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Author : John Crossingham
Publisher : Owlkids
Page : 0 pages
File Size : 43,7 Mb
Release : 2009
Category : Popular music
ISBN : 1897349645
From songwriting and artwork to shooting a video and setting up a practice space, Learn to Speak Music explores every aspect of the world of popular music.
Author : Keith Chapin,Andrew H. Clark
Publisher : Fordham Univ Press
Page : 345 pages
File Size : 45,9 Mb
Release : 2013-07
Category : Literary Criticism
ISBN : 9780823251384
Addresses the ways that writers, musicians, philosophers, politicians, critics, and scholars speak of music from varying standpoints and in varying ways
Author : Gerald Klickstein
Publisher : Oxford University Press, USA
Page : 357 pages
File Size : 42,5 Mb
Release : 2009-08-06
Category : Music
ISBN : 9780199711291
In The Musician's Way, veteran performer and educator Gerald Klickstein combines the latest research with his 30 years of professional experience to provide aspiring musicians with a roadmap to artistic excellence. Part I, Artful Practice, describes strategies to interpret and memorize compositions, fuel motivation, collaborate, and more. Part II, Fearless Performance, lifts the lid on the hidden causes of nervousness and shows how musicians can become confident performers. Part III, Lifelong Creativity, surveys tactics to prevent music-related injuries and equips musicians to tap their own innate creativity. Written in a conversational style, The Musician's Way presents an inclusive system for all instrumentalists and vocalists to advance their musical abilities and succeed as performing artists.
Author : Deborah Wong
Publisher : Routledge
Page : 400 pages
File Size : 52,6 Mb
Release : 2004-07-19
Category : Music
ISBN : 9781135878245
Speak It Louder: Asian Americans Making Music documents the variety of musics-from traditional Asian through jazz, classical, and pop-that have been created by Asian Americans. This book is not about "Asian American music" but rather about Asian Americans making music. This key distinction allows the author to track a wide range of musical genres. Wong covers an astonishing variety of music, ethnically as well as stylistically: Laotian song, Cambodian music drama, karaoke, Vietnamese pop, Japanese American taiko, Asian American hip hop, and panethnic Asian American improvisational music (encompassing jazz and avant-garde classical styles). In Wong's hands these diverse styles coalesce brilliantly around a coherent and consistent set of questions about what it means for Asian Americans to make music in environments of inter-ethnic contact, about the role of performativity in shaping social identities, and about the ways in which commercially and technologically mediated cultural production and reception transform individual perceptions of time, space, and society. Speak It Louder: Asian Americans Making Music encompasses ethnomusicology, oral history, Asian American studies, and cultural performance studies. It promises to set a new standard for writing in these fields, and will raise new questions for scholars to tackle for many years to come.
Author : Christian DesJardins
Publisher : Unknown
Page : 392 pages
File Size : 43,8 Mb
Release : 2006
Category : Music
ISBN : UOM:39015064213419
Designed to speak clearly and intelligently to non-musicians and musicians alike, "Inside Film Music" is a must for every film music fan. Through its forty-plus lively, insightful interviews, it delves deeply into the creative process, the basics of musical thought, filmmaking's collaborative nature, and the individual psyches of its participating composers. It covers every current style of film music, the essence of what it means to write a score for motion pictures ... and much more. Composers featured included Academy Award Winners John Barry (Dances with Wolves, Out of Africa, Goldfinger); Rachel Portman (Mona Lisa Smile, The Cider House Rules, Chocolat); Stephen Warbeck (Shakespeare in Love); and Gabriel Yared (Cold Mountain, The Talented Mr. Ripley, City of Angels, The English Patient). Also interviewed are Academy Award Nominees John Debney (Sin City, The Passion of the Christ, Bruce Almighty, Spy Kids); Philip Glass (The Hours, Kundun); Mark Isham (Freedom Writers, The Black Dahlia, Home for the Holidays, Quiz Show); Marc Shaiman (How Harry Met Sally, Ghosts of Mississippi, A Few Good Men, City Slickers, Misery); and Alan Silvestri (Back to the Future, Forrest Gump, The Polar Express). Additionally there is commentary from Marco Beltrami (Hellboy,The Terminator 3); Mychael Danna (Little Miss Sunshine, Capote); Cliff Martinez (Wonderland, Traffic, Sex, Lies and Videotape); and Jeff Rona (TV series: Homicide, Chicago Hope, Profiler).
Author : Keith Chapin,Andrew H. Clark
Publisher : Unknown
Page : 344 pages
File Size : 45,9 Mb
Release : 2022
Category : MUSIC
ISBN : 0823292614
People chat about music every day, but they also treat it as a limit, as the boundary of what is sayable. By addressing different perspectives and traditions that form and inform the speaking of music in Western culture--musical, literary, philosophical, semiotic, political--this volume offers a unique snapshot of today's scholarship on speech about music. The range of considerations and material is wide. Among others, they include the words used to interpret musical works (such as those of Beethoven), the words used to channel musical practices (whether Bach's, Rousseau's, or Hispanic political protesters'), and the words used to represent music (whether in a dialogue by Plato, in a story by Balzac, or in an Italian popular song). The contributors consider the ways that music may slide by words, as in the performance of an Akpafu dirge or in Messiaen, and the ways that music may serve as an embodied figure, as in the writings of Diderot or in the sound and body art of Henri Chopin. The book concludes with an essay by Jean-Luc Nancy.
