Speaking Of Films

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Speaking of Films

Author : Satyajit Ray
Publisher : Penguin Books India
Page : 242 pages
File Size : 40,9 Mb
Release : 2005
Category : Performing Arts
ISBN : 0144000261

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Speaking of Films by Satyajit Ray Pdf

Presents India's greatest film-maker on the art and craft of films. Speaking of Films brings together some of Ray's most memorable writings on film and film-making. With the masterly precision and clarity that characterize his films, Ray discusses a wide array of subjects: the structure and language of cinema with special reference to his adaptations of Tagore and Bibhuti Bhushan Bandopadhyay, the appropriate use of background music and dialogue in films, the relationship between a film-maker and a film critic, and important developments in cinema like the advent of sound and colour. He also writes about his own experiences, the challenges of working with rank amateurs, and the innovations called for when making a film in the face of technological, financial and logistical constraints. In the process, Ray provides fascinating behind-the-scenes glimpses of the people who worked with him - the intricacies of getting Chhabi Biswas, who had no ear for music, to play a patron of classical music in Jalsaghar, the incredible memory of the seventy-five-year-old Chunibala Devi, Indir Thakrun of Pather Panchali, and her remarkable attention to details.

Satyajit Ray on Cinema

Author : Satyajit Ray
Publisher : Columbia University Press
Page : 208 pages
File Size : 50,9 Mb
Release : 2013-04-02
Category : Art
ISBN : 9780231535472

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Satyajit Ray on Cinema by Satyajit Ray Pdf

Satyajit Ray, one of the greatest auteurs of twentieth century cinema, was a Bengali motion-picture director, writer, and illustrator who set a new standard for Indian cinema with his Apu Trilogy: Pather Panchali (Song of the Little Road) (1955), Aparajito (The Unvanquished) (1956), and Apur Sansar (The World of Apu) (1959). His work was admired for its humanism, versatility, attention to detail, and skilled use of music. He was also widely praised for his critical and intellectual writings, which mirror his filmmaking in their precision and wide-ranging grasp of history, culture, and aesthetics. Spanning forty years of Ray's career, these essays, for the first time collected in one volume, present the filmmaker's reflections on the art and craft of the cinematic medium and include his thoughts on sentimentalism, mass culture, silent films, the influence of the French New Wave, and the experience of being a successful director. Ray speaks on the difficulty of adapting literary works to screen, the nature of the modern film festival, and the phenomenal contributions of Jean-Luc Godard and the Indian actor, director, producer, and singer Uttam Kumar. The collection also features an excerpt from Ray's diaries and reproduces his sketches of famous film personalities, such as Sergei Eisenstein, Charlie Chaplin, and Akira Kurosawa, in addition to film posters, photographs by and of the artist, film stills, and a filmography. Altogether, the volume relays the full extent of Ray's engagement with film and offers extensive access to the thought of one of the twentieth-century's leading Indian intellectuals.

The Routledge Encyclopedia of Films

Author : Sabine Haenni,Sarah Barrow,John White
Publisher : Routledge
Page : 711 pages
File Size : 42,8 Mb
Release : 2014-09-15
Category : Social Science
ISBN : 9781317682608

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The Routledge Encyclopedia of Films by Sabine Haenni,Sarah Barrow,John White Pdf

The Routledge Encyclopedia of Films comprises 200 essays by leading film scholars analysing the most important, influential, innovative and interesting films of all time. Arranged alphabetically, each entry explores why each film is significant for those who study film and explores the social, historical and political contexts in which the film was produced. Ranging from Hollywood classics to international bestsellers to lesser-known representations of national cinema, this collection is deliberately broad in scope crossing decades, boundaries and genres. The encyclopedia thus provides an introduction to the historical range and scope of cinema produced throughout the world.

