Southern Modernist

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Southern Modernist

Author : Louis Mazzari
Publisher : LSU Press
Page : 417 pages
File Size : 44,7 Mb
Release : 2006-12-01
Category : History
ISBN : 9780807131893

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Southern Modernist by Louis Mazzari Pdf

Louis Mazzari brings to the fore one of the most important figures of the southern regionalist movement in the New Deal era. His is the first biography of Arthur Raper, a progressive sociologist, writer, and public intellectual who advocated racial and social justice in the South when such views were not only unpopular but dangerous, effectively laying a foundation for the civil rights movement of the 1950s and 1960s.Raper was one of the first white southern scholars to speak out against lynching, sharecropping, and tenant farming in his pioneering and highly influential books The Tragedy of Lynching(1933), Preface to Peasantry (1936), Sharecroppers All (1941), and Tenants of the Almighty (1943). He also contributed significantly to Gunnar Myrdal's important study of U.S. race relations, An American Dilemma (1944). Mazzari carefully dissects Raper's works, casting them in a larger historical context and examining both the acclaim and anger they elicited in the South. He portrays Raper as a political and social radical fighting against southern racial and economic problems during the country's transition from an agrarian culture to a modern one, in an effort to keep the region from falling even further behind in an increasingly sophisticated world. Hostility toward his beliefs eventually led Raper to leave the South. He worked on the reconstruction of Japan after World War II and in Asia, Africa, and the Middle East at the height of the Cold War, promoting the same mix of federal planning and local control he had practiced in the New Deal South.In the life of Arthur Raper, Mazzari locates a larger story of liberalism in the white South. Raised on a North Carolina tobacco farm and educated at Chapel Hill under Howard Odum, Raper was remarkable for taking up issues of race and class to advocate modern views in a part of the world where adherence to the past was almost pathological -- and then going on to advance a liberal modernist version of Jeffersonian democracy throughout the Third World. He looked critically at the causes of racial violence and successfully conveyed scientific sociology into broad circulation through mass culture.

Southern Vietnamese Modernist Architecture

Author : Mel Schenck
Publisher : Architecture Vietnam Books
Page : 316 pages
File Size : 50,6 Mb
Release : 2020-04-21
Category : Architecture
ISBN : 9780578516585

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Southern Vietnamese Modernist Architecture by Mel Schenck Pdf

"Southern Vietnamese Modernist Architecture" features beautiful architectural photography that illustrates the outstanding accomplishment of the people of southern Vietnam in developing a mid-century modernist architecture that is extraordinary in the world. Especially for Americans, Vietnam has been a war instead of a country. The world didn’t notice that the Vietnamese were simultaneously constructing modern apartment buildings, houses, large public buildings, and public housing as they developed a new nation. And the world didn’t anticipate that this architecture would be so overtly modernist rather than an adaption of traditional Vietnamese designs to the continuation of colonial architecture. In the mid-twentieth century, southern Vietnamese architects developed a version of modernist architecture that accommodated the tropical climate and reflected the identity of a newly-independent culture. It demonstrates the innate sense of design of Vietnamese and it represented the outlook of the people of southern Vietnam as they looked towards the future, even in the face of war. The vast quantity and quality of Vietnamese modernist buildings constructed throughout southern Vietnam made Vietnam an unrecognized center of modernism in the world. Most importantly, the southern Vietnamese as a culture embraced modernism, and it became the vernacular architecture of the culture for dwellings. This architecture features an interplay between masses and voids that provides a much more vibrant version of modernist architecture. This style fills the gaps between the functionalism of the International Style and the quest for identity and spirit that has been lacking in modernism worldwide. American architect Mel Schenck is a long-term immigrant to Vietnam and has been studying this architecture since he was surprised by the extent and quality of modernist architecture in Saigon when he first lived there in 1971/72. He and photographer Alexandre Garel accumulated a database of 400 buildings and 4,000 photographs in southern Vietnam to serve a comprehensive analysis of the history and characteristics of this distinctive architecture. Architectural historians, aficionados of modernist architecture, and anyone interested in Vietnamese culture will find that this book is a positive story about Vietnamese aspirations for independence and the value of modernist architecture in living in the world today.

