timeless design principle—that less is more and usually better!
This work covers graphic design trends and features the work of dozens of contemporary designers. It identifies and discusses the eclectic design styles of the 1980s, and thematically documents contemporary design, thus placing the achievements of these major designers in a meaningful context.