Speaking Truths with Film

Author : Bill Nichols
Publisher : Univ of California Press
Page : 294 pages
File Size : 55,5 Mb
Release : 2016-04-05
Category : Performing Arts
ISBN : 9780520290402

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Speaking Truths with Film by Bill Nichols Pdf

"What issues, of both form and content, shape the documentary film? What role does visual evidence play in relation to a documentary's arguments about the world in which we live? Can a documentary be believed, and why or why not? How do documentaries abide by or subvert ethical expectations? Are mockumentaries a form of subversion? In what ways can the documentary be an aesthetic experience and at the same time have political or social impact? And how can such impacts be empirically measured? Pioneering film scholar Bill Nichols investigates the ways in which documentaries strive for accuracy and truthfulness, but simultaneously fabricate a form that shapes reality. Such films may rely on re-enactment to re-create the past, storytelling to provide satisfying narratives, and rhetorical figures such as metaphor and expressive forms such as irony to make a point. In many ways documentaries are a fiction unlike any other. With clarity and passion, Nichols offers close readings of several provocative documentaries including Land without Bread, Restrepo, The Thin Blue Line, The Act of Killing, and Steve Jobs: The Man in the Machine as part of an authoritative examination of the layered approaches and delicate ethical balance demanded of documentary filmmakers"--Provided by publisher.

Speaking the Language of Desire

Author : Raymond Carney
Publisher : CUP Archive
Page : 388 pages
File Size : 47,9 Mb
Release : 1989-03-31
Category : Performing Arts
ISBN : 0521378079

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Speaking the Language of Desire by Raymond Carney Pdf

Although Carl Dreyer is universally acknowledged to be one of the supreme masters of world cinema, it is one of the oddities of film history that beyond The Passion of Joan of Arc, his works have seldom had the general recognition that they undeniable deserve. This book is an attempt to bring his films to the awareness of contemporary filmgoers everywhere. The author argues that the key to an understanding of Dryers work is to be found in an appreciation of his distinctive style.

The Palgrave Handbook of the Philosophy of Film and Motion Pictures

Author : Noël Carroll,Laura T. Di Summa,Shawn Loht
Publisher : Springer Nature
Page : 1047 pages
File Size : 49,9 Mb
Release : 2019-10-30
Category : Philosophy
ISBN : 9783030196011

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The Palgrave Handbook of the Philosophy of Film and Motion Pictures by Noël Carroll,Laura T. Di Summa,Shawn Loht Pdf

This handbook brings together essays in the philosophy of film and motion pictures from authorities across the spectrum. It boasts contributions from philosophers and film theorists alike, with many essays employing pluralist approaches to this interdisciplinary subject. Core areas treated include film ontology, film structure, psychology, authorship, narrative, and viewer emotion. Emerging areas of interest, including virtual reality, video games, and nonfictional and autobiographical film also have dedicated chapters. Other areas of focus include the film medium’s intersection with contemporary social issues, film’s kinship to other art forms, and the influence of historically seminal schools of thought in the philosophy of film. Of emphasis in many of the essays is the relationship and overlap of analytic and continental perspectives in this subject.

Impersonal Enunciation, or the Place of Film

Author : Christian Metz
Publisher : Columbia University Press
Page : 279 pages
File Size : 44,8 Mb
Release : 2016-02-02
Category : Art
ISBN : 9780231540643

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Impersonal Enunciation, or the Place of Film by Christian Metz Pdf

Christian Metz is best known for applying Saussurean theories of semiology to film analysis. In the 1970s, he used Sigmund Freud's psychology and Jacques Lacan's mirror theory to explain the popularity of cinema. In this final book, Metz uses the concept of enunciation to articulate how films "speak" and explore where this communication occurs, offering critical direction for theorists who struggle with the phenomena of new media. If a film frame contains another frame, which frame do we emphasize? And should we consider this staging an impersonal act of enunciation? Consulting a range of genres and national trends, Metz builds a novel theory around the placement and subjectivity of screens within screens, which pulls in—and forces him to reassess—his work on authorship, film language, and the position of the spectator. Metz again takes up the linguistic and theoretical work of Benveniste, Genette, Casetti, and Bordwell, drawing surprising conclusions that presage current writings on digital media. Metz's analysis enriches work on cybernetic emergence, self-assembly, self-reference, hypertext, and texts that self-produce in such a way that the human element disappears. A critical introduction by Cormac Deane bolsters the connection between Metz's findings and nascent digital-media theory, emphasizing Metz's keen awareness of the methodological and philosophical concerns we wrestle with today.