Author : Andrea Lindmayr-Brandl,Elisabeth Giselbrecht,Grantley McDonald
Publisher : Routledge
Page : 384 pages
File Size : 52,7 Mb
Release : 2018-03-14
Category : Music
ISBN : 9781315281438
The book draws upon the rich information gathered for the online database Catalogue of early German printed music / Verzeichnis deutscher Musikfrühdrucke (vdm), the first systematic descriptive catalogue of music printed in the German-speaking lands between c. 1470 and 1540, allowing precise conclusions about the material production of these printed musical sources. Chapters 8 and 9 of this book are freely available as downloadable Open Access PDFs at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Author : Leigh VanHandel
Publisher : Routledge
Page : 672 pages
File Size : 49,8 Mb
Release : 2020-02-19
Category : Music
ISBN : 9780429012723
Today’s music theory instructors face a changing environment, one where the traditional lecture format is in decline. The Routledge Companion to Music Theory Pedagogy addresses this change head-on, featuring battle-tested lesson plans alongside theoretical discussions of music theory curriculum and course design. With the modern student in mind, scholars are developing creative new approaches to teaching music theory, encouraging active student participation within contemporary contexts such as flipped classrooms, music industry programs, and popular music studies. This volume takes a unique approach to provide resources for both the conceptual and pragmatic sides of music theory pedagogy. Each section includes thematic "anchor" chapters that address key issues, accompanied by short "topics" chapters offering applied examples that instructors can readily adopt in their own teaching. In eight parts, leading pedagogues from across North America explore how to most effectively teach the core elements of the music theory curriculum: Fundamentals Rhythm and Meter Core Curriculum Aural Skills Post-Tonal Theory Form Popular Music Who, What, and How We Teach A broad musical repertoire demonstrates formal principles that transcend the Western canon, catering to a diverse student body with diverse musical goals. Reflecting growing interest in the field, and with an emphasis on easy implementation, The Routledge Companion to Music Theory Pedagogy presents strategies and challenges to illustrate and inspire, in a comprehensive resource for all teachers of music theory.
Author : Michael B. Bakan
Publisher : Oxford University Press
Page : 288 pages
File Size : 54,7 Mb
Release : 2018-05-08
Category : Music
ISBN : 9780190855840
Since the advent of autism as a diagnosed condition in the 1940s, the importance of music in the lives of autistic people has been widely observed and studied. Articles on musical savants, extraordinary feats of musical memory, unusually high rates of absolute or "perfect" pitch, and the effectiveness of music-based therapies abound in the autism literature. Meanwhile, music scholars and historians have posited autism-centered explanatory models to account for the unique musical artistry of everyone from Béla Bartók and Glenn Gould to "Blind Tom" Wiggins. Given the great deal of attention paid to music and autism, it is surprising to discover that autistic people have rarely been asked to account for how they themselves make and experience music or why it matters to them that they do. In Speaking for Ourselves, renowned ethnomusicologist Michael Bakan does just that, engaging in deep conversations--some spanning the course of years--with ten fascinating and very different individuals who share two basic things in common: an autism spectrum diagnosis and a life in which music plays a central part. These conversations offer profound insights into the intricacies and intersections of music, autism, neurodiversity, and life in general, not from an autistic point of view, but rather from many different autistic points of view. They invite readers to partake of a rich tapestry of words, ideas, images, and musical sounds that speak to both the diversity of autistic experience and the common humanity we all share.
Author : Michael Bakan,Professor of Ethnomusicology Michael Bakan,Graeme Gibson,Elizabeth J. Grace,Zena Hamelson,Dotan Nitzberg,Gordon Peterson
Publisher : Oxford University Press, USA
Page : 288 pages
File Size : 42,8 Mb
Release : 2020-10
Category : Electronic
ISBN : 019754312X
In Music and Autism: Speaking for Ourselves, renowned ethnomusicologist Michael Bakan engages in deep conversations-some spanning the course of years-with ten unique and fascinating individuals who share two basic things in common: an autism spectrum diagnosis and a life in which music is central. The result is a profound yet accessible exploration of how people make and experience music, and of why it matters to them that they do, one whose rich tapestry of words, images, and musical sounds speaks to both the extraordinary diversity of autistic experience and the common humanity we all share.