After Southern Modernism

Author : Matthew Guinn
Publisher : Univ. Press of Mississippi
Page : 233 pages
File Size : 48,6 Mb
Release : 2011-06-14
Category : Literary Criticism
ISBN : 9781604738896

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After Southern Modernism by Matthew Guinn Pdf

The literature of the contemporary South might best be understood for its discontinuity with the literary past. At odds with traditions of the Southern Renascence, southern literature of today sharply refutes the Nashville Agrarians and shares few of Faulkner's and Welty's concerns about place, community, and history. This sweeping study of the literary South's new direction focuses on nine well established writers who, by breaking away from the firmly ensconced myths, have emerged as an iconoclastic generation- -- Harry Crews, Dorothy Allison, Bobbie Ann Mason, Larry Brown, Kaye Gibbons, Randall Kenan, Richard Ford, Cormac McCarthy, and Barry Hannah. Resisting the modernist methods of the past, they have established their own postmodern ground beyond the shadow of their predecessors. This shift in authorial perspective is a significant indicator of the future of southern writing. Crews's seminal role as a ground-breaking "poor white" author, Mason's and Crews's portrayals of rural life, and Allison's and Brown's frank portrayals of the lower class pose a challenge to traditional depictions of the South. The dissenting voices of Gibbons and Kenan, who focus on gender, race, and sexuality, create fiction that is at once identifiably "southern" and also distinctly subversive. Gibbons's iconoclastic stance toward patriarchy, like the outsider's critique of community found in Kenan's work, proffers a portrait of the South unprecedented in the region's literature. Ford, McCarthy, and Hannah each approach the South's traditional notions of history and community with new irreverence and treat familiar southern topics in a distinctly postmodern manner. Whether through Ford's generic consumer landscape, the haunted netherworld of McCarthy's southern novels, or Hannah's riotous burlesque of the Civil War, these authors assail the philosophical and cultural foundations from which the Southern Renascence arose. Challenging the conventional conceptions of the southern canon, this is a provocative and innovative contribution to the region's literary study.

Southern/Modern

Author : Jonathan Stuhlman,Martha R. Severens
Publisher : UNC Press Books
Page : 722 pages
File Size : 50,5 Mb
Release : 2023-04-19
Category : Art
ISBN : 9781469674094

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Southern/Modern by Jonathan Stuhlman,Martha R. Severens Pdf

Inspired by a companion exhibition, Southern/Modern is the first book to survey progressive art created in the American South during the first half of the twentieth century. Featuring twelve essays, this lavishly illustrated volume includes all the works from the exhibition and assesses a broader body of contextual pieces to offer a fascinating, multipronged look at modernism's thriving presence in the South—until now, something largely overlooked in histories of American art. Contributors take a broad view of the region, considering artists working in the states below the Mason-Dixon Line and those bordering the Mississippi River. It examines the central roles played by women and artists of color, providing a fuller, richer, and more accurate overview of the artistic activity in the region than has been previously presented. The book is structured around key themes, including the embrace of "high" modernism, the importance of emerging university programs and artist colonies, the depiction of rural and urban modern life, and the role of artists from the South who left and artists from outside the region who came to the South seeking new subjects. Contributors are Daniel Belasco, Katelyn D. Crawford, William Underwood Eiland, William R. Ferris, Shawnya Harris, Todd A. Herman, Karen Towers Klacsmann, Leo G. Mazow, Christopher C. Oliver, Jeffrey Richmond-Moll, Martha R. Severens, Jonathan Stuhlman, Rebecca VanDiver, and Jonathan Frederick Walz.