Inventing Film Studies

Author : Lee Grieveson,Haidee Wasson
Publisher : Duke University Press
Page : 481 pages
File Size : 46,9 Mb
Release : 2008-11-24
Category : Performing Arts
ISBN : 9780822388678

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Inventing Film Studies by Lee Grieveson,Haidee Wasson Pdf

Inventing Film Studies offers original and provocative insights into the institutional and intellectual foundations of cinema studies. Many scholars have linked the origins of the discipline to late-1960s developments in the academy such as structuralist theory and student protest. Yet this collection reveals the broader material and institutional forces—both inside and outside of the university—that have long shaped the field. Beginning with the first investigations of cinema in the early twentieth century, this volume provides detailed examinations of the varied social, political, and intellectual milieus in which knowledge of cinema has been generated. The contributors explain how multiple instantiations of film study have had a tremendous influence on the methodologies, curricula, modes of publication, and professional organizations that now constitute the university-based discipline. Extending the historical insights into the present, contributors also consider the directions film study might take in changing technological and cultural environments. Inventing Film Studies shows how the study of cinema has developed in relation to a constellation of institutions, technologies, practices, individuals, films, books, government agencies, pedagogies, and theories. Contributors illuminate the connections between early cinema and the social sciences, between film programs and nation-building efforts, and between universities and U.S. avant-garde filmmakers. They analyze the evolution of film studies in relation to the Museum of Modern Art, the American Film Council movement of the 1940s and 1950s, the British Film Institute, influential journals, cinephilia, and technological innovations past and present. Taken together, the essays in this collection reveal the rich history and contemporary vitality of film studies. Contributors: Charles R. Acland, Mark Lynn Anderson, Mark Betz, Zoë Druick, Lee Grieveson, Stephen Groening, Haden Guest, Amelie Hastie, Lynne Joyrich, Laura Mulvey, Dana Polan, D. N. Rodowick, Philip Rosen, Alison Trope, Haidee Wasson, Patricia White, Sharon Willis, Peter Wollen, Michael Zryd

Learning with the Lights Off

Author : Devin Orgeron,Marsha Orgeron,Dan Streible
Publisher : Oxford University Press
Page : 544 pages
File Size : 49,7 Mb
Release : 2012-01-19
Category : Education
ISBN : 9780195383843

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Learning with the Lights Off by Devin Orgeron,Marsha Orgeron,Dan Streible Pdf

'Learning With the Lights Off' is the first collection of essays to address the phenomenon of film's educational uses in 20th-century America. Each essay analyzes in close detail some crucial aspect of educational film history, ranging from case studies of films and filmmakers to analyses of genres and broader historical assessments.

Same and Other

Author : Mai Palmberg,Maria Eriksson Baaz
Publisher : Nordic Africa Institute
Page : 216 pages
File Size : 55,7 Mb
Release : 2001
Category : Art
ISBN : 917106477X

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Same and Other by Mai Palmberg,Maria Eriksson Baaz Pdf

The idea of African Otherness has occupied a central role in discourses on cultural production in Africa, whether film, literature, music or the arts. These claims, articulated both by ‘Western' and ‘African' critics and consumers, means that particular criteria and standards are adopted in relation to cultural production in Africa. The claim to African Otherness is gaining new strength in the wake of globalization, but it is also increasingly challenged by a number of contemporary artists. This book deals with the question of relevance and meaning of the signifier in various fields of contemporary cultural production in Africa.