Author : Adham Hamed
Publisher : Springer
Page : 114 pages
File Size : 53,7 Mb
Release : 2016-06-08
Category : Psychology
ISBN : 9783658142087
Adham Hamed explores how a metaphoric understanding of the Middle East as an open space full of resonating sound bodies can be applied to the Middle East Conflict. Through inquiring into the experienced truths of large-scale political violence, the author suggests that music carries a potential for speaking ‘unspeakable’ truths. He explores hidden layers by applying the transrational approach to peace studies and proposes a non-territorial understanding of conflict. Hamed argues that security and justice discourses make up the dominant primary themes in this context. The Jerusalem Youth Chorus and the Egyptian band Eskenderella are examined as case studies. This book uncovers where their truths meet within and beyond the restrictions of formalized language. The author concludes that in moments of experienced resonance there is potential for change in the dynamics of rigid conflicts.
Author : John C. Tibbetts,Michael Saffle,William A. Everett
Publisher : Springer
Page : 362 pages
File Size : 54,5 Mb
Release : 2018-09-29
Category : Social Science
ISBN : 9783319924717
Performing Music History offers a unique perspective on music history and performance through a series of conversations with women and men intimately associated with music performance, history, and practice: the musicians themselves. Fifty-five celebrated artists—singers, pianists, violinists, cellists, flutists, horn players, oboists, composers, conductors, and jazz greats—provide interviews that encompass most of Western music history, from the Middle Ages to contemporary classical music, avant-garde innovations, and Broadway musicals. The book covers music history through lenses that include “authentic” performance, original instrumentation, and social context. Moreover, the musicians interviewed all bring to bear upon their respective subjects three outstanding qualities: 1) their high esteem in the music world as immediately recognizable names among musicians and public alike; 2) their energy and devotion to scholarship and the recovery of endangered musical heritages; and 3) their considerable skills, media savvy, and showmanship as communicators. Introductory essays to each chapter provide brief synopses of historical eras and topics. Combining careful scholarship and lively conversation, Performing Music History explores historical contexts for a host of fascinating issues.
Author : Richard Taruskin
Publisher : Univ of California Press
Page : 556 pages
File Size : 49,7 Mb
Release : 2016-09-06
Category : Music
ISBN : 9780520288089
This new collection views Russian music through the Greek triad ofÊÒthe Good, the True, and the BeautifulÓ to investigateÊhow the idea of "nation" embeds itself in the public discourse about music and other arts with results at times invigorating, at times corrupting. In our divided, postÐCold War, and now postÐ9/11 world, Russian music, formerly a quiet corner on the margins of musicology, has become a site of noisy contention. Richard Taruskin assesses the political and cultural stakes that attach to it in the era of Pussy Riot and renewed international tensions, before turning to individual cases from the nineteenth century to the present. Much ofÊthe volume is devoted to the resolutely cosmopolitan but inveterately Russian Igor Stravinsky, one of the major forces in the music of the twentieth century and subject of particular interest to composers and music theorists all over the world. Taruskin here revisits him for the first time since the 1990s, when everything changed for Russia and its cultural products. Other essays are devoted to the cultural and social policies of the Soviet Union and their effect on the music produced there as those policies swung away from Communist internationalism to traditional Russian nationalism; to the musicians of the Russian postrevolutionary diaspora; andÊto the tension between the compelling artistic quality of works such as StravinskyÕs Sacre du Printemps or ProkofieffÕs Zdravitsa and the antihumanistic or totalitarian messages they convey. Russian Music at Home and Abroad addresses these concerns in a personal and critical way, characteristically demonstrating TaruskinÕs authority and ability toÊbring living history out of the shadows.
Author : Jan Balodis
Publisher : Unknown
Page : 220 pages
File Size : 53,7 Mb
Release : 1990
Category : Music
ISBN : 0733300367
Author : Robin Wallace
Publisher : University of Chicago Press
Page : 294 pages
File Size : 49,5 Mb
Release : 2021-10-06
Category : Biography & Autobiography
ISBN : 9780226815367
We're all familiar with the image of a fierce and scowling Beethoven, struggling doggedly to overcome his rapidly progressing deafness. That Beethoven continued to play and compose for more than a decade after he lost his hearing is often seen as an act of superhuman heroism. But the truth is that Beethoven's response to his deafness was entirely human. And by demystifying what he did, we can learn a great deal about Beethoven's music. Perhaps no one is better positioned to help us do so than Robin Wallace, who not only has dedicated his life to the music of Beethoven but also has close personal experience with deafness. One day, at the age of forty-four, Wallace's late wife, Barbara, found she couldn't hear out of her right ear-the result of radiation administered to treat a brain tumor early in life. Three years later, she lost hearing in her left ear as well. Over the eight and a half years that remained of her life, despite receiving a cochlear implant, Barbara didn't overcome her deafness or ever function again like a hearing person. Wallace shows here that Beethoven didn't do those things, either. Rather than heroically overcoming his deafness, as we're commonly led to believe, Beethoven accomplished something even more difficult and challenging: he adapted to his hearing loss and changed the way he interacted with music, revealing important aspects of its very nature in the process. Creating music became for Beethoven a visual and physical process, emanating from visual cues and from instruments that moved and vibrated. His deafness may have slowed him down, but it also led to works of unsurpassed profundity.