World War I and Southern Modernism

Author : David A. Davis
Publisher : Univ. Press of Mississippi
Page : 240 pages
File Size : 49,9 Mb
Release : 2017-11-27
Category : Literary Criticism
ISBN : 9781496815422

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World War I and Southern Modernism by David A. Davis Pdf

Winner of the 2018 Eudora Welty Prize When the United States entered World War I, parts of the country had developed industries, urban cultures, and democratic political systems, but the South lagged behind, remaining an impoverished, agriculture region. Despite New South boosterism, the culture of the early twentieth-century South was comparatively artistically arid. Yet, southern writers dominated the literary marketplace by the 1920s and 1930s. World War I brought southerners into contact with modernity before the South fully modernized. This shortfall created an inherent tension between the region's existing agricultural social structure and the processes of modernization, leading to distal modernism, a form of writing that combines elements of modernism to depict non-modern social structures. Critics have struggled to formulate explanations for the eruption of modern southern literature, sometimes called the Southern Renaissance. Pinpointing World War I as the catalyst, David A. Davis argues southern modernism was not a self-generating outburst of writing, but a response to the disruptions modernity generated in the region. In World War I and Southern Modernism, Davis examines dozens of works of literature by writers, including William Faulkner, Ellen Glasgow, and Claude McKay, that depict the South during the war. Topics explored in the book include contact between the North and the South, southerners who served in combat, and the developing southern economy. Davis also provides a new lens for this argument, taking a closer look at African Americans in the military and changing gender roles.

After Southern Modernism

Author : Matthew Guinn
Publisher : Unknown
Page : 240 pages
File Size : 51,7 Mb
Release : 2000
Category : American fiction
ISBN : UOM:39015049649026

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After Southern Modernism by Matthew Guinn Pdf

A provocative reckoning of the challenging new direction southern literature has taken in the works of nine authors

Keywords for Southern Studies

Author : Jennifer Rae Greeson
Publisher : University of Georgia Press
Page : 425 pages
File Size : 47,9 Mb
Release : 2016-08-15
Category : Literary Criticism
ISBN : 9780820349626

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Keywords for Southern Studies by Jennifer Rae Greeson Pdf

In Keywords for Southern Studies, editors Scott Romine and Jennifer Rae Greeson have compiled an eclectic collection of new essays that address the fluidity of southern studies by adopting a transnational, interdisciplinary focus. The essays are structured around critical terms pertinent both to the field and to modern life in general. The nonbinary, nontraditional approach of Keywords unmasks and refutes standard binary thinking—First World/Third World, self/other, for instance—that postcolonial studies revealed as a flawed rhetorical structure for analyzing empire. Instead, Keywords promotes a holistic way of thinking that begins with southern studies but extends beyond.

John Gould Fletcher and Southern Modernism

Author : Lucas Carpenter
Publisher : Unknown
Page : 184 pages
File Size : 53,8 Mb
Release : 1990
Category : Literary Criticism
ISBN : UOM:39015017935126

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John Gould Fletcher and Southern Modernism by Lucas Carpenter Pdf

Lucas Carpenter argues that the tendency to view Fletcher as an Imagist turned Fugitive-Agrarian obscures the complexity of the poet's work and that Fletcher is instead the prototype of the Southern modernist writer.

The Cambridge Companion to American Modernism

Author : Walter Kalaidjian
Publisher : Cambridge University Press
Page : 360 pages
File Size : 45,9 Mb
Release : 2005-04-28
Category : Literary Criticism
ISBN : 052182995X

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The Cambridge Companion to American Modernism by Walter Kalaidjian Pdf

Original essays by twelve distinguished international scholars offer critical overviews of the major genres, literary culture, and social contexts that define the current state of scholarship. This Companion also features a chronology of key events and publication dates covering the first half of the twentieth century in the United States. The introductory reference guide concludes with a current bibliography of further reading organized by chapter topics.

Conceived in Modernism

Author : Aimee Armande Wilson
Publisher : Bloomsbury Publishing USA
Page : 160 pages
File Size : 42,9 Mb
Release : 2015-12-17
Category : Literary Criticism
ISBN : 9781501307157

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Conceived in Modernism by Aimee Armande Wilson Pdf

Current debates about birth control can be surprisingly volatile, especially given the near-universal use of contraception among American and British women. Conceived in Modernism: The Aesthetics and Politics of Birth Control offers a new perspective on these debates by demonstrating that the political positions surrounding birth control have roots in literary concerns, specifically those of modernist writers. Whereas most scholarship treats modernism and birth control activism as parallel, but ultimately separate, movements, Conceived in Modernism shows that they were deeply intertwined. This book argues not only that literary concerns exerted a lasting influence on the way activists framed the emerging politics of contraception, but that birth control activism helped shape some of modernism's most innovative concepts. By revealing the presence of literary aesthetics in the discourse surrounding birth control, Conceived in Modernism helps us see this discourse as a variable facet rather than a permanent bulwark of reproductive rights debates.