Critical Dictionary of Film and Television Theory

Author : Roberta Pearson,Philip Simpson
Publisher : Routledge
Page : 800 pages
File Size : 52,9 Mb
Release : 2005-12-08
Category : Performing Arts
ISBN : 9781134716975

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Critical Dictionary of Film and Television Theory by Roberta Pearson,Philip Simpson Pdf

The Critical Dictionary of Film and Television Theory clearly and accessibly explains the major theoretical approaches now deployed in the study of the moving image, as well as defining key theoretical terms. This dictionary provides readers with the conceptual apparatus to understand the often daunting language and terminology of screen studies. Entries include: *audience * Homi K. Bhabha * black cinema * the body * children and media * commodification * cop shows * deep focus * Umberto Eco * the gaze * Donna Haraway * bell hooks * infotainment * master narrative * medical dramas * morpheme * myth * panopticon * pastiche * pleasure * real time * social realism * sponsorship * sport on television * subliminal * third cinema * virtual reality Consultant Editors: David Black, USA, William Urricchio, University of Utrecht, The Netherlands, Gill Branston, Cardiff University, UK ,Elayne Rapping, USA

What, After All, Is a Work of Art?

Author : Joseph Margolis
Publisher : Penn State Press
Page : 162 pages
File Size : 42,8 Mb
Release : 2010-11-01
Category : Art
ISBN : 9780271038681

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What, After All, Is a Work of Art? by Joseph Margolis Pdf

Speaking of Monsters

Author : Caroline Joan S. Picart,John Edgar Browning
Publisher : Springer
Page : 326 pages
File Size : 42,8 Mb
Release : 2012-07-16
Category : Social Science
ISBN : 9781137101495

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Speaking of Monsters by Caroline Joan S. Picart,John Edgar Browning Pdf

Employing a range of approaches to examine how "monster-talk" pervades not only popular culture but also public policy through film and other media, this book is a "one-stop shop" of sorts for students and instructors employing various approaches and media in the study of "teratologies," or discourses of the monstrous.

Speaking about Godard

Author : Kaja Silverman,Harun Farocki
Publisher : NYU Press
Page : 259 pages
File Size : 55,6 Mb
Release : 1998-07-01
Category : Social Science
ISBN : 9780814739709

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Speaking about Godard by Kaja Silverman,Harun Farocki Pdf

A leading film theorist and a filmmaker discuss the lasting contributions of the most prominent living filmmaker, Jean Luc-Godard Probably the most prominent living filmmaker, and one of the foremost directors of the postwar era, Jean Luc-Godard has received astonishingly little critical attention in the United States. With Speaking about Godard, leading film theorist Kaja Silverman and filmmaker Harun Farocki have made one of the most significant contributions to film studies in recent memory: a lively set of conversations about Godard and his major films, from Contempt to Passion. Combining the insights of a feminist film theorist with those of an avant-garde filmmaker, these eight dialogues–each representing a different period of Godard's film production, and together spanning his entire career–get at the very heart of his formal and theoretical innovations, teasing out, with probity and grace, the ways in which image and text inform one another throughout Godard's oeuvre. Indeed, the dialogic format here serves as the perfect means of capturing the rhythm of Godard's ongoing conversation with his own medium, in addition to shedding light on how a critic and a director of films respectively interpret his work. As it takes us through Godard's films in real time, Speaking about Godard conveys the sense that we are at the movies with Silverman and Farocki, and that we, as both student and participant, are the ultimate beneficiaries of the performance of this critique. Accessible, informative, witty, and, most of all, entertaining, the conversations assembled here form a testament to the continuing power of Godard's work to spark intense debate, and reinvigorate the study of one of the great artists of our time.

Speaking in Subtitles

Author : Tessa Dwyer
Publisher : Edinburgh University Press
Page : 240 pages
File Size : 55,8 Mb
Release : 2017-05-18
Category : Performing Arts
ISBN : 9781474410960

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Speaking in Subtitles by Tessa Dwyer Pdf

Over 6000 different languages are used in the world today, but the conventions of 'media speak' are far from universal and the complexities of translation are rarely acknowledged by the industry, audiences or scholars. Redressing this neglect, Speaking in Subtitles argues that the specific contingencies of translation are vital to screen media's global storytelling. Looking at a range of examples, from silent era intertitling to contemporary crowdsourced subtitling, and from avant-garde dubbing to the increasing practice of 'fansubbing', Tessa Dwyer proposes that screen media itself is a fundamentally 'translational' field.