Modern Sentimentalism

Author : Lisa Mendelman
Publisher : Oxford University Press, USA
Page : 256 pages
File Size : 44,6 Mb
Release : 2020-01-23
Category : Literary Criticism
ISBN : 9780198849872

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Modern Sentimentalism by Lisa Mendelman Pdf

Modern Sentimentalism examines how American female novelists reinvented sentimentalism in the modernist period. Just as the birth of the modern woman has long been imagined as the death of sentimental feeling, modernist literary innovation has been understood to reject sentimental aesthetics. Modern Sentimentalism reframes these perceptions of cultural evolution. Taking up icons such as the New Woman, the flapper, the free lover, the New Negro woman, and the divorcee, this book argues that these figures embody aspects of a traditional sentimentality while also recognizing sentiment as incompatible with ideals of modern selfhood. These double binds equally beleaguer the protagonists and shape the styles of writers like Willa Cather, Edith Wharton, Anita Loos, and Jessie Fauset. 'Modern sentimentalism' thus translates nineteenth-century conventions of sincerity and emotional fulfillment into the skeptical, self-conscious modes of interwar cultural production. Reading canonical and under-examined novels in concert with legal briefs, scientific treatises, and other transatlantic period discourse, and combining traditional and quantitative methods of archival research, Modern Sentimentalism demonstrates that feminine feeling, far from being peripheral to twentieth-century modernism, animates its central principles and preoccupations.

Southern Cultures

Author : Harry L. Watson,Jocelyn Neal
Publisher : UNC Press Books
Page : 128 pages
File Size : 44,8 Mb
Release : 2012-03-01
Category : History
ISBN : 9780807837627

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Southern Cultures by Harry L. Watson,Jocelyn Neal Pdf

In the Spring 2012 issue of Southern Cultures… Blood rains. Snow falls. Bourbon makes the man. Irish Americans redefine black and white. Camp Wah-Kon-Dah glows in the embers of old memories. The great teacher Arthur Raper opens minds, hearts, and doors. And the creative spaces of geniuses await the next act. Table of Contents Front Porch by Harry L. Watson "What happens to frontier manhood when blacks, women, and gays drink bourbon too—and white fraternity boys get stuck with Smirnoff Ice from time to time?" Every Ounce a Man's Whiskey?: Bourbon in the White Masculine South by Sean S. McKeithan "The hot bite of the Bourbon sensuously connects the body of the drinker to nation, region, and locale, enjoining his experience with those of imagined, historical bodies, soaking up space and place in the slow burn of what appears an endless southern summertime." Native Ground: Photographs by Rob McDonald "If convention has it right, these are writers who bear something close to a genetic predisposition to produce a literature suffused with place." Turned Inside Out: Black, White, and Irish in the South by Bryan Giemza "As a place where Black and Green were in perpetual contact, the Atlantic South furnishes an ideal case study in how these peoples moved with, against, and around one another." "God First, You Second, Me Third": An Exploration of "Quiet Jewishness"at Camp Wah- Kon- Dah by Marcie Cohen Ferris "This was an anxious time for American Jews, stung by the anti- Semitic quotas and discrimination of the interwar years and the growing horror regarding the fate of European Jewry as the Holocaust came to light in the 1940s." "A Mind- Opening Influence of Great Importance": Arthur Raper at Agnes Scott College by Clifford M. Kuhn "He was such an eye- opener to me . . . such a reversal of the whole way you think about life and society." "For the Scrutiny of Science and the Light of Revelation": American Blood Falls by Tom Maxwell "Showers of blood, however dreadful, were not news. Pliny, Cicero, Livy, and Plutarch mentioned rains of blood and flesh. Zeus makes it rain blood, 'as a portent of slaughter,' in Homer's Iliad." Mason- Dixon Lines Bourbon Poetry by R. T. Smith ". . . Earl was a steady liar who never in his life solved a single crime, to hear my father tell it, an improvident soul prone to nocturnal misdemeanors himself . . ." Southern Snow by Nancy Hatch Woodward "There's a silence in a snowy dawn that forces you to look anew at what has been transformed from the customary landscape of your day- to- day life. Dogwoods glisten in their silver finery; bowing fir limbs form a secret cathedral." Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.

Labor Pains

Author : Christin Marie Taylor
Publisher : Univ. Press of Mississippi
Page : 196 pages
File Size : 54,9 Mb
Release : 2019-04-24
Category : Social Science
ISBN : 9781496821799

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Labor Pains by Christin Marie Taylor Pdf

From the 1930s to the 1960s, the Popular Front produced a significant era in African American literary radicalism. While scholars have long associated the black radicalism of the Popular Front with the literary Left and the working class, Christin Marie Taylor considers how black radicalism influenced southern fiction about black workers, offering a new view of work and labor. At the height of the New Deal era and its legacies, Taylor examines how southern literature of the Popular Front not only addressed the familiar stakes of race and labor but also called upon an imagined black folk to explore questions of feeling and desire. By poring over tropes of black workers across genres of southern literature in the works of George Wylie Henderson, William Attaway, Eudora Welty, and Sarah Elizabeth Wright, Taylor reveals the broad reach of black radicalism into experiments with portraying human feelings. These writers grounded interrelationships and stoked emotions to present the social issues of their times in deeply human terms. Taylor emphasizes the multidimensional use of the sensual and the sexual, which many protest writers of the period, such as Richard Wright, avoided. She suggests Henderson and company used feeling to touch readers while also questioning and reimagining the political contexts and apparent victories of their times. Taylor shows how these fictions adopted the aesthetics and politics of feeling as a response to New Deal–era policy reforms, both in their successes and their failures. In effect, these writers, some who are not considered a part of an African American protest tradition, illuminated an alternative form of protest through poignant paradigms.

Bridging Southern Cultures

Author : John Lowe
Publisher : LSU Press
Page : 342 pages
File Size : 54,7 Mb
Release : 2005
Category : History
ISBN : 0807130311

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Bridging Southern Cultures by John Lowe Pdf

A multicultural, interdisciplinary panorama of past and contemporary southern society are captured in "Bridging Southern Culture" by some of the South's leading historians, anthropologists, literary critics, musicologists, and folklorists. Using the best of recent scholarship, this collection demonstrates a revitalized energy in southern studies. A showcase of preeminent southern intellectuals, this book is is a heady mix of observations that draw new connections between eras, groups, races, and subregions. Lowe and his peers present a timely assessment of the state of southern studies in the twenty-first century.

Race and New Modernisms

Author : K. Merinda Simmons,James A. Crank
Publisher : Bloomsbury Publishing
Page : 225 pages
File Size : 55,5 Mb
Release : 2019-09-05
Category : Literary Criticism
ISBN : 9781350030411

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Race and New Modernisms by K. Merinda Simmons,James A. Crank Pdf

From the Harlem and Southern Renaissances to postcolonial writing in the Caribbean, Race and New Modernisms introduces and critically explores key issues and debates on race and ethnicity in the study of transnational modernism today. Topics covered include: · Key terms and concepts in scholarly discussions of race and ethnicity · European modernism and cultural appropriation · Modernism, colonialism, and empire · Southern and Harlem Renaissances · Social movements and popular cultures in the modernist period Covering writers and artists such as Josephine Baker, W.E.B. Du Bois, T.S. Eliot, William Faulkner, Marcus Garvey, Édouard Glissant, Ernest Hemingway, Zora Neale Hurston, Claude McKay, and Paul Robeson, the book considers the legacy of modernist discussions of race in twenty-first century movements such as Black Lives Matter.